ATLK Track Seventeen: Lilys to King of PrussiaAugust 19, 2008 at 9:37 pm | Posted in Indie, mp3, Music, One Last Kiss | Leave a comment
Tags: King of Prussia, Lilys
Song 17 of 19 in the …One Last Kiss retread, otherwise known as After the Last Kiss…
The Lilys initially were influenced by My Bloody Valentine as is evidenced by their track on …One Last Kiss and their first album In the Presence of Nothing. Their album was recorded by Jay Sorrentino and had backing vocals provided by Beth Sorrentino both of Suddenly Tammy! I think In the Presence of Nothing was the first album put out on SpinArt, it was a co-release with Slumberland. The one constant in the Lilys is Kurt Heasley, and that is really it, because not only do band members revolve, but the sound of the band is aslo in constant flux. After In the Presence of Nothing, A Brief History of Amazing Letdowns dropped the MBV fixation and went for straightforward pop, then Ecsame the Photon Band slowed everything down to a Spacemen 3 pace and drone to amazing effect. Not one to rest in a comfortable spot Heasley moved the Lilys on to mod, looking to the Who and the Kinks for inspiration. Here is where the band took off in popularity, A Nanny in Manhattan was used in Levi’s commercial over in the UK and the album got a fair amount of play on the radio. It also lead to getting signed to major label status and another album of mod-ish pop songs called the Three Way on Sire. Heasley and his band went on to record an album of electronica and then he kind of disappeared for a while. There have been two albums in the 00’s, 2003’s Precollection and Everything Wrong is Imaginary which came out a couple years ago. It’s a varied and interesting career that started with fascination with MBV, you could always be reassured that if you didn’t like the current taste of Heasley the next album would be completely different.
Instead of taking several albums to come to a psychedelic pop sound, Athens, Georgia band King of Prussia arrive sounding fully formed with just such a sound. Even more amazing is that the band recorded their album in bedrooms into a portable eight track recorder. Save the Scene at seven songs is somewhere between and album and and ep, but at any rate, it’s lush, melody filled psychedelic pop. The band are on the Kindercore label which has recently come out of hibernation. It’s a great pairing, with King of Prussia sounding like a second generation Elephant Six band, employing the bright sunny pop sensibilities of that scene with a more classic 60’s vibe of the Byrds or Beatles.