The first thing you notice about Geoffrey O’Connor‘s new song Her Name On Every Tongue is that he steps it down an octave. In his band Crayon Fields and on his first solo record he employed his falsetto much of the time. I almost didn’t recognize him the first time I heard the song. I like it though. The lower octave provides more gravitas.
Her Name On Every Tongue has hints of Heartbeat City by the Cars, as well as some nice refined euro smoothness a la Roxy Music and Double. It also has similarities with Trevor Dickson‘s Summer Legs from last year. It glides like a bead of water down the side of your perspiring cocktail as you lounge in the shade of a palm tree somewhere on the Riviera.