Le Jardin de Flying Fish Cove

ffc

Another dispatch from Seattle. This time we catch up with indiepop up and comers Flying Fish Cove. Their debut album At Moonset came out on Help Yourself Records a little over a month ago. They are anchored by the songwriting couple Dena Zilber and Jake Jones and write an innocent brand of pop that has touches of Elephant 6 psychedelics, pastoral folkiness akin to Essex Green, and DIY P.U.N.K. reminiscent of Heavenly.

The album’s cover evokes a tropical paradise where cheetah cubs and friendly lizards hang out underneath double rainbows and twin crescent moons. The album conjures a make believe in light of harsh reality which seems to tips its hat to recent covers of like-minded Seattle bands like Mommy Long Legs and Tacocat. It wouldn’t be out of place on K or Magic Marker, packed full of immediate songs that range from ramshackle to swooning synth-tinged odes. Zilber has a sweet voice that gives you the impression she speaks from experience, while the lone Jones vocal on Cammy the Camry has a Jim Ruiz lounge style to it.

Just when I was giving up on the Seattle scene’s ability to generate new bands , Flying Fish Cove appear and deliver this beguiling beauty. Cheers!

Trouble In This Town: Zebra Hunt’s Trade Desires

trade desires

Living in Seattle at present requires one to be economical, especially if you’re trying to hold it down with the influx of tech usurpers. Folks used to move here for aesthetic reasons, but now that just comes with the package. It’s taken for granted, or just a bonus. You can tell by the shift from quirky and slightly run down shop fronts and houses to sleek, new and mundane shop fronts and townhouses and the tall buildings that keep edging out further and further from downtown. For a few years, it seemed like anyone with an artistic bent was packing up and heading out of town. That left Seattle tipping into a somewhat unenviable circumstance of being like every other fucking city.

Thankfully a few have stayed around and stuck it out. If i were an optimist I might even tell you that things are looking up, at least on the band front. Zebra Hunt have been a light in the darkness these last five or so years and their beacon continues to shine on their third album Trade Desires. At eight songs, it is economical. The band packs its punches and doesn’t waste time on any feints or diversions. Zebra Hunt continue their janglepop mastery and add a handful of new classics like Two States, See Through You and Coral Scenery to their cannon. They also make a Fresh & Only’s song sound like they wrote it and stretch out on the nearly seven minute Don’t Say Anything.

Every time a new Zebra Hunt album comes out, I count myself lucky that I live here. The PNW is known for its snow capped volcanoes, soggy grey days, hoppy beer, and if Zebra Hunt has anything to say about it, jangle pop.

The EP is Back!

So far this year, the best, or at least the most interesting stuff seems to be coming out in the extended play format, also known as the EP. Perhaps this is the best length for a release in 2019? A single is so fleeting, and who has time to sit through a 10 song LP?  The three to six song EP just might be the future. The EP takes many forms: the download, a cassette, a CD and even sometimes vinyl.  There’s something on each of those formats in this roundup of  2019’s EP highlights. Endeavoring to be format agnostic blog, I revel in the diversity of formats and make no claims of the superiority of one over another. Just make sure you have a computer :-/
displayhomes
Sydney’s Display Homes have been teasing a new EP for a month or two now. E.T.A. sees its release date keep getting pushed out. It was February, now it’s March 22. The band have made two songs from the four song available on their bandcamp. This cassette release follows up 2017 hit single Climate Change and has some high expectations to live up to, at least for me. Even if it’s 50% as good, it’ll be more than good enough.

seeds
Most bands giving away their music on the internet do it because no one will buy it. Seeds of Doubt are clearly doing it wrong. I would pay for this sort of thing and I bet a few others would too. the Band is moniker in which Chris Hopkins records under. He’s sort of like a modern day Cleaners from Venus in that he seems to just want to get his music out there. No complaints here as this four song EP is great and features Lerryn Whitfield as guest lead vocal on one song Big Boss which may be the high point of this EP of many highs.

Beauty Parlor are from Fort Worth, Texas and sound like they could have been on  February’s Mojo magazine cd which featured the likes of Prefab Sprout, Marine Girls, Orange Juice, Felt, and Microdisney. Fall In Love is a four song EP that is steeped in 80’s indiepop magic minus the horrible reverb heavy drums that were so prevalent.

corduroy
The first thing that Baltimore’s Corduroy bring to mind is the way the singer sings slightly off key in an endearing way similar to some of those classic Pastels records. Comparing them a little to Tullycraft wouldn’t be unheard of. They also aren’t afraid to employ a little REM jangle to this six song EP that comes in download and cassette. A quick skip across the country over to Seattle and the Regrets and their energetic Endless Desire EP. The singer has powerful delivery that sounds a little like D. Crane of Boat and the playing is tight in a kind of fey-powerpop tilt, which in my opinion is a genre that needs to be created if it hasn’t been already. Sensitive powerpop for socially awkward types who like to rock. there’s a ton of us out there and we could really get behind a band like this.


Charlotte-Adigéry

You may remember Charlotte Adigéry‘s EP from a couple years ago. She’s back with another one called Zandoli. Its five songs see the Belgian-Caribbean singer giving us a better idea of her individuality. It’s less synthetic and icy sounding and more organically funky sounding as if she’s melting a glacier right into the Orinoco. I hope and LP is in the future after this pair of promising EP’s

coolgreenhouse2
Over in England, there’s a great label, Market Square Records that released the first single from the Cool Greenhouse. I love the Quietus review where they ask, “How much irony and repetition can we take? Really quite a lot, when it’s as good as this”. Part Yummy Fur, a good dose of Mark E Smith and enough repetition to send you into and endless loop of endless loops.

aberdeen
It’s curious how the internet treats geography sometimes. The Vapour Trails, purveyors of 60’s inspired jangle rock seem to be from Aberdeen. Aberdeen, where? Washington, Kurt Cobain’s hometown? I doubt it and am assuming it’s Scotland, but a cursory look on the old internet and your guess is as good as mine. Regardless of a sense of place, there is a strong sense of the Byrds and the Church and a healthy dose of good songs. Ok, it’s an EP so it’s only three songs, but there’s not a clunker in the bunch.

Notable Albums of 2018

Beating my Chinese New Year deadline by nearly two months, here is my list of favorite records of the past 12 months. Was it this year that the music blog officially died? It seems like more are going dark, and fewer are starting up. I shall endeavor to do better this year. This year also saw the really bad idea of labels not including downloads with copies of vinyl records. If you are one of those labels, please reconsider. I love the download card! My record player does not travel well and I hate buying stuff twice.

limecrush
1. Lime Crush – Sub Divide (Fettkakao)
Finally, an LP to follow up this Austrian band’s ace 2015 7”. Sharp, punky numbers full of spite, humor and a little sax. All three songs from that single smartly resurface here and a surprise vocal from Calvin Johnson at the end ties the it all together.

sotbh
2. Spirit of the Beehive – Hypnic Jerks (Tiny Engines)
Hypnic Jerks (I love that title) is the third LP from this Philly band. It has elements of Deerhunter, Lilys, Brainiac, Swirlies and many other unsung, underground darlings in my record collection.

umb
3. Dumb – Seeing Green (Mint)
Most would file Dumb under Pavement/Parquet Courts, but I dig way these Vancouver underground rockers’ punky songs evoke Big Boys, sport an offbeat sense of the absurd and (probably) make an unintentional nod to Stewart Copeland’s alter ego Klark Kent.

shopping
4. Shopping – the Official Body (Fatcat)
For album number three (why does nobody call the third album their junior effort) Shopping rip it up and start again. Not exactly, but they employed Edwyn Collins to produce the record. Their brand of dancy post-punk benefits from an infusion of Orange Juice to make it their most accessible record yet.

espaces
5. Jonathan Fitoussi & Clemens Hourriere – Espaces Timbres (Versatile)
This duo employ vintage modular synthesizers to create ambient landscapes that share topographical similarities with Kraftwork’s Radioactivity and Eno’s ambient stuff. Rarely does ambient music feel so powerful, but this record is juiced with the ability to make one feel they are floating into other realms.

freelove
6. Free Love – Luxury Hits (Full Ashram)
The Glasgow duo formerly known as Happy Meals smartly change their name to Free Love for their debut LP. Luxury Hits is 80’s style synthpop made with updated tech and the song Playing as Punks may be my favorite song of both 1988 and 2018.

sonsofkemet
7. Sons of Kemet – Your Queen Is a Reptile (Impulse)
I didn’t even know that the Impulse label still existed as a label that put out new stuff. This is the group’s third album and its tuba, trombone, sax, clarinet attack spans Mingus, Jamaican ska/reggae, Coltrane and Sun Ra. Remarkable, even for non-jazz aficionados like myself.

shannon
8. Shannon Shaw- In Nashville (Easy Eye Sound)
Is it ok to say that I like this better than any Shannon & the Clams albums? The Shaw – Auerbach collaboration reminds me a little of accomplished pop-psych that came out of the Del Shannon – Andrew Loog Oldham collaboration.

flasher
9. Flasher – Constant Image (Domino)
I love how this DC band blend Hometown influences like Unrest and Holland with Three O’clock style paisley underground into a brilliant record that goes against the current grain. If this came out 25 years ago it woulda been on Teenbeat fer sure!

gwenno
10. Gwenno – Le Kov (Heavenly)
For her sophomore album Gwenno has switched from singing in Welsh to singing in Cornish, a minor detail probably for most of us who speak neither. Whatever language she sings in, Gwenno excels at the lingua franca of krautrock-psychedelic-soundtrack strain of rock.

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2018 Singles of the Year

The last few years, I have thought that there wouldn’t be enough singles to do top singles of the year list, but each year I look at the stack of singles that I’ve accumulated and realize that the 7-inch (and 10-inch) single still lives. Thank god there are still a few of us out there!

1. Wesley Bright & the Honeytones – Happiness (Colemine)
Step back and make some room for this floor filler. Soul in this sort of throwback style seems to have a core audience but little critical acclaim. That seems to matter less in this time of algorithmic recommendations. So I hope you have smart music playing device that slipped this hot little number by this Rubber City Beekeeper in between some Ottis Redding and Al Green.

2. False Tracks – Down There (Self-released)
When I saw that this Baltimore Philly band featured former Ropers Greg Pavlovcak and Mike Hammel I was interested. I was really hooked by the power chord blasts that were part glam swagger and part post punk urgency.

3. The Orielles – Bobbi’s Second World (Heavenly)
Two brand new songs not found on the debut LP also from this year. One is a cover of Peggy Gou’s It Makes You Forget and the other an original, Bobbi’s Second World. Both up the infectious energy of their LP and sparkle with Bananarama 80’s fun.

4. Mikah Wilson – Sunshine Grooves (Burger)
Sunshine Grooves is bright, shiny and sunshine drenched pop that many will associate with the Beach Boys, Zombies and Emmitt Rhodes from the late 60’s and early 70’s heyday of that style. So nice to hear it alive and well in the dark days of 2018.

5. Husbands – Karlstad EP (Box Bedroom Rebels)
The Box Bedroom Rebels label has perfected the art of fitting an album onto a seven inch record. Oklahoma City’s Husbands fill it up with tons of Weezer like power pop with a devil may care attitude straddles the tightrope of rock gods and geekdome.

6. Honey Radar – Psychic Cruise (Chunklet)
The elusive Honey Radar love to put out singles of severely limited quantity, often on lathe cut vinyl. Psychic Cruise was no different in its being limited and certainly no different from the band’s high quality output of short, psychedelic bursts of distorted, hazy pop.

7. Girl Ray – The Way We Came Back (Moshi Moshi)
Recorded after last year’s debut, The Way We Get By was written by singer Poppy Hankin when she was sixteen. The band describe it as a plump cow that needed to be milked. It does go down smoothly and leaves a nice mustache.

8. Beachtape – Fix It Up (PNKSLM)
Brighton’s Beachtape continue the long line of beach named bands not sounding like the beach. No Frankie and Annette or Beach Boys here. This is straight up 90’s inspired indie rock pop.

9. Datenight – My Car (Goodbye Boozy)
Meaty jangle from Memphis that sounds influenced by the jangly Flying Nun bands or yore. I was kind of surprised at how these guys flew under the radar given their style and the usual fervid fandom that ensues. Either it’s going out of style or my ear for it is waning. Someone should invent a music blog to bring attention to this sort greatness.

10. Art Sick – Going Down (Yr First Crush Records!)
Quality indiepop in the vein of Tiger Trap and Small Factory from this Oakland trio with a strong pedigree. The band includes former members of Burnt Palms, Lunchbox and Kids on a Crime Spree. Going Down keeps the 90’s indiepop flame alive.

11. Parsnip – Feeling Small (Anti Fade)
Parsnip’s second single ups the quirkiness factor a touch, but the band continue their endearing ways on Feeling Small. It’s a little bit of cartoon bubblegum, some oompa circa the Kinks Face to Face and then topped off with a modern day lo-fi sensibility.

12. EggS – I Fell In Love (Hellzapoppin)
The EggS of Paris, not to be confused with the Eggs of Arlington, Virginia, bust out quite convincingly on their debut single. The aloof vocal reminds me a bit of Steve Kilby of the Church and the droney pop that the band seems to excel at has a certain Clean quality to it.

13. Child’s Pose – Feral (Nervous Energy)
Sauna Youth spin-off band sound like their relationship would suggest. Wired songs, Intelligently and tightly wound so that they pop themselves into your consciousness for immediate satisfaction.

14. The Harlem Gospel Travelers – He’s On Time (Colemine)
Apparently the Harlem Gospel Travelers were literally students of Eli Paperboy Reed in a gospel class the singer was teaching. It must have been a very hands-on class, because Reed brought them into a studio to record this single. Based on He’s On Time, Reed is a very good teacher.

15. The BV’s – Every Story is a Ghost Story (Cloudberry)
The BV’s remind me of a more masculine sounding Field Mice. The band excels at creating moods with the chiming guitars and plaintive vocals. No one can afford a vinyl copy of Emma’s House these days and my guess is that you won’t be able to afford this one in 30 years either.

16. Blushing – The Truth (The Nothing Song Records)
If you are aching for a dreampop fix, look no further than Austin’s Blushing. The Truth may be their best song yet. The way they weave their tremolo guitars into webs of dewy goo evokes those early Lush EP’s.

17. Terry Vs Tori – Larusso (Box Bedroom Rebels)
Spain’s Terry Vs Tori in 2018 remind me of France’s Les Molies in 1994. Which means nothing to no one, unless you remember that gentle, understated pop from 24 years ago. No matter, you should snatch up this single if you dig indiepop of the Sarah variety.

18. The Shifters – Just Sat Down (Digital Regress)
Every time I listen to the Shifters I marvel at how much they remind me of early Fall, but at the same time are foraging off on their own unbeaten track. Sure, if MES were still alive today he would slag them off songs like the killer Melbourne & Monash Youth League as ripping off the Fall. I can’t think of a higher compliment.

19. Cool Flowers – Pig Charade / Angry (Self-released)
Portlands’s Cool Flowers fly so far under the radar they didn’t even bother to put their single on soundcloud or bandcamp. “So what” you say, I use Spotify. Good luck brother. Dub inspired glory on both sides inspired by the Public Image Limited and Scientist. A great reason to buy a record player.

20. Okama Flannel Boy – Carolina St. (Cloudberry)
Mexico city indiepawpers peddle some excellent rockabilly/Smiths/Orange Juice riffs on this single. Fernando Torres apparently is the man behind the flannel and his delicate voice and knack for a hook make this record sparkle atop the pile of all to self-aware also-rans.

21. Tiny Fireflies – Nothing (Self-released)
Nothing sees Tiny Fireflies relocating from Chicago to Portland, Oregon, though they traipsed across the country to record it with Gary Olson (Ladybug Transistor) in Brooklyn. Nothing was then mixed by Ian Catt. Makes sense, as this is a fine example of some top shelf dreampop combining sad longing of the Trembling Blue Stars and atmospheric weight conjured by Slowdive.

22. Jackson Politik – Psycho-mania (Market Square)
Andy Jordan has a number of music persona’s and Jackson Politik is the latest. Psycho-mania sounds as its title advertises. The b-side Well-adjusted Australians is my favorite here. It sounds like a companion song to the Jazz Butcher’s Southern Mark Smith in both sound, topic, and even the tiny Max Eider guitar solo. More of this sort of thing please!

23. Amyl & the Sniffers – Some Mutts (Can’t Be Muzzled) (Flightless)
Australian punks Amyl & the Sniffers put out a white hot compilation of their EPs earlier in the year and then followed it up with this worthy companion to the Stooges’s I Wanna Be Your Dog. It was a good year for this band, and can’t wait for what they have in store for us.

24. Lithics – Photograph of You (Thrilling Living)
Lithics deal in such sharp edged rock that it’s downright dangerous. Pack away your balloons and beach balls while listening to Photograph of You because the the icy cold shards of shrapnel coming off of this record is sure to puncture the most staunchly optimistic soul and make them stagger and question their rosy disposition.

25. Peach Kelli Pop – Which Witch (Mint)
Inspired by Red Cross’ Posh Boy EP, this six song seven inch contains short, sharp pop that leaves you wanting more and wishing each song was twice as long.

26. Stiff Love – Attitudes (Feel It)
Olympia, Washington’s Stiff Love, who formed in 2017, fit perfectly into that town’s punk-riot-do-it-yourself aesthetic. Attitudes combines 70’s guitar riffs with punk rock in your face flamboyance. This is white hot glammy goodness.

27. Mush – Gig Economy (Dipped In Gold Recordings)
From the ashes of the Too Pure Singles Club, comes Dipped in Gold Recordings and their first release from Leeds band Mush and it’s a spazzy symphony. A permanent job with benefits could be going the way of the Dodo, and rocking out to the next global economic meltdown never sounded so wonderfully unsettling!

28. The Stroppies – Maddest Moments (Tough Love)
The Stroppies tick all the boxes on the indie cred check list. Members for the Twerps, Dick Diver and the Stevens. Check, check, check. Compared to the Flying Nun bands like the Clean and the Bats. Check and check. Maddest Moments isn’t drop dead immediate, but it worms its way into you’re consciousness with off kilter melody and workman like playing. It’s comfortable like a favorite sweater.

29. Jay Som – Pirouette (Polyvinyl)
Melina Duterte’s (aka Jay Som) single from early in the year was fuzzy sounding, sleepy eyed follow up to her album the previous year. Pirouette is as lively as anything she’s done previously and moves her from bedroom into the kitchen, slicing up a nice chunk of powerish pop.

30. Skiftande Enheter – Mördande Rutin (Market Square)
Further north than Scotland, straight outta Sweden and out-yumming the Yummy Fur are Skiftande Enheter. I have no idea what they’re singing about but count me in on this DIY punk on cross country skis.

Midyear Notables or Oh Yeah I Almost Forgot About This Blog

Hopefully your RSS reader still works and this popped up. My excuse for lack of content here at the Finest Kiss is that I’ve been too busy listening to records. To catch everyone up on my life, here are 30 or so records that are at the top of my pile so far for 2018. Seems like a lot, but I still feel like I left a lot of good stuff out.

annaburch
Anna Burch – Quit the Curse (Polyvinyl)
Burch was in the Sarah Records influenced Failed Flowers with Fred Thomas of Saturday Looks Good to Me. Here debut solo album has a nod or to towards K Records, specifically Lois Maffeo, with its 90’s style indiepop and understated sardonic pop.

beachhouse
Beach House – 7 (Sub Pop)
Baltimore’s Beach House are a prolific duo and their many records seem to have building up to their seventh appropriately titled album. If you recall late period Cocteau Twins when they were at the height of their ethereal powers, then yuo will no doubt already own this.

blueslawyer
Blues Lawyer – Guess Work (Emotional Response)
With their tendrils firmly wrapped around the Oakland, California indie scene, Blues Lawyer do lo-fi wiry punk ditties that bring to mind contemporaries the Rays and early influencers like Television Personalities and the Tronics.

cavern
Cavern of Anti-Matter – Hormone Lemonade (Duophonic)
Tim Gane’s post-Stereolab groop puts it all together on their third album. It’s full of experimental Kraut excursions and just enough song structure to keep it from going off the rails.

cutworms
Cut Worms – Hollow Ground (Jagjaguwar)
Tons of Everly Brothers and Buddy Holly in Hollow Ground, which flies in the face of present day music. What’s wrong with this one man band Max Clark and his compulsion of a bygone era? Who cares, when it sounds this good.

datenight
Datenight (US) – Comin Atcha’ 100MPH (Drop Medium)
Anyone remember that Box Elders record from a ways back? If not, you probably are familiar with the Clean. This Nashville band reminds me of both.

umb
Dumb – Seeing Green (Mint)
Most would file Dumb under Pavement/Parquet Courts, but I dig way these Vancouver rockers’ punky songs evoke Big Boys, sport an offbeat sense of the absurd and (probably) make an unintentional nod to Stewart Copeland’s alter ego Klark Kent.

flasher
Flasher – Constant Angel (Domino)
I love how this DC band blend Hometown influences like Unrest and Holland with Three O’clock style paisley underground into a brilliant record that goes against the current grain. If this came out 25 years ago it woulda been on Teenbeat fer sure!

freakgenes
Freak Genes – Qwak Qwak (Drunken Sailor)
Sparse lo-fi punky songs from a guy from Proto Idiot and another guy from the Red Cords. On LP number the duo add some synths to their garage arsenal of sound. I’m not sure why they’re dressed as ducks on the cover, maybe it’s a result of some gene splicing experiment gone awry where they tried to genetically modify the DNA of Buzzcocks, Syd Barret and Howard the Duck.

girlsnames
Girls Names – Stains on Silence (Tough Love)
On their fourth album, Northern Ireland’s Girls Names plunge themselves down into a dark, dark place. It’s not as immediate as previous efforts, but I think I like this new one more than anything they’ve done so far. It brings to mind the moody “difficult” post punk the Sound’s All Fall Down and Comsat Angels’ Sleep No More.

goatgirl
Goat Girl – Goat Girl (Rough Trade)
London’s Goat Girl sound like a 1980’s 4AD band from the United States. Translated, that means think Throwing Muses and Pixies. Throw in a little PJ Harvey and Gallon Drunk and you’re only missing Steve Albini, who apparently was too busy playing poker to records their debut LP.

greensea
Green Seagull – Scarlet Fever (Mega Dodo)
From the If it ain’t baroque then surely its psychedelic school of 60’s rock revivalism, comes Green Seagull’s debut LP. Both of last year’s excellent singles reappear here to re-mezmerize, but there are many new songs drenched in kaleidoscopic harmonies and 12 string guitars that are just as worthy.

gwenno
Gwenno – Le Kov (Heavenly)
For her sophomore album Gwenno has switched from singing in Welsh to singing in Cornish, a minor detail probably for most of us who speak neither. Whatever language she sings in, Gwenno excels at the lingua franca of krautrock-psychedelic-soundtrack strain of rock.

holliecook
Hollie Cook – Vessel of Love (Merge)
Swapping out Prince Fatty with Youth to produce her third album of tropical reggae vibes, Hollie Cook doesn’t miss a step. There are fewer string arrangements, but one half of Public Image Limited (Jah Wobble and Keith Levene) and a top batch of songs make barely noticeable.

hookworms
Hookworms – Microshift (Domino)
Hookworms started out as a screaming maelstroem inspired by Thirteenth Floor Elevators, but with each album they have sanded down the roughness of their sound little by little and now Microshift sees them morphing into Depeche Mode. Not quite, but they do employ some fast fashion into this record to thrilling effect while still keeping their slightly unhinged attitude.

insecure
Insecure Men – Insecure Men (Fat Possum)
The new band from Saul Ademczewski formerly of Fat White Family is light, playful and unassuming, but that doesn’t mean it’s not worth your time. With a name like Insecure Men and sounding like it they were influenced by Harry Nilson, the Lightening Seeds, Love & Rockets and Captain Sensible, Ademczewski an his collaborator Ben Romans-Hopcraft stay on the pop rails just barely.

itchy
Itchy Bugger – Done One (Low Company)
This record appears to bit of an anomaly, a dude from bands that sound nothing like the Clean, Television Personalities, and the Art Museums makes an album that makes a record that sounds like it was directly influenced by those bands. What a crazy wonderful world.

espaces
Jonathan Fitoussi / Clemens Hourrière – Espaces Timbrés (Versatile)
This duo employ vintage modular synthesizers to create ambient landscapes that share topographical similarities with Kraftwork’s Radioactivity and Eno’s ambient stuff. Rarely does ambient music feel so powerful, but this record is juiced with the ability to make one feel they are floating into other realms.

laluz
La Luz – Floating Features (Hardly Art)
I suppose it isn’t all that surprising that a surf band from Seattle would move to Los Angeles. Who wants to surf (or play beach parties for that matter) the frigid waters of the Pacific Northwest when sunny SoCal is just down the I-5? With some production help from Dan Auerbach and sporting a slightly more muscular tone, these former Seattle ladies seem to have adjusted to their new locale quite nicely.

laylamas
Lay Llamas – Thuban (Rocket)
Lay Llamas essentially is Italy’s Nicola Giunta creating multi-textured psychedelic rock. On Thuban he has a few guest to help him out including Goat and Clinic, but this is his show of rhythmic dalliances into north Africa, Thailand and the Beta Band’s Edinburgh.

lithics
Lithics – Mating Surfaces (Kill Rock Stars)
I recommend Lithics second album and first for Kill Rock Stars knowing that their sparse, mechanical clang is not for everyone, but for those who like cold hard surface on which to reproduce…Hell even if you don’t and want something cold, sharp and hard to jar you from your comfort zone then this is it.

mapc
Math & Physics Club – Lived Here Before (Fika)
Math & Physics Club have been known to cover REM, I remember them doing an excellent version of Shaking Through from Murmur, so it not surprising to hear them dropping REM references throughout Lived Here Before. Don’t worry, if you are a fan of their subtle understated pop, they haven’t gone all End of the World as We Know it. They have this great ability to subtly incorporate influences without them overpowering their own of delicate pop.

melodys
Melody’s Echo Chamber – Bon Voyage (Fat Possum)
The second effort from Melody Prochet was a long time coming, but well worth the wait. Instead of the focused pop of her debut, she teams up with members of Dungen to make a psyche rock amoeba built on improvisation and fear of being fenced in. It has a random kitchen sink feel at times, but it sounds adventurous and exciting.

olkenyolk
Olden Yolk – Olden Yolk (Trouble In Mind)
I always wonder when a member of a band, say Shane Butler of Quilt, starts another band, what does that mean for the other band? Are they kaputt, or just taking a break? Bultler is joined by Caity Shaffer and they come off sounding like a long lost 60’s California folk group that has a thing for the German motorik beat. A near perfect combination of the two and my new chocolate & peanut butter.

orielles
The Orielles – Silver Dollar Moment (Heavenly)
I’ve seen the Orielles described as being, baggy, shoegaze and C-86. They’ve been compared also to the Pastels, Pink Floyd, Belly and Orange Juice. For the record I’m not going to add to that confusing list of comparisons. I will say that this trio’s debut album is strong in the pop department and has something for nearly everyone.

cover
Parquet Courts – Wide Awake (Rough Trade)
The new PC’s album was produced by Danger Mouse, reminds me of the Beastie Boys Check Your Head era funk and Spoon’s sparse percussive pop. Wide Awake might be their best since their debut Light Up Gold.

patois
Patois Counselors – Proper Release (Ever Never)
Charlotte, North Carolina’s first impressed with 2015’s Clean Skits single on Negative Jazz. The seven piece band are a kin to Protomartyr, with a seriously lower profile. Their debut album is full of post punk, art school ditties reminiscent of Pere Ubu, the Fall and Fugazi and every bit as worthy of your hard earned money.

Horology
Red Red Eyes – Horology (Where It’s At Is Where You Are)
This year I’ve felt a strong Broadcast influence in the rock continuum and UK duo Red Red Eyes are another piece of anecdotal evidence for my case. It’s not a Broadcast tribute mind, Horology is moody, mysterious, trippy and not afraid to borrow from Massive Attack and Serge Gainsbourg either.

roves
The Roves – The Roves (One Man Movement)
This London band’s debut album is a jangly throwback to classic 60’s pop records that were packed with two and tree minutes pop songs and not a dud to be found in the bunch.

saysue
Say Sue Me – Where We Were Together (Damnably)
The undeniably catchy Old Town is a slice of classic indiepop, but it’s sort of a red herring too. Say Sue Me hail from South Korea and it’s obvious they are fans of the UK indiepop style, but they paint from a bigger pallet of surf inspired guitars and effects laden dreampop.

shannon
Shannon Shaw – Shannon in Nashville (Easy Eye Sound)
Is it ok to say that I like this better than any Shannon & the Clams albums? The Shaw – Auerbach collaboration reminds me a little of accomplished pop-psych that came out of the Del Shannon – Andrew Loog Oldham collaboration.

shopping
Shopping – The Official Body (Fatcat)
For album number three (why does nobody call the third album their junior effort) Shopping rip it up and start again. Not exactly, but they employed Edwyn Collins to produce the record. Their brand of dancy post-punk benefits from an infusion of Orange Juice to make it their most accessible record yet.

sonsofkemet
Sons of Kemet – Your Queen Is a Reptile (Impulse!)
I didn’t even know that the Impulse label still existed as a label that put out new stuff. This is the group’s  third album and its tuba, trombone, sax, clarinet attack spans Mingus, Jamaican ska/reggae, Coltrane and Sun Ra. Remarkable, even for non-jazz aficionados like myself.

virginiawing
Virginia Wing – Ecstatic Arrow (Fire)
This is the first Viginia Wing I’ve bought since EP on Faux Discx. I love it. Touches of Taken by Trees, Hector Zazou, and Broadcast, the latter which (as you can probably tell) seems to be so prevalent in my listening tastes lately.

Living in the Past or I’m Still In Love With 2017

Those pesky end of year best of lists should really not come out until March, but that’s not likely considering that internet lives in future tense. It’s the end of February, 2018 but I’m still discovering records from last year that could have easily been included on my best of 2017 list. In my futile attempt to not be ruled by the hurry up what’s next mantra, here are a handful of releases from last year that I’ve discovered on the wrong side of the calendar for the internet.

Paul Messis

Paul Messis is a busy guy. He runs the Market Square record label and fronts the punk rock Suburban Homes. In his free time, he squeezed in some time to released his third solo record at the end of last year on Austin’s 13 O’clock record label.  Songs of Our Times is a 12 string drenched , late 60’s tour of folk-y protest rock. The songs have a raw feel with lyrics inspired by these upside down times of the current day

The Tahitian Sons

While your friends are spending over thirty bucks a pop to reaffirm their love of Felt, you can go the cheaper route and download the two latest EP’s from Manchester’s Tahitian Sons. I hope that is all I need to say about this band to pique your interest. The seven song Blackpool Peppers and six track Dice Dance slipped out in December as download only EP’s on Bandcamp.  Both are name your price on bandcamp so there’s no excuse!



Forever Pavot

Fifty Years from now I can see a label like Finders Keepers reissuing Forever Pavot’s records. The second album by Emile Sornin’s ensemble features a move soundtrack feel than the previous Rhapsode. Nevertheless, it still features a 60’s sci-fi feel that bands like Broadcast and Stereolab borrowed from Peter Thomas. I

Joshua Abrams

One of my favorite Stereolab songs is Soop Groove #1, a b-side on the Fluorescences single. It is 13 minutes of a hypnotic groove that doesn’t really go anywhere but is capable of placing you into another state of conscious. Chicago jazz guy Joshua Abrams has taken that 13 minutes and expanded it into an entire album. It’s absolutely brilliant. But you shouldn’t take my word for it, because I’ve been under hypnosis since hearing it.

Helta Skelta

I really hadn’t paid too much attention to Australia’s Helta Skelta’s hardcore act up to now. Their Nightclubbing single (no association with Iggy Pop song) which came out in October has a very Eddy Current Suppression Ring feel to it, and since I doubt that we’ll ever hear another ECSR record, this record deserves a posthumous single of the year award.

Total Control

Speaking of ECSR, guitarist Mikey Young’s other band Total Control released their third album at the tail end of last year. The hard core set found it disappointing because it had too much melody and not enough aggression. Not being a real punk, I found it delightful. They’ve obviously been listening to Microdisney and Fatima Mansions and have bent their songs into subversive melody while keeping the tension at a high level, just a little differently than before.

Telepathic

I should pay closer attention to the Third Uncle label, also home of Honey Radar. From the ashes of Bleeding Rainbow, Telepathic have emerged with a stronger sense of being and set of really tight set of fuzzy lo-fi songs that sound best when they bleed into the red.

Les Filles de Illighadad

If you dig the hypnotic effects of Joshua Abrams, take a trip to the Sahara. Named for their village Illighadad, in the Tahoua region of Niger, Lilles de Illighadad’s second album Eghass Malan is just the thing. The humming rhythm combines with lullaby-like vocals and sublime guitar to create higher states of being.

Swim Team – Lazeritis split 7-inch

This split single between two Melbourne bands is an all girl win-win. Swim Team’s Positively Hopeless reminds me of a Marine Research – Tiger Trap combination that will make the 90’s feel like yesterday. Lazeritis’ Little Sister is more punk, but not of the riot grrl style. The chorus of ‘We’ll shake shit up till they all turn blue” is a real fist-raiser.