Singles Going Steady
July 4, 2011 at 10:17 pm | Posted in 7 inch, Music, Singles, Vinyl | 3 CommentsTags: Blanch Hudson Weekend, Caged Animals, Caucus, Cloudberry, Devon Williams, Famous Class, Give It Ups, Grass Widow, HLR, Horowitz, Humms, Knock Yr Socks Off, Lucky Numbers, McDonalds, Motifs, Odd Box, One Fathom Down, Persian Rugs, Santa Monica Swim and Dive Club, Slumberland, State Capital, Tony Castles, Zebras
It’s been a busy few weeks out here in the upper left-hand corner of the United States. The singles have been coming in at a relentless pace. It was a long holiday weekend, so what better thing to do than to get caught up on listening to them. Here’s the low-down on the batch that were burning up my turntable this weekend.

Persian Rugs – Always All (Cloudberry)
Toronto’s Persian Rugs make up one of two singles from Cloudberry in this round-up. The A-side Always All has been swimming around the internet for a while. It has a seafaring keyboard intro that gives way to a simple guitar rif and a catchy chorus which of course, all singles should have. Though they don’t exactly sound like Ivy, that New York band does comes to mind here. The B-side is a slightly more country tinged affair but good as well. Buying the single gets you a download containing a total of five songs, three more than on the record itself.
mp3: Persian Rugs – Always All
Caucus – Wondering Ones (Cloudberry)
Caucus come from Japan, but you wouldn’t know it from hearing them as there is no detectable accent and they sound a little like early Pains of Being Pure at Heart or if you’re old like me, Poole who were on SpinArt back in the 90′s. Wondering Ones has breathy vocals and fuzzy guitars. Proving their appreciation and knowledge of their lineage, they choose to cover Rocketship‘s Love You Like the Way That I Used To Do on the B-side.
Odd Box Singles Club (Odd Box)
The first three singles from the Odd Box Singles Club arrived a couple weeks ago and they were worth the wait. Each single is a split between two bands. Blanche HudsonWeekend and Horowitz share the first one with their noisier, guitar drenched sounds. Single number two gives us the bratpunk sounds of the Give It Ups. The first song is shouted versus traded with sung choruses. The second asks the question, what kind of guy dates a girl named Knives? The Santa Monica Swim and Dive Club on the flip is a spin-off project of Saturday Looks Good To Me. False Start, My Heart is ok, but maybe a little to middle of the road indiepop for my tastes. My favorite of the first three goes to the Humms/One Fathom Down split. One Fathom Down do rowdy-surf inspired instrumentals. Nothing new, but both their songs shred. The Humms’ Jupiter is a perfect slice of acoustic British invasion pop. I believe that you can still subscribe to the singles club, just click on the link above.

Zebras/Motifs Split (Knock Yr Socks Off)
Speaking of the Rocketship, the Zebras evoke the Sacramento band’s sound a little on their split with the Motifs. The Zebras are from Australia and have released a couple albums on Lost and Lonesome. Desert Island shows them to be in fine form and making me hope for album number three from them. Sharing this tiny slab of wax is fellow Melbourne band, the Motifs. Words is a sugared up two minute hyper swirling pop song. No caffeine needed here. Can’t decide which side is better…
Devon Williams – Your Sympathy (Slumberland)
Los Angeles songsmith Devon Williams is about to release his second album, but before that he’s got this 7″ single for you. Your Sympathy starts out with a big sounding Icicle Works Whisper To a Scream sounding intro. Williams doesn’t let it get out of hand though as he has a way of putting you at ease with his heart-aching voice which has this tendency to remind me of East River Pipe.
mp3: Devon Williams – Your Sympathy
Caged Animals – Girls On Medication (Lucky Numbers)
Another Brooklyn band? Shrug. Caged Animals‘ song Girls on Medication made me sit up instead of shrug. Lazy, druggy dreampop with a killer hook. The B-side and the other songs they have on bandcamp are more electronic and less enticing, leading me to believe that this is either a fluke or a new direction for them. Hoping it’s the later.
mp3: Caged Animals – Girls On Medication
Grass Widow – Milo Minute (HLR)
Grass Widow have been quiet for a little while. The silence is ended with this self-released single. First off, I love the art on the sleeve. It looks like a the doodles of a clothing designer who likes guitars. The songs live up to the cover. Milo Minute may be the catchiest song Grass Widow have written to date and it benefits from having its volume turned way up. The flip side serves up two covers, one from the Neo Boys and the other being Wire‘s Mannequin. Mannequin is probably the second most covered Wire song (the first has to be Outdoor Miner). It’s no reinvention, but it differs with it’s harmonies and echoed vocals. Worthwhile!
mp3: Grass Widow – Milo Minutes
Tony Castles – Juice (Famous Class)
Bill over at Sound Bites had the Tony Castles EP on one of his year end lists last year, describing it as Prefab Sprout-esque. Those two words are all I needed. This new single from the Brooklyn band has more of a post-rock sound to it evoking Field Music a little. Juice has a funky 80′s vibe and is quite good, but I think I like the pillowy downbeat B-side Heart In the Pipes better.
mp3: Tony Castles – Heart In the Pipes
McDonalds – Name Names (State Capital)
The last time at the drive-thru we were sorted for e’s and wiz listening to McDonalds‘s debut single. Single number two is upon us and without he help of Factory or Martin Hannett. Amazing. This nderachiever, ramshackle rock is for fans of German Measles who like to dance.
Terry Malts Sez
May 19, 2011 at 9:53 pm | Posted in 7 inch, Music, Mysteries, Singles | 2 CommentsTags: Magic Bullets, Slumberland, Terry Malts
I wondered why the press release for the new Terry Malts single was so sketchy. All this stuff about them being mysterious and no one knowing who these enigmatic bay area punks were. It’s not like they’re wearing giant eyeballs on their heads when they play. So why the obfuscation? Are they trying to keep it a secret because their boss doesn’t like moonlighting? At first I thought it was a Weekend side project where they shoveled some dirt away from their melodies, but it turns out it’s a Magic Bullets side project where they shovel some dirt on top of their melodies.
Terry Malts are a trio of bullets who shed their Orange Juice affectations and don a punk rock leather jacket with Ramones and Redd Kross badges on it. The Go-Betweens were never considered punks, but the chorus of Distracted is a dead ringer for Lee Remick.
mp3: Terry Maltz – Distraction (from their debut Slumberland single)
The Black Hole of the Crystal Stilts
May 15, 2011 at 10:11 pm | Posted in Crocodile, Music, Seattle | 2 CommentsTags: Case Studies, Crystal Stilts, Posse, Slumberland
Crystal Stilts, Case Studies and Posse at the Crocodile, Seattle | 11 May 2011
Brooklyn’s (by way of Florida) Crystal Stilts played the Crocodile this past Wednesday night to a sparse audience. Apparently their darker take on the pop song doesn’t resonate as well with the kids as their labelmates and neighbors the Pains of Being Pure at Heart brighter stylings who sold the place out a few weeks ago. Where the Pains are bright colors and glistening pop hooks, Crystal Stilts dredge around below the ground in the dark of night. Their second album In Love With Oblivion recently released on Slumberland is a more assured effort than their debut. JB Townsend’s guitars rattle, jangle and shatter with a Bo Diddly tenacity while singer Brad Hargett keeps his vocals murky making you dig just a little for the melody.
Oblivion doesn’t make you dig too deep with its abundance of hooks as their previous effort Alight of Night did. Its glistening guitar more often than not offsets Hargett’s caliginous musings. The band have never been ones to lead sing-alongs at their shows, opting to put up a distinct boundary between them and whoever shows up to see them play, and this night was no different. Crystal Stilts where there to play, oblivious to whether there were 50 or 500 people in the room which was good and bad. Good because there were only about 50 people there. They belted out a set of big moody songs that sparkled at times like a partly cloudy day in Seattle. Sun breaks came with the Felt inspired Half a Moon, the pop of Through the Floor, and single Shake the Shackles and then darkness reigned on Prometheus At Large and Flying Into the Sun. Bad because it seemed like their set was cut short by the band’s disaffection or their general awkwardness of just being on stage. Their music sounds intimidating, but to see them play, much of the mystery and malice that their songs conjure disappears because of their lack of a charismatic stage presence. They seemed uncomfortable playing to a mostly empty room and made a short night of it, only playing nine songs plus and encore.
I should not complain too much, because what they played sounded great. Evoking the Bunnymen, Velvets, 13 Floor Elevators and Felt at once is no easy feat, but it felt like it was phoned in. If you’re only going to play nine songs then why even bother with an encore? Just play 10 and leave the stage. Do it like you mean it and leave me wanting more. A band like Crystal Stilts who seem to not give a fuck about whether you’re there or not shouldn’t conform to the tired encore. If they would have done it like they meant it they would not have come back for an encore of Love Is a Wave. They would have left me wanting more, but as it was they left me wondering why they only played 10 songs and hoping they gain some charisma before they play Seattle again.
mp3: Crystal Stilts – Half a Moon (from In Love With Oblivion available on vinyl and CD from Slumberland Records)
Jesse Lortz who was the Duke in the Dutchess and the Duke has a new moniker in Case Studies. I had seen him a couple months ago at Cairo with only an acoustic guitar and thought his new songs were ho-hum, but this time getting some help from 3/5 of the Crystal Stilts the songs seemed to have more of an impact. The performance felt more like a practice with Lortz coaxing the Stilts on to “try another one”, but it seemed like they were on the right track and left me hoping the Lortz employs a band when goes to actually record some of these songs.
Kicking off the evening were Seattle’s very own entry into the 90′s retread, Posse. Versus come to mind and that in and of itself should wet your whistle. The trio sounded amazing, and seemed totally comfortable on the Crocodile’s super high stage giving a shout out to their parents who showed up to see them play. If you haven’t checked them out over at their bandcamp page, what are you waiting for?
Golden Grrrls Guts
February 15, 2011 at 10:50 pm | Posted in ramblings, The Letter G | 1 CommentTags: Girls Names, Golden Grrrls, Night School, Sacred Bones, Slug Guts, Slumberland
Today’s music is brought to you by the letter G*.
Golden Grrrls are a trio from Scotland who have just released their first 7-inch single on Night School Records in the UK. It’s an edition of 300 and sure to go quick as their noisy melodic boy-grrrl lo-fi sound is sure to pleasure at least 300 people’s ears enough into buy it. They kind of remind me of Sexy Kids which is no small feat.
mp3: Golden Grrrls – Beaches (order the 7-inch from Night School)

Coming off of two EP’s and a split single with Brilliant Colors are Girls Names who hail from Belfast, Northern Ireland. Slumberland has scooped up the band for the US release and it’s not surprising since they have a similar dark sound to Crystal Stilts.
mp3: Girls Names - Seánce on a Wet Afternoon (out soon on Slumberland)

Speaking of dark sounds, Brisbane, Australia’s Slug Guts have a record called Howlin’ Gang out next week on Sacred Bones. Sounding like a more accessible Birthday Party or early Hunters and Collectors, their Hangin’ in the Pisser might just be the best song I’ve heard all week. Psychobilly goth is back with a vengeance.
mp3: Slug Guts – Hangin’ In the Pisser (order Howling Gang from Sacred Bones)
*mp3′s snagged from Pinglewood, Tough Love and Raven Sings the Blues respectively.
Coma Weekend
November 9, 2010 at 10:41 pm | Posted in Dark Dark Dark, Gigs, Music, Seattle, Video | Leave a commentTags: Slumberland, Weekend
I was kind of surprised at how blown away I was by Weekend last Saturday at the Vera Project even with technical difficulties (a blown fuse in the guitar amp) near the end of their set. The San Francisco band’s Slumberland debut hit the streets this week and they were in town supporting fellow label mates the Pains of Being Pure At Heart. There’s something about their waves of cacophonous noise that drill into a sweet spot in my brain. They have this uncanny ability to bury the melodies of their songs just deep enough to where you can barely hear them. You tend to hear the chorus and then the verse disappears down into the depths as each song seems to ebb a flow along the undercurrent of noise they create. Only a three piece, they are easily more than the sum of their parts with the bassist slightly nudging out the guitarists in the effects pedals category. Hope they decided to come back to Seattle soon.
It’s called Sports and it, umm sports the afore mentioned psychotic miasmic melodrama akin to the feedback soaked melodies of Psychocandy era Mary Chain, the hazy juggernaught of Swervedriver, the barrage of Bailter Space, the noisy syncopations of the Pale Saints, the basscentric uproar of Lorelei and goth tinge of Red Lorry Yellow Lorry. If that’s your thing then Weekend are your thing. Here’s their mining disaster song. Wonder if they’d consider covering the Bee Gees’ New York Mining Disaster 1941?
mp3: Weekend – Monongah, WV (Out now on Slumberland)
Here’s some blown out video I shot of Coma Summer:
Reviving the Revival
February 20, 2010 at 9:56 pm | Posted in mp3, Music, Revivals | 1 CommentTags: Chin Chin, Mississippi Records, Slumberland
A couple years ago when people were knee deep in their nostalgia for C-86 inspired girl bands, Chin Chin seemed to get looked over. Maybe it was because their albums were long out of print and nearly impossible to find, or perhaps it was because they were from Beil, Switzerland and didn’t get a lot of press or exposure in the English language music rags when they were around. Whatever the case, a couple of stellar labels are in the process of making sure that Chin Chin get their due. Hopefully the process will be a three step one.
In 1984 the band released their first single We Don’t Wanna Be Prisoners, three songs that had a lot in common with the Shop Assistants who apparently were like a sister band to them, touring together in old Europe. Portland’s eclectic Mississippi Records has just reissued that first single which was hopelessly OOP. Step one complete. Soon after putting out their single, Chin Chin unleashed the 14 song debut album called Sound of the Westway which was amazing for it’s consistency and ability to sound like the Ramones and the Shangri-Las’ kid sisters at the same time. This record has made the rounds on the torrent sites and leak blogs, but anyone actually wanting to actually own a physical copy of the album had to be patient and well funded. Once again Mississippi Records, this time with the help of Slumberland (you may have heard of them) are coming to the rescue bringing this obscure jem to the general public. A date hasn’t been set, but Slumberland’s site says it’s on the slate for this year and it will be a vinyl only reissue. Step two nearly complete.
Up to this point Chin Chin had put out their records on their own label they christened Farmer Records, but after touring with the Shop Assistants, they caught the fancy of one Stephen Pastel. At the time Pastel was curating his 53rd and 3rd label and released the band’s eight song Stop! Your Crying. Finally the stars had aligned and Chin Chin and the Shop Assistants were on the same label, and all was right with the world. Except that is wasn’t. The band never seemed gain much notoriety and like so many of the great ones sloughed off into obscurity. I don’t know of any plans to reissue the Stop! Your Crying, but I wouldn’t be surprised if it’s in the planning stages right now. Step three anyone?

mp3: Chin Chin – We Don’t Wanna Be Prisoners (reissued on Mississippi)

mp3: Chin Chin – My Guy (soon to be reissued on Mississippi & Slumberland)

mp3: Chin Chin – Stop! Your Crying (hopefully getting reissued too)
Here is the video the band made for We Don’t Wanna Be Prisoners. I’m pretty sure I never saw it on 120 Minutes.
Psych Pop Week: Brown Recluse
October 7, 2009 at 9:27 am | Posted in mp3, Philadelphia, Psychedelic Pop | Leave a commentTags: Brown Recluse, Slumberland

Welcome to day two of psych pop week here at the Finest Kiss. No we won’t be going down memory lane talking about bands like the Zombies, Love, Left Bank, the Elephant 6 Collective, or Witch Hazel. Instead we’ll be covering some new records that dip their feet into the psychedelic ink jar.
Today we have Brown Recluse from Philadelphia, Pennsylvania. Formerly Brown Recluse Sings, but who’s ever heard of a singing spider so they’ve dropped the sings. Their new four song EP The Soft Skin is only their second release, but it’s so accomplished in its lavish sound that you’d never know it. Each song is a study in leafy lushness with lilting melodies punctuated by horns that are so soothing they would make Gary Olson blush. A full length album is due later this year.
mp3: Brown Recluse – Rainy Saturday (from The Soft Skin EP, buy from Slumberland)
Here’s an additional song from the band when they went by Brown Recluse Sings.
mp3: Brown Recluse Sings – Margot, Left In Bed (from Black Sunday EP, buy from Slumberland)
LA River Pipe
September 29, 2009 at 12:32 pm | Posted in 7 inch, mp3, Music, Sarah Records | Leave a commentTags: Devon Williams, East River Pipe, Merge, Slumberland

photo from Geneve Rege’s flickr
Anyone familiar with F.M. Corong’s East River Pipe knows what kind of beautiful melancholy that can pour out of a life-long east coaster. I always thought that the stereotypical laid-back west coaster wasn’t capable of creating something sounding anything like an East River Pipe. Of course my assumption is wrong, tales of heartache and depression are universal. Devon Williams who comes from La-La-Los Angeles reiterates that point with his solitary and suffering songs. This isn’t the first we’ve heard of this dour fellow, you may recognize him from Lavender Diamond, Champagne Socialists (now called Neverever), or heard his album Carefree from last year that came out on Ba Da Bing. Just as Sarah Records snapped up East River Pipe, Slumberland has nabbed Mr. Williams and the first fruits of this destined marriage is a 7 inch single with a an album coming sometime in the near future.
mp3: Devon Williams – Who Cares About Forever (order the 7 inch from Slumberland)
And here’s one from my favorite East River Pipe album Poor Fricky.
mp3: East River Pipe – Superstar In France (buy Poor Fricky from Merge)
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