Paris by way of Biarritz, France group La Femme released one of my favorite records of last year. Psycho Tropical Berlin was a mix of electronic metronomic underground, cold wave surfy twang and punky ye-ye. It’s sly, fun, and playful. Listening to the album you it’s readily apparent that La Femme know how to have a good time. This impression was confirmed Wednesday night at the Vera Project.
The group knows how to throw a party, even in a sterile all ages venue where the nearest alcohol is blocks away (or in the flask you snuck in). Indie music is full of inanimate objects on stage so it was refreshing to see all six members of La Femme know how to entertain. Three keyboards buttressed the stage, but that did not stop them from coming into the crowd and dancing with each other. Singer Clémence Quélennec was constantly dancing, displaying some cool robotic 80’s Valley Girl moves, while her co-keyboard MC Marlon Magnée danced and pranced about the stage. It was infectious, fun to watch and provoked the entire audience into dancing too.
A couple highlights of the set were the manic Antitaxi with its lengthy synth introduction building anticipation that exploded in a twangy surf guitar riff to everyone’s elated satisfaction. The epic It’s Time to Wake Up in showcased guitarist and Theremin maestro Sacha Got playing some tiny wooden leaf shaped gypsy guitar from which he coaxed huge washes of sitar like hallucinogenic sounds.
I’m sure touring and playing the same songs night after night gets old for a band, but La Femme genuinely seemed to be having a great time. They are a band in search of a party and if there isn’t one nearby they are fully capable of starting it themselves. Like a French B-52’s.
I like weird and I like good and Cheveu fits that description. The French band has just released it’s fourth album titled Bum and it just might be their best and weirdest record yet. How could they surpass their cover of Vanilla Ice‘s Ice Ice Baby in terms or strangeness you ask? Ok, maybe Bum isn’t their overtly strangest album. Actually they dial down one kind of weird and dial up another kind. Before they came off as arty punks willing to graffiti over anything, on Bum they are more into a prog rock otherworldly weirdness. They take elements from bands like Hawkwind, Wall of Voodoo, the Intelligence, Brainiac and Devo and come up with something all their own.
La Femme are dark wave surfers from Paris that ride waves of synths and guitars into a globally warmed tropical Berlin. Yes folks like D.I. predicted, they are finally hanging 10 in East Berlin. The future has spoken and it is now…or was it then? Time travel always confuses me.
This groop has read their share of le Carré spy novels, had their fill of Ventures records, probably have an original pressing of Les Visiteurs Du Soir by Mathématiques Modernes, and it wouldn’t surprise me if they listened to the Intelligence since they share a label with them in La France. Not only do they have the pedigree, but they know how to employ it. Their debut album Psycho Tropical Berlin is one of those records that immediately strikes you in your pleasure center.
Killer beats, deadly riffs, icy vocals all done with a mind to keep you interested and returning to it. Ahh yes, coffee, love, heroin and La Femme. I’ve already compared them to a bunch of bands, but each time I listen to the record I think of a bunch more of which they remind me. Synths, jazz, bossa nova, cold wave, new wave, etc. I can with near certainty guarantee that you will be unable to deny the fruits and temptations of La Femme. Go on bite into the apple, trust me it’s good.
Stream: La Femme – Nous Etions Deux (from Psycho Tropical Berlin out on Born Bad Records)