Some Persian Raks & Roll
November 12, 2009 at 11:32 pm | In Garage Rock, Iran, Music, mp3 | Leave a Comment
The last few years records of rare and current pop from Africa have been coming out from the likes of Analog Africa, Mississippi Records and Sound Way, Sublime Frequencies and Honest Jon’s on a weekly basis. The heightened exposure of African pop has been a boon, but if you’ve been looking stuff outside of Africa the pickings have been a bit more slim. Say you were looking for for garage sounds from Persia you probably been coming up empty handed. The other day I was flipping through records over at Sonic Boom in Ballard and came across this beautiful cover (above) in the new release bin. Who knew that Iran even had a psychedelic garage scene in the 1960’s? I sure didn’t, but there it was as plane as day, 17 Golden Garage Psych Nuggets from the Iranian 60’s Scene (released back in April of this year). My curiosity had been piqued and I pulled the record from the bin, paid more than I probably should have for it and with a rush of excitement went home and put it on the turntable.
I’m pretty sure that the Persian Gulf and the Arabian Sea have little to no surf. Lack of any big waves along the Persian coast did not seem to stop the Ventures from becoming a pretty big influence in Iran in the 1960’s because more than a couple of the songs on this compilation have that surf, twang sound that the Tacoma band perfected. That kind of makes sense, because the Ventures specialized in instrumental rock and thus there were no lyrics to decipher or translate just the primal stomp of the guitar, bass and drums. It wasn’t all Ventures influence in 1960’s Iran, Ojooba Ha get a little psychedelic Circa the Beatles‘ Revolver on one song and then go all Morricone on another, the Littles have a Mamas & the Papas thing goin’ on, and Group Takhala La could be the Iranian Animals. There is also some funk courtesy a strange cover of Respect from Googoosh. Based on this record it seems like the scene in Iran at this time was both diverse and exciting.
The record has extensive liner notes that set the scene and try to explain how Iran has always been at a tug of war between religion and a Western affectation that many people in the country have. It also tries to piece together a history of the bands on the record, but because of Iran’s closed society the task is left up to afficionatos from the Netherlands and Turkey. The liner notes, like the record, leave you with a vague sense of the 60’s rock scene in Iran and wanting to find out more about it. The entire thing leaves me hoping that this isn’t just a one-off release. There is more, and if this has you curious about rock n’ roll in Iran I found a compilation that came out in 2004 of the Iranian punk scene called The Persian New Waves (Mawdj-e Naw e Farsi), but it looks to be out of print. I haven’t found a copy (digital or otherwise) yet, but I’ll keep hunting.
mp3: Moha Jamin – Sheshwa Heshat Moho Jamin
mp3: Kousash – Hadjme Khali
You can get the record at Bomp , Insound or Rough Trade. All three currently have it in stock.
Commentary While Listening
November 6, 2009 at 12:44 am | In 7 inch, Music, Vinyl | 6 CommentsTags: Best Coast, Explode Into Colors, Fergus & Geronimo, Frat Dad, Girls At Dawn, Mantles, Nat Johnson & the Figurheads, Signed Papercuts, The Vibrarians
Sometimes just blurting out what you think is more fun than actually thinking things through and formulating an opinion. I was down in the basement tonight listening to records and what follows are my stream of conscious reviews of what I listened to.

(Slumberland/Dulc-i-Tone)
Mantles - Bad Design – Cave-like rock, reverb vocals (looking forward to this trend winding down). Nice guitar solo. This is as poppy as Don’t Lie, the best song on their album that came out on Siltbreeze.
Mantles – Rachel – A little heavier and more warped than the A-side, but it still has that ringing guitar that lightens it up a bit.

(Art Fag)
Best Coast – Sun Was High (So Was I) - And to think I almost didn’t buy this. Wow what a great A-side. Again with the reverb vocals, but it’s not too distracting. I hope the reverb vocal isn’t to the late aughts what the echo/synth drums was to the 80’s.
Best Coast – So Gone – Simple song that could have easily been a Shangri-La’s song 40 years ago.
Best Coast – That’s the Way Boys Are – This single is easily 3 for 3. Love the heyyy-eyyy’s. This record is pretty perfect and the cover of a 70’s jammed LA freeway is nice too.
![]()
(Hozac)
Girls At Dawn – Never Enough – First thought: Tiger Trap. If you thought the Vivian Girls sounded like Tiger Trap you were wrong. Girls at Dawn do. Very minimalist guitar strumming, a bit of organ and little girl singing. Catchy, especially for record collector geeks like myself.
Girls At Dawn – Every Night - Lots of Da Da Da’s and lyrics about dreaming about you every night…that’s why they call it a b-side.

(Damaged Goods)
Nat Johnson & The Figureheads – Wonderful Emergency – Okay, finally someone that doesn’t hide behind reverb’d vocals. Nat has left Monkey Swallows the Universe, but is still walkin’ on sunshine. It’s bright and poppy with a bass solo at the bridge.
Nat Johnson & The Figureheads – Don’t Worry Baby – Yes, it’s a Beach Boys cover, from Pet Sounds no less. Not sure about it though, it’s kind of a non-event. I think my mom would like this song, but she would prefer the original, as do I.

(Tic Tac Totally!)
Fergus & Geronimo – Blind Muslim Girl – I have no idea what this song is about but it is catchy as hell. “Blind Muslim girl, if you like me then I will guide you around the world”. This song is so fast paced that I thought I had it on the wrong speed. Love the bouncy guitar parts at the bridge.
Fergus & Geronimo – Powerful Lovin’ – Blues organ and singing, not unlike the A-side to their Transparent 7″. These guys bring it, love the soul aspect to their songs.

(Underwater Peoples)
Frat Dad – Greg the Nerd – This one’s noisy and devolves into more noise. I like the team singing and the geeky enthusiasm. They’re like a lower-fi Nodzzz, singing about elementary school.
Frat Dad – Freak In Nature – Much mellower b-side, well at first, then it swells into a big bombastic chorus. I like the restraint and then the wild abandon. B-side wins!

(Cloudberry)
Signed Papercuts – Of My Heart – Airy guitars that remind me of St. Christopher. This song evokes wind in your face and swirling leaves in a one of those mini-tornadoes and the Icicle Works. Big Wedding Present-ish crashing guitars at the end. Whew, I’m out of breath!
Signed Papercuts – Sound of Silence Pt. 2 – The guitars sound almost exactly the same as the a-side except the song isn’t as good and neither is the singing. The a-side is definitely what you want here.

(M’Lady’s)
Explode Into Colors – Coffins - This band is supposedly the best new band in Portland. Will hyperbole never die? It’s got a cool drum thing going on. Big booms, lots of big booms. The singer has this kind of old lady southern drawl to how she sings/chants. I like the drums.
Explode Into Colors – Sharpen the Knife – More drums and more tribal-like chanting/singing. She’s got kind of a Siouxsie thing going on, but enough to make me really like this.

(K)
The Vibrarians – Red Light – Great guitar riff. Can’t understand a word the singer’s singing for all the reverb, but that’s not the point I don’t think. This could be an Oh Sees song, in fact you could tell people that and they might believe you. This came out a while ago but didn’t seem to get much attention, probably because Olympia isn’t cool like it was back in the late 80’s and early 90’s.
The Vibrarians – Modern Walker – These guys are all about the riff and sound. This one’s like a marching riff with vocals echoing all over the place. Did I mention they sound like Thee Oh Sees?
The Vibrarians – The Woods – I can actually make out a few lyrics here, but I still don’t care because the song just rocks in that same cave stomping style of the other two . I wonder if they take the Liz Frasier approach to lyrics?
Pomplamoose Not Pamplemousse
November 3, 2009 at 11:34 pm | In Music, Video, mp3 | Leave a CommentTags: Pomplamoose

Kids these days with their Twitters, Tumblers, secondLifes, Vimeos and YouTubes, there seems to be an endless number of time wasters or outlets depending on your point of view. Pomplamoose who are a boy-girl duo from San Francisco Bay area have decided to make YouTube their outlet of choice racking 20 plus videos for their original songs and a ton of covers as well. All the videos are of Nataly Dawn and Jack Conte in their home studio playing the songs for the camera with lots of quick cuts, split screens, and other tricks to that make the videos strangely compelling. Although, some border on goofy and after a while even a little bit annoying, but in the end it’s the music that grabs you and keeps you hitting the replay button. I should also mention that Nataly Dawn is easy on the eyes. She has this kind of innocent deer in the headlights look as she sings into the camera that has gotta keep people coming back to watch. With over 45,000 subscribers to their channel, they seem like they are a kind of cult YouTube phenomenon.
The duo have just put out EP of eight original songs that they’re calling what else, Videosongs. Dawn sings the songs with and ennuie that belies her years, over minimal and spacious backing. Pomplamoose are kind of jazz and kind of pop and they’re not afraid to tackle songs from varying genres of music. Covers include Beyonce’s Single Ladies, the Chordettes‘ Mister Sandman, Edith Piaf’s La Vie en Rose, Earth Wind & Fire’s September and Nat King Cole’s Nature Boy. So head on over to Pomplamoose’s YouTube channel and waste invest some time listing and watching.
mp3: Pomplamoose – Twice As Nice (from Videosongs, buy)
YouTube: Pomplamoose’s channel which has videos for all of the cover versions mentioned plus more.
MySpace: You can download a few more songs for free on the band’s MySpace page.
Too Late for Halloween: Basementcast #8
November 1, 2009 at 10:52 pm | In Basementcast, Music, Podcasts | 1 Comment
photo from Providence Journal photo / Sandor Bodo
People are nuts. Why would you ever want to grow a 1,725 pound pumpkin? I suppose so that you could say that you did. Apparently pumpkin growing is like horse breeding, you gotta get the right seed from a sire that has the right genes. The seed for this big beauty came from a former world record holder. The funny thing about this picture, besides the obvious, is that it came from northeast Ohio, about 30 miles from where I grew up. In case you ever wondered what it was like growing up in sl-Ohio, I can tell you it was just slightly more exciting than this picture. Depending on your point of view (world record pumpkin growers excepted), something a little more exiting is the new basementcast. It weighs a whole lot less, you can fit in your pocket, and you won’t need five guys to help you with it.
download: basementcast #8 (~170 Mb)
The Sky Drops – Sentimental
Fungi Girls – Pacifica Nostalgia
The Spits – 19 Million A.C.
Fergus & Geronimo – Tell It (In My Ear)
Sam Cooke – Sugar Dumpling
White Wires – Pretty Girl
Firefly Effect – Never by your side
Cosmos- Grapes Of Wrath
The Kindness Kind – Labor Day
Tap Tap – Straight To Hell
Headlights - Secrets
Beat Happening – Bewitched
Black Box Recorder – Up Town Top Ranking
Peter Tsotsi, Nashil Pichen, & The Equator Sound Band – Pole Musa
Cerys Matthews – Into The Blue
Ladytron – He Took Her To A Movie
Rose Elinor Dougall – Fallen Over
Hope Factory – The Folly Of Being Comforted
Kevin Ayers – Stranger In Blue Suede Shoes
Lofty Heights – Eye Contact
Black Whales – Young Blood
Aidan Moffat & The Best-Ofs – The Last Kiss
Dutchess and the Duke – Side By Side
Ganglians – Blood On The Sand
Velez Manifesto – Pop Song
Trailer Trash Tracys – Candy Girl
Bob McFadden & Dor – The Mummy
Three For Your Monday
October 25, 2009 at 10:16 pm | In 7 inch, Music, Vinyl, mp3 | Leave a CommentTags: Captured Tracks, Ganglians, Lofty Heights, Trouble In Mind, Unit Rad, White Wires

Seven inch records always take a lot of hits for being inferior in sound to the almighty 12″, but at my house, on my turntable they rule the roost. Who’s got time to listen to an entire 12″ these days? For me it’s a hell of a lot more fun to throw on a new one every three minutes or so, and a few have been lighting up my turntable this past weekend.
Ganglians – Blood on the Sand on Captured Tracks: This latest batch of records from Captured Tracks could their best yet with the Christmas Island, German Measles and Spectrals singles all winning time on the old record player, but my favorite of the litter is Ganglians 7 inch. Don’t tell anyone, but one of the guitar riffs on the a-side reminds me of Hershey, Pennsylvania’s Ocean Blue. Don’t worry the Ganglians haven’t gone all navel-gazing Brit-pop, but this is the most immediate thing this Sacramento, California have come up with yet. Guitars seem to swoop in from all directions, the bass rumbles like it was stolen from a goth band, drums crash and it all ends in a cacophonous mess. Wow!
mp3: Ganglians – Blood on the Sand
White Wires - Pretty Girl on Trouble in Mind: The beginning guitar riff sounds kinda like Boat’s Prince of Tacoma, but Ottawa’s White Wires take the a route similar to one the Fresh & Onlys have been down, but White Wires do it in a more straightforward and immediate way. Trouble in Mind is a new label out of Chicago which is batting a 1000. That may be a bit much, but they are three for three with this, the Fresh & Onlys and CoCoComa singles and the future looks pretty bright too with singles on the way from Cave Weddings, Ty Segal and Wheels on Fire. Yay, new killer label! Boo, more money out the door.
mp3: White Wires – Pretty Girl
Lofty Heights – Eye Contact on Unit Rad – Is this guy a long lost member of Gorky’s Zygotic Mynci? No, but Lofty Heights’ Greg Griffin could be Euros Childs‘ American doppelganger. A Californian living in the UK with a sense of history both pop and otherwise. The A-side starts with a Beach Boys falsetto intro and then goes on to discuss the sun setting on the American Empire. Has it really been all down hill for the US since Pet Sounds? No matter, the downfall of an empire has never sounded so good.
Dutchess and the Duke at the Crocodile
October 11, 2009 at 11:00 pm | In Crocodile, Gigs, Music, Seattle | 1 CommentTags: Dead Ghosts, Dutchess & the Duke, Meth Teeth
Dutchess & the Duke | Dead Ghosts | Meth Teeth at the Crocodile – 9 October 2009

Listening to the Dutchess and the Duke punk rock might not be the first thing that comes to mind. On the surface, they are two folkies with acoustic guitars singing harmony laden songs. The punk attitude comes out in fits and spurts though. They had begun to play I Am Just a Ghost which starts out quiet before roaring into a haunting harmonic crescendo and the talkers at the Crocodile nearly drowned them out. Not one to grin and bear it, Kimberly Morrison yells into the mic, “Shut the Fuck Up!” That is the kind of attitude that spills over into their songs and makes what in the hands of a couple hippies would be just boring mopey songs, but with the Dutchess and the Duke they turn into punk rock songs. Things also make a little more sense when you look at their history. Morrison has played in the Intelligence and plays bass in Unnatural Helpers while Jesse Lortz’s former band was the lo-fi garage rockers Fe-Fi Fo Fums.
Their second album Sunset/Sunrise which was just release this past week is a very similar to their debut, but a little darker in it’s sound and more introspective in the lyrical subject matter Jesse Lortz tackles. Sunset/Sunrise also sees Kimberly Morrison more prominently featured with not only her harmonies getting more play, but she takes the lead on two of the new songs. Friday night at the Crocodile the Dutchess and the Duke were at full power, the duo was augmented with drums, keyboard, and bass (Ruben Mendez from the Coconut Coolouts). The harmonies are the cornerstone of the Dutchess and the Duke and the entire band got in on the action, replicating what Lortz and Morrison created in the studio. This was the first time I really noticed Lortz’s prowess on guitar, his leads seem simple, but his Johnny Cash crossed with Velvet Underground playing gave the songs on this night a little more allure, not that they needed any. In the age of fixing vocals in the recording studio for people who can’t sing, Lortz and Morrison are the real deal. They ain’t faking it. Real punks never would, would they?
mp3: Dutchess & the Duke – Living This Life (from Sunset/Sunrise, buy it from Hardly Art)
Of the two opening bands I was looking forward to seeing Meth Teeth who are from Portland and have an album out on Brooklyn’s Woodsist records. Like most things on Woodsist, Meth Teeth could be described as lo-fi. Live, they were just that, no more, no less.
The surprise of the night was Vancouver’s Dead Ghosts (redundant right?). As I watched their shambolic set I could not stop smiling. Their drummer with his tall lanky frame packed behind the kit reminded me of Rick Menck of Velvet Crush except he didn’t get up and come out to the mic to talk to the audience between songs. One guitarist broke a string mid set, but they didn’t seem to be deterred and shambled on. I’m a fan of Italy’s Love Boat and San Francisco’s Nodzzz and so are these guys. They’ve got a handful of singles out to date, but are apparently recording a full length with Bryan Sandridge who did the first Dutchess and the Duke Record. Looking forward to that, indeed. Here’s video I shot of one of their songs:
Dutchess & the Duke set list and tour dates after the click…
Continue reading Dutchess and the Duke at the Crocodile…
Psych Pop Week: Afternoon Naps
October 8, 2009 at 9:05 am | In Cleveland, Music, Psychedlic Pop, mp3 | Leave a CommentTags: Afternoon Naps, Happy Happy Birthday to Me

Image by Daniele Young taken from the Afternoon Naps MySpace
Welcome to day three of psych pop week here at the Finest Kiss. No we won’t be going down memory lane talking about bands like the West Coast Pop Art Experimental Band, Love, Left Bank, the Elephant 6 Collective, or Witch Hazel. Instead we’ll be covering some new records that dip their feet into the psychedelic ink jar.
Day three takes us to Cleveland, Ohio and the Afternoon Naps. Their second album is called Parade, and has just been released by Happy Happy Birthday to Me on limited edition CD and LP (their 2007 album Sunbeam was self-released). You may not equate Northeast Ohio with psychedelic pop, but there is some precedence in bands like Youngstown’s Human Beinz and the afore mentioned Witch Hazel who were from Kent. Parade is a study in sublime pastoral sunbeams, and just the thing to help you get through the gray cloudy days of winter. It’s bright pop hooks and production are along the same lines of the Essex Green and Ladybug Transistor. In the indiepop universe studies have shown that listening to the Afternoon Naps is more effective than light treatment in treating Seasonal Affective Disorder, so go ahead put it on an brighten not only your day but your outlook on life.
mp3: Afternoon Naps - Bubblegum 45 (from Parade, buy from HHBTM)
Reverbing In Ballard
October 1, 2009 at 10:48 pm | In Ballard, Festivals, Music, Seattle | Leave a CommentTags: Reverb Festival

Reverb Fest is this Saturday in Ballard. It’s not just in Ballard, it actually takes over Ballard, going off simultaneously in 10 different venues all within about three blocks of one another. Reverb is not just like any other of onslaught of festivals we seem to get around these parts. What’s the difference? Every band playing has to be a card carrying resident of Seattle, and it’s cheap. For a mere $10 you can spend the entire day taking in huge variety that is the Seattle music scene. You can catch the neo-shoegaze of Levator and Eric Blood, Brent Amaker & the Rodeo’s whiskey soaked rockabilly, the Raggedy Anns‘ Muswell Hillbillies era Kinks songs, Kay Kay and His Weathered Underground ganja soaked kitchen sink pop, Hip Hop from Thee Satisfaction, Fresh Espresso and Champagne Champagne, the garage party sounds of the Coconut Coolouts and Unnatural Helpers, and the grrl rock of the Visqueen, Tea Cozies, Redwood Plan and Telepathic Liberation Army. It’s not just music though, for the more high minded the Long Winters’ John Roderick will moderate a mayoral debate between the two finalists Joe Mallahan and Mike McGinn which promises to not only be informative but entertaining (drunk people at a mayoral debate can only lead to much heckling). Oh yeah, and there will be liquor, but you gotta pay extra for that. Not sure who to see? Sponsors the Seattle Weekly have put together a handy zip file of mp3’s, one from each band or artist playing so you can do some pre-festival research. You’re bound to find something you like, and you’re bound to just happen into some place, grab a beer and see a great gig.
Download the zip of mp3’s here.
Strategicate about where and when to be here
Another Teenage Riot
September 30, 2009 at 11:42 am | In 7 inch, Music, mp3 | Leave a CommentTags: Norway, Oslo Grammofon, Sally Suicide

photo by steinin from Sally Suicide’s mySpace
Sally Suicide who come from Norway and have just released their second 7 inch on Oslo Grammofon. It incorporates hazy psychedelia and droning guitars that I wouldn’t necessarily call shoegaze, but it reminds me of a couple bands that were kind of on the periphery of that scene like the House of Love and Ultravivid Scene. The A-side is a bright sunny pop song with a chorus that reminds me of the Who’s Mary Anne With the Shakey Hand for obvious reasons. The B-side has a penchant for the more straightforward pop side of Sonic Youth. It starts off as a droner but turns into a swirling, Byrdsian drugged out storm. It’s a vast improvement from their first single that came out two years ago on We Hate. Looks like taking two years off between singles was brilliant move.
mp3: Sally Suicide – Overtime (buy the 7 inch from Oslo Grammofon)
LA River Pipe
September 29, 2009 at 12:32 pm | In 7 inch, Music, Sarah Records, mp3 | Leave a CommentTags: Devon Williams, East River Pipe, Merge, Slumberland

photo from Geneve Rege’s flickr
Anyone familiar with F.M. Corong’s East River Pipe knows what kind of beautiful melancholy that can pour out of a life-long east coaster. I always thought that the stereotypical laid-back west coaster wasn’t capable of creating something sounding anything like an East River Pipe. Of course my assumption is wrong, tales of heartache and depression are universal. Devon Williams who comes from La-La-Los Angeles reiterates that point with his solitary and suffering songs. This isn’t the first we’ve heard of this dour fellow, you may recognize him from Lavender Diamond, Champagne Socialists (now called Neverever), or heard his album Carefree from last year that came out on Ba Da Bing. Just as Sarah Records snapped up East River Pipe, Slumberland has nabbed Mr. Williams and the first fruits of this destined marriage is a 7 inch single with a an album coming sometime in the near future.
mp3: Devon Williams – Who Cares About Forever (order the 7 inch from Slumberland)
And here’s one from my favorite East River Pipe album Poor Fricky.
mp3: East River Pipe – Superstar In France (buy Poor Fricky from Merge)
Blog at WordPress.com. | Theme: Pool by Borja Fernandez.
Entries and comments feeds.







