2018 Singles of the Year

The last few years, I have thought that there wouldn’t be enough singles to do top singles of the year list, but each year I look at the stack of singles that I’ve accumulated and realize that the 7-inch (and 10-inch) single still lives. Thank god there are still a few of us out there!

1. Wesley Bright & the Honeytones – Happiness (Colemine)
Step back and make some room for this floor filler. Soul in this sort of throwback style seems to have a core audience but little critical acclaim. That seems to matter less in this time of algorithmic recommendations. So I hope you have smart music playing device that slipped this hot little number by this Rubber City Beekeeper in between some Ottis Redding and Al Green.

2. False Tracks – Down There (Self-released)
When I saw that this Baltimore Philly band featured former Ropers Greg Pavlovcak and Mike Hammel I was interested. I was really hooked by the power chord blasts that were part glam swagger and part post punk urgency.

3. The Orielles – Bobbi’s Second World (Heavenly)
Two brand new songs not found on the debut LP also from this year. One is a cover of Peggy Gou’s It Makes You Forget and the other an original, Bobbi’s Second World. Both up the infectious energy of their LP and sparkle with Bananarama 80’s fun.

4. Mikah Wilson – Sunshine Grooves (Burger)
Sunshine Grooves is bright, shiny and sunshine drenched pop that many will associate with the Beach Boys, Zombies and Emmitt Rhodes from the late 60’s and early 70’s heyday of that style. So nice to hear it alive and well in the dark days of 2018.

5. Husbands – Karlstad EP (Box Bedroom Rebels)
The Box Bedroom Rebels label has perfected the art of fitting an album onto a seven inch record. Oklahoma City’s Husbands fill it up with tons of Weezer like power pop with a devil may care attitude straddles the tightrope of rock gods and geekdome.

6. Honey Radar – Psychic Cruise (Chunklet)
The elusive Honey Radar love to put out singles of severely limited quantity, often on lathe cut vinyl. Psychic Cruise was no different in its being limited and certainly no different from the band’s high quality output of short, psychedelic bursts of distorted, hazy pop.

7. Girl Ray – The Way We Came Back (Moshi Moshi)
Recorded after last year’s debut, The Way We Get By was written by singer Poppy Hankin when she was sixteen. The band describe it as a plump cow that needed to be milked. It does go down smoothly and leaves a nice mustache.

8. Beachtape – Fix It Up (PNKSLM)
Brighton’s Beachtape continue the long line of beach named bands not sounding like the beach. No Frankie and Annette or Beach Boys here. This is straight up 90’s inspired indie rock pop.

9. Datenight – My Car (Goodbye Boozy)
Meaty jangle from Memphis that sounds influenced by the jangly Flying Nun bands or yore. I was kind of surprised at how these guys flew under the radar given their style and the usual fervid fandom that ensues. Either it’s going out of style or my ear for it is waning. Someone should invent a music blog to bring attention to this sort greatness.

10. Art Sick – Going Down (Yr First Crush Records!)
Quality indiepop in the vein of Tiger Trap and Small Factory from this Oakland trio with a strong pedigree. The band includes former members of Burnt Palms, Lunchbox and Kids on a Crime Spree. Going Down keeps the 90’s indiepop flame alive.

11. Parsnip – Feeling Small (Anti Fade)
Parsnip’s second single ups the quirkiness factor a touch, but the band continue their endearing ways on Feeling Small. It’s a little bit of cartoon bubblegum, some oompa circa the Kinks Face to Face and then topped off with a modern day lo-fi sensibility.

12. EggS – I Fell In Love (Hellzapoppin)
The EggS of Paris, not to be confused with the Eggs of Arlington, Virginia, bust out quite convincingly on their debut single. The aloof vocal reminds me a bit of Steve Kilby of the Church and the droney pop that the band seems to excel at has a certain Clean quality to it.

13. Child’s Pose – Feral (Nervous Energy)
Sauna Youth spin-off band sound like their relationship would suggest. Wired songs, Intelligently and tightly wound so that they pop themselves into your consciousness for immediate satisfaction.

14. The Harlem Gospel Travelers – He’s On Time (Colemine)
Apparently the Harlem Gospel Travelers were literally students of Eli Paperboy Reed in a gospel class the singer was teaching. It must have been a very hands-on class, because Reed brought them into a studio to record this single. Based on He’s On Time, Reed is a very good teacher.

15. The BV’s – Every Story is a Ghost Story (Cloudberry)
The BV’s remind me of a more masculine sounding Field Mice. The band excels at creating moods with the chiming guitars and plaintive vocals. No one can afford a vinyl copy of Emma’s House these days and my guess is that you won’t be able to afford this one in 30 years either.

16. Blushing – The Truth (The Nothing Song Records)
If you are aching for a dreampop fix, look no further than Austin’s Blushing. The Truth may be their best song yet. The way they weave their tremolo guitars into webs of dewy goo evokes those early Lush EP’s.

17. Terry Vs Tori – Larusso (Box Bedroom Rebels)
Spain’s Terry Vs Tori in 2018 remind me of France’s Les Molies in 1994. Which means nothing to no one, unless you remember that gentle, understated pop from 24 years ago. No matter, you should snatch up this single if you dig indiepop of the Sarah variety.

18. The Shifters – Just Sat Down (Digital Regress)
Every time I listen to the Shifters I marvel at how much they remind me of early Fall, but at the same time are foraging off on their own unbeaten track. Sure, if MES were still alive today he would slag them off songs like the killer Melbourne & Monash Youth League as ripping off the Fall. I can’t think of a higher compliment.

19. Cool Flowers – Pig Charade / Angry (Self-released)
Portlands’s Cool Flowers fly so far under the radar they didn’t even bother to put their single on soundcloud or bandcamp. “So what” you say, I use Spotify. Good luck brother. Dub inspired glory on both sides inspired by the Public Image Limited and Scientist. A great reason to buy a record player.

20. Okama Flannel Boy – Carolina St. (Cloudberry)
Mexico city indiepawpers peddle some excellent rockabilly/Smiths/Orange Juice riffs on this single. Fernando Torres apparently is the man behind the flannel and his delicate voice and knack for a hook make this record sparkle atop the pile of all to self-aware also-rans.

21. Tiny Fireflies – Nothing (Self-released)
Nothing sees Tiny Fireflies relocating from Chicago to Portland, Oregon, though they traipsed across the country to record it with Gary Olson (Ladybug Transistor) in Brooklyn. Nothing was then mixed by Ian Catt. Makes sense, as this is a fine example of some top shelf dreampop combining sad longing of the Trembling Blue Stars and atmospheric weight conjured by Slowdive.

22. Jackson Politik – Psycho-mania (Market Square)
Andy Jordan has a number of music persona’s and Jackson Politik is the latest. Psycho-mania sounds as its title advertises. The b-side Well-adjusted Australians is my favorite here. It sounds like a companion song to the Jazz Butcher’s Southern Mark Smith in both sound, topic, and even the tiny Max Eider guitar solo. More of this sort of thing please!

23. Amyl & the Sniffers – Some Mutts (Can’t Be Muzzled) (Flightless)
Australian punks Amyl & the Sniffers put out a white hot compilation of their EPs earlier in the year and then followed it up with this worthy companion to the Stooges’s I Wanna Be Your Dog. It was a good year for this band, and can’t wait for what they have in store for us.

24. Lithics – Photograph of You (Thrilling Living)
Lithics deal in such sharp edged rock that it’s downright dangerous. Pack away your balloons and beach balls while listening to Photograph of You because the the icy cold shards of shrapnel coming off of this record is sure to puncture the most staunchly optimistic soul and make them stagger and question their rosy disposition.

25. Peach Kelli Pop – Which Witch (Mint)
Inspired by Red Cross’ Posh Boy EP, this six song seven inch contains short, sharp pop that leaves you wanting more and wishing each song was twice as long.

26. Stiff Love – Attitudes (Feel It)
Olympia, Washington’s Stiff Love, who formed in 2017, fit perfectly into that town’s punk-riot-do-it-yourself aesthetic. Attitudes combines 70’s guitar riffs with punk rock in your face flamboyance. This is white hot glammy goodness.

27. Mush – Gig Economy (Dipped In Gold Recordings)
From the ashes of the Too Pure Singles Club, comes Dipped in Gold Recordings and their first release from Leeds band Mush and it’s a spazzy symphony. A permanent job with benefits could be going the way of the Dodo, and rocking out to the next global economic meltdown never sounded so wonderfully unsettling!

28. The Stroppies – Maddest Moments (Tough Love)
The Stroppies tick all the boxes on the indie cred check list. Members for the Twerps, Dick Diver and the Stevens. Check, check, check. Compared to the Flying Nun bands like the Clean and the Bats. Check and check. Maddest Moments isn’t drop dead immediate, but it worms its way into you’re consciousness with off kilter melody and workman like playing. It’s comfortable like a favorite sweater.

29. Jay Som – Pirouette (Polyvinyl)
Melina Duterte’s (aka Jay Som) single from early in the year was fuzzy sounding, sleepy eyed follow up to her album the previous year. Pirouette is as lively as anything she’s done previously and moves her from bedroom into the kitchen, slicing up a nice chunk of powerish pop.

30. Skiftande Enheter – Mördande Rutin (Market Square)
Further north than Scotland, straight outta Sweden and out-yumming the Yummy Fur are Skiftande Enheter. I have no idea what they’re singing about but count me in on this DIY punk on cross country skis.

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