Instant Gratification with Ultimate Painting

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Remember when Ride lost the plot after Going Blank Again and tried to morph their sound into some neo-psychedlic 60s blend of the Byrds, Velvet Underground and Buffalo Springfield but ended up sounding like the Black Crowes? Tuesday night at Chop Suey the UK’s Ultimate Painting demonstrated the tangent that Ride should have taken. Their set brimmed with paisley tinged psychedelia that trod the fine line of subtle melodic turns, buzzy droning and all out jams.

The group’s self-titled album came out last year on Chicago’s Trouble in Mind. The record has a subdued sound to that features major nods to the Velvet Underground’s prettier side, but live they crank up the danger levels into White Light / White Heat territory. Talking Central Park Blues was a great example of this, with Jack Cooper taking the lead on this New York narrative that is their sister Ray making it sound a lot more energized than the recorded version.  Cooper also plays in Mazes. In Ultimate Painting he shares guitar and vocal duties with James Hoar from Veronica Falls and Proper Ornaments. It seems like a true collaboration, with both contributing to the songs. Cooper may take a lead vocal, while Hoar takes the lead guitar part, and both contributing harmonies to the other’s vocals.

They also included a couple new songs from an album that they said would be coming out in August. One of them showcased the influence of the Grateful Dead (Casey Jones) that I hadn’t noticed before, but is fairly obvious given the group’s twitter icon. The set closed with with Ten Street which they turned into an extended jam. The rhythm section provided a great stage for Cooper and Hoar to get a little crazy playing off of one another, going into a few rabbit holes of guitar goodness. It lasted for about 10 minutes but it could have gone on for 20 and no one would have complained.  Live Ultimate Painting seem to have an innate sense of when to head off on a tangent extending their solid album into something better and much more interesting.

Ultimate Painting’s self-titled album is out on Trouble In Mind.

Ultimate Painting at Chop Suey

Seattle’s Universe People opened the show playing songs from their two albums as well as new one. They were solid as usual. They’re jerky angular songs keep you on your toes. The Modern Girl, Chemistry, Druids and Vampire Prison were all present in their set and demonstrated how great this band is.

universe people at chop suey

Universe People In a Pin Ball Brawl

[youtube http://youtu.be/vEiuqWIB-QM]

Last year Seattle’s Universe People released the very high quality Go To the Sun. Since then Universe leader Jo Claxton has seen her entire rhythm section change. In this new space time continuum Universe People feature drummer Min Yee (Dreamsalon, and A-Frames) and bassist Kimberly Morrisson (Dutchess and the Duke). Their second album is called Universe People Are Coming To the Dance.

Above is the premier of the video for The Modern Girl. It is directed and edited by Claxton and filmed by Kelly Burton who worked with the band on their two previous clips Vampire Prison and Druids. The Modern Girl a clinic in how to do minimal sharp pop right with dissonant elements of early Fall and the Intelligence but with always an eye towards melody. Claxton writes sparse angular songs that will elbow you in the ribs with their sharp riffs, and then continue to keep you off balance with their wry humor. The video is a pin-ball epic in which Claxton attacks Yee and brawls with Morrison. Thankfully they both survive which is more than I can say for former bassist Kellie Payne who was killed in the Vampire Prison video.

Universe People’s second album Are Coming To the Dance is available now digitally on bandcamp.  For you vinyl enthusiasts,  there are plans for a vinyl version on Dragnet Records later this summer. You can also catch them live next month in Seattle, and Portland.

7/10 ­ Sunset Tavern w/ Amen Dunes
7/19 ­ Foggy Notion (Portland) w/ Appendixes
7/22 ­ Chop Suey w/ Magik Markers