Male Gaze are a group of males made up of former members of other bands: Matt Jones and Adam Finken of Blasted Canyons, Mark Kaiser from Mayyors, and Adam Cimino from The Mall. Jones who sings, plays guitar and runs Castle Face records along with John Dwyer doesn’t have much range in his vocals, but he uses this limitation to good effect. He keeps his dark monotone in the strictly gothic range, while Kaiser’s bass and Cimino drums lay down a pummeling foundation to build up intense, apocalyptic, paranoia songs.
The Male Gaze debut album only came out this week, so maybe that explains why this show was so sparsely attended, or perhaps it was the 70 degree weather causing a bout of spring fever. Too bad for the rest of Seattle I guess, especially those in the population who like the post punk desolation akin to our very own A-Frames. The newly revamped Chop Suey was still sparkling, not yet defiled by rock n’ roll debauchery. The stage even has a red velvet curtain that closes between bands, lending to a sense of drama to each set. The rhythm section was unreal and didn’t really need an curtain to create a sense of drama. Their lights-out playing was the highlight of the night and they made it look way too easy. Songs like Cliffs of Madness, The Shining Paths and Bridge and Tunnel Vision are dark pop masterpieces that ravaged live. Impressive, and my admiration for the band increased knowing that they can bring this sort of intensity even when playing to 20 people.
Tour mates the Tiaras share a guitarist in Adam Finken and feature former Ganglians Ryan Grubbs and Kyle Hoover. Their self-titled debut album came out earlier this year on Mt. St. Mtn. It’s probably not what you would expect if you remember the lo-fi stoner rock of the Ganglians. The Tiaras are all shimmering pop with a few angles in the vein of Field Music, High Llamas, and the Trashcan Sinatras. Their lush stylized pop is sometimes hard to translate into a live setting. At first I thought that they sounded much too murky, but when lead guitarist Kyle Hoover switched from his twelve string guitar to his trusted 6 string Rickenbacker everything came together and their emotive pop set won out.