Bittersweet Pocket Symphonies

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The Proper Ornaments have finally released a proper debut album. After last summer’s download only download only release on Lo which compiled their previous EP on No Pain in Pop,their debut single on Make a Mess, and some odds and ends the duo of James Hoare and Max Claps have employed Slumberland Records to issue their album Wooden Head. James Hoare who’s main band is Veronica Falls and also moonlights in the Ultimate Painting is a busy guy these days. For the Proper Ornaments he’s teamed up with Argentinian and one-time Andrew Loog Oldham protege Max Claps.

The duo met in a shop that Hoare was working at while Claps’s girlfriend attempted to steal a pair of boots.  It’s amazing what a shared love of the Velvet Underground can overcome. Named after a Free Deign Song, they get a lot of comparisons to the  Beach Boys, the Left Banke and Love. But if you ask my I think they sound like the Chills.

Wooden Head is nearly as good as their No Pain In Pop EP, but I don’t know if I think that because the EP had five astonishingly good good with no filler. It was easy to take in while Wooden Head is bigger and requires more time to consume.  The record is astonishingly good, it just  requires more time to your head around. Hoare and Claps sing in unison on nearly every song. Their melancholy, sparse psychedelic songs have a sing-song quality that makes them both comfortable and haunting at once. Each unassuming song buzzes into your ears to create endorphin rushes, but music being like a drug it takes more to recreate that initial high each time.

stream: The Proper Ornaments – Magazine (Wooden Head is out on Slumberland Records)

Would You Tell Me If the Boat Is Sinking?

Veronica Falls, Golden Grrrls and Brilliant Colors at the Tractor, Seattle | 21 March 2013

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The Spring-time Slumberland traveling show stopped in Seattle last Thursday night. Veroncia Falls from London were the headliners and for good reason, their second album is no sophomore slump and adds some diversity by varying the tempos and adding a little more nuance in the form of some good old fashioned psychedelia to their jangling flying nun influenced pop. All of the leaves were reading that this would be great fun to see them play again. Too bad that it was kind of a disappointment. If the band would have just played it would have been a great show. They sounded great. The guitar and vocal interplay between Roxanne Clifford and James Hoare appeared to be in top form and everyone at the Tractor was grooving to it. The only thing was, the band weren’t happy with it and quipped to the sound guy between nearly every song that something was wrong. First it was more vocals, then it was less vocals then it was move, then less, then something else. By that time it had became a joke to everyone in the audience and a huge distraction to an otherwise good show. Too bad. I have said this before here, and it applies to not only bands playing but anytime you are speaking, acting, or doing anything in front of an audience: don’t dwell on the bad. Oftentimes you are the only one that notices. When you incessantly bring attention to it then you become the distraction/problem. People are paying to hear you play, you are professionals. If the sound is sub-par in your monitor deal with it and carry on.

stream: Veronica Falls – Teenage (from Waiting For Something to Happen out on Slumberland)

Golden Grrrls

Glasgow’s Golden Grrrls on the other hand were a bundle of wide-eyed fun. They obviously have drank at the K fountain. Beat Happening, Lois and Tiger Trap all are obvious influences, and being Scottish I’m sure they’ve imbibed their fair share of Pastels and Vaselines records. So it was fun seeing them play in the fertile ground of where their indiepop roots were first mixed together (they played Olympia the night prior). The three piece band of two guitars and drums were ramshackle and sweet in their delivery. The sound of Golden Grrrls lo-fi indipop aesthetic is quite prevalent these days, but few do it this well and with this kind of enthusiasm.

stream: Golden Grrrls – We’ve Got… (From their self-titled album on Slumberland)

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In the middle of the two British Isles bands was the Bay Area’s Brilliant ColorsI remember the last time I saw them I was kind of impressed by how much they rocked out live. I continue to be impressed. Singer and guitarist Jess Scott has nack for writing noising melodic songs that seem to get new legs when the are played live.

stream: Brilliant Colors – I Was Born a Fantasist

All three bands had excellent merchandise for sale. Veroncia falls had CD versions of their second covers EP that coincided with the release of their album. Golden Grrrls had tour only 7-inch for sale and Brilliant Colors had an exclusive flexi for sale.