When I hear Spray Paint sing the refrain to Yawn Factory: “She drives a heavy load in the dark part of the country.” This image pops into my head of Large Marge in her big rig describing to Pee Wee the “the worst accident I ever seen”. Spray Paint are not the worst accident I ever seen, they are more like a traffic jam. Their spare twin guitar and drum attack pierce you’re conscious and create anxiety, stress and general disquiet. Spray Paint can grate on you and grow on you all at once.
After two attention grabbing singles the Austin band have released their first full length album. The songs are short and taut with lyrical spikes as well a guitar ones. The best ones on the record seem to come at the beginning of the album. Canadian Trash, Yawn Factory and Nose Whiskey all grab your attention. The second half of the record suffers from the band’s inability to ease up and let a little space into their claustrophobic and hyperactive sound. A little more variation would provide more space for impact. In that respect it reminds me a little of XTC‘s White Music. Maybe they should have tried a Dylan cover to lighten the load.
The album may not be an out and out winner, but I really like it. Spray Paint are working with a different set of instructions than most of today’s indie/ punk bands. They sound part Terminator futuristic and part back woods Deliverance.
stream: Spray Paint – Yawn Factory (from their Self-Titled album out on S.S Records)