Notable Albums of 2018

Beating my Chinese New Year deadline by nearly two months, here is my list of favorite records of the past 12 months. Was it this year that the music blog officially died? It seems like more are going dark, and fewer are starting up. I shall endeavor to do better this year. This year also saw the really bad idea of labels not including downloads with copies of vinyl records. If you are one of those labels, please reconsider. I love the download card! My record player does not travel well and I hate buying stuff twice.

limecrush
1. Lime Crush – Sub Divide (Fettkakao)
Finally, an LP to follow up this Austrian band’s ace 2015 7”. Sharp, punky numbers full of spite, humor and a little sax. All three songs from that single smartly resurface here and a surprise vocal from Calvin Johnson at the end ties the it all together.

sotbh
2. Spirit of the Beehive – Hypnic Jerks (Tiny Engines)
Hypnic Jerks (I love that title) is the third LP from this Philly band. It has elements of Deerhunter, Lilys, Brainiac, Swirlies and many other unsung, underground darlings in my record collection.

umb
3. Dumb – Seeing Green (Mint)
Most would file Dumb under Pavement/Parquet Courts, but I dig way these Vancouver underground rockers’ punky songs evoke Big Boys, sport an offbeat sense of the absurd and (probably) make an unintentional nod to Stewart Copeland’s alter ego Klark Kent.

shopping
4. Shopping – the Official Body (Fatcat)
For album number three (why does nobody call the third album their junior effort) Shopping rip it up and start again. Not exactly, but they employed Edwyn Collins to produce the record. Their brand of dancy post-punk benefits from an infusion of Orange Juice to make it their most accessible record yet.

espaces
5. Jonathan Fitoussi & Clemens Hourriere – Espaces Timbres (Versatile)
This duo employ vintage modular synthesizers to create ambient landscapes that share topographical similarities with Kraftwork’s Radioactivity and Eno’s ambient stuff. Rarely does ambient music feel so powerful, but this record is juiced with the ability to make one feel they are floating into other realms.

freelove
6. Free Love – Luxury Hits (Full Ashram)
The Glasgow duo formerly known as Happy Meals smartly change their name to Free Love for their debut LP. Luxury Hits is 80’s style synthpop made with updated tech and the song Playing as Punks may be my favorite song of both 1988 and 2018.

sonsofkemet
7. Sons of Kemet – Your Queen Is a Reptile (Impulse)
I didn’t even know that the Impulse label still existed as a label that put out new stuff. This is the group’s third album and its tuba, trombone, sax, clarinet attack spans Mingus, Jamaican ska/reggae, Coltrane and Sun Ra. Remarkable, even for non-jazz aficionados like myself.

shannon
8. Shannon Shaw- In Nashville (Easy Eye Sound)
Is it ok to say that I like this better than any Shannon & the Clams albums? The Shaw – Auerbach collaboration reminds me a little of accomplished pop-psych that came out of the Del Shannon – Andrew Loog Oldham collaboration.

flasher
9. Flasher – Constant Image (Domino)
I love how this DC band blend Hometown influences like Unrest and Holland with Three O’clock style paisley underground into a brilliant record that goes against the current grain. If this came out 25 years ago it woulda been on Teenbeat fer sure!

gwenno
10. Gwenno – Le Kov (Heavenly)
For her sophomore album Gwenno has switched from singing in Welsh to singing in Cornish, a minor detail probably for most of us who speak neither. Whatever language she sings in, Gwenno excels at the lingua franca of krautrock-psychedelic-soundtrack strain of rock.

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Midyear Notables or Oh Yeah I Almost Forgot About This Blog

Hopefully your RSS reader still works and this popped up. My excuse for lack of content here at the Finest Kiss is that I’ve been too busy listening to records. To catch everyone up on my life, here are 30 or so records that are at the top of my pile so far for 2018. Seems like a lot, but I still feel like I left a lot of good stuff out.

annaburch
Anna Burch – Quit the Curse (Polyvinyl)
Burch was in the Sarah Records influenced Failed Flowers with Fred Thomas of Saturday Looks Good to Me. Here debut solo album has a nod or to towards K Records, specifically Lois Maffeo, with its 90’s style indiepop and understated sardonic pop.

beachhouse
Beach House – 7 (Sub Pop)
Baltimore’s Beach House are a prolific duo and their many records seem to have building up to their seventh appropriately titled album. If you recall late period Cocteau Twins when they were at the height of their ethereal powers, then yuo will no doubt already own this.

blueslawyer
Blues Lawyer – Guess Work (Emotional Response)
With their tendrils firmly wrapped around the Oakland, California indie scene, Blues Lawyer do lo-fi wiry punk ditties that bring to mind contemporaries the Rays and early influencers like Television Personalities and the Tronics.

cavern
Cavern of Anti-Matter – Hormone Lemonade (Duophonic)
Tim Gane’s post-Stereolab groop puts it all together on their third album. It’s full of experimental Kraut excursions and just enough song structure to keep it from going off the rails.

cutworms
Cut Worms – Hollow Ground (Jagjaguwar)
Tons of Everly Brothers and Buddy Holly in Hollow Ground, which flies in the face of present day music. What’s wrong with this one man band Max Clark and his compulsion of a bygone era? Who cares, when it sounds this good.

datenight
Datenight (US) – Comin Atcha’ 100MPH (Drop Medium)
Anyone remember that Box Elders record from a ways back? If not, you probably are familiar with the Clean. This Nashville band reminds me of both.

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Dumb – Seeing Green (Mint)
Most would file Dumb under Pavement/Parquet Courts, but I dig way these Vancouver rockers’ punky songs evoke Big Boys, sport an offbeat sense of the absurd and (probably) make an unintentional nod to Stewart Copeland’s alter ego Klark Kent.

flasher
Flasher – Constant Angel (Domino)
I love how this DC band blend Hometown influences like Unrest and Holland with Three O’clock style paisley underground into a brilliant record that goes against the current grain. If this came out 25 years ago it woulda been on Teenbeat fer sure!

freakgenes
Freak Genes – Qwak Qwak (Drunken Sailor)
Sparse lo-fi punky songs from a guy from Proto Idiot and another guy from the Red Cords. On LP number the duo add some synths to their garage arsenal of sound. I’m not sure why they’re dressed as ducks on the cover, maybe it’s a result of some gene splicing experiment gone awry where they tried to genetically modify the DNA of Buzzcocks, Syd Barret and Howard the Duck.

girlsnames
Girls Names – Stains on Silence (Tough Love)
On their fourth album, Northern Ireland’s Girls Names plunge themselves down into a dark, dark place. It’s not as immediate as previous efforts, but I think I like this new one more than anything they’ve done so far. It brings to mind the moody “difficult” post punk the Sound’s All Fall Down and Comsat Angels’ Sleep No More.

goatgirl
Goat Girl – Goat Girl (Rough Trade)
London’s Goat Girl sound like a 1980’s 4AD band from the United States. Translated, that means think Throwing Muses and Pixies. Throw in a little PJ Harvey and Gallon Drunk and you’re only missing Steve Albini, who apparently was too busy playing poker to records their debut LP.

greensea
Green Seagull – Scarlet Fever (Mega Dodo)
From the If it ain’t baroque then surely its psychedelic school of 60’s rock revivalism, comes Green Seagull’s debut LP. Both of last year’s excellent singles reappear here to re-mezmerize, but there are many new songs drenched in kaleidoscopic harmonies and 12 string guitars that are just as worthy.

gwenno
Gwenno – Le Kov (Heavenly)
For her sophomore album Gwenno has switched from singing in Welsh to singing in Cornish, a minor detail probably for most of us who speak neither. Whatever language she sings in, Gwenno excels at the lingua franca of krautrock-psychedelic-soundtrack strain of rock.

holliecook
Hollie Cook – Vessel of Love (Merge)
Swapping out Prince Fatty with Youth to produce her third album of tropical reggae vibes, Hollie Cook doesn’t miss a step. There are fewer string arrangements, but one half of Public Image Limited (Jah Wobble and Keith Levene) and a top batch of songs make barely noticeable.

hookworms
Hookworms – Microshift (Domino)
Hookworms started out as a screaming maelstroem inspired by Thirteenth Floor Elevators, but with each album they have sanded down the roughness of their sound little by little and now Microshift sees them morphing into Depeche Mode. Not quite, but they do employ some fast fashion into this record to thrilling effect while still keeping their slightly unhinged attitude.

insecure
Insecure Men – Insecure Men (Fat Possum)
The new band from Saul Ademczewski formerly of Fat White Family is light, playful and unassuming, but that doesn’t mean it’s not worth your time. With a name like Insecure Men and sounding like it they were influenced by Harry Nilson, the Lightening Seeds, Love & Rockets and Captain Sensible, Ademczewski an his collaborator Ben Romans-Hopcraft stay on the pop rails just barely.

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Itchy Bugger – Done One (Low Company)
This record appears to bit of an anomaly, a dude from bands that sound nothing like the Clean, Television Personalities, and the Art Museums makes an album that makes a record that sounds like it was directly influenced by those bands. What a crazy wonderful world.

espaces
Jonathan Fitoussi / Clemens Hourrière – Espaces Timbrés (Versatile)
This duo employ vintage modular synthesizers to create ambient landscapes that share topographical similarities with Kraftwork’s Radioactivity and Eno’s ambient stuff. Rarely does ambient music feel so powerful, but this record is juiced with the ability to make one feel they are floating into other realms.

laluz
La Luz – Floating Features (Hardly Art)
I suppose it isn’t all that surprising that a surf band from Seattle would move to Los Angeles. Who wants to surf (or play beach parties for that matter) the frigid waters of the Pacific Northwest when sunny SoCal is just down the I-5? With some production help from Dan Auerbach and sporting a slightly more muscular tone, these former Seattle ladies seem to have adjusted to their new locale quite nicely.

laylamas
Lay Llamas – Thuban (Rocket)
Lay Llamas essentially is Italy’s Nicola Giunta creating multi-textured psychedelic rock. On Thuban he has a few guest to help him out including Goat and Clinic, but this is his show of rhythmic dalliances into north Africa, Thailand and the Beta Band’s Edinburgh.

lithics
Lithics – Mating Surfaces (Kill Rock Stars)
I recommend Lithics second album and first for Kill Rock Stars knowing that their sparse, mechanical clang is not for everyone, but for those who like cold hard surface on which to reproduce…Hell even if you don’t and want something cold, sharp and hard to jar you from your comfort zone then this is it.

mapc
Math & Physics Club – Lived Here Before (Fika)
Math & Physics Club have been known to cover REM, I remember them doing an excellent version of Shaking Through from Murmur, so it not surprising to hear them dropping REM references throughout Lived Here Before. Don’t worry, if you are a fan of their subtle understated pop, they haven’t gone all End of the World as We Know it. They have this great ability to subtly incorporate influences without them overpowering their own of delicate pop.

melodys
Melody’s Echo Chamber – Bon Voyage (Fat Possum)
The second effort from Melody Prochet was a long time coming, but well worth the wait. Instead of the focused pop of her debut, she teams up with members of Dungen to make a psyche rock amoeba built on improvisation and fear of being fenced in. It has a random kitchen sink feel at times, but it sounds adventurous and exciting.

olkenyolk
Olden Yolk – Olden Yolk (Trouble In Mind)
I always wonder when a member of a band, say Shane Butler of Quilt, starts another band, what does that mean for the other band? Are they kaputt, or just taking a break? Bultler is joined by Caity Shaffer and they come off sounding like a long lost 60’s California folk group that has a thing for the German motorik beat. A near perfect combination of the two and my new chocolate & peanut butter.

orielles
The Orielles – Silver Dollar Moment (Heavenly)
I’ve seen the Orielles described as being, baggy, shoegaze and C-86. They’ve been compared also to the Pastels, Pink Floyd, Belly and Orange Juice. For the record I’m not going to add to that confusing list of comparisons. I will say that this trio’s debut album is strong in the pop department and has something for nearly everyone.

cover
Parquet Courts – Wide Awake (Rough Trade)
The new PC’s album was produced by Danger Mouse, reminds me of the Beastie Boys Check Your Head era funk and Spoon’s sparse percussive pop. Wide Awake might be their best since their debut Light Up Gold.

patois
Patois Counselors – Proper Release (Ever Never)
Charlotte, North Carolina’s first impressed with 2015’s Clean Skits single on Negative Jazz. The seven piece band are a kin to Protomartyr, with a seriously lower profile. Their debut album is full of post punk, art school ditties reminiscent of Pere Ubu, the Fall and Fugazi and every bit as worthy of your hard earned money.

Horology
Red Red Eyes – Horology (Where It’s At Is Where You Are)
This year I’ve felt a strong Broadcast influence in the rock continuum and UK duo Red Red Eyes are another piece of anecdotal evidence for my case. It’s not a Broadcast tribute mind, Horology is moody, mysterious, trippy and not afraid to borrow from Massive Attack and Serge Gainsbourg either.

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The Roves – The Roves (One Man Movement)
This London band’s debut album is a jangly throwback to classic 60’s pop records that were packed with two and tree minutes pop songs and not a dud to be found in the bunch.

saysue
Say Sue Me – Where We Were Together (Damnably)
The undeniably catchy Old Town is a slice of classic indiepop, but it’s sort of a red herring too. Say Sue Me hail from South Korea and it’s obvious they are fans of the UK indiepop style, but they paint from a bigger pallet of surf inspired guitars and effects laden dreampop.

shannon
Shannon Shaw – Shannon in Nashville (Easy Eye Sound)
Is it ok to say that I like this better than any Shannon & the Clams albums? The Shaw – Auerbach collaboration reminds me a little of accomplished pop-psych that came out of the Del Shannon – Andrew Loog Oldham collaboration.

shopping
Shopping – The Official Body (Fatcat)
For album number three (why does nobody call the third album their junior effort) Shopping rip it up and start again. Not exactly, but they employed Edwyn Collins to produce the record. Their brand of dancy post-punk benefits from an infusion of Orange Juice to make it their most accessible record yet.

sonsofkemet
Sons of Kemet – Your Queen Is a Reptile (Impulse!)
I didn’t even know that the Impulse label still existed as a label that put out new stuff. This is the group’s  third album and its tuba, trombone, sax, clarinet attack spans Mingus, Jamaican ska/reggae, Coltrane and Sun Ra. Remarkable, even for non-jazz aficionados like myself.

virginiawing
Virginia Wing – Ecstatic Arrow (Fire)
This is the first Viginia Wing I’ve bought since EP on Faux Discx. I love it. Touches of Taken by Trees, Hector Zazou, and Broadcast, the latter which (as you can probably tell) seems to be so prevalent in my listening tastes lately.

In the Middle of It – Part II

Welcome to day two of the second annual Finest Kiss midyear record round up. You are nearly in the middle of the middle of it. It’s like the eye of the storm, isn’t it? Records in a vortex flying around you as you try to reach and grab a few. It should be easier from here on out, because here are ten more excellent records to put your paws on.
sleaford

Sleaford Mods – Divide and Exit (Harbinger Sound)

Last year this Nottingham duo released the jaw dropping Austerity Dogs album. It was jaw dropping, combining bleakness, humor, profanity and beats to create a rampaging, take no prisoners record. Part John Cooper Clark, Dr. Ocatagon and the Fall the latest Sleaford Mods keeps the boot to the throat with Divide and Exit. Half the time I have no idea what Jason Williamson is going off about, but inevitably he leaves enough bread crumbs on the trail for me to get it, and then it hits like a ton of bricks.

stream: Sleaford Mods – Under the Plastic and N.C.T.

lunchbox
Lunchbox – Lunchbox Loves You (Jigsaw)

Oakland, California’s Lunchbox fluctuate between calling themselves Birds of California and Lunchbox. Who cares what they call themselves when they make records this good. Lunchbox Loves You is full of sugary pop that is guaranteed to put a skip in your step. They hit a number of classic 90’s indiepop reference points including Stereolab, Apples in Stereo, Rocketship and Sprites while sounding still sounding fresh and new.

stream: Lunchbox – Die Trying

coldbeat
Cold Beat – Over Me (Crime On the Moon)

With Grass Widow on ice, bassist Hanna Lew started Cold Beat and since Lew sings and plays bass in both bands Cold Beat has similarities to Grass Widow. But where Grass Widow had a folksier sound, Cold Beat look to the more austere sounds of punk and post punk luminaries like Wire, Tubeway Army and Devo for inspiration.

stream: Cold Beat – Mirror

CHEVEU
Cheveu – Bum (Born Bad)

There’s no getting around the fact that this is a weird album. So if you don’t like weird keep scrolling. If you do appreciate the absurd and catchy then these French tricksters may be right up your ruelle. Burn is full of prog-y art school rock that is hard to ignore.

stream: Cheveu – Slap and Shot

slushy
Slushy – Pastime Gardens (Grabbing Clouds)

Chicago duo Slushy make fuzzy lighthearted pop in the vein of the Bay City Rollers and early Pooh Sticks and Pop Will Eat Itself. Pastime Gardens is packed full of two minute pop songs that are full unbridled enthusiasm and are certified to provide a good time in any situation.

stream: Slushy – Good Luck Charm

soundcarriers
The Soundcarriers – Entropicalia (Ghost Box)

The Soundcarriers mine similar earth as Broadcast and Stereolab. Entropicalia, their second album, is full of space age grooves and psychedelic meanderings. Part spy movie soundtrack, part Free Design tribute and part deep space exploration. All good.

stream: Soundcarries – Low Light

verticalscratchers
Vertical Scratchers – Daughter of Everything (Merge)

Although this album came out major indie Merge, I feel like it flew under the radar of almost everyone. Vertical Scratchers is the brainchild of John Schmersal  who was in Brainac and Enon. The album is chalk full of fractured pop that is part Elephant 6 Collective, Cheap Trick and the Kinks. Killer stuff that deserves more attention.

stream: Vertical Scratchers – Pretend U Are Free

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Klaus Johann Grobe – Im Sinne der Zeit (Trouble In Mind)

This Swiss duo combine disco, kraut and prog to come with a ton of fun. This is viscous stuff that sticks in your brain even if you don’t understand the lyrics. The lucid spacey production sounds like they’ve been listening to Peter Thomas and Bertrand Burgalat records.

stream: Klaus Johann Grobe – Between the Buttons

nun
Nun – Nun (Aarght!/Avant!)

Total Control seems to get all the attention for being the Australian punks gone coldwave, but Melbourne’s Nun do piercing, dark and synthy just as well and maybe better. Their debut album sounds so authentic that you will be check to see if it’s a reissue of some lost first generation coldwave band.

stream: Nun – Suppress Electricity

parquetcourts
Parquet Courts – Sunbathing Animals (What’s Your Rupture?)

I was prepared not to like this album after last year’s pretty average stopgap EP Tally All the Things That You Broke but they won me over by not repeating themselves. Sunbathing Animal pulls back a little bit and lets some space in to positive effect. Everyone compares them to Television and Pavement, but on this album I hear Spoon in their use of space and percussion and that makes this second Parquet Courts just as good but slightly different from their first one.

stream: Parquet Courts – Always Back In Town

2012: My Year In Records

Here’s the list of my favorite albums outside of Seattle for 2012. You may think it’s late, but you should know I got it done before the Russian New Year. Kevin Shields, you still have a few more days.

exlovers

1. Exlovers – exlovers (Young And Lost Club)

Exlovers had my favorite single of 2011 and now my favorite record of 2012. Their debut album is a dreampop masterpiece that was a long time coming from this London band. I didn’t think I would ever hear a record this accomplished after the shoegaze/dreampop heyday of the 90’s. I hope that this album being criminally ignored by nearly everyone does not deter this amazing band from persevering and making another one.

You’re So Quiet:

tyvek
2. Tyvek – On Triple Beams (In the Red)

This is an off the rails punk rock concept album about Tyvek’s hometown of Detroit and its urban blight slowly being turned back into an agrarian based metropolis. On Triple Beams sees Tyvek living up to the promise of their early singles and then exceeding it.

Wayne County Roads:

boomgates
3. Boomgates – Double Natural (Bedroom Suck)

The half sung half spoken delivery of Eddy Current Suppression Ring frontman Brendan Huntly may be an acquired taste for some, but combined with Steph Hughes’ sweet croon and songs that bring to mind the brilliance of the Go-Betweens Double Natural is a sure winner.

Flood Plains:

hospitality
4. Hospitality – Hospitality (Merge)

Hospitality effortlessly do cocktail jazz, indiepop and smooth pop, but you get the feeling that they are pulling their ideas from a larger pallet that includes some things that you wouldn’t expect like Steely Dan, Randy Newman and Todd Rundgren to name a few and that is what makes this record sound so familiar but different at once.

Eight Avenue:

FrankieRose
5. Frankie Rose – Interstellar (Slumberland)

Frankie Rose sloughed off the distortion and kicked it into hyperdrive on her second album. Slick space-age pop that I imagine if we still had a Space Shuttle program, would be playing in the cockpit on every lift off.

Night Swim:

Cate Le Bon
6. Cate Le Bon – Cyrk (The Control Group)

The Welsh chanteuse melded Velvet Underground with Kevin Ayers to come up with the best psychedelic record I heard all year.

Falcon Eyed:

cats
7. Cats on Fire – All Black Shirts to Me (Matinée)

Pop music rarely sounds this elegant and regal. All Black Shirts To Me is an assured jewel in the Cats On Fire crown.

It’s Clear Your Former Lover:

borednothing
8. Bored Nothing – Bored Nothing (Spunk)

Seems like anything coming out of Melbourne in 2012 was worthy. Fergus Miller’s (aka Bored Nothing) take on bedroom pop went from sad and introspective to blissed out dreampop. More than just another bedroom pop record and more than worthy.

Popcorn:

seapinks
9. Sea Pinks – Freak Waves (CF)

Girls Names drummer Neil Brogan is not only prolific, but talented as well. Sea Pinks third album is their best yet. Freak Waves is a jangly take on the classic Beach Boys model.

Lake Superior:

lawrence-arabia
10. Lawrence Arabia – The Sparrow (Bella Union)

New Zealand’s James Milne knows how to do orchestral pop. The Sparrow is his third album as Lawrence Arabia and it’s a moody, pensive and playful feast of the ears.

The Bisexual:

terry-malts

11. Terry Malts – Killing Time (Slumberland)

San Francisco punks delivered a debut record full of blitzkrieg pop. Every song is no holds barred sing-along sweaty mosh pit.

Nauseous:

Baddat
12. Bäddat För Trubbel – Värdighet (Punks Only)

Not speaking a word of Swedish did not stop me from loving Bäddat För Trubbel’s second album. They employ influences like Eddy Current Supression Ring and Blumfeld and they aren’t afraid to have a guy who plays saxophone the band. True punks!

Det här jobbet:

intelligence
13. The Intelligence – Everybody’s Got It Easy But Me (In the Red)

Mad thinker Lars Finberg upped and moved his band from Seattle to LA. The only thing I can complain about is that they don’t play Seattle as much any more. Otherwise, the Intelligence deliver another fractured masterpiece.

Techno Tuesday:

deeptime

14. Deep Time – Deep Time (Hardly Art)

Formerly known as Yellow Fever, Austin, Texas duo Deep Time’s self-titled first album after their rechristening is a pure minimalist’s delight.

Bermuda Triangle:

gap-dream
15. Gap Dream – Gap Dream (Burger)

Gabe Fulvimar’s Gap Dream is a wonderful debut. Kind of a psychedelic droner’s pop paradise.

Feast of the First Morning:

parquetcourts

16. Parquet Courts – Light Up Gold (Dull Tools)

Parquet Courts deliver a taut cow punk record out of seemingly nowhere. The proverbial new kid in town Andrew Savage formerly of Fergus & Geronimo moved to Brooklyn, started a new band and came up gold.

Yonder is Closer to the Heart:

Eternal-Summers

17. Eternal Summers – Correct Behavior (Kanine)

Eternal Summers seem to grow leaps and bounds with each release and Correct Behavior continues their upward trajectory. Nicol Yun’s songs get better and bigger sounding and when she lets the drummer have some like on Girls In the City it’s like the frosting on the cake.

Millions:

theseesee
18. The See See – Fountayne Mountain (The Great Pop Supplement)

The See See go on a wondrous psychedelic tour de force on their second album. Fountayne Mountain is the sound of a band peaking. Drug reference intended.

Automobile:

supervacations
19. Super Vacations – Heater Pt. II (Funny Not Funny)

I love how after I listen to this album I feel like I have to wash the filth from body. Richmond, Virginia’s Super Vacations know the ins and outs of getting down and dirty and this record is an expressway to those dirty depths.

Faded Leather Jacket:

popsingles
20. Pop Singles – All Gone (Vacant Valley)

More Melbourne goodness in this year’s list. Pop Singles’s debut record was an unexpected surprise and the best heart-on-the-sleeve-jangle-pop record of the year.

All Gone:

toughshits

21. The Tough Shits – The Tough Shits (Burger)

Don’t let Philadelphia’s Tough Shits fool you. They want you to think that they’re a bunch of irreverent slackers, but their mothers know that their tender pop loving hombres and this record is all the proof you need.

Cats and Dogs:

ThisManyboyfriends
22. This Many Boyfriends – This Many Boyfriends (Angular)

The debut album from Leeds’ This Many Boyfriends is love song to records, love songs and misfits. Sometimes songs that are meant to be funny wear off quickly, but this album isn’t too funny for its own good. It’s merely poignant.

Tina Weymouth:

strategy
23. Strategy – Strategy (Peak Oil)

Portland, Oregon resident Paul Dickow has many personas. His album using the Strategy moniker was a playful take on electronic music that took notes from Ultramarine and Yello in the way it incorporated pop songs with dub, kraut and weird.

Sugar Drop:

GrassWidow
24. Grass Widow – Internal Logic (HLR)

San Francisco trio Grass Widow finally embraced their full pop-selves on album number three. Internal Logic was brilliant for the way it juxtaposed minimalist instrumentation with lush harmonies.

Milo Minute:

PeoplesTempleMoreLP300
25. Peoples Temple – More for the Masses (Hozac)

Either I’m still drinking the Kool-Aid or Lansing, Michigan’s Peoples Temple are. Their second album ups the dose and rattles the psyche. The Rolling Stones’ Their Satanic Majesties Request was a good psychedelic record. Peoples Temple start with that blueprint and out psych the Stones and everyone else for that matter.

Nevermore:

chainandthegang
26. Chain and the Gang – In Cool Blood (K)

On Chain and the Gang’s third album leader Ian Svenonius gets a little more playful. He shares vocals with new member Katie Alice Greer and records the entire thing in mono. Kind of throwback but these ears, timeless.

Free Will:

crushedstars
27. Crushed Stars – In the Bright Rain (Simulacra)

In the Bright Rain lives under gray skies and rains down melancholia and cascades of guitars to beautiful effect. Being lonely, sad and out of sorts hasn’t sounded this good since the At Swim Two Birds album back in 2009.

Brighter Now:

prissyclerks
28. Prissy Clerks – Bruise Or Be Bruised (Forged Artifacts)

The debut album from this Minneapolis was a sweet bite of 90’s indierock slathered with twee and powerpop condiments. Sweet, sour and definitely hot!

Death Wish:

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29. Literature – Arab Spring (Square of Opposition/Austin Town Hall)

Former Austin and now Philadelphia band Literature are well read in the details of adrenaline fueled jangle pop. They deliver a wide eyed beauty in their debut album Arab Spring.

Push Up Bra:

macdemarco
30. Mac DeMarco – Mac DeMarco 2 (Captured Tracks)

On his second album, Montreal’s Mac DeMarco delivers a batch of skewed guitar pop gold. He seems be to posses the songwriting sensibilities of Nilsson, Lennon, Ayers and T Rex and he may be just as eccentric as them too.

Cooking Up Something Good: