Tags: Beaches, Blouse, Cate Le Bon, Cavern of Anti-Matter, Day Ravies, Dick Diver, Dirtbombs, Dream Boys, Eat Lights Become Lights, Frowning Clouds, Girls Names, Heavey Times, Hookworms, Jacco Gardner, Joanna Gruesome, Ketamines, King Krule, La Femme, Lady, Minks, Ooga Boogas, Outfit, Prophet Hens, Robyn Hitchcock, Sleaford Mods, The Courtneys, The Limiñanas, The Mantles, The Sleaze, The Stevens, Vision Fortune, Warm Soda, Wax Idols
Usually I save the albums list for last, but in an attempt to actually publish my year end list of albums before the end of the year I’ve opted to kick off the Finest Kiss list season with my favorite records of the year. At first glance, my year end list looks like it might be a Slumberland vs. Chapter Music slug fest as both of those labels put out some of my favorite records of the year. Certainly they would tie for the best label ballot.
Hopefully there are a few records in here that you agree with, one or two that you might not have heard and I’m sure there are some you will disagree with. That’s the fun of list making, putting it out there so others can scoff at your taste in music. In the next week or two I hope to publish my list of the best Seattle records of the year and my annual top 40 7-inch countdown.
30. Minks – Tides End (Captured Tracks)
The Minks second album is part Depeche Mode and part New Order which surprisingly seemed to miss getting much attention this year. Guitars and synths are employed with a strict adherence to writing super catchy songs that are lighthearted fun. Cynics will cry that it’s derivative, but they’re a bunch of bores that want all their music to sound important. Sometimes it’s just supposed to be fun.
stream: Minks – Doomed and Cool
29. The Limiñanas – Costa Blanca (Trouble In Mind)
The Limiñanas are not quite classic french pop. More like classic french pop through a haze of hashish wafting from a dark room filled with strange characters smoking from hookahs. Their third record sees them expanding their Velvet Underground sound onto other shores of their Mediterranean local further honing their unique blistered white out sound.
stream: The Limiñanas – My Black Sabath
28. The Stevens – A History of Hygiene (Chapter Music)
What would happen if the Clean met Guided by Voices in a dark garage or a deserted beach? They would leave as the Stevens of course. After self-releasing an EP last year that had many folks excited the Melbourne band return with their debut opus of 24 songs that barely last minute each. Each one is miniature pop masterpiece that will have you shaking your head at how easy they make it look.
stream: The Stevens – Hindsight
27. Girls Names – The New Life (Slumberland)
Northern Ireland’s Girls Names have taken dark era Cure and added some early Railway Children and Echo and the Bunnymen and come up with a potent hypnotic concoction for their second album. This has been my go-to record when the need comes to escape the realities of life and zone out into the horizon. I think some might call it a lifesaving record for that reason.
stream: Girls Names – Hypnotic Regression
26. Cate Le Bon – Mug Museum (Wichita / Turnstile)
For her third album Cate Le Bon picked up and moved to Southern California, but I don’t think that the change in geography has altered her bohemian prog psychedlia. She still sounds like she could have been the kid sister of Kevin Ayres, but where Ayres often lost the plot Le Bon has a very good idea of where she’s going and Mug Museum is a trip worth taking.
stream: Cate Le Bon – I Can’t Help You
25. Warm Soda – Someone For You (Castle Face)
We knew that Mathew Melton was capable of pop goodness from his previous band Bare Wires, but Warm Soda sees him honing his powers to killer effect. Some For You is like the Raspberries mixed with Teenage Fanclub and King Tuff. The hits keep coming and coming on this record.
stream: Warm Soda – Jeannie Loves Pop
24. Beaches – She Beats (Chapter Music)
Invariably a band that likes to lock into hypnotic psych rock grooves is full of older dudes with beards, but Beaches is the exception to this unwritten rule. This groop of five women deftly lay down the grooves that will make lesser bands wanting to shave their beards and take up religion. Many of the songs on this record don’t hit you immediately but I found myself pulled back into repeatedly listenings by an almost supernatural hypnotic pull.
stream: Beaches – Dune
23. The Sleaze – The Sleaze (Total Punk)
I have no idea if the Sleaze are broken up or not. Some reports said this was a posthumous release and then they turned up at SXSW and played a bunch of shows. Punks are so irreverent and like to keep you guessing by not playing the game. This record is white hot and it wouldn’t surprise me if the band flamed out making it. Somehow keeping a flame this bright burning for any length of time is near impossible, but thankfully they new when to bottle it.
stream: The Sleaze – Tektonix Girls
22. The Courtneys – The Courtneys (Hockey Dad)
The Courtneys brand of DIY pop takes a little from bubblegum, punk and powerpop to make a completely likeable debut record. Not taking themselves too seriously they write odes to Keanu Reeves, 90210 and being poor. A record with a knack for hitting you in the funny bone and the pop jugular at the same time.
stream: The Courtneys – K.C. Reeves
21. Wax Idols – Discipline and Desire (Slumberland)
The UK music hype machine ain’t what it used to be, but it still can rally to pull the whites over our eyes from time to time. This year all the talk about post punk strong woman rock centered around the underwhelming Savages while San Francisco’s Wax Idols quietly put out the better record. Discipline and Desire evokes the roar of the Sound, Comsat Angels and the Chameleons while at the same time not really sounding like any of them. A powerful amazing album that in years to come will probably take on the same reverent status as From the Lion’s Mouth, Waiting for a Miracle, and Strange Times.
stream: Wax Idols – AD RE: IAN
20.5 Frowning Clouds – Whereabouts (Anti Fade)
The Frowning Clouds could be the Mantles cousins from down under. They add a little more Kinks intensity to their sound and come up with a winner. Whereabouts is their second album and they’ve got a batch of great harmonies and riffs that continue on the upward trajectory set by their first album. Keep your eyes on this Melbourne band.
stream: Frowning Clouds – Shoe Suede Blues
20.0 The Mantles – Long Enough to Leave (Slumberland)
The Mantles sound harks back to a to the 60′s and the Byrds and Buffalo Springfield. I had a feeling that their second album was going to be something special when I heard the Kelley Stoltz would be producing it. His production makes the lines cleaner and bends the light just right on this batch of dusty canyon pop.
stream: The Mantles – Marbled Birds
19.5 Eat Lights Become Lights – Modular Living (Great Pop Supplement/Rocket Girl)
Every now and then I like to put on a record that makes me feel like I am floating in space. Ladies and gentlemen, this record creates zero gravity with its motorik grooves that you will put it on repeat to avoid re-entry.
stream: Eat Lights Become Lights – Modular Living
19.0 Cavern of Anti-Matter – Blood-Drums (Grautag)
Tim Gane, who was one of the masterminds behind Stereolab, has kept a fairly low profile since Stereolab called it quits. Cavern of Anti-Matter is his new band and they not surprisingly lean in a motorik direction and seem to be heavily influenced by Neu. Some would say that it borders on a tribute record but these instrumentals pulse so easily into your conscious you can tell the Gane has found a new lease on life making this record.
stream: Cavern of Anit-Matter – Irridated Dream Mouth
18.5 Jacco Gardner – Cabinet of Curiosities (Trouble In Mind)
This is the second best psych pop record to come out this year. Gardner is young and loves Syd Barret but he plays it pretty straight. Cabinet of Curiosities sounds great, but I often got the feeling that Gardner wasn’t weird enough. He sounds like he likes weird, but it felt like he was playing a part. Hopefully time will pass and his eccentricites will grow to enhance his already sharp psych pop senses.
stream: Jacco Gardner – The One Eyed King
18. Robyn Hitchcock – Love From London (YepRoc)
Love from London is the best psych pop record to come out this year. The only problem is that rock is not an older fellow’s game, so Hitchcock mostly got fair to middling reviews for this album because he’s not new, but let me restate, this was the best psych pop record to come out this year, or last year for that matter.
stream: Robyn Hitchcock – Strawberries Dress
17. King Krule – 6 Feet Beneath the Moon (True Panther Sounds)
Leave it to a 19 year old kid from the UK to make a record that sounded like nothing else this year. Krule or Archy as his mother calls him, works from a rough pallet of jazz, punk, funk, dub and trip hop to come up with a batch of pop songs that he sung over with his thick south London accent.
stream: King Krule – Border Line
16. Sleaford Mods – Austerity Lads (Harbinger Sound)
Sleaford Mods have inherited the brilliance of John Cooper Clark, Mark E Smith and Shaun Ryder. This record is not for the faint of heart with expletives strewn about like cigarette butts in the airport smoking lounge. There are so many killer beats and and lines on this record I feel like I need to listen to it about 50 more times to really get it. Watch your back though, these hoodlums from the gutter will steal the shirt off your back if they think it looks good.
stream: Sleaford Mods – The Wage Don’t Fit
15. Heavy Times – Fix It Alone (Hozac)
Fix it alone sees this Chicago band reigning in their intensity just a little, but don’t let that give you the wrong idea. They’re all the better for it. This is a highly melodic and highly intense album that brings back golden age memories of Husker Du and the noisier Flying Nun band like Gordons but Heavy Times are not afraid to snag a riff from the Chills or the Bats too and let it fly.
stream: Heavy Times – Tradition Of Abuse
14. Blouse – Imperium (Captured Tracks)
Portland’s blouse thankfully decided a change was in order for their second album Imperium. They changed from an average synthpop band to a brilliant guitar pop band. Imperium employs narcotic guitars and ethereal vocals with devastatingly effective results. Who knew that inheritors of the Cocteau Twins, Julie Cruise, Broadcast and Wendy and Bonnie trophies would turn up in stumptown?
stream: Blouse – Eyesight
13. Ketamines – You Can’t Serve Two Masters (Southpaw)
Canada’s Ketamines come from a garage rock background, but on You Can’t Serve Two Masters they shed many of the garage rock pretenses and go the quirky power pop route. The sound is cleaner and lyrics are pointed and since the sound is cleaner the vocal melodies shine brighter. It’s deft move and shows you what a brilliant band the Ketamines are.
stream: Ketamines – Don’t Stop
12. Dick Diver – Calendar Days (Chapter Music)
On Calendar Days, Dick Diver combine the melancholy melody of the Go-Betweens and the comfortable familiarity of the Lucksmiths and the dustiness of the Triffids. It’s a classic Australian born album that evokes its sense of place, while speaking in the universal pop tongue so you can enjoy it no matter what continent you reside on.
stream: Dick Diver – Lime Green Shirt
11. Outfit – Performance (Double Denim)
Liverpool’s Outfit offer up the best record in synthpop since Hot Chip’s The Warning or Metronomy’s The English Riviera. The blips and electronic crackle from the grooves of this record with a cold disaffection reminiscent of the Notwist, but Outfit warm up the electronic pathways with a strong sense of melody. That combination of warm and cold gives this record its staying power.
stream: Outfit – Thank God I Was Dreaming
10. Joanna Gruesome – Weird Sister (Slumberland)
Joanna Gruesome are sugar coated spazzy noisepop with a soft side and a goofy name. Part Veronica Falls, part Los Campesinos and likely some Boyracer hidden there as well. This record undoubtedly had a guaranteed niche audience, but what was surprising was that seemed to have broken through the niche barrier when they came over to play at CMJ in New York. The recognition was justifiable, and if they decided to actually do a tour beyond a few US cities I could see their brand of skewed pop connecting even more. Bonus points for coming up with the best lyric of the year: “Bah, Bah, Bah, my head explodes.”
stream: Joanna Gruesome – Sugarcrush
9. Dirtbombs – Ooey Gooey Chewy Ka-blooey! (In the Red)
How do you follow up your tribute album to Detroit techno? If you’re the Dirtbombs you deliver your long threatened bubble gum rock tribute record. Since it’s the Dirtbombs, it’s a unique take on that genre that employs two drummers and leader Mick Collins’ gravely delivery. Collins is well known for incorporating a myriad of influences into the Dirtbombs sound. We knew he had some unadulterated pop leanings and this record confirms it in wonderful technicolor.
stream: Dirtbombs – Hot Sour Salty Sweet
8. Dream Boys – Dream Boys (Art Fag)
Sometimes bands with exquisite taste end up making albums that are hollow imitations of their heroes. This is not the case with Los Angeles band Dream Boys. In fact they’ve made a record that equals and maybe even surpasses some of the wonderful records made by the jangly masters of old like Bif Bang Pow, Aztec Camera, the Bluebells, and Close Lobsters.
stream: Dream Boys – Holding Pattern
7. Lady – Lady (Truth and Soul)
When someone tells you that they don’t make them like they used to, hand them this record. Lady who are actually two ladies Terri Walker and Nicole Wray have delivered, with the help of an ace backing band, a 60’s soul-inspired record that might just restore your faith in the entire manufacturing process…of everything.
stream: Lady – Money
6. Ooga Boogas – Ooga Boogas (AARGHT!)
The first Ooga Boogas album did noting to prepare you for the greatness of this their second album. Mikey Young of Eddie Current Suppression Ring is a band member and may have had some influence them becoming a cleaner more patient group, but it’s singer Leon Stackpole’s lyrics and delivery that put this record in the realm of greatness. Part Mark E Smith and part James Murphy, he rants and raves and even sings a little too. Some of the songs are sung from the point of view of some not so savory characters making it sometimes uncomfortable, but the band holds you in check whipping up a thick sheet of groove behind him.
stream: Ooga Boogas – Studio of My Mind
5. Day Ravies – Tussle (Pop Frenzy)
Some people think that it is amazing that shoegaze is still a thing. Those people are nuts. How could you not expect bands like Slowdive, Chapterhouse and the Pale Saints not to have inspired generations to come with the great records they made back in the original wave of shoegaze. Day Ravies take that inspiration and employ their deft pop sensibilities to it and come up with something to be reckoned with whether you’re familiar with the history of shoegaze or not.
stream: Day Ravies – Pinky
4. Vision Fortune – Mas Fiestas con el Grupo Vision Fortune (Faux Discx)
This album has eight tracks on it, but you could argue that it’s one long song. Vision Fortune don’t make it easy for you. If you saw this record in the store you could easily pass it by thinking that it’s Spanish troubadours or Mexican narcocorrido. Imagine if you bought it thinking that and then got home put in on your stereo only to find squalls of feedback and pulsing bass roar from your speakers. You would either take it back or turn it up. You already know the correct choice.
stream: Vision Fortune – XVII
3. La Femme – Psycho Tropical Berlin (Born Bad)
The record sounds like it could have come out on Bungalow back in the 90’s. You may remember the space age surf, synth and dance records that the German label put with some regularity back then. La Femme know their surf records and also probably like a bit of Depeche Mode as well as some Intelligence records but that doesn’t go the distance in describing the fun and fascination of listening to this album. Pity the people that thought that the Daft Punk record was the best French album of the year and give them this record.
stream: La Femme – Antitaxi
2. Prophet Hens – Popular People Do Popular People (Fishrider)
New Zealand’s Prophet Hens sort of came out of nowhere and swept me off of my feet with their Chills meets Belle and Sebastian pop alchemy. Both of those bands are highly regarded and the Prophet Hens may be better than both. Granted they haven’t written a Pink Frost yet, but many of the songs here are nearly as memorable and lead me to believe that they just might have something of the Pink Frost caliber in them.
stream: Prophet Hens – Pretty
1. Hookworms – Pearl Mystic (Gringo/Weird World)
I wrote in my mid-year round up that the Hookworms were sitting on top of the best album of the year. Since then nobody was able to topple them from that teetering pile. Pearl Mystic is like a pendulum that swings from unhinged and crazy to mellow and droning. I don’t think I’ve ever hung out this much with a schizophrenic and liked it.
stream: Hookworms – Form & Function
Tags: Blouse, Broadcast, Captured Tracks, Cure, Free Design, Stereolab, Wendy and Bonnie, Young Marble Giants
Blouse at the Vera Project, Seattle | 17 September 2013
The big news about Blouse‘s second album Imperium is that Portland band has ditched their synths and gone for the guitar, bass and drum (and cello) approach on this new batch of songs. While this isn’t exactly a controversial approach, it is different and so sets them up for the possibility of fans being upset about their new direction. One thing Blouse proved on their debut album was that they could write a decent pop song. So the real question is can they still write a descent pop song? The next question is do the new songs sound as good with the new approach? Yes, and yes. In fact, Imperium has better songs that make a bigger impression on the listener.
Their self-titled debut had some good songs but its synth based sound caused the record to float by like a plastic band in the wind. Easy to take notice of, but not leaving a lasting impression. Imperium has no such problem. There are remnants of their stylized sythesizers, but they are replaced with a cello. This record deals in guitars, rumbly bass and Charlie Hilton’s ethereal vocals. The closest comparison would be to Broadcast‘s The Noise Made by People. There is a folk-based 60 sound to Hilton’s vocals similar to Wendy & Bonnie and the Free Design combined with comet scar guitars and other interstellar stardust that floats out of the speakers when you play this record.
Last night at the Vera Project they really let loose. The guitars were turned up and the keyboard was in the corner as they glided through the best of the new album putting new wings on songs like Arrested, 1000 Years and Trust Me. In photo’s Blouse appear as a trio, but they’ve added a second guitar player who plays a beautiful lavender Jazzmaster. This additional power made the songs crackle and spark. The band appeared loose and it seemed like the songs felt new to them making it fun for everyone. They dolled out Cure-like baselines, shards of shoegaze noise pop while Charlie’s voice seemed to float on top of it all. The twin guitar attack of Arrested was easily the highlight of the show. It suspended time and place and created a nebulous cloud of euphoria in the room. One of the best shows I’ve seen this year.
stream: Blouse – Arrested (from Imperium out now on Captured Tracks)
Here are the remaining dates of their West Coast tour:
9/20 Portland, OR – Star Theater
9/21 San Francisco, CA – Bottom of the Hill
9/22 Los Angeles, CA – The Echo
9/25 San Diego, CA – The Void
9/26 Costa Mesa, CA – Detroit Bar
Tags: Allo Darlin', Art Museums, Bart and Friends, Blouse, Brain Idea, Capitol Hill Block Party, Captured Tracks, Castle Face Records, Deadbeat Beat, Felt, Fine Arts Showcase, Geoffrey O'Connor, Green Pajamas, Gustaf Kjellvander, Hausu, Lost and Lonesome, Medical Records, Monnone Alone, Pizzafest, Slumberland, Swimsuit, The Servants, Tiny Microphone
I have been amassing a ton information that has come to the tipping point where I have to let it out. Some of this may have been tweeted, but who remembers anything they read on Twitter? You possibly have heard half of it, but then maybe you haven’t. Here’s the mid-summer digest of the finest kiss music news.
Allo Darlin’ set to release new single
Last week Allo Darlin’ announced the release of a brand new single due in August. You can hear it and pre-order it over at their bandcamp. It’s a picture disc and contains one song about former Hefner frontman Darren Hayman and one song about the Wu Tang Clan which is a cover of another Hayman band the French. How’s that for confusing?
Art Museums Break Up
After a short but fruitful run San Francisco’s Art Museums have said their splitting up. According to their Facebook page, they just couldn’t handle it anymore. They had recently released two 7 inch singles one on Slumberland and another on Yakamashi. I don’t know about you, but I could have handled a few more records from them. So long Art Museums. See you in the funny papers.
Portland band Blouse played the Crocodile
I stopped by the Crocodile the other night to see Blouse. So far the Portland new wavers have released singles on Captured Tracks and Sub Pop with an album due this fall on CT. Their singer was totally going for the 80’s vibe with her poofy feathered hair and white pleated slacks. Their short set (25 minutes) much better than their fashion sense, playing light airy sounds accented with muscular Cure-like bass lines.
Chicago band has a Brain Idea, Sound Like the Clean, Name Their EP after CCR
I’m kind of possessed this week by the new EP from Brain Idea on Mexican Summer. It’s part Clean, part Kraut, of course the Clean always have had a Kraut element to their sound so maybe it’s all Clean. Whatever, it’s good. I just ordered their first album that came out on Permanent last year.
It Was Only a Matter of Time: Flexis Are Back
Castle Face the San Francisco label part-run by Thee Oh Sees’ John Dwyer have just unleashed a book of flexis. Bare Wires, Blasted Canyons, Thee Ohs Sees, The Fresh & Onlys and Ty Segall & Mikal Cronin each contribute a song spread across Five 7 inch flexis discs. It comes packaged in a ringed notebook and it ain’t cheap at $30. I thought flexies were supposed to be cheap. They use to come stapled inside of magazines and sounded like crap on your turntable. I’m assuming the quality of these is slightly better.
Detroit Deadbeat Beat
Felt: Gone But Not Yet Forgotten
Felt have been defunct for 22 years now, but way down in the depths of the internet they never went away. A couple years ago the San Francisco band Girls interviewed Lawrence for Magicrpm and just recently the Charlatans‘ Tim Burgess was interviewed over at The Quietus about them. I didn’t know that Burgess was such a superfan. He drops a few debatable nuggets like the idea that She Lives By The Castle was written about St. Etienne‘s Sarah Cracknell. If you are a Felt superfan you probably already know about the book written by JC Brouchard called Felt : Ballad of the Fan.
Fine Arts Showcase’s Gustaf Kjellvander Dies
Sad news from Sweden a few weeks ago, when Gustaf Kjellvander died unexpectedly in his sleep. He was only 31 years old. Kjellvander lived in Seattle until he was 15 when his family moved back to Sweden. He made some great albums as the Fine Arts Showcase. My two favorites were Radiola and his Rough Bunnies covers album Sings Rough Bunnies.
Green Pajamas Go To Green Pajama Country
Seattle’s Green Pajamas are back with album number…I lost count. No matter, this time they claim to have gone country. The first song from the record, Pass Me Another Whiskey doesn’t sound particularly country. It just sounds good.
Hausu Continue the Northwest’s Flirtation With British New Wave
Led by former Seattleite and underage organizer Ben Funkhouser and his Edwyn Collins-esque croon, Portland band Hausu‘s ringing guitars and smart sound bring to mind Collin’s former band. They also claim to be influenced by Bruce Springsteen, but what red-blooded Amercian isn’t (whether you want to be or not)?
Australian Record Label Presents Two New Records From Two Old-Timers
Lost and Lonesome has just put out two records, one by former Lucksmith Mark Monnone who is going by the moniker Monnone Alone called Pink Earrings. Not surprisingly it sounds kinda like the Lucksmiths, expect Monnnone sings. While you’re checking that out, be sure to consider the latest from Bart and Friends. Bart Cummings of Cat’s Miaow and the Shapiros ended his long silence last year with Make You Blush is back again with a 10 inch EP called Stories With the Endings Changed.
Get Your Medical Records
Much has been written about Medical Records here in Seattle, but I’m not sure if the word has gotten out beyond Seattle and in the know circles of “classic synth, cosmic disco, wave (cold/new), and future music” aficionados. So far, the Seattle label specializing in reissuing nearly forgotten synth records, has released eight albums by Guyer’s Connection, OGI, Der Plan, Chrisma, Deutsche Wertarbeit, and Alexander Robotnick. All the records are limited to around 500 copies, and come in some very pretty shades of vinyl. Many are already sold out so head on over, have a listen and see what’s left.
Geoffrey O’Connor Comes Out of the Crayon Fields
Crayon Fields frontman Geoffrey O’Connor takes a break from his band to cut loose and get icy cold and synthy. The first song is a study in cool, suave and sophisticated. Can’t wait to hear the whole album. It’s called Vanity Is Forever and is out in September.
Fests and Parties
The Capitol Hill Block Party is this weekend in Seattle. It’s three days beginning this Friday. I’m heading up on Friday for sure, and may go Saturday (the afore mentioned Hausu play Saturday) as well depending on my ability to tolerate large festivals. A festival more my size is the third annual Pizza Fest which takes place Funhouse August 4-6. The line-up is pretty sweet if you’re into garage, punk and fun. Not sure if they’re having a pizza eating contest like last year, but I’m sure you’ll be able to get a slice along with a Rainier and some ringing ears.
Servants Are Served Up Again
Captured Tracks has a pretty relentless release schedule so keeping up can be a chore. Glad to see the label doing god’s work in releasing long lost gems from years ago in addition to the many new bands they release. The Servants ran with the C-86 crowd and actually were on that now legendary cassette. The band’s Cherry Red compilation has been long out of print, so Captured Tracks has picked up the slack and just released a record that collects the majority of their recorded output. It’s called Youth Club Disco.
Get Your Swimsuit
Michigan’s Swimsuit have just released their debut album. Besides having my favorite cover of any record this year, it contains some pretty good songs as well. Yeah, reverb heavy surf inspired music is kinda played out, but give them a break, you can only surf on a great lake if there’s a big storm.
Tiny Microphone Finally Gets a Non-Cassette Release. Still Wait For Vinyl
You may remember Tiny Microphone from a few years ago when we did the One Last Kiss redo. Tiny Microphone is Kristine Capua (also of Very Truly Yours). Tiny Microphone are like twee-shoegaze and I mean that in the best way. Up until now you could only get her Home album on cassette from Italian label Best Kept Secret, but now Japanese label Happy Prince has released it on CD. Expect a vinyl version to come along in another three years…