It’s February Already, What Happened?

I must admit, I’ve been distracted of late. I’m sure you all have been as well to some extent. Sometimes you just can’t bring yourself to write about this great new song you’ve heard, because you realize how unimportant it is in the grand scheme of things. That doesn’t mean I don’t save them up, and it doesn’t mean that I have stopped listening to music. If anything I’ve listened to more music lately. It’s a distraction and provides escape, hope and pleasure. So here are a couple handfuls of records that have gotten me through the first month of 2017.

In the it came out in December, who releases a record in December category.

Uranium Club

Minneapolis smart ass punks released album number two at the end of 2016. Minutemen/Firehose genius combined with Devo hyperactive geekiness. Too weird to be cool for some but right up my alley.

In the I totally missed it category

Quantic & Flowering Inferno ft Hollie Cook

Hollie Cook has album number three on the docket for this year, but at the tail end of last year the brogues hipped me to this little number she did with Quantic & Flowering Inferno. So good!

Gurr

The album In My Head by this Berlin duo was on a few best of lists and for good reason. Great indie pop that reminds me a little of the Blake Babies and the Breeders.

In the 7-inch single is not dead and they even sell out category
Field Route

We are only one month in and Field Route have already released one of the best 7″ singles. Bring it on!

Creation Factory

Another classic sounding 7″. Yeah I know the 45 is on its deathbed, but quality over quantity is the rule of the day. I think both of these records are sold out, but each can be purchased as a download.

In the who releases a record this good in January category

Rose Elinor Dougall – Stellular

Former Pipette took six years to follow up her solo debut, but it is worth the wait.  It’s swirling blend of the Horrors, Goldfrapp and Siouxsie and the Banshees. Rose doesn’t look very goth, but she certainly leans in that direction ever so slightly.

Priests – Nothing Feels Natural

This record has two personas. The A-side is funk-punk that is a cross of Pylon and the Big Boys, the B-side is the post punk cool down that gets moody and melodic. Thankfully the band put an Interlude to divide things up for those of us who can’t always be in front of our turntables.

Proper Ornaments – Foxhole

Album number two from this trippy Velvet/Chills loving band. Not sure they’ve ever surpassed that first EP, but I love to hear them keep trying.

In the genre bending category

Group Doeh & Cheveu – Dakhla Sahara Session
French punk weirdos Cheveu team up with Western Sahara guitarslingers Group Doueh in an unlikely match. It’s crazy and out there and one of the best records I’ve heard this year.

In the buried treasure gets reissued category

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Animals that Swim

Back in the day when you had to read about records and decode whether or not it was something you might want to spend money, I read a review of Animals That Swim debut album and decided to take a leap. I instantly fell in love with their quirky little songs that painted imaculate pictures in my head about the downtrodden, mundane and odd things in life. Pink Carnations, Madam Yvonde, How to Make a Chandalier are all essential. With this reissue you get the original album as well as genius b-sides and unreleased tracks to boot.

I think they might have finally broken the US as you can buy a copy of this reissue from Target, though I’m not sure I’d recommend it.

Another Year, Another List: Best of Albums 2014

Here are the non-Seattle albums that spun the most in my rabbit hole over the past 12 months. The countdown starts with number 40, so you will have to scroll all the way down to find number one. For the first time I think, it contains some albums that did not see a physical release. With more and more music being exclusively released to air conditioned server farms I wonder if we’ll see a day when the minority of the list is made of records that had the privilege of getting a physical release? Most folks with all of their fancy means of consuming streams of music call that progress. Me, I just try to roll with it.

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40. Cold Beat – Over Me (Crime On the Moon)
Truth be told, I like Cold Beat more than Hanna Lew’s previous band Grass Widow. The post-punk vibes on Over Me are just the right mix of early Dum Dum and Vivian Girls melodies and the spiky, jangly playfulness of Wire and Tubeway Army. High points like the stellar Mirror hit the ungodly sweet spot of driving beat, dissonance, and melody.

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39. Hookworms – The Hum (Domino)
My main complaint with the Hum is that it’s nearly a carbon copy of last year’s number one album Pearl Mystic. The same interludes that have roman numerals for titles and it even contains last year’s number one single Radio Tokyo. That complaint is also why I still love this album. It’s nothing new, but it’s totally solid.

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38. Skygreen Leopards – Family Crimes (Woodsist)
It’s hard to believe that Skygreen Leopards have been a band since 2001 and that this is their eighth album. The band have been quietly churning out wonderful psychedelic beauties inspired by Buffalo Springfield, the Byrds and the Television Personalities for quite a long whild. This may be their most accomplished record to date, and if you like this, there is a treasure trove of Skygreen Leopards to discover.

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37. Small Reactions – Similar Phantoms (Self-released)
Another self-released record in this year’s count down. I have a feeling in another year of two the list will be a majority of self-releases. Atlanta’s Small Reactions conjure krautrock from the below the Mason Dixon line. Influenced by Can, Stereolab and probably the Wedding Present, which makes them strangers in a strange land. Similar Phantoms is the real deal with some amazing bass playing (I’m still in awe that it’s not machine). Tons of pulses and killer grooves that will vibrate and rattle your too comfortable existence.

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36. Pheromoans – Hearts of Gold (Upset the Rhythm)
If you were to judge this album by its cover you might think that Pheromoans are an odd lot who are into druids, fantasy game-play and general weirdness. You would be mostly right.  This equally prolific and obscure band have released their most consistently entertaining album yet, knowing how to keep things interesting with just the right amount of weirdness and melody.

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35. Ramona Lisa – Arcadia (Terrible)
Ramona Lisa is solo nom de guerre of Caroline Polachek of Chairlift. Obviously influenced by Kate Bush, Cocteau Twins and Goldfrappe, but still able to make esoteric synthetic sounds in a mold all of her own. This record seemed to get written off as just a minor solo excursion by most, but it delighted me throughout the year and I have a feeling it will continue to do so for a long time to come.

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34. Vertical Scratchers – Daughter of Everything (Merge)
You wouldn’t believe how many times I’ve seen this record in the used bins around time. Every time I see it I fight the urge to buy it again and gift it to someone. John Schmersal was in Brainac and Enon and you can hear those bands in Vertical Scratchers, but it’s the organic feel to it that harks back to the Elephant Six collective of the 90’s that really makes it endearing.

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33. Rat Columns – Leaf (RIP Society)
Rat columns achieve a zen like balance of murky depths and pristine shimmery pop. Guitars glisten with rays of light over a cold dark expanse. Rat king David West likes to straddle the extremes the way that the Church and the Cure always did. Recorded with the help of Kelley Stoltz, Leaf is just the right elixir of light and dark.

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32. Alpaca Sports – Sealed With a Kiss (Luxury)
Sweden’s Alpaca Sports is most definitely twee, but their brand of twee is almost subversive. So cute and cuddly that you know that they have a dark side. They probably hide their death metal records when friends come over. Sealed With a Kiss is a record that could melt a cold dark heart with its sweet sugar charms. You can always hide it when your metal friends come over to visit.

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31. The Lauras – The Lauras (Self-released)
There’s something both so right and so wrong about giving away an album this good for free. Wrong, because there was a time when bands this good could sell records. Right, because well, music this good for free is like free beer. You can’t believe your luck. Halifax, Nova Scotia’s Laura’s would not have been out of place on the One Last Kiss compilation that came out on SpinArt in 1992. Their swirling guitars and ethereal vocals remind me of the Lilys and the Swirlies with a bit of bossa nova thrown in for good measure.

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30. Ty Segall – Manipulator (Drag City)
My main complaint about der wunderkind Ty Segall has been his inability to be consistent. He seems to have conquered this weakness on his double LP Manipulator. Taking a T-Rex blueprint and running with it he strings together 17 songs that maintain consistency throughout. The kid may have finally done it.

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29. Pow! – High Tech Boom (Castle Face)
Hi Tech Boom is a commentary on the current state of affairs in certain desirable cities. Techie nerds with their high salaries and bad taste are infiltrating the system and making it nearly impossible to eke out a living. No one knows that better than Pow! who come from the San Francisco bay area. Their post-apocalyptic vibes are akin of Devo the A-Frames and the Intelligence. And you thought Logan’s Run was just a movie.

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28. Flowers – Do What You Want To, It’s What You Should Do (Kanine)
Recorded with former Suede guitarist Bernard Butler this London trio won me over with their minimalist approach that evokes the sparseness of Young Marble Giants, the smart intensity of the Spinnanes and the melancholy melodies of Everything But the Girl.

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27. Talbot Adams – Talbot Adams (Spacecase)
For all intents and purposes, this was Talbot Adams’ debut album. Last year’s download only album was made up mostly of acoustic self-produced home recordings was a self released download only record. Now he has a proper band and has delivered an electric powerpop record with a psychedelic streak to it.

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26. Univers – L’estat Natural (Famelic)
Barcelona based moody rockers Univers live in the sun, but  sound like the moody cellar dwelling southern cousins of Girls Names, early Cure and Big Country. L’estate Natural is sung in their native Catalan, adding a bit of mystery to its onslaught of soaring and darting guitars.

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25. Ex Hex – Rips (Merge)
Mary Timony has been in her share of good bands. She could proudly retire with her resume of Autoclave, Helium, the Spells, and Wild Flag. Thankfully she’s not ready to hang up her axe. Ex Hex is in different league from all of those bands. Slick pop inspired by Cheap Trick and the Pretenders that is all killer and absolutely no filler.

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24. Sugarstems – Only Come Out at Night (Dirtnap)
Sugar Stems singer Betsy Heibler has an amazingly strong voice. It easily cuts through her band’s twin guitar powerpop attack. Containing a great mix of Cheap Trick, the Bangles, the Nerves, this is easily one of the best powerpop records of the past few years.

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23. Vic Goddard – 1979 Now! (AED)
Somehow Vic Goddard has been hoarding this treasure trove of northern soul since 1979. The guy can really keep a secret. A few have leaked out here and there like Holiday Hymn, but the majority are brand new to nearly everyone. Classic stuff 35 years later from the postman who thankfully rings twice!

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22. Paperhead – Africa Avenue (Trouble In Mind)
The third album from Nashville’s Paperhead has a definite antique glow to it. Africa sees the band maturing quickly and features their best songs yet. In the garage-psych realm of things (Face to Face era Kinks and Rubber Soul Beatles) it don’t get much better than this.

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21. Butter the Children – True Crime (Self-released)
Former members of Brooklyn’s Sweet Bulbs follow up their 2012  self-titled EP with a stormy noisepop beauty that features the siren-like vocals of Inna Mkrtycheva. This album is too good to be a free download, but that’s what it is. Everyone count your chickens!

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20. Sea Pinks – Dreaming Tracks (CF)
On the fourth Sea Pinks album former Girls Names drummer Neil Brogan continues his west coast jangling affectations only this time he adds a cello into the mix with superb results. The cello adds a melancholy element to his airy songs making for the best Sea Pinks album yet.

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19. Proper Ornaments – Wooden Head (Slumberland) / Ultimate Painting – Ultimate Painting (Trouble In Mind)
Veronica Falls guitarist James Hoare was a busy guy this year and there wasn’t even a new Veronica Falls album. He was at the center of two excellent records this year nonetheless, both of which shared an affinity with the Velvet Underground. For the first act, he teamed up with the Argentinian Max Claps in Proper Ornaments for a haunting set of songs that added in some Left Banke for good measure. Act two was Ultimate Painting, his collaboration with the Mazes’ Jack Cooper. This one was more straightforward Velvets stuff, but great songwriting refurbished a tried and true model.

quilt
18. Quilt – Held In Splendor (Mexican Summer)
The Boston band’s second album surpasses their good debut with a batch of psychedelic circle dances that sparkle and shimmer, effortlessly creating their own brand of psych with one foot in the past and other in the next star system.

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17. Omi Palone – Ome Palone (Faux Discx)
The singer of Omi Palone has a baritone voice that makes you wonder what Calvin Johnson is up to these days. It’s a little more polished than that Olympia band’s oeuvre, but contains many of the same unique melodic twists and turns. This London band have quietly released a concise and economical (it’s only 8 songs) of blistering jangle reminiscent of Beat Happening, Butterglory and the Clean.

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16. Nun – Nun (Aarght!/Avanti)
Melbourne’s Nun play dark, piercing, icy coldwave inspired music. Their debut album sounds so cold and detached that you’ll need to bundle up and experience it with friends to withstand its isolation inducing aura.

soundcarriers
15. Soundcarriers – Entropicalia (Ghost Box)
I love how Nottingham’s Soundcarriers use their Free Design influence as inspiration. At times sounding as innocent as that late 60’s / early 70’s cult band  and others they can sound sinister and mysterious. They even enlist the help of Elijah Wood on a 12 minute trippy soliloquy to add to the surrealism of the entire endeavor.

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14. Chook Race – About Time (Self-released)
About Time was only released in December, but the debut record from this Melbourne trio is so immediate it easily climbed into the upper reaches of my top 40. The album is filled with boy-girl harmonies and jangling guitars that have similarities with the Bats and early REM.

sleaford
13. Sleaford Mods – Divide and Exit (Harbinger Sound)
This was the year that Sleaford Mods blew up. Well, at least in certain internet circles. They are certainly better known than they’ve ever been. Their distinctly British style of rap is not for the faint of heart, as this duo rages against the ruling class machine and mainstream bullshit over spare and ragged beats. No one else this year sounded this angry nor delivered their angst in such a manic and entertaining way.

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12. A Sunny Day in Glasgow – Sea When Absent (Lefse)
A Sunny Day in Glasgow turned a major page on Sea When Absent. Previously they were a mild mannered shoegaze band that kind of floated through you with little effect. They’ve kept their shoegaze roots, but morphed into a bigger life affirming pop band that demands attention with their new form of shoegaze gospel.

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11. Peter Escott – The Long O (Bedroom Suck)
Peter Escott is also the singer of the Native Cats from Tasmania. On the Long Glow Escott wrote, played and rececorded everything. He sticks to piano and other keyboard oriented sounds that evoke an understated psychedelic tone that warms the sole and fits comfortably next to Frank Tovey, the Cleaners from Venus and Robyn Hitchcock.

woodentops
10. Woodentops – Granular Tales (Cherry Red)
After reuniting to play some shows the Woodentops finally decided to record a follow up to their 1988 album Wooden Foot Cops on the Highway. You know it’s the Woodentops as soon as you hit play, though the band don’t come off as hyper as they did 25 years ago which wouldn’t make sense since it’s been so long. It’s decidedly darker but still danceable and utterly delightful.

Gwenno
8. Gwenno – Y Dydd Olaf (Peski)
Former Pippette Gwenno’s first solo album is a strictly Welsh affair. Inspired by Welsh sci-fi writer Owain Owain and sung in Welsh, Y Dydd Olaf is a sublime affair with rubbery beats, ethereal vocals and spacey vibes in the vein of Broadcast and Stereolab.
totalcontrol

7. Total Control – Typical System (Iron Lung)
On the follow-up to 2011’s Henge Beat Total Control dial up a slightly more sedate and accomplished collage of synth-based pop. Lead by Australian garage rock luminary Mickey Young, the band delve into Ideal Copy era Wire, New Order and Depeche Mode territory while keeping their punk rock urgency and attitude intact which is truly a feat.

alvvays-self-titled
9. Alvvays – Alvvays (Polyvinyl)
This year’s countdown contains five self-released albums. There’s a ton of great records out there, only there aren’t enough labels to release them. Apparently this record came out as a self-released cassette over a year ago because they couldn’t find a label to release it. Polyvinyl finally came through to make this dreampop beauty available to the world at large.

tayi bebba cover
6. Clap! Clap! – Tayi Bebba (Black Acre)
Tayi Bebba is something of a concept album where Italian maestro Cristiano Crisci takes you on a megatransecto of an island’s micro climates, villages, pastures and other not so physical planes. He uses a palette of sounds culled from field recordings, tribal rhythms, creek crossings, big beats, jungle vibes and trade winds to paint quite an adventure of a record.

GOtoobeeds
5. Gotobeds – Poor People Are Revolting (12xU)
Pittsburgh’s Gotobeds like a good double entendre peppered with a tight jagged riff. Their debut album, is an elixir inspired by Pavement, the Fall and Wire (obviously) and packed full of adolescent energy, anger, spite and most importantly fun.

Primitives
4. Primitives – Spin-O-Rama (elefant)
A couple years ago Coventry’s Primitives reunited and released a covers album to mixed reviews. It turns out that it was just a warm up to the real goods. Spin-O-Rama surpasses all of their early work. It’s slightly more understated, but more long-lasting. They still deal in autumnal and sprightly 60’s inspired pop but the production is more sedated and the hooks are longer lasting this time.

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3. Hollie Cook – Twice (Mr. Bongo)
Hollie Cook’s second album is more tropical pop from the daughter of Sex Pistols drummer Paul Cook. Her collaboration with Prince Fatty continues to produce sensual reggae infused pop, filled with strings and Cook’s easy croon. Twice is great batch of songs including her ode to her former bandmate Slits singer Ari Up.

Tee-Tahs
2. Tee-Tahs – Buzzkill (self-released)
I don’t know what the legal limit of fun is in Edmunton, Alberta is, but Tee-Tahs have undoubtedly exceeded it on their debut album. This band doles out kinetic, irreverent fun. They’ve got an ear for a good chorus and can role phrases that are guaranteed to rile certain segments of the population. On Fun Forever they sing, “Kicking cans and breaking stuff, Fucking guys in parking lots, I don’t really give a fuck, I just wanna have fun forever.” It’s the Undertones’ Teenage Kicks updated by a bunch of Rat Babes for the millennial bunch.

Protomartyr
1. Protomartyr – Under Color of Official Right (Hardly Art)
Earlier this year Protomartyr frontman Joe Casey wrote a review of the latest Interpol album because apparently a lot of people think his band sound like them. For the record, Casey doesn’t think they sound like Interpol and neither do I. They definitely have some post-punk roots, though more along the lines of the Chameleons (think Return of the Roughnecks), but there’s more, so much more here! Casey is one of today’s best lyricists who talks more than sings over his always solid and inventive band. They cook their Detroit roots into each of the tracks on Under Color of Official Right. The name of the album, the legal term for extortion, was inspired by the corruption trial of former Detroit mayor Kwame Kilpatrick. There are few albums these days that make you actually think. Protomartyr do what the best punk and and postpunk records from the past have done, grab you with their hooks and then send you to the library to do some research.

Tropical Temperate Zone

Hollie Cook at the Nectar Lounge, Seattle | 21 October 2014

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I wasn’t sure what to expect seeing Hollie Cook at the Nectar Lounge earlier this week. Would anyone show up considering none of Cook’s albums have been released in the US? I shouldn’t have worried, people turned out for the show, obviously aware how good her records are, especially her newest one Twice which is string drenched tropical bliss. The basic sound is reggae, but with the help of collaborator Prince Fatty her records transcend that genre’s narrow confines. Cook’s father Paul plays drums for Edwyn Collins and Vic Godard, he also played in a punk rock band back in the 70’s. Her mom sang in Culture Club for a while and Hollie herself did a brief spell in the reformed Slits. Even though she comes from a performing family, Cook has a shy onstage demeanor that she occasionally bursts out of with infectious smiles, sincere dialog and serene dance moves.

The strings that are so prevalent on Twice were missed on some of the songs, but it was understandable since touring with a string section is economically unrealistic. Cook more than made up for any of the missing studio flourishes. Her band was all top shelf and Cook’s sweet voice glided gently over everything with ease. She played all the best stuff from her two albums, opening the set with Ari Up, her ode to the Slit’s front woman. She also did a cover of the Slit’s Newtown, emphasizing how influential this seminal band is to her. Shadow Kissing and 99 were the clear highlights for me. The only one I wished she would have played was Desdemona, but it was likely left out because it features a significant string section.

I don’t go to many reggae shows, so it was refreshing to see and experience the positive vibrations. There was much dancing, bands interacting with the audience, lots of smiles and general cheerfulness and of course ganja. Near the end of the set a fellow lit up a spliff and brought it up to Cook, who graciously accepted it and hung onto it while she sang. For most of the evening it felt so un-Seattle, almost tropical.

In the Middle of It – Part III

You guys probably thought this was over. Nah, I was just giving everyone a day of rest. So now we are at the end of the middle of it. A little longer but packed full of worthwhile stuff. I left a few out, because…because why? Because I’m tired and I want to get back to listening to records.

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Hollie Cook – Twice (Mr. Bongo)

Hollie Cook who is the daughter of Sex Pistols drummer Paul Cook has mastered it on album number two. Her brand of tropical/pop/reggae/dub sounds so fresh that you will wonder why nobody has come up with this elixir before. Twice has lush orchestration, obscure samples, phat beats and always Ms. Cook’s simmering voice bringing everything to brilliant life.

stream: Hollie Cook – Ari Up

woodentops

You’ve heard it before. Band reunites, makes album after 20 year hiatus. Album sucks. It’s enough to make you ignore your glory days. The Woodentops are here to show you that old people don’t suck. After calling it a day 22 years ago the band are back with a new album. Yes they’ve aged, but they’ve made a record that holds onto the manic energy of their first incarnation, while adding a gravitas that makes up for any spring they may have lost in their steps.  Granular Tales surely isn’t’ the record they would have made as follow up to Woodenfoot cops on the highway 20 years ago. It’s most likely much better.

stream: Woodentops – Third Floor Rooftop High

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Ramona Lisa – Arcadia (Terrible)

Ramona Lisa is Caroline Polachek of Charilift. Her first solo album Arcadia is entirely and electronic affair, but it doesn’t sound cold or stilted at all. It is spacious and playful with a similar aesthetic to a Kate Bush or Goldfrapp record.  She’s also brought an A list of songs so this is anything but some throw away indulgence solo album.

stream: Ramona Lisa – Backwards & Upwards

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Talbot Adams – Talbot Adams (Space Case)

Talbot Adams self-titled solo album is wall to wall quality. What kind of quality you ask. Quality in the caliber of Nick Lowe, Elvis Costello and Wreckless Eric. Thing is, it came out on a tiny label and got no press. People complain all the time that music sucks these days. It doesn’t suck you just need to dig because Columbia Records is not bankrolling artists anymore, so you are not going to hear this stuff on the radio or read about it on your favorite indie music web site. Shame.

stream: Talbot Adams – Nashville Avenue

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Carsick Cars – 3 (Maybe Mars)

If you hadn’t heard China is rising. The sleeping dragon has awoke so it is only a matter of time before the country moves beyond exporting smart devices and cheap toys and starts exporting rock n’ roll. At the forefront of the invasion and hailing from Beijing, this Chinese trio make noisy grooving kraut influence rock. It certainly isn’t a homegrown sound, but they do it very well. Three (coincidentally their third album) was co-produced by the Clean’s Hamish Kilgour and former Spaceman Sonic Boom.

stream: Carsick Cars – 15 Minutes Older

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The People’s Temple – Musical Garden (Hozac)

Musical Garden might be the best People’s Temple record yet. The Lansing, Michigan band’s brand of heavy psych-gararge- punk hits the right nerve sounding raw, unhinged and just about to take a sip of Kool-aid.

stream: The People’s Temple – Smooth Move

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Posse – Soft Opening (BADH)

Posse’s second album Soft Opening is just about perfect in lonely, melancholy and druggy kind of way. It will likely remind you of great records from the likes of Galaxy 500, Versus and Acetone. Its sharp guitar and vocal interplay between co-singer-guitarists Paul Wittmann-Todd and Sacha Maxim compliment each other as if they’ve been playing together all their lives.  It’s a record with a measured confidence giving you the impression that Posse are wise beyond their years.

stream: Posse – Interesting Thing No. 2

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A Sunny Day In Glasgow – Sea When Absent (Lefse)

Every good band evolves of course, and A Sunny Day in Glasgow have progressed from being an airy shoegaze band whose songs sometime floated by without anyone taking notice to being a band that has retained its shoegaze roots but with a major focus on out and out pop. Singers Anne Fredrickson and Jen Goma combine their voices to create powerful attention grabbing songs while the rest of band provide big swirling and sweeping frameworks to hang their voices.

stream: A Sunny Day In Glasgow – In Love with Useless (The Timeless Geometry in the Tradition of Passing)

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Quilt – Held in Splendor (Mexican Summer)

Quilt pluck strings from psychedelic era Beatles, unearth dusty jangle from the Byrds and sprinkle misty mountain vocal harmonies from Crosby Stills and Nash all over the place.  The  Boston band’s second album surpasses their good debut with a batch of psychedelic circle dances that sparkle and shimmer, effortlessly creating their own brand of psych with one foot in the past and other in the next star system.

stream: Quilt – Tired & Buttered

Katerine

Katerine – Magnum (Riviera)

Katerine started out making indiepop, then moved onto electronic, got really weird somewhere in there, became an actor, started his own girl group and now has gone disco. Over here in the states there is a large group of folks who worship Serge Gainsbourg. His records get reissued on a regular basis, and he gets tribute records made to him. I can only imagine that after Katerine passes away the same thing will happen to his records. In the meantime you have to call France to buy any of his stiff. His latest Magnum is loads of fun and slightly ironic based on the cover, but it also has some great beats and more than its share of excellent songs.

stream: Katerine – Les Dictateurs

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Alpaca Sports – Sealed With a Kiss (Luuxury/Dufflecoat)

Is it possible to like both the angry Sleaford Mods and Protomartyr and happy Alpaca Sports? Maybe I like too much stuff but in my house there is a place for both. This Göteborg, Sweden duo explore the unbearable lightness of being twee on their debut album. It’s full of sunny harmless sounding fun, but underneath there is pain, hurt and anger. Sounding sweet and harmless isn’t as easy as you think and neither is making a record this intelligent and catchy.

stream: Alpaca Sports – He Doesn’t Even Like You

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Pow! –  Hi Tech Boom (Castle Face)

Hi-Tech Boom sounds like it was recorded in the 80′s, but it is a commentary on the current state of affairs in the Bay Area. High cost of living and high salaried tech workers pricing everyone out and vanillafying the place. Pow! sound numb,  robotic in their outrage. Like everyone these days they are desensitized to the absurdity of reality. Let this record numb you so you feel no pain as the rich eat you.

stream:  Pow! – Fire Hose

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Metronomy – Love Letters (Because)

This Metronomy might not be what you’re expecting. It’s full of downbeat bedroom pop. It takes a few listens to adjust to it being so low key and understated, but the rewards are long lasting. Aquarius is the immediate one, but Love Letters soon grabs you with it’s piano riff and then Factory sounding instrumental Boy Racers hits you unexpectedly. Reservoir soon follows and before you know it you even like the most difficult ones.

stream: Metronomy – Aquarius

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Doug Tuttle – Doug Tuttle (Trouble In Mind)

Former Mmoss guitarist strikes out on his own into New Hampshire’s White Mountains  and conjures a brilliantly understated psychedelic masterpiece. Sometimes he sounds like he’s been listening to some West Coast Pop Art Experimental Band, but he never goes off on the benders that that band did. The psych with a strict adherence to pop.

stream: Doug Tuttle – Forget the Days

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Thee Oh Sees – Penetrating Eye (Castle Face)

It’s a brand new Thee Oh Sees. Dwyer decided to split with the rest of his band, but when it comes to records that doesn’t really matter since he usually records everything himself. As far as Thee Oh Sees albums go this one veers towards the more mellow psych side of things, like a sister of the Casstlemania record. Except that it isn’t quite that simple since there are few corkers in this batch of songs as well which contributes to the nice balance between hot and cool which is something new for this band.

stream: Thee Oh Sees – Encrypted Bounce (A Queer Song)

Cheatahs-Cheatahs
Cheatahs – Cheatahs (Wichita)

Cheatahs come from London, but the four guys in the band are from Canada, Germany, the US and the UK. There are obvious similarities to Swervedriver on their debut album as well as Buffalo Tom, My Bloody Valentine and Dinosaur Jr. You may have to pinch yourself as you reach for your copy of Melody Maker to make sure that you haven’t warped back to the 90’s. Nope, you haven’t, but this is good enough to make you think you might have just for a minute.

stream: Cheatahs – Geographic