No Cruise Required to Appreciate These Glaciers

glaciersHere’s to the folks who scour the internet for hidden beauties like this album from Melbourne, Australia’s Glaciers! Living Right is a fine piece of jangly goodness that deserves a wider audience. It came out last year on bandcamp, but has recently been released on vinyl by new Spanish label Meritorio Records.

The eleven songs on Living Right evoke the Railway Children and early records by their fellow countrymen the Church. The songs have an easy, mellow vibe that is slightly melancholy but brilliant and breezy. With only one record, these youngsters have plunked themselves right into the long lineage of shimmering jangle pop bands, many of which are long forgotten by most folks. Thankfully there are bands in far off corners of the world who still make this beautifully sublime kind of thing and others who feel it necessary to press it onto vinyl.

Buy a download or record of the Glaciers’ Living Right from Meritorio Records.

Heading Down Main Street with Talbot Adams

talbotI have been a bad blogger lately, neglecting this page even more than usual. I got the new Talbot Adams album sometime last year, played it a bunch, loved it, and then buried beneath a bunch of other records. In my attempt to organize, I was filing records this weekend and was reminded of my remiss when Community/Recession Era popped up from behind a stack of LP’s sitting on the floor. I immediately pulled out the orange disc and played it.

The album is a low key affair, consisting of Adams and his guitar (mostly acoustic with a handful of electric ones), but it has this subtle psychedelic quality to it that gives you something to keep coming back. It’s a little Doug Tuttle, Bert Jansch and Richard Davies.  Adams’s songs provide a grounded perspective to life in general and seem like an open book into his tender soul. In the hands of a lesser artist it could become a mundane trudge, but Talbot Adams is a tower of song that demands to be heard.

Community/Recession Era came out on German label Secret Identity Records, but you can pick up a copy in the US on Space Case.

It’s Not Easy Being Green

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When you tell someone that you’re really into Peaness, it’s all about the accent. Otherwise you could be easily misunderstood. UK indiepop trio Peaness have been bubbling up with a self-released cassette called No Fun and then an internet single Oh George that is so undeniable that it could have you lining up to buy it if it existed in some form where you actually had to line up to buy it.

Take heart patient pop fans, the band now have a 7-inch single out now on Vancouver, Canada’s Kingfisher Bluez. If you are a fan of Standard Fare/Mammoth Penguins or Allo Darlin’ then this record will be one you want to add to your collection. Even if the single contains two songs that were on the cassette and leaves off their best song to date (Oh George), you the erudite pop fan won’t sweat the details because you will want to own one of the best singles of the year and be ready for what these ladies have in store next.

Barbaric City Yelps

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City Yelps a three piece band from Leeds have just released an album called Half Hour. It’s rough around the edges, but like all good punk records its white hot delivery overshadows sound quality. In fact, the band seem to revel in their lo-fi. The liner notes state “City Yelps think they’re these DIY puritans but let me tell you now, you are being conned if you buy this record because they’re just lazy bums and nothing more.” 

It’s noisy and rambunctious like Swell Maps and the Beatnick Filmstars, but has a literacy and outsider style that reminds me of Animals that Swim. They make the mundane sound interesting like on We Like the Hours which is about a girl who works nights in a bakery, and 11.99 about going to a theatre and having to sit down to watch a band. Another highlight, Music for Adverts takes some shots at bands that make advert ready music…”making people wish they were dead.” You can hear the spite and spit into the microphone. City Yelps’ Half Hour is the real shit with no polish!

Downloads and vinyl are available from the Odd Box bandcamp.

Just Like Honey Radar

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When a band is in the zone the songs seem to come fast and they need an outlet. Lucky for us Philadelphia by way of Indiana Honey Radar seem to have the means to disseminate their tiny noise filled symphonies. They put out two top notch 7-inch singles at the tail end of last year, the Blank Cartoon LP out this month, and they’ve got another single queued up for next month.

The new album  takes the punk rock blueprint of short songs filled with hooks packed in like sardines. Guided by Voices are an obvious comparison to the Honey Radar aesthetic, but you could claim to hear Cleaners from Venus and some Tall Dwarfs in there as well. I wonder how long main radar dude Jason Henn can drink from his prolific fountain of song. Will it ever run dry? Who knows, but with the high quality deluge of recent releases, even if it does your ears will be blissfully ringing too hard to notice when it does.

Blank Cartoon is out on What’s Your Rupture and look for the new single on Chunklet Industries.

Split This!

Ginnels & Tangible Excitement!

I’m usually not a fan of split singles or split releases due to the strong possibility of having to pay twice as much for half of what I want, but if ever there was a split release that shoots a that theory to shit it is this Ginnels & Tangible Excitement! split 12″. Tangible Excitement! is Scott Stevens of Summer Cats, Stew Anderson of Boyracer and Mark Monnone of the Lucksmiths along with some help by the likes of Gary Olsen (Ladybug Transistor), James Hoare (Ultimate Painting/Veronica Falls) and Jeremy Underwood (Gold-Bears). It’s an all-star lineup with a performance to back up their stats. Opener Northland Food Court has a Love Forever Changes vibe to it courtesy of its Mexican tinged acoustic guitar riff and Olsen’s trumpet. It’s a stunner and worth the price of admission, but there’s more. Baby’s Seen This Scene Before has the sound of an indiepop classic and Effectively Wild is the almost Boyracer-like with it’s buzzy guitars knocking another one out of the park.

There’s no time to catch your breath unless your’re slow to the turntable to flip the record because the Ginnels side ain’t no minor league fare. Mark Chester is a prolific fellow who has a number of releases on cassette and recently a few on vinyl via Tenorio Cotobade. Here we get three great new Ginnels songs. Easier When I’m Gone has a chorus that is part Teenage Fanclub and part Superchunk and easily get’s stuck in your head. Whew! Reason To Be Helpful might just be my favorite Ginnels song yet with its thumping soulful bass, cool lazy guitar riff and super furry vibes. This is one split release you need to buy two of so you can file one under Ginnels and the other under Tangible Excitement!

Order up your copy (or copies) over at Emotional Response.

Scum Surfin’ with Witching Waves

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Full of buzzing noisy guitars that trace their lineage back through a jagged line connected by th’ Faith Healers, Pixies and Wire, Wichting Waves second album Crystal Cafe is sure to of interest for folks who like noise rock with gashes of melody and ambient interludes. The band have professed a love of Sleater-Kinney, Dischord Records and Beat Happening and there is certainly a DIY aesthetic to their music. It’s raw sounding but their talent shines and rounds a lot of the rougher edges. Opener Twister features a swirling riff and Emma Wigham singing. Seeing Double switches to Mark Jasper singing /shouting. Back and forth it goes at a herky-jerky pace with a couple instrumental interludes that give you some time take stock and reflect right in the middle of the maelstrom.

If Kurt Cobain were still alive I could see him championing Witching Waves either by sporting a WW t-shirt or mentioning them in passing during an interview. As it is, they’ll have to rely on a few blogs and the digital underground to pass the word on about how great this is.

Crystal Cafe is out on HHBTM in the US and Soft Power in the UK.