Sometimes you have to take matters into your own hands. In the case of Posse, they decided to forego the process of trying to get signed to a record label and started their own. It’s called Beating a Dead Horse Records. The first album that the fledgling label put out was of course their own album. It’s called Soft Opening and it’s their second album. Actually Posse put out their own first record too , but that was two years ago, before BADH.
Soft Opening is nearly perfect. While the trio is based in Seattle, they sound like the wide open dusty roads of the desert that lies on the other side of the Cascades. The songs have a lonely, melancholy and druggy feel to them similar to Acetone and Galaxie 500. The guitars seem to be inspired by Dean Wareham’s watery, lackadaisical sound while the playful boy-girl vocals create some healthy sexual tension. Both Paul Wittmann-Todd and Sacha Maxim play guitar and sing while Jon Salzman is solely relied upon to keep the beat. Posse keep things tight, putting only eight songs on the record. Maybe they thought keeping it short would circumvent short term attention spans in this internet age, but Posse are good enough that they could have snuck another one in and nobody would have hit the skip button.
For its second release BADH have just put out Neighbors third album Will You Please Be Quiet, Please? The record’s title made me get out my Raymond Carver books and reminded me of when Paul Kelley and the Messengers named So Much Water, So Close to Home after one of the well known Northwest author’s short stories. Neighbors write songs that straddle Pavement’s Range Life, REM’s Harborcoat and the Meat Puppets’ Up on the Sun. Like those bands, there is more to their sound than what is on the surface. Beneath the psychedelic, country sheen you can hear the influence of Gang of Four, Wire and the Wedding Present. The band smartly pulled the best tracks from last year’s tour only cassette Power Country and included them here. Muscle Girl on Muscle Beach which features some sweet guest vocals from Lexi Lee, and Hot Jack get things off to a rocking start. Muscle Beach . Newer songs Loretta and Heather have a twangy angular feel to them that hints at the band getting better and progressing into new territory. After cassette and download releases it’s nice to see that Neighbors have finally released an album on vinyl for posterity.
Beating a dead horse have a small catalog and don’t seem to be in a hurry to grow fast. It’s more of a means of documenting themselves and their friends. Sounds like a good business plan to me.