Tags: Chook Race, Close Lobsters, Seattle, Tenorio Cotobade, Tenth Court, The Bats, The Feelies, Trouble In Mind, Victory Lounge, Zebra Hunt
Taking on America with an extensive 25 date tour is ambitious for any band, but when you’re Chook Race, a little known three piece jangle pop band from Melbourne, Australia it’s downright impressive (and maybe a little insane). The band made its way into Seattle Wednesday night to play the Victory Lounge, a bar with no stage in East Lake. This is one band I thought I would never see in Seattle, but after self-releasing their first album, Chicago label Trouble in Mind signed them making their second LP widely available in the United States as well as this tour a reality.
Singer and guitarist Matthew Liveriadis has a slight monotone delivery, but drummer Carolyn Hawkins provides a beautiful juxtaposition with her backing harmonies. The trio played an energized and jangly set inspired by the Bats and Close Lobsters mixing soon to be jangle pop classics from their first LP with ones of a slightly more classic pop sound from their new second album Around the House. In their short existence the band already have a stash of A-list songs and they didn’t leave any of them out including jangly diamonds like Dentist, Time, Sometimes and Hard to Clean and Older. The band’s tight sound and laid back attitude easily won over the likely already won over folks in attendance and made us all appreciate the long trip they had made to get here.
Like minded Seattlites Zebra Hunt opened for Chook Race with a set that consisted almost entirely of new songs (Half Right was the only old one). Apparently the new album is nearly ready and based on this evidence I would agree. One song really stood out with its Feelies-like crazy rhythm, even slowing down and then rebuilding itself into something quite raucous. Zebra Hunt has still got it!
Tags: Pretty Olivia Records, Summer Suns, The Byrds, The Kinks, The Palisades, The Rainyard, The Triffids
There was an air of familiarity when I glanced at the cover of the Jangle Band‘s debut album Edge of Dream. It seemed to recall the cover of the Triffids‘ Born Sandy Devotional with its birds eye view of a sandy coast. There was another after I played the record for the first time. The sonic dissonance of the Byrds combined with indiepop sensibility of the Rainyard. Was I insane, or were these connections intentional or innate?
I am happy to report that I’m not crazy. The Jangle Band (has there ever been a more appropriately named band?) have roots in Perth, same as the Triffids and are lead by Jeff Baker and Ian Freeman who count the Rainyard and Palisades as former bands. Edge of Dream is a wonderful album full of songs descended from The Bells of Rhymney by the Byrds. The Rickenbacker’s jangle throughout and it sends you somewhere eight miles high and sun bleached.
Edge of Dream is out on Pretty Olivia Records.
Tags: Cure, Kelley Stoltz, Mickey Young, Rat Columns, RIP Society, The Church, Wire
How many sweet spots lie between Wire‘s 154 and Of Skins and Heart by the Church? By my estimation there are at least a few hundred and Rat Columns‘ second album hits a good many of them. The San Francisco by way of Australia band have just released their second album Leaf on Australia’s RIP Society records. It was recorded in San Francisco at Kelley Stoltz‘s Electric Duck Studios. Main Rat David West employed the aid of both Stoltz and Mikey Young (Total Control & Eddie Current Suppression Ring) to make the record.
Where the first Rat Columns album was murky and dense, album number two sheds opaqueness for sunnier realms and glistens in the pop sun. The first song Straight to hell with its shinny and shimmering guitar immediately lets you know that this Rat Columns album is a more immediate infectious beast than its predecessor. The second song Another day with its Cure-like synthy intro and bouncing bass reinforce the fact. You can just imagine Kelley Stoltz swinging by the control room while the band were recording and yelling ‘more pop’ and then sneaking in and dialing up the pop knob just a tad on each of these songs. There were hints and traces of pop genius on the previous album Sceptre Hole, but Leaves goes far beyond anything I was expecting. It still has some mystery to it and can be obtuse in parts the way Wire pushed the boundaries of art and punk on 154, but at its heart it’s in love with jangly bittersweet pop that the Church excelled at on Of Skins and Heart. A great unexpected record.
stream: Rat Columns – Another Day
stream: Rat Columns – Fooling Around
You can stream and buy the download of the album from Rat Columns’ bandcamp. If you’re in the US, Goner has vinyl copies for sale, or if you prefer you can order from RIP Society in Australia. Also, don’t miss Rat Columns on tour later this summer:
29-Aug FRI – SAN FRANCISCO w/ COLD BEAT
30-Aug SAT – OAKLAND
31-Aug SUN – SACRAMENTO
3-Sep WEDS – PORTLAND w/ RUBY PINS
4-Sep THURS – VANCOUVER w/ RUBY PINS? GET IN TOUCH!!!
5-Sep FRI – OLYMPIA w/RUBY PINS
6-Sep SAT – SEATTLE w/RUBY PINS
7-Sep SUN – BOISE w/ RUBY PINS
10-Sep WEDS – ST PAUL
11-Sep THURS – CHICAGO
12-Sep FRI – ANN ARBOR/DETROIT
13-Sep SAT – PITTSBURGH
14-Sep SUN – NEW YORK CITY
16-Sep TUES – BOSTON
17-Sep WEDS – PHILLY
18-Sep THURS – RICHMOND @ GALLERY FIVE
19-Sep FRI – LEXINGTON w/ IDIOT GLEE
20-Sep SAT – MEMPHIS w/ IDIOT GLEE
21-Sep SUN – HOT SPRINGS? w/ IDIOT GLEE
22-Sep MON – DALLAS w/ IDIOT GLEE: Three Links – Deep Ellum, TX, 2704 Elm St
23-Sep TUES – AUSTIN w/ IDIOT GLEE
26-Sep FRI – TUSCON / PHOENIX-TEMPE??? GET IN TOUCH!!!
27-Sep SAT – SAN DIEGO
28-Sep SUN – LOS ANGELES? GET IN TOUCH!!!
Tags: Day Rayvies, Galaxy 500, My Bloody Valentine, Popfrenzy, Ringo Deathstarr, Slowdive, The Boo Radleys
Why did Melbourne shoey-dreampoppers Day Ravies name themselves after the Kinks’ Ray Davies? Because Dave Davies wouldn’t have worked.Day Ravies as a name works, although every time I see the name the old man in me reverse the letters back to Ray Davies. What also works is the rayviedayvies debut album Tussle. Some songs are dreamy, some songs are shoey, some are jangley and some just plain ol’ pop.
As indicated by its kaleidoscopic cover, Tussle is a cornucopia of sound, a feast of aural pleasures. It overruns the cup with great songs that are influenced by Slowdive, Ringo Deathstarr, and the Boo Radleys to name a few. The band have three songwriters and singers, which provide a diversity to their sound, yet all three like loud guitars, space and Galaxy 500. Best shoegaze-dreampop record of the year honors goes to the Kinks, I mean Day Ravies!
Tags: Bartlebees, Felt, Gary Olson, Ladybug Transistor, Lost and Lonesome Records, Monnone Alone, the Lucksmiths
Mark Monnone, former Lucksmiths bassist, who usually wrote a handful of songs for each Lucksmiths album, and sometimes provided his services to the genre-hopping Still Flyin‘ has just released his first solo album, beating his former Lucksmith mates to the record bins. He’s going by Monnone Alone, but really he’s not alone. Actually it’s quite crowded.
Together at Last was recorded over the course of a few years, and employs the help of number of notable players including Linton of the Aislers Set, Hamish Kilgour of the Clean and Mad Scene, Kyle Forester of Crystal Stilts, Ryan McPhun of Ruby Suns and Gary Olson of Ladybug Transistor. Some of the record was recorded in Olson’s bucolic sounding studio Marlborough Farms which I understand is not a farm in the sense of growing food, but more like a basement lab growing music.
Monnone’s first solo album stays firmly in Lucksmiths territory, good songs, some slightly silly lyrics, a few serious lyrics and a general good time. He also finds some new inspiration and stretches out a bit to ensure that it doesn’t sound like a total retread. Echoing Days has a distinct Felt sounding guitar lead. Sunset Video Project is a trans-like song that has some obvious German influences and on mildly funky Business World Monnone he kind of sounds like Joe Strummer. Ricochet is pretty duet with Bec Rigby of the Harpoons and he includes an obscure indiepop cover, the Bartlebees‘ When You’re Happy You Won’t Understand.
The record will most definitely ease any pain Lucksmiths fans may still be having from there not being a Lucksmiths anymore. In fact anyone lamenting that band’s demise, need lament no longer because Monnone Alone is a record that will fill that empty space left by by the dissolution of his former band.
You can read Mark’s track by track run down of his record over on Mess and Noise, and be sure to watch Mark as a rowboat captain in the video for the song the Business World.
Tags: Blake Babies, Go Violets, Heavenly, La Luz, Sourpatch, Tiger Trap
Go Violets come from Brisbane, Australia. They describe themselves as “bunny rock pool pop” and just plain old surf-rock. Their single Josie is perfect in all things bunny rock, pool pop, and surf rock. In fact, in the history of all three of those genres there has not been a song that has been more bunny, pool and surf at once. It’s got great glistening guitars that sparkle off the water and a chorus that that will make you bounce. I’m thinking of starting up an indiepop surf festival somewhere on the Washington coast this summer and my first invites are Go Violets and La Luz. Might invite some guy bands too, but why ruin it? They’re always so he-man-me-local about getting the best waves.
stream – Go Violets – Josie (no record label info yet)
Tags: Boomgates, Chapter Music, Dick Diver, Go-betweens, Paul Kelly, The Bats, The Triffids, The Twerps
Wild Nothing‘s Nowhere single from last year was an obvious tribute to the Go-Betweens. Australia’s Dick Diver have done one better. An entire album that could be construed as a tribute to that great band. The Melbourne quartet is the primary band of Rupert Edwards and Al McKay. They get help from the moonlighting Steph Hughs (Boomgates) and Al Montfort (Lower Plenty, The UV Race, Total Control and Straightjacket Nation). All four members contribute songs to the record which provides some variety, but for the most part they are all on the same chapter in the same book. Calendar Days their second album, came out in March to a quiet reception over hear in the US mostly because they don’t have a record label here.
They have been described by some as Australian strummy music. I’m not sure if it was meant as a compliment or not but it captures their sound in a nutshell. Doesn’t everyone love a good strum once in a while? What does strummy actually mean? In the case of Dick Diver: blue, laid-back, playful and breezy. They will make your heart ache. In fact, they could have put a sticker on the cover stating: Warning. May cause slight bouts of melancholia. There is nothing wrong with being blue though. Sometimes you need a little dose of the blues to make you appreciate the better times and this record seems to tug you into reflection with its easy melodies. Many bands worry about a sophomore slump, but Dick Diver sound like they really know what they’re doing the second time around.
stream: Dick Diver – Lime Green Shirt (from Calendar Days out on Chapter Music in Australia)
Tags: Aarght!, Eddy Current Suppression Ring, Melbourne, Ooga Boogas, Total Control
The first Ooga Boogas album Romance and Adventure was sort of a spray paint by numbers garage rock record. Nothing to prepare you for how good and varied the band’s follow up album would be. Self-titled and brimming with ideas and confidence Melbourne’s Ooga Boogas finally return after a three year stretch of not much activity with album number two. The long wait isn’t surprising considering that guitarist Mikey Young seems to involved at some level with every single great record coming out of Australia at the moment. Perhaps that is an exaggeration, but being in Eddy Current Suppression Ring and Total Control recording tons of other bands and mastering the records of tons more, these days if you flip an Australian record over and look at the credits his name is likely to be there somewhere.
Ooga Boogas have not left their garage roots, but the garage has been remodeled or converted rather. The record walks a line between ECSR and Total Control and sidesteps into Velvet Underground, Tubeway Army, Modern Lovers and the Soft Boys territories. The centerpiece of the record is an eight minute Fall meets Parliament Funkadelic funk work out called Sex In the Chillzone. The album is filled with a varied style and substance. Oftentimes records like this get disparaged for not sticking to one specific style, but Ooga Boogas benefit from freedom of movement.
stream: Ooga Boogas – Sex In the Chillzone (from Ooga Boogas out on Aarght! Records)
Tags: Chapter Music, Melbourne, The Church, The Clean, The Stevens, The Twerps
Pop lovers who love melodic dissonance (aka jangle-pop) on vinyl rejoice. The fine folks at the Melbourne based Chapter Music are set to release the Stevens eponymous six song EP. In case you missed last year’s Finest-Kiss-Melbourne-Extravaganza, the Stevens are pure pop brilliance smack dab in the middle of that current brilliant Melbourne pop scene.
The band self-released the EP last year on on homemade cassettes, CD’s and downloads, but now it’s about to get released as a seven-inch single. That’s not all, the band are putting the finishing touches on an album they are recording with the ubiquitous Mickey Young which they hope to have out before the end of the year.
If you’re a Stevens freak (like I am) be sure to pick up a copy of the the Vacant Valley compilation Rough End of the Stick which contains an additional Stevens song Turpin Falls.