Alvvays at Barboza, Seattle | 2 December 2014
Alvvays‘ debut album which was recorded by Chad VanGaalen is a subtle dreamy affair and one of the better records to come out this year. It has elements of shoegaze, but really it’s singer Molly Rankin that makes the record so good. Her voice has a vulnerability to it, while at the same time a strength to it. It’s like she’s singing for her life, but doesn’t want to be too obvious about it.
Their show in Neumo’s basement earlier this week was sold out and the band were obviously chuffed about it. Even going as far to say in their heady delight that it was better than the Portland show the night before. Live they have a more substantial sound probably because of the twin guitar attack and Molly Rankin formidable voice that sounds stronger live and loses some of its vulnerability but still sounds great. Kids were pogoing and moshing for most of the set which seemed a bit odd because Alvvays could never be interpreted as a punk or a party band. Dudes who mosh to dreampop I assume have a poor sense of direction and walked into the wrong show. Nevertheless, they went especially went crazy for Archie, Mary Me which is the stand out song on the album, but still not noshing material. The show sort of reminded me of seeing Belly back around when Star had come out where there were bros moshing while couples snuggled together at the edges. Like Belly, Alvvays seem to have that that crossover appeal that brings out the bros, the lovers and this aging indie kids like myself.
For their encore they included a surprising cover of Out of Reach by the Primitives. I’m not sure how many of the youngsters recognized it, but it was exciting to hear a deep cut from an overlooked band. Like the rest of the set, Alvvays added a bit of grit to their version but the innate pop of the song shown through.