Tags: Cabaret Voltaire, Coconut Coolouts, Idle Times, Intelligence, Magnetic Fields
The Intelligence, Coconut Coolouts and Idle Times at the Sunset | 26 December 2008
The last few weeks the emerald city has been crippled by constant snow. City leaders have considered rechristening Seattle the albino city. Not only has it been a battle to get to work, but a whole bunch of shows have been canceled because of the white stuff as well. Finally it has started to melt away, like the novelty it was met with. So the Sunset was packed last night with people dying for a gig since so many had been canceled in the past week. People were also there because of the killer bill being headlined by Seattle noiseniks the Intelligence. Right now, the one record I’m looking forward to the most in 2009 is the new Intelligence album. After 2006’s quite amazing Deuteronomy, this year’s split 12″ with Thee Oh Sees and their two recent seven inch singles on Platic Idol and April 77 the Intelligence are on a roll.
To say that the Intelligence are big Fall fans might be an understatement. Head Intelligence guy Lars Finberg was previously in the A-Frames who initially called themselves Bend Sinister. The A-Frames started their own label called Dragnet to put out records, and then there’s the fact that the Intelligence have opened for the Fall. They may be influenced by the Fall, but they take things in their own unique direction. The band’s angular sound incorporates early Cabaret Voltaire, Echo and the Bunnymen and Public Image Limited, but shapes these influences into to something that sounds foreign and fresh. They started their set with four or five brand new songs that will likely be showing up on the new record due sometime in the spring. Every single one of the new songs was a warped masterpiece, and only made me more impatient for that new record. They also hit heavily on Deuteronomy including their cover of Thee Oh Sees‘ Block of Ice. At one point, before diving into a Urinals cover Lars incorrectly said that the best songs in their set were all covers. I couldn’t disagree more, the Intelligence are one of the best bands in Seattle right now!
mp3: Intelligence – Sixteen and Seventeen (buy the April 77 single)
mp3: Intelligence – Fido (buy the Plastic Idol single)
mp3: Magnetic Fields – Fido, Your Leash Is Too Long (from 69 Love Songs)
mp3: Cabaret Voltaire – Nag Nag Nag (from Original Sound of Sheffield 78/82)
Both the Coconut Coolouts and Idle Times hail from Seattle garages also. The Coconut Coolouts not only sported two drummers, but they also both were stand-up drummers. They had me at two drummers but two standup drummers? It was almost impossible to not like them. The Coconut Coolouts remind me of the Nuggets box set, where there are so many great bands with seminal songs on those cd’s that I had never heard, it’s hard to believe that the bands weren’t bigger than their regional popularity . The Coconut Coolouts will likely be on on a Nuggets comp sometime in the year 2040 and people will be wondering why they had never heard of these guys with classics like Spinaround, Coconut Weekend, Party Jail and Stickup. Apparently they sometimes dress in banana costumes for gigs, no bananas were on stage but they were throwing out lifesavers saying they were acid. No-one believed them and earnestly responded to the band’s suggestion of pelting the lifesavers back at the band. Even without the banana costumes their set was a blast. They also do a mean Skankin Pickles cover.
mp3: Coconut Coolouts – (Please Don’t Break Me Out Of) Party Jail (from Party Time Machine)
Idle Times, are pretty new having just put out their first seven inch on Woodsist and have another one due on HoZac early next year. Idle Times are the remnants of the short-lived Tall Birds who put out a couple singles before calling it a day. Their blissed out set was full of hooks obscured by sludgy noise. I was impressed enough to pick up the band’s Woodsist single, hot off the press. Let’s hope Idle Times last a bit longer than Tall Birds.
Here are the remaining West Coast dates for the Intelligence tour:
Dec 29 – luigi’s fun garden, Sacramento
Dec 30 – the redwood, Los Angeles
Dec 31 – show cave, Los Angeles
Jan 1 – bar pink elephant, San Diego
Jan 2 – the hemlock, San Francisco
Jan 3 – the stork club, Oakland
Tags: Magnetic Fields, Tiny Microphone
Song 5 of 19 in the …One Last Kiss retread, otherwise known as After the Last Kiss…
I don’t think I really need to say much about the Magnetic Fields they seem to be pretty well known these days. 100,000 Fireflies was pulled from Distant Plastic Trees, the very first Magnetic Fields album. Back then Merrit didn’t sing his songs, that honor went to Susan Anway who sang on the first two Magnetic fields. 100,000 Fireflies is a through and through classic and one of the best songs Merritt has written. It still amazes me how he could arrange cheap synths and drum machines and add touches of horns and strings to make it sound like there was nothing cheap about it.
mp3: The Magnetic Fields – 100,000 Fireflies
So how do you find an equivalent to one of the most well known and classic songs on …One Last Kiss? You go to Chicago, that’s how. Tiny Microphone is a one girl band that employs a similar Phil Spector-ish reverberation to her guitar and drums that was and still is favored by Merritt in Magnetic Fields. Kristin is the girl, and she has just released a tape (as in cassette) called Home, on the Italian label, Best Kept Secret. She’s also in another band the Scarlette Canvase who are bit more rollicking rock and roll. Tiny Microphone are the other side of the coin. The songs are beautiful, almost fragile sounding things that are painted with washes of guitar, piano and Kristin’s sweet hushed singing. My favorite from Home is You Disappear, it has a bass that sounds like the Jesus and Mary Chain’s Hardest Walk, big echoey drums and tambourine and a jangly lead guitar that slips into a luscious feedback. It sounds like a new classic to my ears!