Tags: Best Friends, Cold Beat, Courtney Barnett, Day Ravies, Die Verboten, Downtown Boys, Eternal Summers, Expert Alterations, Finnmark!, Frankie & the Witch Fingers, Girls Names, Grubs, Helen, Hierophants, Hooton Tennis Club, Jessica Pratt, Joanna Gruesome, Kelley Stoltz, King Cyst, Kitchen's Floor, Knife Pleats, Mammoth Penguins, Nic Hessler, Nicole Willis & the Soul Investigators, Outfit, Places To Hide, Primitive Parts, Protomartyr, Robert Forster, Saun & Starr, Sauna Youth, Sheer Agony, Shopping, Tam Vantage, Terrible Truths, The Chills, The Fireworks, The Intelligence, The Shifters, Thee Oh Sees, Traams, Twerps, Valet, Viet Cong, Wildhoney, Willie Weird, Woolen Men
I hope you looking for a few more records to buy before the wave of 2016 releases hits I didn’t count them and they’re in no particular order but each album won in its own unique category. I don’t have any small statuettes to hand out, but I gave each of my favorite albums an award.
Places To Hide – Strange Lyfe (Irrelevant)
Best Posthumous Album: This Atlanta band broke up before releasing their second album. Great punk and post punk anthems in the vein of X, Versus and Seam.
The Intelligence – Vintage Future (In the Red)
Best Album by an Ex-Seattle Band: I say this about every Intelligence album, but it was their best record yet.
King Cyst – King of New York (Underwater Peoples)
Best Canterbury Scene Influenced Album: The Brooklyn group’s second album had me checking the release date on this whimsical beauty.
Protomartyr – The Agent Intellect (Hardly Art)
Best Post-Punk Rust Belt Album: The third LP by this Detroit band continues the upward trajectory initialized by last year’s Under Color of Official Right.
Wildhoney – Sleep Through It (Topshelf)
Best Shoegaze Album: Shoegaze has officially become a genre of music, but so few bands in the genre understand that you still need to write great songs to accompany the tremelo bar and effects pedals. That’s not a problem for Wildhoney.
The Chills – Silver Bullets (Fire)
Best Comeback Album: After years of personal struggles, Martin Phillips finally reinitialized the Chills and created masterpiece that sounds like he hadn’t been out of the game over 20 years.
Helen – The Original Faces (Kranky)
Best Album That Sounds Like It Was Mastered from a Cassette: Liz Harris aka Grouper goes down the Black Tambourine / Vivian Girls rabbit hole and emerges from a mountain top.
Shopping – Why Choose (FatCat)
Best ESG-Gang of Four Inspired Album: The London band’s second album is not vastly different from their debut except that the songs are bigger, better more tightly wound.
Mammoth Penguins – Hide and Seek (Fortuna Pop!)
Best Album by Large Flightless Birds: Standard Fare’s Emma Kupa switched from bass to guitar in her new band and comes up with a more rawkus but no less poignant record.
Cold Beat – Into the Air (Crime On the Moon)
Best Polar Ice Cap Melting Album: Former Grass Widow bassist Hannah Lew immerses her band into an 1980’s inspired synth pop sound that on the surface sounds cold, but has a warmth and playfullness on its underbelly that could be blamed for contributing to global warming.
Courtney Barnett – Sometimes I Sit And Think, And Sometimes I Just Sit (Mom + Pop)
Best Stream of Conscious Album: I was surprised at how polarizing this record was, it seemed like you either loved it or hated it. I was a fan of how Courtney Barnett innately was able to make her stream of conscious lyrics make sense over some incredible hooks.
Die Verboten – Die Verboten 2007 (Deewee)
Best Album from 2007: Recorded eight years ago, the Belgian Krautrock influenced collective finally got around to releasing their debut this year. As you might have guessed it sounds timeless.
Downtown Boys – Full Communism (Don Giovanni)
Best Timely Punk Album: It seemed like this Providence, Rhode Island band hit on all the top issues in America (Police Killings, Black Lives, and the 1% to name a few) on Full Communism. Add in a twin saxophone bed of chaos and you have the best pure punk record I’ve heard in a long time.
Finnmark! – Things Always Change (Beko)
Best Indiepop Album by English People Masquerading as Scandinavians: Part Cats on Fire and part Lucksmiths this erudite record caught my indiepop fancy.
Girls Names – Arms Around a Vision (Tough Love)
Best Album by a Former Slumberland and Captured Tracks Band: Girls Names slightly reinvent themselves on their third LP. It’s darker, colder bleaker and better than anything they’ve ever done.
Hooton Tennis Club – Highest Point In Cliff Town (Heavenly)
Best Album of Shambolic Anthems: Hooton Tennis Club sound like they’ve got a Pavement attitude and the pop licks of Teenage Fanclub. Formidable attributes that they employ to precise effect.
Eternal Summers – Gold and Stone (Kanine)
Best Comeback Album by a Band the Never Went Away: Roanoke, Virginia’s Eternal Summers never went away, in fact they’ve been consistently putting out records. Gold and Stone sees them taking a great leap in consistency and quality to make their best album since their debut.
Grubs – It Must Be Grubs (Tuff Enuff)
Best Album by a Joanna Gruesome Spin-off: Grubs also get an award for the shortest album of the year. These 11 songs fly by in about 20 minutes but leave a lasting impression thanks to singer Roxy Brennan sweet voice.
Hierophants – Parallax Error (Goner)
Best Devo Inspired Album: Australia’s Hierophants debut channels Chuck Berry, Beach Boys but mostly Devo to jarring effect. Disconcerting, discombobulated and disgreat.
Robert Forster – Songs to Play (Tapete)
Best Album that References Twitter: When artists incorporate references to the internet I usually cringe, but Robert Forster does it in smile inducing way on Let Me Imagine You. It was good to have one of the masters back.
Nick Hessler – Soft Connections (Captured Tracks)
Best Album by a Yay! Records Alumni: Formerly playing under the Catwalk moniker Nick Hessler decided to ‘solo’ on his debut LP. Soft Connections is a brilliant slice of Aztec Camera inspired pop.
Best Friends – Hot. Reckless. Totally Insane. (FatCat)
Best Garage Rock Inspired by Orange Juice: Best Friends’ debut isn’t groundbreaking, earth shattering or revolutionary. It’s just plain fun.
Nicole Willis & the Soul Investigators – Happiness In Every Style (Timmion)
Best Helsinki Soul Album: Brooklyn born Willis and her Finish Soul Investigators made one of my favorite soul revival records of the year.
Day Ravies – Liminal Zones (Sonic Masala)
Best Album by a Fake Kinks Revival Band: On their second LP, Sydny’s Day Ravies shed any hint of shoegaze and go for a raw psychedelic sound and prove that they’re good at that too.
Expert Alterations – You Can’t Always Be Right (Kanine)
Best Jangle Pop Album: You can’t always be right, but at least you can sound good even if you favor sonically dissonant pop. If this is album is wrong, I don’t want to be right
Outfit – Slowness (Memphis Industries)
Best Mark Hollis Revival Album: The sophomore album from Liverpool’s Outfit was entrancing. It contained no obvious hits, but it was a record that easily commanded my interest listen after listen.
Knife Pleats – Hat Bark Beach (Lost Sound)
Best West Coast 90’s Indiepop Album: Rose Melberg finally decides to revisit her Tiger Trap and Go Sailor roots with her new band and proceeds to satisfy the soul.
The Fireworks – Switch Me On (Shelflife)
Best Buzzy Noise Pop Album: An intensely energetic debut based on a Jesus & Mary Chain, Shop Assistants and the Razorcuts. This one was right in my wheelhouse!
Sauna Youth – Distractions (Upset the Rhythm)
Best Album by a band With an Alter Ego: No their not Sonic Youth’s alter ego, Sauna Youth moonlight as Monotony. Distractions was tour de force of frantic noisy anthems influenced by the Fall and Wire.
Primitive Parts – Primitive Parts (Trouble In Mind)
Best Blur Album This Year: Male Bounding and Sauna Youth members team up for a straightforward maelstrom of sharp guitar focused punkish pop.
Valet – Nature (Kranky)
Best Cocteau Twins Impersonation: This Portland group start anew on Nature and thanks to Honey Owens ethereal voice aim for the stars.
Traams – Modern Dancing (FatCat)
Best Krauty-Shouty Album: I really liked Traams’ debut album, but Traams fine tuned their sound into controlled chaos to take Modern Dancing to the next level.
Kitchen’s Floor – Battle of Brisbane (Bruit Direct)
Best Dissonant Brutalist Album: Battle of Brisbane has topical similarities with Woolen Men’s Temporary Monument, but Matt Kennedy’s Kitchen’s Floor sounds angrier and ready for a fight.
Terrible Truths – Terrible Truths (Bedroom Suck)
Best Intensely Laid-back Album: This album had some similarities with the Shopping LP, but Terrible Truths somehow accomplish the trick of sounding tightly wound and laid back at once.
Woolen Men – Temporary Monument (Woodsist)
Best Monument to the Have Nots: Portland’s Woolen Men combine elements of Wire, the Wipers and REM to create a passionate document berating the new rich and lingering recession.
Saun & Starr – Look Closer (Daptone)
Best Surprise Album by Back-up Singers: Starr Duncan Lowe and Saundra Williams were backup singers for Sharon Jones & the Dap-Kings. I think they will have their own permanent gig after this stellar debut.
Jessica Pratt – On Your Own Love Again (Drag City)
Best Album to Listen to Under a Pink Moon: If you didn’t know better, you would assume that this album is 50 years old and was produced by Joe Boyd. Out of time and otherworldly.
Twerps – Range Anxiety (Merge)
Best Australian Album to Sound like It’s from New Zealand: No sophomore slump problems from this Melbourne band, in fact they appear to be a bottomless well of pop goodness.
Viet Cong – Viet Cong (JagJaguwar)
Best Ballsy album by a band with no Balls: This Canadian band take their sound from many brave sounding bans like Gang of Four, the Comsat Angels and the Chameleons. Too bad they’re waffling under pressure to change their name.
Frankie & the Witch Fingers – Frankie & the Witch Fingers (Permanent)
Best Garage Rock Album: This album made me appreciate the saturated garage rock genre again.
Thee Oh Sees – Mutilator Defeated At Last (Castle Face)
Best John Dwyer Album of the Year: The most varied and consistent album yet from this perennial favorite.
Sheer Agony – Masterpiece (Couple Skate)
Smartest Canadian Rock Album With an Old Guy on the Cover: How smart? How about combining mod era Lilys with the skewed pop of the Shins to come up with an endlessly interesting and engaging LP. This Montreal group seem to already have mastered everything on their debut.
Willie Weird – The Scuzzy Inputs Of Willie Weird (Stroll On)
Best Album to Go Off the Deep End: Kelley Stolz’s alter ego comes up with a fractured pop gem
Joanna Gruesome – Peanut Butter (Slumberland)
Best Album to Supply a Vegetarian Source of Protein: The second album of jarring pop from this Cardiff group really sticks to your ribs.
Tam Vantage – Life in High Definition (Lost and Lonesome)
Best Album by a Pop Single: The debut solo album from former Pop Singles front man is a complex and accomplished record.
The Shifters – The Shifters (Comfort 35)
Best Hex Enduction Album: This was the first time I can ever remember not buying the new Fall album. I smartly spent my money on the Shifters’ cassette instead.
Tags: Australia, Day Ravies, Shoegaze, Strange Pursuits
Sydney’s Day Ravies followup last year’s stellar 7-inch with a four song EP they call Under the Lamp. It’s being released as a cassette and download by Strange Pursuits which is a brand new label started by Sam Wilkinson who sings and plays guitar in the band. The band say this is a teaser for their second album which they are working on. No word on whether any of these four songs will be on their next album, but based on how good they are I wouldn’t be surprised if all four of them make an appearance.
The four song EP starts with Sleepwalk which takes up right where Hickford Whizz left off last year and sees the Ravies continuing their more straightforward pop head rush. Perennial features a great chorus and a killer guitar solo that is brief but efficient and keeps with the song’s penny arcade psychedelia. Prior Hour the closer is the comedown from the pop highs of the previous three songs and has a slow burn melancholy to it that has touches of Mazzy Star in it. This EP and the Hickford Whizz single from last year should have folks lining up for the upcoming album number two.
Day Ravies’ Under the Lamp EP is available from Strange Pursuits.
Tags: Ausmuteants, Bent Cousin, Cavern of Anti-Matter, Charles Bradly, Cheap Riot, Close Lobsters, Courtneys, Crimson Wave, Day Ravies, Dick Diver, Dream Boys, Flesh World, Giorgio Murderer, Girl One and the Grease Guns, Gurgles, Heathers, Hierphants, Institute, Juniore, Kelley Stoltz, King Tears Mortuary, LaRose Jackson, Menace Beach, Paellas, Pang, Primetime, Primitive Parts, Primitives, Sleaford Mods, Slum of Legs, Suburban Homes, Tender Age, The Mantles, Thigh Master, Twerps, Ubertrager, When Nalda Became Punk, Wildhoney, Wimps, Woolen Men
If they keep putting them out, I’ll keep buying them and counting them down. Here’s my take on the 2014 singles scene. You don’t need eharmony to find a great single, just peruse this list.
1. Wildhoney – Sixteen Forever (Photobooth)
Baltimore band’s second single is even better than their first. Effortlessly great shoegaze. Look out for their debut LP early in 2015.
2. Charles Bradly & LaRose Jackson – Luv Jones (Daptone)
This one came out of nowhere and flew under most everyone’s radar. Charles Bradly and LaRose Jackson sound great together and the flip side has him sounding a bit like the Specials. A certified classic.
3. Primetime – Tied Down (La Vida Es Un Mus Discos)
UK group influenced by Wire and Elastica, only they don’t steal riffs. Solid debut single that indicates greatness.
4. Primitives – Spin-O-Rama (Elefant)
Classic 60’s inspired, sunny psychedelic single.The Primitives stormed back on the scene with this record.
5. Giorgio Murderer – Primitive World (Goner)
Buck Biloxi’s alter ego obsessed with Star Trek. Insanely insane.
6. Day Ravies – Hickford Whizz (Beko)
Day Ravies move beyond their shoegaze roots and move into full pop bloom.
7. Bent Cousin – Dizzy (Team Love)
Twins from Brighton mix a little bit of rap with indiepop. It shouldn’t work but of course it does since it’s right here at number seven.
8. Gurgles – You Send Me Up (Saltaire)
Gurgles take Steely Dan and Prefab Sprout and turn it up so that it bleeds out of your headphones.
9. Pang – Young Professionals (Grazer)
Bay area young professionals second single is glamorous sounding, jagged, Wire influenced brilliance.
10. Primitive Parts – Open Heads (Sexbeat)
Members of Male Bonding and Sauna Youth, Primitive Parts excel in jangly power pop that reminds me of Modern Life Is Rubbish era Blur. Strong!
11. Girl One and the Grease Guns – Bashed Beaten & Broken (Squirrel)
Alter egos of the Manhattan Love Suicides deal in old drum machines, synths and detached vocals with decided industrial slant.
12. Suburban Homes – The Suburban Home EP (Market Square)
Mysterious punks from the suburbs on written by Paul Messis and on Paul Messis’s label. Raw angry and very good.
13. Close Lobsters – Kunstwerk in Spacetime (Shelflife)
The return of the Close Lobsters was a wonderful sound to behold.
14. Courtneys – Mars Attacks (Hockey Dad)
The second single in this year’s countdown to feature a rap. Vancouver’s Courtneys follow up last years great debut with more of their good thing.
15. The Mantles – Memory (Slumberland)
The Mantles seem to be able to effortlessly write these dusty Byrdsian gems.
16. Juniore – La Fin Du Monde (Enterprise)
Suave, spaghetti-French pop that pulls in some Limiñanas along with a bit of Françoise Hardy.
17. Crimson Wave – Say (Accidental Guest)
Former Wild Honey singer goes two for two with bands and singles. Her new band Crimson Wave is off to an auspicious start with this Scrawl influenced record.
18. Flesh World – A Line In Wet Grass (Iron Lung)
Jess Scott, formerly of Brilliant Colors fronts Flesh World. A Line in the Wet Grass is a maelstrom with a pop song in the middle just struggling to escape.
19. Slum of Legs – Begin To Dissolve (Tuff Enuff)
Slum of Legs combine dissonance and melody into a delicious stew topped off with a violin chaser.
20. Hierphants – Nothing Neu (Goodbye Boozy)
Featuring members of Ausmuteants and Frowning Clouds, you might expect Hierphants to sound like a garage band with Devo leanings and you would be right. Nothing Neu, but good nonetheless.
21. King Tears Mortuary – Grease Trap (Vacant Valley)
Power pop from Sydney that recalls southern fried college rock from the 80’s. Surprised Mitch Easter didn’t have a hand in this.
22. Ubertrager – Neben Mir (Great Pop Supplement)
Amazing how much this sounds like Broadcast. Otherworldly!
23. Institute – Giddy Boys (Kartorga Works)
Debut single from Austin band sounding like their from Australia. The Austin Ausmuteants?
24. Primitive Parts – TV Wheels (Faux Discx)
Primitive Parts make their second appearance in the countdown. Quality and quantity. Lookout for their debut coming later this year on Trouble In Mind.
25. Dream Boys – Positive Arguments (White Iris)
Bluebells, Bif Bang Pow and Three O’Clock fans rejoice, Los Angeles’ Dream Boys follow up last year’s LP with more jangly goodness!
26. Wimps – Distraction (Help Yourself)
Short, sharp punk from Seattle’s slackers in chief.
27. Kelley Stoltz – Cross Your Mind (Stroll On)
Stoltz keeps cranking out classic pop whether you like it or not. The guy’s a machine. Dig the ode to Echo & the Bunnymen xylophone solo too.
28. When Nalda Became Punk – Indiepop Whatever (Shelflife)
From Spain, but riding a wave of Swedish Pop, When Nalda Became a Punk feature jangly guitars and life affirming choruses.
29. Woolen Men – Real FX (Loglady)
More tightly wound jangle from this Portland trio.
30. Cheap Riot – Part Time Vacancy (Croque Macadam)
A great debut single from punk-party mods who remind me of Television Personalities and the Buzzcocks.
The cover looks like something Jack Kirby might have drawn for the Fantastic Four back in the 60’s. Meanwhile Tim Gane continues his odes a future that never was.
32. Paellas – Cat Out (Self-released)
The formerly moody Paellas, shake the lead out and get downright dancy. New direction 100 percent approved.
33. Thigh Master – Head of the Witch (Tenth Court)
Jangly garage pop that is bound to not just to excite fans of Suzanne Somers but is likely to make fans of the Clean the Go-Betweens happy as well.
34. Twerps – Back To You (Merge)
More Australian pop you say. Yes they just keep coming. Sounding a little like the Moles in the intro, this one is the lead single from the upcoming LP.
35. Tender Age – Anything (Track & Field)
Portland’s Tender Age evoke’s Felt’s Ignite the Seven Cannons. Dark and dreamy.
36. Sleaford Mods – Loan Shark (Apocolypso)
A bit more glitchy and more experimental backing provides great backdrop for another rant.
37. Heathers – Fear (Death Party)
Single number two from this LA band delivers more hardy jangepop. The cool thing about them is how funnel their very English influences (Wedding Present) into a very American sound (Replacements).
38. Menace Beach – Tennis Court (Memphis Industries)
Dreamy female vocals over scuzzy male ones and scuzzy guitars that delivers with a nice big chorus. Just what you should expect from a great single.
39. Ausmuteants – Felix Tried to Kill Himself (Goodbye Boozy)
Prolific Aussi synth punks crash the party with this blistering guitars and head flexing vocals.
40. Dick Diver – New Name Blues (Fruits & Flowers)
New Name Blues sounds a little more experimental and less straightforward than their usual strummy goodness, adding in some saxophone to keep things interesting.
Tags: Day Ravies, Ex Hex, Gwenno, Lee Hazlewood, Paperhead, Perry Mason, Primetime, Tam Vantage, the Pippettes, The Rainyard, Vic Goddard
1. Tam Vantage
Pop Singles’ 2012 album All Gone was an understated jangle-pop pleasure. Though it’s too bad it looks like that band has called it a day, it is exciting to see that Tam Vantage the singer and guitarist in the band returning with a solo album that is scheduled to get a release early next year. The perfect pop of the first single the Boy Who Always Wins picks up right where Pop Singles left off.
3. Kyle Orton is the new Lee Hazlewood
I bet you didn’t know that Lee Hazlewood had been reincarnated as Buffalo Bills quarterback Kyle Orton. When I saw this photo tweeted by Light in the Attic I assumed it had been doctored. It’s uncanny. I thought that mustache could only exist in the late 60’s and early 70’s. Orton’s new nickname if he needs one should be a Cowboy in Buffalo.
Nashville’s Paperhead release their third album this week and it’s full of late 60’s influenced psychedelic pop. It has a definite Kinks glow to it and of course you can’t talk about a record like this and not reference the Beatles. These paperback writers know how to write page-turners.
5. The Rainyard
I’m sorry I didn’t write about this while it was still in print. The Spanish label Pretty Olivia put out A Thousand Days on a short run of vinyl earlier this year. It collected all of the Australian band’s 80’s output and it is a wonderful record of paisley psych jangle. As a consolation, you can still purchase a download of the record.
6. Perry Mason
I’ve got a stack of Mojo CD’s ten feet high that I’ve never listened to, but every once in a while there is one that piques my interest. The November one compiled by Siouxsie Sioux and Steven Severin is full of soundtrack music and TV themes from the 50’s and 60’s. I had forgotten about the Perry Mason theme and how much it sounds like Peter Thomas playing the James Bond theme.
7. Vic Godard
1979 was a very good year. It’s hard to believe that it took 25 years to properly record this batch of northern soul inspired songs and get them released. Perseverance pays off for Godard.
Primetime’s single came out in the summer but I had’t heard it until Still Single reviewed it. If you dig Oakland’s Pang then this London quartet’s debut single will be your thing.
Gwenno joins Rose Elinor Dougall as a former Pippette with a solo career. Gwenno’s debut album Y Dydd Olaf is sung in Welsh but that shouldn’t matter to non-welsh speakers. The title comes from a sci-fi novel by Welsh scientist Owain Owain, and the music sounds like it was inspired by the likes of Broadcast and Stereolab.
10. Ex Hex
Mary Timony’s latest band is inspired by Cheap Trick and the Buzzcocks and chock full of adrenaline fueled songs. Ex Hex’s debut album was produced by Mitch Easter who knows his way around power pop hooks and this record has got ’em to spare.
Tags: Beaches, Blouse, Cate Le Bon, Cavern of Anti-Matter, Day Ravies, Dick Diver, Dirtbombs, Dream Boys, Eat Lights Become Lights, Frowning Clouds, Girls Names, Heavey Times, Hookworms, Jacco Gardner, Joanna Gruesome, Ketamines, King Krule, La Femme, Lady, Minks, Ooga Boogas, Outfit, Prophet Hens, Robyn Hitchcock, Sleaford Mods, The Courtneys, The Limiñanas, The Mantles, The Sleaze, The Stevens, Vision Fortune, Warm Soda, Wax Idols
Usually I save the albums list for last, but in an attempt to actually publish my year end list of albums before the end of the year I’ve opted to kick off the Finest Kiss list season with my favorite records of the year. At first glance, my year end list looks like it might be a Slumberland vs. Chapter Music slug fest as both of those labels put out some of my favorite records of the year. Certainly they would tie for the best label ballot.
Hopefully there are a few records in here that you agree with, one or two that you might not have heard and I’m sure there are some you will disagree with. That’s the fun of list making, putting it out there so others can scoff at your taste in music. In the next week or two I hope to publish my list of the best Seattle records of the year and my annual top 40 7-inch countdown.
30. Minks – Tides End (Captured Tracks)
The Minks second album is part Depeche Mode and part New Order which surprisingly seemed to miss getting much attention this year. Guitars and synths are employed with a strict adherence to writing super catchy songs that are lighthearted fun. Cynics will cry that it’s derivative, but they’re a bunch of bores that want all their music to sound important. Sometimes it’s just supposed to be fun.
stream: Minks – Doomed and Cool
29. The Limiñanas – Costa Blanca (Trouble In Mind)
The Limiñanas are not quite classic french pop. More like classic french pop through a haze of hashish wafting from a dark room filled with strange characters smoking from hookahs. Their third record sees them expanding their Velvet Underground sound onto other shores of their Mediterranean local further honing their unique blistered white out sound.
stream: The Limiñanas – My Black Sabath
28. The Stevens – A History of Hygiene (Chapter Music)
What would happen if the Clean met Guided by Voices in a dark garage or a deserted beach? They would leave as the Stevens of course. After self-releasing an EP last year that had many folks excited the Melbourne band return with their debut opus of 24 songs that barely last minute each. Each one is miniature pop masterpiece that will have you shaking your head at how easy they make it look.
stream: The Stevens – Hindsight
27. Girls Names – The New Life (Slumberland)
Northern Ireland’s Girls Names have taken dark era Cure and added some early Railway Children and Echo and the Bunnymen and come up with a potent hypnotic concoction for their second album. This has been my go-to record when the need comes to escape the realities of life and zone out into the horizon. I think some might call it a lifesaving record for that reason.
stream: Girls Names – Hypnotic Regression
26. Cate Le Bon – Mug Museum (Wichita / Turnstile)
For her third album Cate Le Bon picked up and moved to Southern California, but I don’t think that the change in geography has altered her bohemian prog psychedlia. She still sounds like she could have been the kid sister of Kevin Ayres, but where Ayres often lost the plot Le Bon has a very good idea of where she’s going and Mug Museum is a trip worth taking.
stream: Cate Le Bon – I Can’t Help You
25. Warm Soda – Someone For You (Castle Face)
We knew that Mathew Melton was capable of pop goodness from his previous band Bare Wires, but Warm Soda sees him honing his powers to killer effect. Some For You is like the Raspberries mixed with Teenage Fanclub and King Tuff. The hits keep coming and coming on this record.
stream: Warm Soda – Jeannie Loves Pop
24. Beaches – She Beats (Chapter Music)
Invariably a band that likes to lock into hypnotic psych rock grooves is full of older dudes with beards, but Beaches is the exception to this unwritten rule. This groop of five women deftly lay down the grooves that will make lesser bands wanting to shave their beards and take up religion. Many of the songs on this record don’t hit you immediately but I found myself pulled back into repeatedly listenings by an almost supernatural hypnotic pull.
stream: Beaches – Dune
23. The Sleaze – The Sleaze (Total Punk)
I have no idea if the Sleaze are broken up or not. Some reports said this was a posthumous release and then they turned up at SXSW and played a bunch of shows. Punks are so irreverent and like to keep you guessing by not playing the game. This record is white hot and it wouldn’t surprise me if the band flamed out making it. Somehow keeping a flame this bright burning for any length of time is near impossible, but thankfully they new when to bottle it.
stream: The Sleaze – Tektonix Girls
22. The Courtneys – The Courtneys (Hockey Dad)
The Courtneys brand of DIY pop takes a little from bubblegum, punk and powerpop to make a completely likeable debut record. Not taking themselves too seriously they write odes to Keanu Reeves, 90210 and being poor. A record with a knack for hitting you in the funny bone and the pop jugular at the same time.
stream: The Courtneys – K.C. Reeves
21. Wax Idols – Discipline and Desire (Slumberland)
The UK music hype machine ain’t what it used to be, but it still can rally to pull the whites over our eyes from time to time. This year all the talk about post punk strong woman rock centered around the underwhelming Savages while San Francisco’s Wax Idols quietly put out the better record. Discipline and Desire evokes the roar of the Sound, Comsat Angels and the Chameleons while at the same time not really sounding like any of them. A powerful amazing album that in years to come will probably take on the same reverent status as From the Lion’s Mouth, Waiting for a Miracle, and Strange Times.
stream: Wax Idols – AD RE: IAN
20.5 Frowning Clouds – Whereabouts (Anti Fade)
The Frowning Clouds could be the Mantles cousins from down under. They add a little more Kinks intensity to their sound and come up with a winner. Whereabouts is their second album and they’ve got a batch of great harmonies and riffs that continue on the upward trajectory set by their first album. Keep your eyes on this Melbourne band.
stream: Frowning Clouds – Shoe Suede Blues
20.0 The Mantles – Long Enough to Leave (Slumberland)
The Mantles sound harks back to a to the 60′s and the Byrds and Buffalo Springfield. I had a feeling that their second album was going to be something special when I heard the Kelley Stoltz would be producing it. His production makes the lines cleaner and bends the light just right on this batch of dusty canyon pop.
stream: The Mantles – Marbled Birds
19.5 Eat Lights Become Lights – Modular Living (Great Pop Supplement/Rocket Girl)
Every now and then I like to put on a record that makes me feel like I am floating in space. Ladies and gentlemen, this record creates zero gravity with its motorik grooves that you will put it on repeat to avoid re-entry.
stream: Eat Lights Become Lights – Modular Living
19.0 Cavern of Anti-Matter – Blood-Drums (Grautag)
Tim Gane, who was one of the masterminds behind Stereolab, has kept a fairly low profile since Stereolab called it quits. Cavern of Anti-Matter is his new band and they not surprisingly lean in a motorik direction and seem to be heavily influenced by Neu. Some would say that it borders on a tribute record but these instrumentals pulse so easily into your conscious you can tell the Gane has found a new lease on life making this record.
stream: Cavern of Anit-Matter – Irridated Dream Mouth
18.5 Jacco Gardner – Cabinet of Curiosities (Trouble In Mind)
This is the second best psych pop record to come out this year. Gardner is young and loves Syd Barret but he plays it pretty straight. Cabinet of Curiosities sounds great, but I often got the feeling that Gardner wasn’t weird enough. He sounds like he likes weird, but it felt like he was playing a part. Hopefully time will pass and his eccentricites will grow to enhance his already sharp psych pop senses.
stream: Jacco Gardner – The One Eyed King
18. Robyn Hitchcock – Love From London (YepRoc)
Love from London is the best psych pop record to come out this year. The only problem is that rock is not an older fellow’s game, so Hitchcock mostly got fair to middling reviews for this album because he’s not new, but let me restate, this was the best psych pop record to come out this year, or last year for that matter.
stream: Robyn Hitchcock – Strawberries Dress
17. King Krule – 6 Feet Beneath the Moon (True Panther Sounds)
Leave it to a 19 year old kid from the UK to make a record that sounded like nothing else this year. Krule or Archy as his mother calls him, works from a rough pallet of jazz, punk, funk, dub and trip hop to come up with a batch of pop songs that he sung over with his thick south London accent.
stream: King Krule – Border Line
16. Sleaford Mods – Austerity Lads (Harbinger Sound)
Sleaford Mods have inherited the brilliance of John Cooper Clark, Mark E Smith and Shaun Ryder. This record is not for the faint of heart with expletives strewn about like cigarette butts in the airport smoking lounge. There are so many killer beats and and lines on this record I feel like I need to listen to it about 50 more times to really get it. Watch your back though, these hoodlums from the gutter will steal the shirt off your back if they think it looks good.
stream: Sleaford Mods – The Wage Don’t Fit
15. Heavy Times – Fix It Alone (Hozac)
Fix it alone sees this Chicago band reigning in their intensity just a little, but don’t let that give you the wrong idea. They’re all the better for it. This is a highly melodic and highly intense album that brings back golden age memories of Husker Du and the noisier Flying Nun band like Gordons but Heavy Times are not afraid to snag a riff from the Chills or the Bats too and let it fly.
stream: Heavy Times – Tradition Of Abuse
14. Blouse – Imperium (Captured Tracks)
Portland’s blouse thankfully decided a change was in order for their second album Imperium. They changed from an average synthpop band to a brilliant guitar pop band. Imperium employs narcotic guitars and ethereal vocals with devastatingly effective results. Who knew that inheritors of the Cocteau Twins, Julie Cruise, Broadcast and Wendy and Bonnie trophies would turn up in stumptown?
stream: Blouse – Eyesight
13. Ketamines – You Can’t Serve Two Masters (Southpaw)
Canada’s Ketamines come from a garage rock background, but on You Can’t Serve Two Masters they shed many of the garage rock pretenses and go the quirky power pop route. The sound is cleaner and lyrics are pointed and since the sound is cleaner the vocal melodies shine brighter. It’s deft move and shows you what a brilliant band the Ketamines are.
stream: Ketamines – Don’t Stop
12. Dick Diver – Calendar Days (Chapter Music)
On Calendar Days, Dick Diver combine the melancholy melody of the Go-Betweens and the comfortable familiarity of the Lucksmiths and the dustiness of the Triffids. It’s a classic Australian born album that evokes its sense of place, while speaking in the universal pop tongue so you can enjoy it no matter what continent you reside on.
stream: Dick Diver – Lime Green Shirt
11. Outfit – Performance (Double Denim)
Liverpool’s Outfit offer up the best record in synthpop since Hot Chip’s The Warning or Metronomy’s The English Riviera. The blips and electronic crackle from the grooves of this record with a cold disaffection reminiscent of the Notwist, but Outfit warm up the electronic pathways with a strong sense of melody. That combination of warm and cold gives this record its staying power.
stream: Outfit – Thank God I Was Dreaming
10. Joanna Gruesome – Weird Sister (Slumberland)
Joanna Gruesome are sugar coated spazzy noisepop with a soft side and a goofy name. Part Veronica Falls, part Los Campesinos and likely some Boyracer hidden there as well. This record undoubtedly had a guaranteed niche audience, but what was surprising was that seemed to have broken through the niche barrier when they came over to play at CMJ in New York. The recognition was justifiable, and if they decided to actually do a tour beyond a few US cities I could see their brand of skewed pop connecting even more. Bonus points for coming up with the best lyric of the year: “Bah, Bah, Bah, my head explodes.”
stream: Joanna Gruesome – Sugarcrush
9. Dirtbombs – Ooey Gooey Chewy Ka-blooey! (In the Red)
How do you follow up your tribute album to Detroit techno? If you’re the Dirtbombs you deliver your long threatened bubble gum rock tribute record. Since it’s the Dirtbombs, it’s a unique take on that genre that employs two drummers and leader Mick Collins’ gravely delivery. Collins is well known for incorporating a myriad of influences into the Dirtbombs sound. We knew he had some unadulterated pop leanings and this record confirms it in wonderful technicolor.
stream: Dirtbombs – Hot Sour Salty Sweet
8. Dream Boys – Dream Boys (Art Fag)
Sometimes bands with exquisite taste end up making albums that are hollow imitations of their heroes. This is not the case with Los Angeles band Dream Boys. In fact they’ve made a record that equals and maybe even surpasses some of the wonderful records made by the jangly masters of old like Bif Bang Pow, Aztec Camera, the Bluebells, and Close Lobsters.
stream: Dream Boys – Holding Pattern
7. Lady – Lady (Truth and Soul)
When someone tells you that they don’t make them like they used to, hand them this record. Lady who are actually two ladies Terri Walker and Nicole Wray have delivered, with the help of an ace backing band, a 60’s soul-inspired record that might just restore your faith in the entire manufacturing process…of everything.
stream: Lady – Money
6. Ooga Boogas – Ooga Boogas (AARGHT!)
The first Ooga Boogas album did noting to prepare you for the greatness of this their second album. Mikey Young of Eddie Current Suppression Ring is a band member and may have had some influence them becoming a cleaner more patient group, but it’s singer Leon Stackpole’s lyrics and delivery that put this record in the realm of greatness. Part Mark E Smith and part James Murphy, he rants and raves and even sings a little too. Some of the songs are sung from the point of view of some not so savory characters making it sometimes uncomfortable, but the band holds you in check whipping up a thick sheet of groove behind him.
stream: Ooga Boogas – Studio of My Mind
5. Day Ravies – Tussle (Pop Frenzy)
Some people think that it is amazing that shoegaze is still a thing. Those people are nuts. How could you not expect bands like Slowdive, Chapterhouse and the Pale Saints not to have inspired generations to come with the great records they made back in the original wave of shoegaze. Day Ravies take that inspiration and employ their deft pop sensibilities to it and come up with something to be reckoned with whether you’re familiar with the history of shoegaze or not.
stream: Day Ravies – Pinky
4. Vision Fortune – Mas Fiestas con el Grupo Vision Fortune (Faux Discx)
This album has eight tracks on it, but you could argue that it’s one long song. Vision Fortune don’t make it easy for you. If you saw this record in the store you could easily pass it by thinking that it’s Spanish troubadours or Mexican narcocorrido. Imagine if you bought it thinking that and then got home put in on your stereo only to find squalls of feedback and pulsing bass roar from your speakers. You would either take it back or turn it up. You already know the correct choice.
stream: Vision Fortune – XVII
3. La Femme – Psycho Tropical Berlin (Born Bad)
The record sounds like it could have come out on Bungalow back in the 90’s. You may remember the space age surf, synth and dance records that the German label put with some regularity back then. La Femme know their surf records and also probably like a bit of Depeche Mode as well as some Intelligence records but that doesn’t go the distance in describing the fun and fascination of listening to this album. Pity the people that thought that the Daft Punk record was the best French album of the year and give them this record.
stream: La Femme – Antitaxi
2. Prophet Hens – Popular People Do Popular People (Fishrider)
New Zealand’s Prophet Hens sort of came out of nowhere and swept me off of my feet with their Chills meets Belle and Sebastian pop alchemy. Both of those bands are highly regarded and the Prophet Hens may be better than both. Granted they haven’t written a Pink Frost yet, but many of the songs here are nearly as memorable and lead me to believe that they just might have something of the Pink Frost caliber in them.
stream: Prophet Hens – Pretty
1. Hookworms – Pearl Mystic (Gringo/Weird World)
I wrote in my mid-year round up that the Hookworms were sitting on top of the best album of the year. Since then nobody was able to topple them from that teetering pile. Pearl Mystic is like a pendulum that swings from unhinged and crazy to mellow and droning. I don’t think I’ve ever hung out this much with a schizophrenic and liked it.
stream: Hookworms – Form & Function