The first Tender Age single reminded me of Felt’s Ignite the Seven Cannons. it was methodically austere and moody. The Portland band are back with their second single that shows them tweaking things just a little to deliver a warmer and more ethereal sounding record. In other words they’ve turned up the shoegaze dials on the guitars. It’s still good, but different from their first single and veers into the same sonic territory as the Wildhoney album from earlier this year. It also begs the question, how many more records do I need to buy that sound like My Bloody Valentine, Chapterhouse and Slowdive? I guess one more wouldn’t hurt.
Shoegaze bands are a dime a dozen these days which is something I never would have predicted 20 years ago. So the genre lost the battle but apparently won the war, but sometimes the victors get a little cocky. Originally a derogitory term, bands now brandish that tag willy nilly without sometimes knowing what they’re talking about. One of the first and foremost things about the OG shoegaze was that at its heart there were always great songs. It wasn’t just noise. It was verses and big choruses. Bands actually wrote songs first and then bent their tremelo bars around them, instead of many of today’s poseurs who bend their guitars around nothing much.
There was a method of songs first reverb second. Baltimore’s Wildhoney adhere to that tried and true approach. Their debut album Sleep Through It is one of the best albums to come out in the shoegaze genre (or any other genre for that matter) in a while. This quintet of youngsters lean in direction of the more ethereal regions, looking to the Cocteau Twins and My Bloody Valentine. The influences may be easy to spot, but they take them and make something slightly different, brighter and alluring. Fall In and Molly belong on any best of shoegaze mix. Their two previous singles (Seventeen and a re-recorded Super Stupid) make welcome curtain calls as well. They even throw in an instrumental tribute to Flying Saucer Attack. These kids know how to deliver quality noise drenched pop with a sense of history and an ear for melody. Do not miss!
After two singles that are as good as anything that came out during the the first generation of shoegazing, Baltimore’s ecstasy inducers Wildhoney are not taking their feet off of the pedals. The band is readying their debut album for release in January on Forward/Deranged Records. Fall In is the first song the band have released from the forthcoming Sleep Through It and it may be their best yet. The way singer Lauren Shusterich’s voice floats over the haze of guitars is otherworldly – part Liz Fraser, part Rachel Goswell. Wildhoney are without a doubt the new shoegaze royalty!
With all of the excitement surrounding the Slowdive reunion, you would think folks would be tempted to delve into some great shoegaze happening right now instead of 20 years ago. I don’t know what the future holds for Baltimore shoegazers Wildhoney. Will they be revered on 10 or 20 years? Who knows and who cares, because right now they are the hottest bunch of pedal loving, hallucination inducing, blistering guitar benders going today. Their second single came out recently on Photobooth records and dare I say, it bests last year’s debut. Seventeen has a slight ‘Funky Drummer” beat, maelstrom of guitars and angelic vocals, it’s part MBV, part Slowdive, and some Lilys. Folks, singles don’t get much better than this.
The band are planning a full length for later this year, and plan to tour the East Coast as well. In the meantime you can buy the physical old school 7-inch single from Photobooth Records or the download from the band themselves.
One of the best EP’s to come out last year belonged to Australia’s Flyying Colours and now thanks to Shelflife Records here in the US (and Club ac30 in UK) we can hear this euphoria inducing record on vinyl. The EP contains five songs and not one of ’em could be considered filler. I remember back in the 90’s you would pick up the Melody Maker or NME and barely a week would go by when there was not some brand new blissed out guitar pop band that had just put out an amazing single. Later on they called it shoegaze (funny how we call it shoegaze today without a hint that it was originally coined as an insult.) but at the time it was My Bloody Valentine inspired hazy noise-pop.
Flyying Colours EP is destined to be grouped in with some of the classic EP’s of that golden shoegaze era. Like I said every song is killer, but WavyGravy is especially sure to please with its adrenalin shot of blistering guitars and Ride-like drony harmonizing vocals, but my favorite on the EP has to be Feathers. It jangles its way to my heart, and then bursts out of its downbeat cocoon near the end with a chorus that soars up to the tops of the trees. Along with Day Ravies, Flyying Colours are making Australia start to look like the new mecca for those in love with guitar drenched psychedelic pleasures.
Why did Melbourne shoey-dreampoppers Day Ravies name themselves after the Kinks’ Ray Davies? Because Dave Davies wouldn’t have worked.Day Ravies as a name works, although every time I see the name the old man in me reverse the letters back to Ray Davies. What also works is the rayviedayvies debut album Tussle. Some songs are dreamy, some songs are shoey, some are jangley and some just plain ol’ pop.
As indicated by its kaleidoscopic cover, Tussle is a cornucopia of sound, a feast of aural pleasures. It overruns the cup with great songs that are influenced by Slowdive, Ringo Deathstarr, and the Boo Radleys to name a few. The band have three songwriters and singers, which provide a diversity to their sound, yet all three like loud guitars, space and Galaxy 500. Best shoegaze-dreampop record of the year honors goes to the Kinks, I mean Day Ravies!
A couple of recent shoegaze album lists from Sounds Better with Reverb and Surfing on Steam prompted me to recall those heady days of shoegaze between 1988 and 1994. My recollection wasn’t about the great albums, though there were some, but about the EP’s. Those of us there at the time know that it was all about the EP. Albums were slow to come and often disappointing but the EPs came quick and were often a band’s pinnacle. Often a band would do a brilliant EP and then never reach the same heights on the album, or never even make an album. Here is my list of favorite shoegaze EP’s from that time.
The Boo Radleys – Every Heaven EP (Rough Trade)
I believe this got single of the week in Melody Maker and for good reason. The killer bass line of The Finest Kiss draped over by shards of blistering guitar are a recipe for single of any week. This EP along with Boo Up! and Kaleidoscope make for an unsurpassed shoegaze EP trilogy.
Interesting Info: If you hadn’t noticed this blog is named after The Finest Kiss, the lead track on this EP.
Stream: The Finest Kiss
Sweet Jesus – Real Babe (Rough Trade)
No one ever mentions Sweet Jesus when they talk about shoegaze which is a minor crime. At the time they got tagged as the T-Rex’s of scene. These guys released four ep’s and each one of them is a shoegaze classic.
interesting Info: Many people thought singer Ben Bently was a girl based on his singing voice. He also had a beehive hairdo.
Stream: Real Babe
Chapterhouse – Mesmerize (Dedicated)
Mesmerize was kind of a psychedelic curve ball after the blissed out Whirlpool album with its piano riff and tuba blasts. This is the pinnacle of the Chapterhouse discography. Four songs pushing the boundaries of what people thought shoegaze was.
Interesting Info: My roommate in college played this EP so much he nearly made me hate it. He would not only play it to death, but sing Mesmerize a capella at top volume. Weird.
Headtime – Have You Heard EP (Cherry Red)
Headtime probably got lumped into the shoegaze crowd because they favored a big guitar sound and had a slightly blurry fish cover for their first EP. The title track features some sitar which may be a first. In any event it’s a much better instrumental choice than the flute (hello Blind Mr. Jones).
Interesting Info: There is very little information to be be gleaned from the internet about this band. Richard Formby produced this EP. Headtime made one other EP called Graham before disbanding.
Stream: I Visualize
Moose – Jack (Hut)
Moose quickly eschewed the shoegaze tag on their first album XYZ, but their first two EP’s are firmly entrenched in the scene that celebrated itself. They would do an about face and get Mitch Easter to produce their first album and it would be brilliant. Not really a surprise since this is brilliant also.
Interesting Info: Moose toured the US opening for the Cocteau Twins in the mid 90’s.
Curve – Blindfold EP (Anxious)
Mining the industrial side of shoegaze, Curve’s first EP was pretty impressive. They had a rapper (JC-001) on Ten Little Girls, Wah Wah guitar on I Speak Your Every Word. The duo of Dean Garcia and Toni Halliday could do no wrong in the eyes of the British Press during the run of initial EPs. The Frozen EP and the Cherry EP soon followed, but didn’t reach the heights of this one.
Interesting Info: Toni Halliday put out a solo album called Hearts and Handshakes prior to forming Curve. Yes it’s as bad as the title suggests.
Stream: Ten Little Girls
My Bloody Valentine – Tremelo (Creation)
No shoegaze list is complete without the godfathers of shoegaze. The Tremelo EP upped the stakes for everyone. These were guitars!?!? They sounded like flutes and sound tubes. Kevin Shields could probably make his guitar sound like purring kitty cat if we wanted to
Interesting Info: I once interviewed Kevin Shields and asked him about his lyrics. That’s why I don’t get paid to do this.
Revolver – Venice (Hut)
Revolver were a trio of teenagers that took a powerpop bent on shoegaze. Their first two EPs (45 and Crimson) were spotty, but the third one really seemed catch them finally living up to their potential. Red All Over is great and their cover of Strawberry Switchblade’s Since Yesterday was a pleasant surprise.
Interesting Info: Revolver released on one album called Cold Water Flat. Singer and guitarist Mat Flint currently plays in Deep Cut.
Stream: Red All Over
Pale Saints – Half-life Remembered (4AD)
A concept EP about life in the womb. This EP was produced by Chris Allison who had recently worked with the Wedding Present and he did make them sound a bit more rocking. This is probably the most straightforward the Pale Saints ever sounded. If you bought the vinyl version of this, it had a freaky hidden fifth track called The Colour of the Sky. To hear it you had the lift up the needle and place it down. Your reward was Ian Masters shrieking at the top of his lungs.
Interesting Info: Masters left the Pale Saints after their next album In Ribbons and Meriel Barham took over singing duties on the band’s final underwhelming album Slow Buildings.
Stream: Half-life Remembered
House of Love – Christine (Creation)
This may be a stretch, lumping the House of Love in with the shoegazers, but I would argue that Christine is early and influential in the scene. It’s droning vocal and buzzing guitars would be a blueprint many subsequent bands would use.
Interesting Info: This EP featured Andrea Heukam who provided vocals on the Hill. She left the band soon after.
The Bardots – Pretty O (Cheree)
Veering toward the dreampop side of shoegaze the Bardots featured the feminine sounding Simon Dunford on vocals. Similar to Sweet Jesus, many people thought he was a girl when they heard him sing. The Pretty-O EP featured big hooks and great guitars. The younger me didn’t appreciate them as much as the older me does now. Both of their albums Eye Baby and V-Neck are worth seeking out as is their first single Sad Anne.
Interesting Info: The Bardots featured Krzysztof Fijalkowski on guitar, the brother of Adorable singer Pete Fijalkowski.
Stream: Pretty O
Ride – Ride (Creation)
This came out in the US on the Smile compilation which combined this EP and the Play EP. For my money Chelsea Girl and Drive Blind are unbeatable. Drive Blind would become Ride’s You Made Me Realize.
Interesting Info: Andy Bell went on to play in the mostly awful Hurricane #1 and then play bass in Oasis.
Stream: Chelsea Girl
Swervedriver – Duel – (Creation)
Up until Duel I didn’t have much interest in Swervedriver’s take on Dinosaur Jr. With Duel they started to forge a new path. This three song EP had no filler, but it was easy to overlook Plane Over the Skyline and Year of the Girl due to the fact the Duel blistered like a star in very close proximity.
Interesting Info: Swervedriver have a history of bad luck with record labels. They were dropped from Creation a week after the release of their best album Ejector Seat Reservation and then after signing with Geffen in the US, they were dropped just before their fourth album was to be released. It would be years before that album 99th Dream would see the light of day.
Lush – Mad Love (4AD)
Lush never really lived up to the promise of their first three EPs. Scar was the second in that line and if featured Lush free of expectations. De-Luxe and Downer are blissed out and blistering and Thoughtforms is a great shoegaze lullaby.
Interesting Info: After Lush broke up Miki Berenyi retired from bands, though she has been coaxed to come out of retirement briefly by Eric Matthews and Hard Skin. Emma Anderson went on to form Sing-Sing with Lisa O’Neill.
Slowdive – Holding Our Breath (Creation)
Slowdive were the downers of shoegaze. The mellow youngsters who sounded like they had been doing this sort of thing for ages. This EP featured one of the best Slowdive songs Catch the Breeze which would show up later on their first album, but it also contained the equally mesmerizing Shine and a cover of Syd Barrett’s Golden Hair.
Interesting Info: Slowdive would later become a techno group on their final album Pygmalion and then leader Neil Halstead would junk all of his effects pedals and go alt-country in Mojave 3.
Telescopes – Celeste (Creation)
Telescopes were the shoegaze band that never seemed to get any respect. They were on the right label and they had good songs, but never seemed to catch on. Maybe it was because their albums never reached the heights of the songs on the Celeste EP and its precursor Everso.
Interesting Info: The Telescopes are still around and are playing the Comet here in Seattle April 15.
February Fourteenth – Lilys (Slumberland)
The Lilys first incarnation was as a shoegaze band. Their first single may have been unfairly disparaged for sounding too much like My Bloody Valentine. Criticisms aside, it was uncanny how they took the MBV baton and ran with it on a shoe string budget.
Interesting Info: Lilys went on to morph into a mod pop band and scored a hit single and a Levis advertisement in the UK.
Stream: February Fourteenth
Ecstasy of St. Theresa – Fluidtrance Centauri (Free)
Shoegaze knows no borders. This Czech band were always on the perifery of the scene due mostly to geography and their tendency to change their sound every couple of releases. All three songs on this EP have classic quiet-loud moments that shoegaze fans cannot get enough of.
Interesting Info: Ecstasy of St. Theresa teamed up with British Sea Power in 2004 to release the single A Lovely Day Tomorrow sung in both English and Czech.
Velocity Girl – My Forgotten Favorite (Slumberland)
Not many American bands contributed anything new to shoegaze, but Velocity Girl with this single seemed to take what was going on in the UK and put their own mark on it. My Forgotten Favorite is a classic and the b-side Why Should I Be Nice To You is no slouch either.
Interesting Info: The original singer in the band was Bridget Cross. She left the band after the release of their first single I Don’t Care If You Go and went on to join Unrest.
Stream: Forgotten Favorite
Bleach – Snag EP (Way Cool)
Bleach were briefly shoegaze and then they became something else and then they broke up. The Snag EP was a perfect snapshot of that sweet spot. Bethesda still holds up after 22 years.
Interesting Info: I got nothing. They were from Ipswich?
Adorable – Sunshine Smile (Creation)
I always thought Adorable were more Bunnymen than shoegaze, but consensus says that they were shoegaze and who am I to argue? This three song EP is packed with two of the band’s best songs. Sunshine Smile crashes into the room and totally wrecks it and then A To Fade, which singer Pete Fijalkowski says was heavily based on the Go-Betweens Cattle and Cane, heals all the wounds.
Interesting Info: Fijalkowski went on to form Polak with his brother Krzysztof. He has most recently been working with House of Love guitarist Terry Bickers.
Stream: Sunshine Smile
Catherine Wheel – Black Metallic (Polydor)
One of the great things about these shoegaze EP’s was that the bands treated them it might be their last release, packing them with great songs. Catherine Wheel were no exception. Everyone knows Black Metallic, but buried on this EP is Let Me Down Again which I always thought was as good as the title track.
Interesting Info: Catherine Wheel were the most successful UK shoegaze band in the States, probably due to their heavier tendencies and willingness to tour. Singer Rob Dickenson is the cousin of Iron Maiden’s Bruce Dickenson.
Stream: Let Me Down Again
Nyack – Savage Smile EP (Echo)
This EP was so good and then then the follow up album was kind of a let down. Nyack were from Nyack, New York (duh), but didn’t sound it. They sounded english and they had an English record label. The only give-away that they were from NY was Blondie cover. That aside This EP’s other three songs were all aces.
Interesting Info: Before they were called Nyack, they went by Aenone and released a similar sounding EP on Kramer’s Kokopop label.