Tags: Galaxy 500, Go-betweens, Long Ryders, Luna, Real Estate, Seattle, Tenorio Cotobade, The Clean, The Verlaines, Twerps, Zebra Hunt
After a couple singles, Zebra Hunt, the Pacific Northwest’s foremost purveyors of the Dunnedin sound have released an album. City Sighs has obviously been influenced by the classic Flying Nun sound of the early 80’s made famous by the Clean, the Verlaines and the Chills, but it also incorporates some distinctly American sounds to create a fresh variation on a well worn style.
City Sighs seems to be an album full of jangle, longing and discovery. It’s full of pop songs that are instantly likable and easy to remember. Deleware starts the record and opines for a lost friend who’s up and moved back to the first state in the Union. Singer Robert Mercer sings just enough (and leaves even more unsaid) to get you wondering why this person left. It has an air of mystery to it like a Raymond Carver story. The American influences aren’t just literary. Call It Off is a dusty rocker that has Long Ryders feel to it and Isle of Song and Always both owe a little something to Galaxy 500. The band also rightfully resurrect Half Right and Beaches of LA, two of their best songs that originally appeared on their first single that came out on the now defunct Manic Pop label.
The last song Haze Of Youth may be my favorite song on the album. Starting out as pop and then transitioning into a long jam, it out real estates Real Estate. City Sighs is being released by the tiny Tenorio Cotobade label in Madrid, Spain, so you probably won’t see this record at your local shop unless you live in Seattle, but it deserves as much exposure and recognition as like minded records (on much larger labels) by the Twerps and Real Estate.
If you’re near Seattle this weekend, don’t miss Zebra Hunt Saturday at Hilliard’s in Ballard.
Tags: Beat Happening, Bellingham, Crayon, Happy Happy Birthday to Me, Husker Du, Sebadoh, Tullycraft
If I had done a best reissues of 2014 this long overdue reissue of Crayon‘s Brick Factory would have been near the top of it. Formed in the early 90’s in the sleepy college town of Bellingham, Washington, Crayon were equally influenced by the punk inspired grunge of Seattle and the punk inspired indiepop of Olympia. Bellingham is about 80 miles north of Seattle and 150 mile north of Olympia, but Crayon sounded like they were about right in the middle of both of those city’s well known aesthetics at the time.
The two styles juxtaposed with each other in the form of Crayon’s two singers. Guitarist Brad Roberts’ songs were the raw punk ones that sounded like a wounded Husker Du or Sebadoh (Brick Factory was one of Lou Barlow’s favorites records of 1994 as told to Spin). The other half of the songs were written and sung by bassist Sean Tollefson had a more twee feel that nodded to Beat Happening.
Most people lean to either Robert’s punk scrawl or Tollefson’s embryonic twee, but the accidental genius of Crayon was that they had the guts to combine them into one band and one album. Tollefson went on to form Tullycraft along with Crayon drummer Jeff Fell. Robertson seemed to disappear from the music universe along with the CD only release of Brick Factory that went out of print shortly after its release. Now for the first time ever Happy Happy Birthday To Me have reissued the album on vinyl. It comes with a bonus download of the band’s other 7-inch singles, compilations tracks, demos and live cuts. Twenty years later it still sounds unique and great.
Brick Factory is available from HHBTM mail order.
Tags: Ausmuteants, Bent Cousin, Cavern of Anti-Matter, Charles Bradly, Cheap Riot, Close Lobsters, Courtneys, Crimson Wave, Day Ravies, Dick Diver, Dream Boys, Flesh World, Giorgio Murderer, Girl One and the Grease Guns, Gurgles, Heathers, Hierphants, Institute, Juniore, Kelley Stoltz, King Tears Mortuary, LaRose Jackson, Menace Beach, Paellas, Pang, Primetime, Primitive Parts, Primitives, Sleaford Mods, Slum of Legs, Suburban Homes, Tender Age, The Mantles, Thigh Master, Twerps, Ubertrager, When Nalda Became Punk, Wildhoney, Wimps, Woolen Men
If they keep putting them out, I’ll keep buying them and counting them down. Here’s my take on the 2014 singles scene. You don’t need eharmony to find a great single, just peruse this list.
1. Wildhoney – Sixteen Forever (Photobooth)
Baltimore band’s second single is even better than their first. Effortlessly great shoegaze. Look out for their debut LP early in 2015.
2. Charles Bradly & LaRose Jackson – Luv Jones (Daptone)
This one came out of nowhere and flew under most everyone’s radar. Charles Bradly and LaRose Jackson sound great together and the flip side has him sounding a bit like the Specials. A certified classic.
3. Primetime – Tied Down (La Vida Es Un Mus Discos)
UK group influenced by Wire and Elastica, only they don’t steal riffs. Solid debut single that indicates greatness.
4. Primitives – Spin-O-Rama (Elefant)
Classic 60’s inspired, sunny psychedelic single.The Primitives stormed back on the scene with this record.
5. Giorgio Murderer – Primitive World (Goner)
Buck Biloxi’s alter ego obsessed with Star Trek. Insanely insane.
6. Day Ravies – Hickford Whizz (Beko)
Day Ravies move beyond their shoegaze roots and move into full pop bloom.
7. Bent Cousin – Dizzy (Team Love)
Twins from Brighton mix a little bit of rap with indiepop. It shouldn’t work but of course it does since it’s right here at number seven.
8. Gurgles – You Send Me Up (Saltaire)
Gurgles take Steely Dan and Prefab Sprout and turn it up so that it bleeds out of your headphones.
9. Pang – Young Professionals (Grazer)
Bay area young professionals second single is glamorous sounding, jagged, Wire influenced brilliance.
10. Primitive Parts – Open Heads (Sexbeat)
Members of Male Bonding and Sauna Youth, Primitive Parts excel in jangly power pop that reminds me of Modern Life Is Rubbish era Blur. Strong!
11. Girl One and the Grease Guns – Bashed Beaten & Broken (Squirrel)
Alter egos of the Manhattan Love Suicides deal in old drum machines, synths and detached vocals with decided industrial slant.
12. Suburban Homes – The Suburban Home EP (Market Square)
Mysterious punks from the suburbs on written by Paul Messis and on Paul Messis’s label. Raw angry and very good.
13. Close Lobsters – Kunstwerk in Spacetime (Shelflife)
The return of the Close Lobsters was a wonderful sound to behold.
14. Courtneys – Mars Attacks (Hockey Dad)
The second single in this year’s countdown to feature a rap. Vancouver’s Courtneys follow up last years great debut with more of their good thing.
15. The Mantles – Memory (Slumberland)
The Mantles seem to be able to effortlessly write these dusty Byrdsian gems.
16. Juniore – La Fin Du Monde (Enterprise)
Suave, spaghetti-French pop that pulls in some Limiñanas along with a bit of Françoise Hardy.
17. Crimson Wave – Say (Accidental Guest)
Former Wild Honey singer goes two for two with bands and singles. Her new band Crimson Wave is off to an auspicious start with this Scrawl influenced record.
18. Flesh World – A Line In Wet Grass (Iron Lung)
Jess Scott, formerly of Brilliant Colors fronts Flesh World. A Line in the Wet Grass is a maelstrom with a pop song in the middle just struggling to escape.
19. Slum of Legs – Begin To Dissolve (Tuff Enuff)
Slum of Legs combine dissonance and melody into a delicious stew topped off with a violin chaser.
20. Hierphants – Nothing Neu (Goodbye Boozy)
Featuring members of Ausmuteants and Frowning Clouds, you might expect Hierphants to sound like a garage band with Devo leanings and you would be right. Nothing Neu, but good nonetheless.
21. King Tears Mortuary – Grease Trap (Vacant Valley)
Power pop from Sydney that recalls southern fried college rock from the 80’s. Surprised Mitch Easter didn’t have a hand in this.
22. Ubertrager – Neben Mir (Great Pop Supplement)
Amazing how much this sounds like Broadcast. Otherworldly!
23. Institute – Giddy Boys (Kartorga Works)
Debut single from Austin band sounding like their from Australia. The Austin Ausmuteants?
24. Primitive Parts – TV Wheels (Faux Discx)
Primitive Parts make their second appearance in the countdown. Quality and quantity. Lookout for their debut coming later this year on Trouble In Mind.
25. Dream Boys – Positive Arguments (White Iris)
Bluebells, Bif Bang Pow and Three O’Clock fans rejoice, Los Angeles’ Dream Boys follow up last year’s LP with more jangly goodness!
26. Wimps – Distraction (Help Yourself)
Short, sharp punk from Seattle’s slackers in chief.
27. Kelley Stoltz – Cross Your Mind (Stroll On)
Stoltz keeps cranking out classic pop whether you like it or not. The guy’s a machine. Dig the ode to Echo & the Bunnymen xylophone solo too.
28. When Nalda Became Punk – Indiepop Whatever (Shelflife)
From Spain, but riding a wave of Swedish Pop, When Nalda Became a Punk feature jangly guitars and life affirming choruses.
29. Woolen Men – Real FX (Loglady)
More tightly wound jangle from this Portland trio.
30. Cheap Riot – Part Time Vacancy (Croque Macadam)
A great debut single from punk-party mods who remind me of Television Personalities and the Buzzcocks.
The cover looks like something Jack Kirby might have drawn for the Fantastic Four back in the 60’s. Meanwhile Tim Gane continues his odes a future that never was.
32. Paellas – Cat Out (Self-released)
The formerly moody Paellas, shake the lead out and get downright dancy. New direction 100 percent approved.
33. Thigh Master – Head of the Witch (Tenth Court)
Jangly garage pop that is bound to not just to excite fans of Suzanne Somers but is likely to make fans of the Clean the Go-Betweens happy as well.
34. Twerps – Back To You (Merge)
More Australian pop you say. Yes they just keep coming. Sounding a little like the Moles in the intro, this one is the lead single from the upcoming LP.
35. Tender Age – Anything (Track & Field)
Portland’s Tender Age evoke’s Felt’s Ignite the Seven Cannons. Dark and dreamy.
36. Sleaford Mods – Loan Shark (Apocolypso)
A bit more glitchy and more experimental backing provides great backdrop for another rant.
37. Heathers – Fear (Death Party)
Single number two from this LA band delivers more hardy jangepop. The cool thing about them is how funnel their very English influences (Wedding Present) into a very American sound (Replacements).
38. Menace Beach – Tennis Court (Memphis Industries)
Dreamy female vocals over scuzzy male ones and scuzzy guitars that delivers with a nice big chorus. Just what you should expect from a great single.
39. Ausmuteants – Felix Tried to Kill Himself (Goodbye Boozy)
Prolific Aussi synth punks crash the party with this blistering guitars and head flexing vocals.
40. Dick Diver – New Name Blues (Fruits & Flowers)
New Name Blues sounds a little more experimental and less straightforward than their usual strummy goodness, adding in some saxophone to keep things interesting.
Tags: A Sunny Day In Glasgow, Alpaca Sports, Alvvays, Butter the Children, Chook Race, Clap! Clap!, Cold Beat, Ex Hex, Flowers, Gotobeds, Gwenno, Hollie Cook, Hookworms, Lauras, Nun, Omi Palone, Paperhead, Peter Escott, Pheromoans, Pow!, Primitives, Proper Ornaments, Protomartyr, Quilt, Ramona Lisa, Rat Columns, Sea Pinks, Skygreen Leopards, Sleaford Mods, Small Reactions, Soundcarriers, Sugar Stems, Talbot Adams, Tee-Tahs, Total Control, Ty Segall, Ultimate Painting, Univers, Vertical Scratchers, Vic Goddard, Woodentops
Here are the non-Seattle albums that spun the most in my rabbit hole over the past 12 months. The countdown starts with number 40, so you will have to scroll all the way down to find number one. For the first time I think, it contains some albums that did not see a physical release. With more and more music being exclusively released to air conditioned server farms I wonder if we’ll see a day when the minority of the list is made of records that had the privilege of getting a physical release? Most folks with all of their fancy means of consuming streams of music call that progress. Me, I just try to roll with it.
40. Cold Beat – Over Me (Crime On the Moon)
Truth be told, I like Cold Beat more than Hanna Lew’s previous band Grass Widow. The post-punk vibes on Over Me are just the right mix of early Dum Dum and Vivian Girls melodies and the spiky, jangly playfulness of Wire and Tubeway Army. High points like the stellar Mirror hit the ungodly sweet spot of driving beat, dissonance, and melody.
39. Hookworms – The Hum (Domino)
My main complaint with the Hum is that it’s nearly a carbon copy of last year’s number one album Pearl Mystic. The same interludes that have roman numerals for titles and it even contains last year’s number one single Radio Tokyo. That complaint is also why I still love this album. It’s nothing new, but it’s totally solid.
38. Skygreen Leopards – Family Crimes (Woodsist)
It’s hard to believe that Skygreen Leopards have been a band since 2001 and that this is their eighth album. The band have been quietly churning out wonderful psychedelic beauties inspired by Buffalo Springfield, the Byrds and the Television Personalities for quite a long whild. This may be their most accomplished record to date, and if you like this, there is a treasure trove of Skygreen Leopards to discover.
37. Small Reactions – Similar Phantoms (Self-released)
Another self-released record in this year’s count down. I have a feeling in another year of two the list will be a majority of self-releases. Atlanta’s Small Reactions conjure krautrock from the below the Mason Dixon line. Influenced by Can, Stereolab and probably the Wedding Present, which makes them strangers in a strange land. Similar Phantoms is the real deal with some amazing bass playing (I’m still in awe that it’s not machine). Tons of pulses and killer grooves that will vibrate and rattle your too comfortable existence.
36. Pheromoans – Hearts of Gold (Upset the Rhythm)
If you were to judge this album by its cover you might think that Pheromoans are an odd lot who are into druids, fantasy game-play and general weirdness. You would be mostly right. This equally prolific and obscure band have released their most consistently entertaining album yet, knowing how to keep things interesting with just the right amount of weirdness and melody.
35. Ramona Lisa – Arcadia (Terrible)
Ramona Lisa is solo nom de guerre of Caroline Polachek of Chairlift. Obviously influenced by Kate Bush, Cocteau Twins and Goldfrappe, but still able to make esoteric synthetic sounds in a mold all of her own. This record seemed to get written off as just a minor solo excursion by most, but it delighted me throughout the year and I have a feeling it will continue to do so for a long time to come.
34. Vertical Scratchers – Daughter of Everything (Merge)
You wouldn’t believe how many times I’ve seen this record in the used bins around time. Every time I see it I fight the urge to buy it again and gift it to someone. John Schmersal was in Brainac and Enon and you can hear those bands in Vertical Scratchers, but it’s the organic feel to it that harks back to the Elephant Six collective of the 90’s that really makes it endearing.
33. Rat Columns – Leaf (RIP Society)
Rat columns achieve a zen like balance of murky depths and pristine shimmery pop. Guitars glisten with rays of light over a cold dark expanse. Rat king David West likes to straddle the extremes the way that the Church and the Cure always did. Recorded with the help of Kelley Stoltz, Leaf is just the right elixir of light and dark.
32. Alpaca Sports – Sealed With a Kiss (Luxury)
Sweden’s Alpaca Sports is most definitely twee, but their brand of twee is almost subversive. So cute and cuddly that you know that they have a dark side. They probably hide their death metal records when friends come over. Sealed With a Kiss is a record that could melt a cold dark heart with its sweet sugar charms. You can always hide it when your metal friends come over to visit.
31. The Lauras – The Lauras (Self-released)
There’s something both so right and so wrong about giving away an album this good for free. Wrong, because there was a time when bands this good could sell records. Right, because well, music this good for free is like free beer. You can’t believe your luck. Halifax, Nova Scotia’s Laura’s would not have been out of place on the One Last Kiss compilation that came out on SpinArt in 1992. Their swirling guitars and ethereal vocals remind me of the Lilys and the Swirlies with a bit of bossa nova thrown in for good measure.
30. Ty Segall – Manipulator (Drag City)
My main complaint about der wunderkind Ty Segall has been his inability to be consistent. He seems to have conquered this weakness on his double LP Manipulator. Taking a T-Rex blueprint and running with it he strings together 17 songs that maintain consistency throughout. The kid may have finally done it.
29. Pow! – High Tech Boom (Castle Face)
Hi Tech Boom is a commentary on the current state of affairs in certain desirable cities. Techie nerds with their high salaries and bad taste are infiltrating the system and making it nearly impossible to eke out a living. No one knows that better than Pow! who come from the San Francisco bay area. Their post-apocalyptic vibes are akin of Devo the A-Frames and the Intelligence. And you thought Logan’s Run was just a movie.
28. Flowers – Do What You Want To, It’s What You Should Do (Kanine)
Recorded with former Suede guitarist Bernard Butler this London trio won me over with their minimalist approach that evokes the sparseness of Young Marble Giants, the smart intensity of the Spinnanes and the melancholy melodies of Everything But the Girl.
27. Talbot Adams – Talbot Adams (Spacecase)
For all intents and purposes, this was Talbot Adams’ debut album. Last year’s download only album was made up mostly of acoustic self-produced home recordings was a self released download only record. Now he has a proper band and has delivered an electric powerpop record with a psychedelic streak to it.
26. Univers – L’estat Natural (Famelic)
Barcelona based moody rockers Univers live in the sun, but sound like the moody cellar dwelling southern cousins of Girls Names, early Cure and Big Country. L’estate Natural is sung in their native Catalan, adding a bit of mystery to its onslaught of soaring and darting guitars.
25. Ex Hex – Rips (Merge)
Mary Timony has been in her share of good bands. She could proudly retire with her resume of Autoclave, Helium, the Spells, and Wild Flag. Thankfully she’s not ready to hang up her axe. Ex Hex is in different league from all of those bands. Slick pop inspired by Cheap Trick and the Pretenders that is all killer and absolutely no filler.
24. Sugarstems – Only Come Out at Night (Dirtnap)
Sugar Stems singer Betsy Heibler has an amazingly strong voice. It easily cuts through her band’s twin guitar powerpop attack. Containing a great mix of Cheap Trick, the Bangles, the Nerves, this is easily one of the best powerpop records of the past few years.
23. Vic Goddard – 1979 Now! (AED)
Somehow Vic Goddard has been hoarding this treasure trove of northern soul since 1979. The guy can really keep a secret. A few have leaked out here and there like Holiday Hymn, but the majority are brand new to nearly everyone. Classic stuff 35 years later from the postman who thankfully rings twice!
22. Paperhead – Africa Avenue (Trouble In Mind)
The third album from Nashville’s Paperhead has a definite antique glow to it. Africa sees the band maturing quickly and features their best songs yet. In the garage-psych realm of things (Face to Face era Kinks and Rubber Soul Beatles) it don’t get much better than this.
21. Butter the Children – True Crime (Self-released)
Former members of Brooklyn’s Sweet Bulbs follow up their 2012 self-titled EP with a stormy noisepop beauty that features the siren-like vocals of Inna Mkrtycheva. This album is too good to be a free download, but that’s what it is. Everyone count your chickens!
20. Sea Pinks – Dreaming Tracks (CF)
On the fourth Sea Pinks album former Girls Names drummer Neil Brogan continues his west coast jangling affectations only this time he adds a cello into the mix with superb results. The cello adds a melancholy element to his airy songs making for the best Sea Pinks album yet.
19. Proper Ornaments – Wooden Head (Slumberland) / Ultimate Painting – Ultimate Painting (Trouble In Mind)
Veronica Falls guitarist James Hoare was a busy guy this year and there wasn’t even a new Veronica Falls album. He was at the center of two excellent records this year nonetheless, both of which shared an affinity with the Velvet Underground. For the first act, he teamed up with the Argentinian Max Claps in Proper Ornaments for a haunting set of songs that added in some Left Banke for good measure. Act two was Ultimate Painting, his collaboration with the Mazes’ Jack Cooper. This one was more straightforward Velvets stuff, but great songwriting refurbished a tried and true model.
18. Quilt – Held In Splendor (Mexican Summer)
The Boston band’s second album surpasses their good debut with a batch of psychedelic circle dances that sparkle and shimmer, effortlessly creating their own brand of psych with one foot in the past and other in the next star system.
17. Omi Palone – Ome Palone (Faux Discx)
The singer of Omi Palone has a baritone voice that makes you wonder what Calvin Johnson is up to these days. It’s a little more polished than that Olympia band’s oeuvre, but contains many of the same unique melodic twists and turns. This London band have quietly released a concise and economical (it’s only 8 songs) of blistering jangle reminiscent of Beat Happening, Butterglory and the Clean.
16. Nun – Nun (Aarght!/Avanti)
Melbourne’s Nun play dark, piercing, icy coldwave inspired music. Their debut album sounds so cold and detached that you’ll need to bundle up and experience it with friends to withstand its isolation inducing aura.
15. Soundcarriers – Entropicalia (Ghost Box)
I love how Nottingham’s Soundcarriers use their Free Design influence as inspiration. At times sounding as innocent as that late 60’s / early 70’s cult band and others they can sound sinister and mysterious. They even enlist the help of Elijah Wood on a 12 minute trippy soliloquy to add to the surrealism of the entire endeavor.
14. Chook Race – About Time (Self-released)
About Time was only released in December, but the debut record from this Melbourne trio is so immediate it easily climbed into the upper reaches of my top 40. The album is filled with boy-girl harmonies and jangling guitars that have similarities with the Bats and early REM.
13. Sleaford Mods – Divide and Exit (Harbinger Sound)
This was the year that Sleaford Mods blew up. Well, at least in certain internet circles. They are certainly better known than they’ve ever been. Their distinctly British style of rap is not for the faint of heart, as this duo rages against the ruling class machine and mainstream bullshit over spare and ragged beats. No one else this year sounded this angry nor delivered their angst in such a manic and entertaining way.
12. A Sunny Day in Glasgow – Sea When Absent (Lefse)
A Sunny Day in Glasgow turned a major page on Sea When Absent. Previously they were a mild mannered shoegaze band that kind of floated through you with little effect. They’ve kept their shoegaze roots, but morphed into a bigger life affirming pop band that demands attention with their new form of shoegaze gospel.
11. Peter Escott – The Long O (Bedroom Suck)
Peter Escott is also the singer of the Native Cats from Tasmania. On the Long Glow Escott wrote, played and rececorded everything. He sticks to piano and other keyboard oriented sounds that evoke an understated psychedelic tone that warms the sole and fits comfortably next to Frank Tovey, the Cleaners from Venus and Robyn Hitchcock.
10. Woodentops – Granular Tales (Cherry Red)
After reuniting to play some shows the Woodentops finally decided to record a follow up to their 1988 album Wooden Foot Cops on the Highway. You know it’s the Woodentops as soon as you hit play, though the band don’t come off as hyper as they did 25 years ago which wouldn’t make sense since it’s been so long. It’s decidedly darker but still danceable and utterly delightful.
8. Gwenno – Y Dydd Olaf (Peski)
Former Pippette Gwenno’s first solo album is a strictly Welsh affair. Inspired by Welsh sci-fi writer Owain Owain and sung in Welsh, Y Dydd Olaf is a sublime affair with rubbery beats, ethereal vocals and spacey vibes in the vein of Broadcast and Stereolab.
7. Total Control – Typical System (Iron Lung)
On the follow-up to 2011’s Henge Beat Total Control dial up a slightly more sedate and accomplished collage of synth-based pop. Lead by Australian garage rock luminary Mickey Young, the band delve into Ideal Copy era Wire, New Order and Depeche Mode territory while keeping their punk rock urgency and attitude intact which is truly a feat.
9. Alvvays – Alvvays (Polyvinyl)
This year’s countdown contains five self-released albums. There’s a ton of great records out there, only there aren’t enough labels to release them. Apparently this record came out as a self-released cassette over a year ago because they couldn’t find a label to release it. Polyvinyl finally came through to make this dreampop beauty available to the world at large.
6. Clap! Clap! – Tayi Bebba (Black Acre)
Tayi Bebba is something of a concept album where Italian maestro Cristiano Crisci takes you on a megatransecto of an island’s micro climates, villages, pastures and other not so physical planes. He uses a palette of sounds culled from field recordings, tribal rhythms, creek crossings, big beats, jungle vibes and trade winds to paint quite an adventure of a record.
5. Gotobeds – Poor People Are Revolting (12xU)
Pittsburgh’s Gotobeds like a good double entendre peppered with a tight jagged riff. Their debut album, is an elixir inspired by Pavement, the Fall and Wire (obviously) and packed full of adolescent energy, anger, spite and most importantly fun.
4. Primitives – Spin-O-Rama (elefant)
A couple years ago Coventry’s Primitives reunited and released a covers album to mixed reviews. It turns out that it was just a warm up to the real goods. Spin-O-Rama surpasses all of their early work. It’s slightly more understated, but more long-lasting. They still deal in autumnal and sprightly 60’s inspired pop but the production is more sedated and the hooks are longer lasting this time.
3. Hollie Cook – Twice (Mr. Bongo)
Hollie Cook’s second album is more tropical pop from the daughter of Sex Pistols drummer Paul Cook. Her collaboration with Prince Fatty continues to produce sensual reggae infused pop, filled with strings and Cook’s easy croon. Twice is great batch of songs including her ode to her former bandmate Slits singer Ari Up.
2. Tee-Tahs – Buzzkill (self-released)
I don’t know what the legal limit of fun is in Edmunton, Alberta is, but Tee-Tahs have undoubtedly exceeded it on their debut album. This band doles out kinetic, irreverent fun. They’ve got an ear for a good chorus and can role phrases that are guaranteed to rile certain segments of the population. On Fun Forever they sing, “Kicking cans and breaking stuff, Fucking guys in parking lots, I don’t really give a fuck, I just wanna have fun forever.” It’s the Undertones’ Teenage Kicks updated by a bunch of Rat Babes for the millennial bunch.
1. Protomartyr – Under Color of Official Right (Hardly Art)
Earlier this year Protomartyr frontman Joe Casey wrote a review of the latest Interpol album because apparently a lot of people think his band sound like them. For the record, Casey doesn’t think they sound like Interpol and neither do I. They definitely have some post-punk roots, though more along the lines of the Chameleons (think Return of the Roughnecks), but there’s more, so much more here! Casey is one of today’s best lyricists who talks more than sings over his always solid and inventive band. They cook their Detroit roots into each of the tracks on Under Color of Official Right. The name of the album, the legal term for extortion, was inspired by the corruption trial of former Detroit mayor Kwame Kilpatrick. There are few albums these days that make you actually think. Protomartyr do what the best punk and and postpunk records from the past have done, grab you with their hooks and then send you to the library to do some research.
Tags: Beating a Dead Horse, Beautiful Strange, Childbirth, Couple Skate Records, Dragnet, Dreamsalon, Hardly Art, Help Yourself Records, Lucarne, Mega Bog, Neighbors, Posse, Space Daze, Sweet Rot, Universe People, Vox Mod
The one complaint I’ve gotten over the years on the Finest Kiss year end lists has been that the pictures haven’t been large enough. So this year will feature bigger images, because let’s face it, nobody reads the comment parts of year end lists. They scroll through them and then shake their heads in disbelief that I left something out. I hope I didn’t, but I probably did. Oh well, here are the ten best things I heard in the city where moss grows year round.
1. Dreamsalon – Soft Stab (Sweet Rot/Dragnet)
If you are reading a year end list of records and this record is not on it, view that list as suspect. Soft Stab follows last year’s Thirteen Nights and easily surpasses it. It’s punk. It’s post-punk. It’s dark. It’s malcontent. Whatever it is it oozes confidence and style while jarring you with stabs of guitar and Craig Chambers nearly unhinged vocal delivery. This record feels like it could go off the rails at any point, but Dreamsalon have this uncanny ability to take it to the point of destruction and peer into the abyss without actually falling in to the crevasse.
2. Posse – Soft Opening (BADH)
It was kind of surprising to see Posse’s second album get national attention, only because this town is littered with bands that get undeservedly ignored by the rest of the country. The band self-recorded it in their basement and self-released on their own label Beating a Dead Horse. Guitarists Paul Wittman Todd and Sacha Maxim share vocal duties on this compact set of nine sleepy, slightly spacey, Galaxy 500 influenced songs. Whenever something is described as DIY, I think of it as kind of shoddy and amateurish, but Posse make DIY sound lush, professional and relaxed.
3. Tacocat – NVM (Hardly Art)
NVM is consensus number one record of the year i my house (Though, I think my son would vote for Mario Brothers Theme songs as interpreted by Mannheim Steamroller if it existed), but since I’m the one writing the blog in my household it’s number three with a bullet. Recorded in the Seattle’s seminal Egg Studios with Conrad Uno, NVM has a wry sense of humor akin to those early Young Fresh Fellow records recorded in the same setting. Bridge To Hawaii may be the first ever seasonal affective disorder anthem and their ode to the monthly bill Crimson Wave is riotously unforgettable, add in the Ramones pop of Alien Girl and the Mexican psychedlia Psychedlic Quicceanera and you’ve only just dipped a toe in the pool of Tacocat’s neon pop world.
4. Lucarne – Why the Good Guys Turn Bad (Self-released)
The Seattle band that barely was. Lucarne released a seven song record in the summer and then promptly broke up. Too bad, because their wistful jangle filled indiepop struck a chord with me and anyone who loved the Bus Stop Label…and now their gone just like the label that inspired them.
5. Vox Mod – The Great Oscillator (Self-released)
Vox Mod is electronic producer Scot Porter. He doesn’t sing so The Great Oscillator contains a mix of instrumental music and guest vocalists from Seattle. Last year’s SynAesthetic album featured Erik Blood and Palaceer Lazaro of Shabazz Palaces. This time around all of the guests vocalists are female. The opening track Flight of Fancy featuring Iren Barbaric formerly of Hungery Pines and currently of 18 Eyes raises the bar high right from the get-go. Porter maintains quality with his melodic adeptness, inventive arrangements and pacing and guest vocalists.
6. Universe People – Are Coming to the Dance (Dragnet)
The only thing that is the same in Universe People since their first album is singer guitarist Jo Claxton, her subversive sense of humor and her jagged guitar licks. Everything else has changed meaning the rhythm section now contains Kimberly Morrison of Dutchess and the Duke and Min Yee of Dreamsalon. Funny enough, I believe all three are former members of the Intelligence. But then who in Seattle isn’t? Dance easily avoids the dreaded sophomore slump and features some of the best Universe People songs to date, namely The Modern Girl and Chemistry.
7. Childbirth – It’s a Girl! (Help Yourself)
Some people can’t take a joke. Childbirth doesn’t care, because they’re all about having fun and if you don’t get it then the joke’s on you. Julia Shapiro from Chastity Belt plays guitar and sings, Tacocat’s Bree McKenna plays bass and Pony Time’s Stacy Peck is on drums. The trio’s debut album evokes the feminism, smarts and humor of Le Tigre and Bratomobile. It may be a side project for all three, but don’t let that put you off, these women know how to rock irreverently!
8. Neighbors – Will You Please Be Quiet, Please? (BADH)
Neighbors finally graduated from releasing albums on cassette to the vinyl big leagues and Will You Please Be Quiet, Please? smartly plucks a few highlights from their most recent tour cassette and includes them here. “Do you think moving to Seattle’s gonna get you where you want to be?” Jose Diaz sings on Muscle Girl on Muscle Beach. I don’t know if they’re where they want to be, but I like where they’re at on this record…somewhere between Pavement and the Meat Puppets .
9. Space Daze – Follow My Light Back Home (Beautiful Strange)
Sea Pony took the year off, but the band’s songwriter and guitarist Danny Rowland didn’t. His solo album softly hit the streets back in early summer. It is understated pop in the same vein as Seapony. Some of these songs like Having a Bad Time and Line Up on the Solstice seem to be top shelf quality, so I can only assume what Rowland is saving up for the next Seapony record should knock your socks off. In the meantime this does nicely.
10. Megabog – Gone Banana (Couple Skate)
Megabog is based around the talents of Erin Birgy. She’s obviously bananas for Kevin Ayers (Besides the title there’s a cover of Lady Rachel included here) and posses a sense of melodrama perhaps only equalled by Dan Bejar and Ariel Pink. Gone Banana is draped with saxophone and spacious guitars that give it a lovable campy quality.
Tags: Ariel Pink, Be Forest, Dreamsalon, Fat Creeps, Hookworms, Small Reactions, Thigh Master, Unlikely Friends, Weak Boys
The Hookworms have gone upwards at 45 degrees into double vegetation on their new album Hum. Smart move including last year’s excellent single Radio Tokyo on the album. The Leeds band keep on keeping on with their brand or crazy psych rants, only this time it’s crazier, psycier and rantier.
Seattle’s Dreamsalon recently unleashed their second album on the populous and as far as I can tell the world is all the more gloomier and paranoid for it. From the northern England by way of Seattle school post punk, their mix of the Fall, Bunnymen and Gang of Four is a concoction few have gotten right, but this band excels at.
3. Weak Boys
Sydney Australia’s Weak Boys do something that I wasn’t sure was possible. They’ve successfully combined the garage aesthetics of Eddy Current Suppression Ring, the pop smarts of Smudge and the clever lyrical bent of the Lucksmiths into their debut album Weekdays/Weekens. Not weak at all!
4. Fat Creeps
Must Be Nice the debut album from Fat Creeps came out this summer, but I didn’t finally discovered it until last month. A kid today would probably say they are similar to Bleached, No Joy and the Vivian Girls. An older fellow might compare them to Throwing muses, Breeders and Scrawl. All of those bands work as a jumping off point, but Fat Creeps take their influences and weave their own narrative.
5. Small Reactions
Atlanta’s Small Reactions write motorik pop songs without the use of computers or other futuristic machines. They use the classic guitar, bass and drums combination to create their propelling rhythmic pop. Their self-released debut album could be the brother of the Hookworms’ Hum, and deserves more attention than it’s received so far. Damn it’s a crowded world!
6. Unlikely Friends
The first fruits of Unlikely Friends the collaboration between BOAT’s D. Drane and Math & Physics Club’s Charles Bert has finally arrived and it’s a 10 pound 3 ounce bundle of joy. Can’t wait to hear the siblings!
7. Ariel Pink
I’m not sure about Ariel Pink, not because of his alleged misogynistic comments related to Madonna, but because of his kitchen sink approach. His new album is all over the place. Put You Number In My Phone is brilliant understated pop, but don’t think for a moment that the album is full more of them. There are goth numbers, industrial numbers, circus numbers, commercial jingles, you name it. I get that it’s his act, but it makes for a disconcerted record, but at least it’s not boring. If you missed the 90’s and Denim then Pom Pom is Denim on Ice for your generation.
8. Be Forest at the Josephine, Seattle
The show that nearly didn’t happen. Italian dreampoppers Be Forest were in Seattle without a show to play, but the fine folks at the Josephine accommodated them and their tour mates Tennis System on late notice. A quartet on record, Be Forest were touring as a trio. They overcame a few sound problems to play an ethereal set that featured some nice guitar playing reminiscent of the style Julian Swales of the Kitchens of Distinction used to do, making it sound like there were two or three guitarists instead of just his one.
9. Thigh Master
Hailing from Brisbane, Thigh Master must have some knowledge of a certain band from that same city because there are similarities they have that certain band that are hard to ignore. The band’s first 7″ is three songs of bouncy, jangly, and slightly garagey pop that are bound to not just to excite fans of Suzanne Somers but of the Go-Betweens as well.
Tis the season for lists. Best records, worst records, most mediocre records, best album covers, worst album covers, best reviews, best comments, best shows, you name it there is a list for it. Does anyone do a list of the best lists? Probably not, that would be kinda excruciating, not to mention redundant.
Tags: Alvvays, Barboza, Belly, Bleached, Dreampop, Mazzy Star, Primitives, Seattle, Shoegaze
Alvvays at Barboza, Seattle | 2 December 2014
Alvvays‘ debut album which was recorded by Chad VanGaalen is a subtle dreamy affair and one of the better records to come out this year. It has elements of shoegaze, but really it’s singer Molly Rankin that makes the record so good. Her voice has a vulnerability to it, while at the same time a strength to it. It’s like she’s singing for her life, but doesn’t want to be too obvious about it.
Their show in Neumo’s basement earlier this week was sold out and the band were obviously chuffed about it. Even going as far to say in their heady delight that it was better than the Portland show the night before. Live they have a more substantial sound probably because of the twin guitar attack and Molly Rankin formidable voice that sounds stronger live and loses some of its vulnerability but still sounds great. Kids were pogoing and moshing for most of the set which seemed a bit odd because Alvvays could never be interpreted as a punk or a party band. Dudes who mosh to dreampop I assume have a poor sense of direction and walked into the wrong show. Nevertheless, they went especially went crazy for Archie, Mary Me which is the stand out song on the album, but still not noshing material. The show sort of reminded me of seeing Belly back around when Star had come out where there were bros moshing while couples snuggled together at the edges. Like Belly, Alvvays seem to have that that crossover appeal that brings out the bros, the lovers and this aging indie kids like myself.
For their encore they included a surprising cover of Out of Reach by the Primitives. I’m not sure how many of the youngsters recognized it, but it was exciting to hear a deep cut from an overlooked band. Like the rest of the set, Alvvays added a bit of grit to their version but the innate pop of the song shown through.
Tags: Chapterhouse, Cocteau Twins, My Bloody Valentine, Shoegaze, Slowdive, Swirlies, Wildhoney
After two singles that are as good as anything that came out during the the first generation of shoegazing, Baltimore’s ecstasy inducers Wildhoney are not taking their feet off of the pedals. The band is readying their debut album for release in January on Forward/Deranged Records. Fall In is the first song the band have released from the forthcoming Sleep Through It and it may be their best yet. The way singer Lauren Shusterich’s voice floats over the haze of guitars is otherworldly – part Liz Fraser, part Rachel Goswell. Wildhoney are without a doubt the new shoegaze royalty!
stream: Wildhoney – Fall In
Tags: Day Ravies, Ex Hex, Gwenno, Lee Hazlewood, Paperhead, Perry Mason, Primetime, Tam Vantage, the Pippettes, The Rainyard, Vic Goddard
1. Tam Vantage
Pop Singles’ 2012 album All Gone was an understated jangle-pop pleasure. Though it’s too bad it looks like that band has called it a day, it is exciting to see that Tam Vantage the singer and guitarist in the band returning with a solo album that is scheduled to get a release early next year. The perfect pop of the first single the Boy Who Always Wins picks up right where Pop Singles left off.
3. Kyle Orton is the new Lee Hazlewood
I bet you didn’t know that Lee Hazlewood had been reincarnated as Buffalo Bills quarterback Kyle Orton. When I saw this photo tweeted by Light in the Attic I assumed it had been doctored. It’s uncanny. I thought that mustache could only exist in the late 60’s and early 70’s. Orton’s new nickname if he needs one should be a Cowboy in Buffalo.
Nashville’s Paperhead release their third album this week and it’s full of late 60’s influenced psychedelic pop. It has a definite Kinks glow to it and of course you can’t talk about a record like this and not reference the Beatles. These paperback writers know how to write page-turners.
5. The Rainyard
I’m sorry I didn’t write about this while it was still in print. The Spanish label Pretty Olivia put out A Thousand Days on a short run of vinyl earlier this year. It collected all of the Australian band’s 80’s output and it is a wonderful record of paisley psych jangle. As a consolation, you can still purchase a download of the record.
6. Perry Mason
I’ve got a stack of Mojo CD’s ten feet high that I’ve never listened to, but every once in a while there is one that piques my interest. The November one compiled by Siouxsie Sioux and Steven Severin is full of soundtrack music and TV themes from the 50’s and 60’s. I had forgotten about the Perry Mason theme and how much it sounds like Peter Thomas playing the James Bond theme.
7. Vic Godard
1979 was a very good year. It’s hard to believe that it took 25 years to properly record this batch of northern soul inspired songs and get them released. Perseverance pays off for Godard.
Primetime’s single came out in the summer but I had’t heard it until Still Single reviewed it. If you dig Oakland’s Pang then this London quartet’s debut single will be your thing.
Gwenno joins Rose Elinor Dougall as a former Pippette with a solo career. Gwenno’s debut album Y Dydd Olaf is sung in Welsh but that shouldn’t matter to non-welsh speakers. The title comes from a sci-fi novel by Welsh scientist Owain Owain, and the music sounds like it was inspired by the likes of Broadcast and Stereolab.
10. Ex Hex
Mary Timony’s latest band is inspired by Cheap Trick and the Buzzcocks and chock full of adrenaline fueled songs. Ex Hex’s debut album was produced by Mitch Easter who knows his way around power pop hooks and this record has got ’em to spare.
Tags: Halifax, Joao Gilberto, Lilys, Monomyth, My Bloody Valentine, Swirlies, The Laurels
The Laurels out of Halifax contain members from Monomyth and Moon. That doesn’t really help though. They sound a bit like the 90’s noisy indiepop of the Swirlies and the Lilys. Not surprising since they admit to being ispired by that scene along with Beach Boys, Byrds and C-86. Their self-titled bandcamp album has elements of all of the above as well as a sublime ode to Joao Gilberto thrown in for good measure. Crazy that bands this good are just giving away their music!
steam: The Lauras