The cover for the Hanging Valley, the second album from Brighton band Cold Pumas, looks like it is inspired by Salvador Dali. If you caught a glance of it in a record store or on line you might think that it was made by a group with prog rock tendencies and a penchant for mind altering substances. That take wouldn’t be entirely wrong, but if you were hoping for flutes and butterflies you might be in for a surprise. Long narrow shadowed bathtubs pink soap and odd falling vases aside, the Hanging Valley is a study in what happens when you start with angular post punk that gets co-opted by a motorik groove and then sometimes is doused with some ethereal washes of guitars.
LP number two is a decidedly stronger record with better songs and more varied sound. The band are clicking on this record and deftly pummel you with songs like Fugue States, the Slump and Slippery Slopes and then turn around an caress on A Change of Course and The Shaping of the Dream. Like the best post-punk records the Hanging Valley has intensity about it that nearly overwhelms, but pulls back when it’s just at the brink.