Sunshine or Headlights
November 9, 2009 at 11:23 pm | In Gigs, Seattle, Sunset Tavern | 1 CommentTags: Headlights, Polyvinyl
Headlights at the Sunset Tavern, Seattle | 8 November 2009

Headlights third album Wildlife, which came out on Polyvinyl last month, is something of a departure from this Champaign, Illinois band’s previous records. For starters it’s a much more confident, relaxed, prettier and not as straightforward as the previous two records. I kind of like the fact that it’s not so obvious. That’s not to say it doesn’t have pop songs on it, it’s just that the band seems to present them from odd perspectives. One moment embracing Chicago-style post-rock, the next they’re going for the orchestral pop jugular, and then sneaking in some fancy ethereal guitar pop effects.
That’s a lot of stuff to pack in a van and head out on the road with, but Headlights brought all of that and more to the Sunset Tavern in Ballard last night. Besides the harmonies of keyboardist Erin Fein and guitarist Tristan Wraight there was the amazing rhythm section of drummer Brett Sanderson and Nick Sanborn. Watching Sanderson own the drums was easily the highlight of the set and something I hadn’t noticed listing to their records. His drumming had this trashcan staccato sound to it that reminded me of Stephen Morris of New Order, back when he actually played drums. The Sanderson-Sanborn rhythm section seemed to be mentally joined at the hip and their fluent playing drove the songs into a more immediate and intense directions, but didn’t overpower Fein and Wraight’s bright singing. Now that winter has decided to set in with its dark skies, rain and general gloom I know I depend more and more on bands being able to bring that summer rush of sunshine back into my life. Sunday night the Headlights did exactly that. An hour long sun-break that provided enough vitamin D to get me through the week.
mp3: Headlights – Get Going (from Wildlife, buy it from Polyvinly)
Das BOAT
August 9, 2009 at 12:46 am | In Gigs, Seattle, Sunset Tavern | Leave a CommentTags: Boat, Nightgowns, Tacoma
Boat and the Nightgowns at the Sunset Tavern, Seattle | 7 August 2009

BOAT played the Sunset Tavern last night over in Ballard. They totally rocked it. New songs blowing everybody’s mind, confetti everywhere, and a big I-5 highway shield (but no Wedding Present cover). They passed out shakers for new song God Save The Man Who Isn’t All That Super, which they wrote special for audience shaker participation. We also found out what Dave Crane has been doing every night for the last month (he’s been in his garage creating stage props for their huge October record release gig). BOAT are back from their self-imposed hiatus of recording their new record Setting the Paces (out end of October on Magic Marker) and taking no prisoners. The album is easily the band’s best album yet, and since it doesn’t come out for two months, get a preview of the new songs by getting yourself out of the house and down to a BOAT gig, no excuses!
The other Tacoma band of the evening, Nightgowns were good as well. They seemed much more comfortable in the cozy confines of the Sunset versus the gigantic EMP Skychurch where I saw them a few weeks back. BOAT took a few minutes out of their set to wholeheartedly endorse the Nightgowns album Sing Something, and I couldn’t agree with them more. It’s a sublime underwater new wave experience.
mp3: BOAT – Name Tossers (from Setting the Paces, coming soon on Magic Marker)
Here’s video I shot of another new song, Prince of Tacoma.
…and the BOAT tour dates.
Aug 8 Backspace (All Ages) – Portland, Oregon
Aug 9 TBA (All Ages!) – Redding, CA
Aug 11 Biko’s Garage – Santa Barbara, CA
Aug 12 Silver Factory – Los Angeles, CA
Aug 13 J Dee’s Landing – Palm Springs, CA
Aug 14 The Tin Can – San Diego, CA
Aug 15 Luigi’s Fun Garden – Sacramento, CA
Aug 16 The Hemlock Tavern – San Francisco, CA
So Cow, So There
May 28, 2009 at 11:09 pm | In Funhouse, Gigs, Music, Previews, Sunset Tavern, mp3 | 4 CommentsTags: So Cow, Tic Tac Totally

I’m not usually one to do show previews. I’m more the type to tell you about them after the fact. But I feel it is my civic duty to tell you about the two upcoming So Cow shows here in Seattle, especially since both the Seattle Weekly and the Stranger totally missed the boat, or cow as it were on these gigs. On record So Cow are one guy, Brian Kelly who spent some time in South Korea, but hails from Ireland. Live, he’s got a full band with him to fill out the empty spaces. He’s put out a bunch of singles and CD-r albums and has kind of flown under a lot of people’s radar, but just a about a month ago Tic Tac Totally put out a very nice 33 and a third that compiles some the older CD-r tracks as well as some new ones and seems to have garnered a bit of attention too. My friend Bill over at Sound Bites put it succinctly when he said this about So Co:
…owing more than a little to the Pastels, Flying Nun, Calvin Johnson, Jeffrey Lewis… but he’s clearly got his own point of view. Highly recommended.
This is truly grade-A stuff and not to be missed, and since they’re playing two shows here in the delightfully sunny emerald city you really don’t have an excuse to miss them. Sunday night So Cow are at the Funhouse sandwiched in between the Suspicions and the Electric Kisses. Monday night at the Sunset Tavern over in Ballard looks a little more enticing with the Coconut Coolouts headlining and Oakland’s Dreamdate on the bill as well. I’m so smitten with this Tic Tac Totally album, that I will likely be at both of these gigs.
mp3: So Cow – Casablanca
mp3: So Cow – To Do List
Both songs are from the Tic Tac Totally LP, which you can buy directly from the label. You can also download a covers ep from the So Cow website (for free) that includes the Who’s Boris the Spider and Kirsty MacColl’s They Don’t Know and the Television Personalities‘ This Angry Silence.
Bringing the Noise
October 11, 2008 at 10:14 pm | In Gigs, Music, Noise Rock, Seattle, Sunset Tavern, mp3 | 3 CommentsTags: Intelligence, Love Tan, Thee Oh Sees, Ty Segal
Thee Oh Sees and the Intelligence at the Sunset Tavern, Seattle | 9 October 2008
Not having seen Thee Oh Sees or the Intelligencebefore I wasn’t sure what to expect. Well I sorta new what to expect, lots of white noise drenched pop songs. The Intelligence’s new album Deuteronomy is leaps and bounds ahead of their previous two with clearer production and better songs, but the band stick with their noisy punk rock roots only delivering them more effectively. The Oh Sees new album, the lengthy titled The Master’s Bedroom Is Worth Spending a Night In is sonic trip drenched in loads of echo and reverb with songs that are part Brian Jonestown Masacre, part Raveonettes and but mostly Cramps.
So when I saw two drum sets being set up for what I thought was to be Intelligence I was intrigued. In my world, two drummers is almost always a cool thing. Then I saw John Dwyer of Thee Oh Sees setting up his amps and tuning his twelve string guitar so I figured that the schedule had been switched up to let the hometown Intelligence headline. Then I saw Lars Finberg of the Intelligence on the other side of the stage with his twelve string. Not knowing what to think at this point, I figured that since these two guys are friends and their bands having just put out a split 12″ (on mtn st mtnand it’s sold out already), that Dwyer was maybe going to play with Intelligence for their set. I was totally wrong, and actually a little confused when both Thee Oh Sees and Intelligence bounded on the tiny Sunset Tavern stage. What exactly did Thee Oh Sees and the Intelligence have in store?

With Thee Oh Sees on the A-side and Intelligence on the B-side, the bands ended up playing the entire show like the split release they just put out. Thee Oh Sees would do a song and then the Intelligence’s, and that’s how it went for the whole set back and forth with various members of each band joining in the other’s song here and there. At one point after Thee Oh Sees one of their songs, Finberg says, I hope you liked that song and then the Intelligence proceed to play the same song. That song, Block of Ice, was written by Dwyer and is on both Thee Oh Sees record as the new Intelligence record. You might think delivering a set like this would feel a little disjointed, but these two bands have such similar sounds that it really worked. First there are the obvious similarities like Dwyer and Finberg’s twelve string guitars and apparent disdain for the bass guitar. Both bass players (I shouldn’t call them that, they were really guitarists) were playing bass lines on regular guitars. Though they do have a similar sound aesthetic, the bands are easily distinguishable from one another. Thee Oh Sees have with their Cramps fetish and psychedelic garage rockabilly tempered with sunny west coast melodies courtesy Brigid Dawson. The Intelligence verge more towards a Dragnet and Grotesque era Fallschool of angular garage rock with a heavy dose the weirdness exhibited Ohio noiseniks Braniac. Both bands looked like they were having a blast doing their ping pong set. Dwyer was always making weird facial expressions, and manhandling his guitar with Chuck Berry poses. Finberg, when he sings has this infectious grin his face that belies the artiness of their sound. There was also some lite hearted jabbing at one another with Finberg flipping his guitar over displaying the words ‘Fuck You’ and gesturing at Thee Oh Sees. The double decker set really worked, with the Sunset crowd totally digging both bands, cheering them on as if they were in a race.
I got there early enough to catch the openers. The first band was Love Tan which is another project of Craig Chambers of the Lights. Love Tan is Chambers on guitar and vocals accompanied by drummer Matthew Ford who use to be in the Intelligence. It was a perfect fit for this treble heavy bill. Also caught Ty Segal who is a one man band from San Francisco. He played drums, guitar and sang all at once. I’m amazed by anyone that can do two things at once, Ty can do at least three.
mp3: Thee Oh Sees – Block of Ice (from The Master’s Bedroom Is Worth Spending a Night)
mp3: The Intelligence – Block of Ice (from Deuteronomy)
mp3: The Intelligence – Moon Beams (also from Deuteronomy)
Back to The Twentieth Century
September 4, 2008 at 10:02 pm | In Gigs, Music, Seattle, Sunset Tavern, mp3 | Leave a CommentTags: 1900's
The 1900’s at the Sunset Tavern, Seattle | 2 September 2008

Chicago’s 1900’s are out on the West Coast for a short tour to bring their baroque pop sounds to the Pacific Northwest. Over the weekend they were up in Vancouver, BC to play the Malkin Bowl mini-festival in Stanely Park. I was surprised they didn’t also play this past weekend’s Bumbershoot festival here in Seattle. I suppose blame with the anomalies of booking. I’m sure the band would have rather played a jam packed venue at the Seattle Center instead of a spacious Sunset Tavern on Tuesday night. In any event, they played, and the small group of people at the Sunset were not disappointed.
The band number seven, crammed themselves onto the small stage which didn’t leave very much room for movement, but they seemed to create a lot of heat nonetheless. They seem to get a lot of comparisons to Fleetwood Mac and guitarist Ed Anderson, brought this up saying the main difference between them and the Mac was that the 1900’s do more coke. The band’s alleged romantic entanglements aside, their amped up version of baroque pop does at times sound like Fleetwood Mac, but their sound also brings to mind bands like the Essex Green and Ladybug Transistor. Playing stuff from both their first ep Plume Delivery and album Cold and Kind and leaving out all of their slower songs, the band kept the energy high and the harmonies tight throughout the set. They sounded not as polished as their records, but that added to their charm and showed a more rock side of the band. Singers Jeannie O’Toole and Caroline Donovan harmonies were a highlight, but the entire band seemed to play the songs with a comfortable ease and enthusiasm that was infectious.
Cold and Kind came out last year, so the band have recently put out a 7 inch single containing a couple out takes from Cold and Kind as a stop gap between albums. Neither one of the songs from the new single were played Tuesday night, so here’s one ‘em.
mp3: The 1900’s – Everybody’s Got a Collection (buy the single)
Set list: Bring The Good Boys Home | Georgia | When I Say Go | Babies | Painted White | Acutiplantar Dude | The Medium Way | Not Wrong | Two Ways
Mary Onettes at the Sunset
May 11, 2008 at 9:44 pm | In Gigs, Music, Seattle, Sunset Tavern, Swedes, mp3 | 1 CommentTags: Mary Onettes, Hotels
Mary Onettes at the Sunset Tavern, Seattle | 10 May 2008
If you’ve heard of the Mary Onettes, you’ve probably heard how they’re a total throwback to the 80’s and the Cure, Jesus & Mary Chain, U2 and the Icicle Works. That takes me back to my high school years of listening to all of those bands and always getting weird looks or derogatory comments for the music was that I was into. Sure, I had a few friends (they were usually girls) that were into the same stuff, but for the most part my Midwestern school mates thought the stuff was just not cool. The Mary Onettes kind of get the same treatment. If it’s not for sounding too 80’s then they seem to be derided for sounding too emotional with the vocals and guitars soaring a little too much. Then as now I thought it was the detractor’s loss.
The Mary Onettes album was released last year on Labrador and it’s not very often bands from that Swedish label make it over here to the States and even less often that they make it to the west coast. The enthusiastic crowd at the Sunset Tavern seemed to appreciate that these Swedes had made the trek to Seattle on their inaugural tour of the US. Every song was met with cheers and you could tell that people were totally into the show, calling out for songs, and singing along to most every song. I was actually a little surprised at how good they were. The album, has its good moments, but is a little bit over produced with some of the slower songs sounding a little same-y. Live, you see how good they really are. Singer Philip Ekstom has a great voice and he totally belts it out, but the entire band is tight with the double guitar attack of Ekstrom and Petter Aguren (Fender and Rickenbacker) darting back and forth over top of one another. I was looking forward to the Mary Chain-ish Lost and the Cure-like Void, but the song that totally floored me was Under the Guillotine. Ekstrom’s vocal was channeling Bono and Ian McNabb while the Chameleons-like guitar just put it over the top. I was in heaven, or rather 1985 again and it was pretty damn great!
mp3: Mary Onettes – Under the Guillotine (buy the album)
Openers, the Hotels were cool in a tightly wound Oingo Boingo, Thomas Dolby kind of way. They’ve got a sense of humor, each wearing bell boy clothes with name tags. They like to get into a very tight groove, with the drummer’s hands mostly a blur for most of the set. They were giving away a free three song ep which I picked up and have been enjoying quite a bit. On record they show little more Chicago post-rock influence to their sound…Looking forward to the full length from this Seattle band.

Rest of the Mary Onettes US dates:
May 12 Hi Dive – Denver, CO
May 13 Recordbar – Kansas, MI
May 14 The Bluebird – St Louis, MI
May 15 Beat Kitchen – Chicago, IL
May 16 My Old Kentucky Blog @ Radio Radio – Indianapolis, IN
May 17 Garfield Artworks – Pittsburgh, PA
May 19 Mercury Lounge – New York, NY
May 20 M Room - Philadelphia, PA
May 21 DC9 – Washington, DC
May 23 Union Hall – Brooklyn, NY
May 24 Middle East – Boston, MA
Turn-Ons at the Sunset
April 19, 2008 at 10:38 pm | In Gigs, Music, Seattle, Sunset Tavern | 1 CommentTags: Turn-Ons, Hypatia Lake

Maybe I should set up some kind of residency at the Sunset Tavern over in Ballard, it seems like I’ve been ending up there a lot these past few weeks. It’s a great place to see a gig, even if the bar is in the worst place possible, practically right in front of the stage. Last night the Turn-Ons were playing for the first time since releasing their new album Curse. You can’t buy it, or hold it in your hand, the only way to get is for free over at their web site, as a download.
To my ears, the Turn-Ons certainly don’t sound like they’re from Seattle. Singer Travis Devries sings with a slight english accent and they’re effects laden wall of guitar makes you think that they moved over here from old blighty. Live they come off more powerful compared to their semi-precious sound that is found on the records. This juiced up live sound made for a blistering set of the old and the new. They started off with a temporary additional band member on bass, allowing three guitars to create a blissful wall of sound for the first third of their set. Opening with Cold Boys from Curse, but then quickly delving into their back catalog with Stop Waiting from last album Parallels and This Time from East.
I went expecting to hear a good part of the new record, but the band had other ideas, giving equal time to all of the afore mentioned albums. I think this was a good move, making for a compelling ‘best of’ set, including the excellent Strange as Snow, and the cool Erik Blood penned song Robert Altman. They ended the ten song set with a juggernaut version of PS, I Love You which left no one in the place dissappointed.
mp3: Turn-Ons – Robert Altman (from Parallels)
And if you haven’t already, you really should go download the new album Curse.
Openers Hypatia Lake were good as well, with a similar sound to the Turn-Ons, but leaning more towards a kind of heavy, droney psychedelic thing that bands like Spacemen 3 or for you younger folks, Singapore Sling do so well.
Darren Hanlon at the Sunset
September 12, 2007 at 9:37 pm | In Darren Hanlon, Gigs, Seattle, Sunset Tavern | Leave a CommentSunset Tavern | Seattle | 11 September 2007

Darren Hanlon made his last stop on his world tour at the Sunset Tavern in Ballard last night, making this the second band from down under I’ve seen this week. Hanlon is not very well known in America, but thankfully he tours here anyway. He’s been to Seattle a number of times, the last time opening for the Magnetic Fields at the Moore Theatre (you can hear that performance as it’s the bonus disk to Fingertips and Mountaintops). In fact you would be hard pressed to find his cd’s in a record store over here, but he took care of that last night, spreading all three albums in front of him on stage saying they were for sail, that he was prepared to play whatever we wanted to hear from them. The audience obliged him, shouting out requests like The Kickstand song and Brooklyn Bridge. With his songs as a window into his personality, you would assume he would be a jovial, and gregarious performer. No disappointment there, with Hanlon telling funny anecdotes about his current tour. In his deadpan Australian accent he told Stories about Norwegians telling him how he should speak with more inflection, and five legged cows at some prairie dog park in the Midwest, and Americans asking him if Hulk Hogan was related to Paul Hogan.
The music was just as good as the banter, he performed mostly solo with a guitar, and occasional accompaniment of piano and trumpet. The piano and trumpet accompaniment made me reminisce about the times when Billy Bragg toured with Wiggy and Cara Tivey, and Hanlon has many of Bragg’s on stage qualities albeit all much more understated. He played for only an hour, which seems like such a short time considering the distance he had traveled to be here. We were treated to a good sampling from all three of his albums and even a brand new song which may have been called Give Me Presents. The highlight of the night for me was when he put down his guitar and sang to the saloon style piano of Manila NSW from his latest Fingertips and Mountaintops. It’s an old world style ballad that yearns for the old Australian small town with a wry, heartfelt humor Hanlon seems to effortlessly incorporate into most of his songs. Hanlon is one of those performers that just seem to be meant for the stage, I look forward to his next visit.
These are the songs I heard, though not in this particular order:
Winter Takes Fall
Give Me Presents
Brooklyn Bridge
Record Store
The Ostracism Of Vinny Lalor
Hiccups
Manila NSW
Elbows
The Kickstand Song
Couch Surfing
The Last Night of Not Knowing You
…Alas, no Punk’s Not Dead, or Operator Get Me Sweden.
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