Ça Plane Pour La FemmeApril 11, 2014 at 10:46 am | Posted in Dark Wave, La France, Music, Seattle, Vera Project | Leave a comment
Tags: B-52's, Born Bad Records, La Femme, Stereolab, Vera Project
Paris by way of Biarritz, France group La Femme released one of my favorite records of last year. Psycho Tropical Berlin was a mix of electronic metronomic underground, cold wave surfy twang and punky ye-ye. It’s sly, fun, and playful. Listening to the album you it’s readily apparent that La Femme know how to have a good time. This impression was confirmed Wednesday night at the Vera Project.
The group knows how to throw a party, even in a sterile all ages venue where the nearest alcohol is blocks away (or in the flask you snuck in). Indie music is full of inanimate objects on stage so it was refreshing to see all six members of La Femme know how to entertain. Three keyboards buttressed the stage, but that did not stop them from coming into the crowd and dancing with each other. Singer Clémence Quélennec was constantly dancing, displaying some cool robotic 80’s Valley Girl moves, while her co-keyboard MC Marlon Magnée danced and pranced about the stage. It was infectious, fun to watch and provoked the entire audience into dancing too.
A couple highlights of the set were the manic Antitaxi with its lengthy synth introduction building anticipation that exploded in a twangy surf guitar riff to everyone’s elated satisfaction. The epic It’s Time to Wake Up in showcased guitarist and Theremin maestro Sacha Got playing some tiny wooden leaf shaped gypsy guitar from which he coaxed huge washes of sitar like hallucinogenic sounds.
I’m sure touring and playing the same songs night after night gets old for a band, but La Femme genuinely seemed to be having a great time. They are a band in search of a party and if there isn’t one nearby they are fully capable of starting it themselves. Like a French B-52’s.