Tags: Barboza, Close Lobsters, Go-betweens, Neil Young, Orange Juice, Rolling Blackouts Coastal Fever, Seattle, Sub Pop, Tenorio Cotobade, The Bats, The Clean, The Feelies, Zebra Hunt
One thing about Melbourne, Australia’s Rolling Blackouts Coastal Fever is that I can never seem to get their name right. It doesn’t exactly roll off the tongue, you know. How many bands have four word names these days? People are lucky enough to be able to remember two word band names. It seems that their US label Sub Pop realizes this, shortening the band’s name for their US debut to Rolling Blackouts C.F. I don’t know if this is better though. It isn’t a whole lot easier to remember, and it gives the impression that there is already a band named Coastal Blackouts and these Blackouts are from some country with the initials C.F.
Another thing about Rolling Blackouts Coastal Fever is that they jangle. You hear the likely suspects (Bats, Clean, & Feelies) in their sound, but their jangle comes from a more classic rock corner of the universe. Their sound can best be described by the Close Lobsters‘ cover of Neil Young‘s Hey Hey, My My (Into the Black). They sound like they’ve done their time on the bar circuit, and taken their lumps winning over hard drinking, blue collar fellows in dungarees.
One more thing about Rolling Blackouts Coastal Fever, they’re show this past Tuesday at Barboza here in Seattle was a lot of fun. The five piece band featured three guitarists and singers, but their secret weapon, which all great bands will attest to, was their rhythm section. Every song was anchored by some great bass riffs which was really apparent live. That firm mooring allowed the guitarists to really go into their hyper-manic-riff mode trading licks and often vocal spots. This band seems to be very well oiled machine.
One final thing about Rolling Blackouts Coastal Fever, they do a mighty fine cover of the Orange Juice classic Blueboy!
Seattle’s designated openers for all Australian jangly type bands, Zebra Hunt did just that. On this night I found out:
- In Australia, zebra is pronounced with a short ‘e’.
- Zebra Hunt’s second LP is coming out May 19.
- The band now seems to be a permanent four piece.
- They have got a brand new set of songs that rivals the ones the made me fan in the first place.
- They just keep getting better!
- They might actually be Australian judging from their ace cover of the Go-Betweens‘ Was There Anything I Could Do?
Tags: Bachelor Records, Bob Dylan, Gun Club, Indian Wars, Long Ryders, Neil Young, Uncle Tupelo
The cover of Indian Wars‘ second album Songs from the North features a wooden duck on a bed of wilting parsley set amid some fine silverware. On the back cover there is a photo of a garage with a photo of Dylan on the door and a torch stake with a doll’s dismembered head and foot attached to it. I know why Dylan is on the door, but what does the wooden duck mean and why is there a dismembered baby doll on a torch? Either it is some great symbolism or an inside joke. There isn’t a lame duck among the 10 songs on the record. They are rollicking, familiar, and engaging “songs from the south sung from a Northerner’s point of view.”
The second album from this Vancouver, British Columbia band sees them pining for the land south of the border. It drips with American place names and sounds. It wants to sail the muddy waters of the Mississippi and wander the deserts high on Mescaline, and walk through swinging doors knock some back and get into brawls. And it does all of that! Songs from the North improves on Indian Wars debut with better songs, better fidelity and more even pacing. Indian Wars walk the walk and talk the talk, even if the walk and talk are ones you may have heard before. It’s a worthwhile record whether you are floating down the Mississippi, lost in the desert or just in your local bar.
Songs from the North is available on vinyl from Bachelor Records.