Tags: Blooper, Chastity Belt, Erik Blood, Evening Meetings, La Luz, Neighbors, Nightgowns, Orca Team, Posse, Purrs, Seapony, Stephanie, Tea Cozies, Thee Satisfaction, Zebra Hunt
Could this have been the year that Seattle went pop? Sure, there have been bands here and there with pop leanings, but this was the year that Seattle finally shed it’s flannel, got out of the garage, and didn’t feel like it had to be wooly, bearded and mechanical all the time. Look out old Seattle, the kids don’t care about your hang-ups! Here are my favorite 15 records (album, ep’s and singles) from the Emerald City and environs.
1. Erik Blood – Touch Screens (Self-relased)
It was pretty cool to see much of Seattle’s music press unanimously agree that Erik Blood’s Touch Screens was a brilliant record. He took his shoegaze leanings, added some electronics, a motorik beat or two and came up with a concept album about pornography. Too bad that recognition seemed to stop at the city limits. Dear rest of the world, you may have missed one of the finest records put out this year.
The Lonesome Death of Henry Paris:
stream: Touch Screens
2. Thee Satisfaction – awE naturalE (Sub Pop)
Part soul, interstellar hip-hop, and trip-hop, the duo Stasia Irons and Catherine Harris-White combined to create a record that sounded like little else in Seattle and anywhere else for that matter. It didn’t get as much gushing attention as the Shabazz Palaces album did last year. It should have because it’s a better record.
3. Neighbors – John In Babeland (Lost Sound)
Neighbors’ deft songwriting seemed to effortlessly take their REM and Pavement influences and create a record that could rattle as well as soothe. John in Babeland came out cassette way back in February, luckily I got a download of it because as much as I’ve played it, the cassette wound up all scrunched in a tape deck by now.
All United Grocery:
Stream: John In Babeland
4. Evening Meetings – Evening Meetings (Sweet Rot)
Dark clouds, dark allies, dark dark. Evening Meetings wouldn’t, no couldn’t take place in the light of day nor in any other place. Claustrophobia induced by low pressure and heavy dark clouds and dusk that sets in around 3pm. This time of year in Seattle it’s dark most of the time and in some weird strange way this record turns on the bright lights every time I listen to it.
5. Zebra Hunt – Zebra Hunt (self-released)
Half Right is the best song to come out of Seattle this year. If I didn’t know any better I would have guessed they moved here from New Zealand and started a PNW Flying Nun shop right here in our midst. Seattle, rejoice! There is a pop band in our midst that breathes kiwi air.
stream: Zebra Hunt
6. La Luz – Damp Face (Self-released)
Have you ever been to the beach in Washington? You can actually drive right onto it with your car because nobody’s there. It’s flat, cold and windy no matter when you go, winter, spring, summer or fall. La Luz don’t belong in this surfer’s nightmare. Their surfer’s paradise of an EP had to have been born in warmer climes, but being from Seattle, perhaps long winter day’s indoors, hanging with the ghosts of the Ventures and dreaming of an endless summer did it.
Sure As Spring:
stream: Damp Face
7. Orca Team – Restraint (HHBTM)
The basic sound of Orca Team record hasn’t changed much over their short career. Their bass-driven 50’s surf pop jangle consistently pleases. They’re random output of singles, cassettes and CDr’s has been scattershot. Finally the band has seemed to focus and that concentration makes Restraint feel like a proper record. Its concise songs make quick long lasting impressions.
8. Posse – Posse (Self-released)
Posse’s self-titled debut is brazen with amazing pop songs. They have the gritty boy-girl back and forth in their songs and slashing guitar solos that aren’t over the top but just right. You older folk will appreciate their affinity towards Versus. Back in the 90’s during that post Nirvana signing frenzy Posse undoubtedly would have been sitting on piles of cash and big record deal. Oh how times have changed.
9. Tea Cozies – Bang Up (Self-released)
Tea Cozies re-materialized after three years in the wilderness with this killer five song EP. It has an air of confidence about it and flare that will have fans of both 90’s Britpop and college rock hopefully reaching for their pocketbooks as well as old albums by the Tuscadero, Blake Babies and Sleeper.
Silhouette In A Suitcase:
stream: Bang Up
10. Chastity Belt – Dude (self-released)
You thought I was kidding about the pop capitol of the world,didn’t you. I wasn’t and Chastity Belt are here to back me up. Their Pony Tail single had the audacity to tell the general NPR listening, latte drinking, Game of Thrones playing male populace of Seattle to cut off their ponytails. What a bunch of punks!
11. Blooper – Go Away (Self-released)
Blooper do saccharin powerpop so well that any cuts inflicted by their killer songs will bleed cherry syrup. Look out for a new 7-inch single from these Ballard popsters early in the new year on Manic Pop! Records.
stream: Go Away
12. Nightgowns – Bonita (Swoon)
Tacoma’s Nightgowns, similar to Tea Cozies have been slumbering for a few years, but this EP sees them wide awake and in good form. Slightly bombastic and theatrical, but only slightly, Bonita sounds like that bubble the Flaming Lips use, but instead of it being in a sea of confetti, they are bounding across the high desert, down the cascades and into the Sound.
13. Purrs – Rotting On the Vine (Fin)
The Purrs are like the elder statesmen of nothing. They’ve been around for years putting out great records to little recognition. Perennially writing killer songs that are left rotting on the vine so to speak. If anyone ever asks you, yes they do make them use to. Seattle’s Fin records have given the Purrs a new home and this beauty is a taste of their album due next year.
Rotting On the Vine:
stream: Rotting On the Vine
14. Seapony – Falling (Hardly Art)
Funny how Seapony’s second album is better than their first and yet last year they were number one in my Seattle albums and now they’re number 14. It might be because Falling was more of the same only better or it might be because I’m capricious. They may have slightly fallen out of fashion, but this record will be considered a Sarah-esque classic in a few years. Too bad it takes obscurity for some people to really appreciate things.
Prove To Me:
15. Stephanie – One Glove (Self-released)
Stephanie sound like they could have been on Factory records back in the early 80’s. They employed Erik Blood to record One Glove, but it sounds like they got Martin Hannett from the grave instead. Stephanie employ sparse, jaggedy steely guitars that are part Magazine and part Durutti Column and a singer that some might say is an acquired taste but they make it work quite well.
stream: One Glove
Tags: Tea Cozies
It’s been about three years since the Tea Cozies’ Hot Probs album. Maybe you thought the Seattle band was dead or at least in purgatory. Maybe they were, but their new five song EP sees them back from the dead, or just plain back with a new EP called Bang Up. The Cozies have a razor sharp eye for a pop hook, and they’ve honed it during their time away. Their former UK pop leanings have been grafted with some Throwing Muses, Blake Babies and Tuscadero.
The two stand-out songs on the EP act as book-endeds. The first song Muchos Dracula is a swirling tempest (resisting urge to say in a teapot here) of a song. Its organ sounds like it was plucked from either a 50’s horror movie or 60’s garage band and is backed by a quality guitar riff and topped off with effortlessly cool vocals. It may have a Halloween themed title, but this is no mere disposable holiday fare. Muchos Dracula transcends blood, garlic, and even stakes through the heart. Bring it out for any party. Guaranteed to get the kids moving. Final song Silhouette In a Suitcase begins with a church like organ and is a soulful ode to time traveling to see your favorite bands in their prime. I don’t know about you, but I’m sick of these reunion tours where weight has been gained, hair has thinned and energy has been sucked. Every rock kid’s dream is not to see a reunion, but to have been there when it actually happened.
Tea Cozies are happening now. Their EP release show is this Saturday, 27 October at the Columbia City Theater. Also on the bill are Erik Blood, Kithkin and Charms.
mp3: Tea Cozies – Muchos Dracula (from the Bang Up EP) – You can download the song at the Tea Cozies’ Bandcamp.
Tags: Boat, Charles Leo Gebhardt IV, Dutchess & the Duke, Erik Blood, Intelligence, Naomi Punk, Nightgowns, Tea Cozies, The Purrs, Visqueen
Something that has never happened in my life happened this year. I have never lived anywhere where I can honestly say that my top three favorite records of the year came out of the city in which I reside. It’s been an honor, and a delight to live in Seattle this year because I have had the opportunity to see the Intelligence, BOAT and Erik Blood more times than I can count. Usually, if you’re lucky you might get one chance to see your favorite band come through your town for a gig. I have had that opportunity time after time and have tried to take advantage as many times as possible. Every one of those shows was blast, and as good, if not better than their respective records.
There were so many good records that were put out by bands from the Pacific Northwest that it really was an embarrassment of riches. It was tough narrowing this list down to ten, and any of the the honorable mentions at the end of the list were likely on this list at some point during the year. So thanks Seattle and thanks to all these records for making this year pretty darn amazing.
1. Intelligence – Fake Surfers (In the Red)
Smart guy Lars Finberg must be a tortured soul. He can write as good a song as anybody else, but he likes to sabotage his creations with strangeness. Listening to an Intelligence record, you immediately realize all is not right, and that is exactly what makes this band and this album so great. The record is packed with weird sounds, weird songs and inside jokes. That’s probably not a good way to describe my favorite record of the year, but you’ve got to work a little to enjoy it. The Intelligence don’t make records for people who like the obvious. Fake Surfers has just enough of the obvious to draw you in, but it was the strangeness of it that kept me in. A good example of this is the song Warm Tranfers, which sounds like a drunk Dean Martin singing while tied down a couple leagues somewhere in Lake Union. Besides releasing Fake Surfers, this year we got two albums from the Intelligence. I know dyed in the wool lo-fi purists preferred the other album Crepuscule Avec Pacman, which was essentially Finberg by himself at his claustrophobic best, but I thought the wider, more spacious and thought out Fake Surfers was a huge leap forward for the band.
2. BOAT – Setting the Paces (Magic Marker)
Of BOAT’s three albums Setting the Paces is the funnest. It’s like super-sized BOAT containing the same ingredients of the first two records, but just more of it. Add in better songs and better production and you’ve got busting out of their underachiever cocoon. They’re still singing about seemingly strange things like Giant Centipedes, tractor beams, drinking diet cola and sleeping in pajamas that are too small, but the songs and production are so much improved that the record just pops out of your stereo. The choruses are so big and undeniable, I’ve found myself in the car by myself belting them out. Setting the Paces is BOAT, no longer content with the underachiever moniker, laying all out, going for it, and totally succeeding.
3. Erik Blood – The Way We Live (Self-released)
This was nearly my number one for last year, but since it was not officially released until this year I sat on it. The Way We Live definitely has staying power, it has been in constant rotation around here all year and nothing on it has gotten old. Erik Blood was in the Turn-Ons who seem to be on an indefinite hiatus. He always contributed a song or two to each Turn-Ons album, but nothing that really prepared me for this tour de force. Blood is obviously is a fan of a lot of the shoegaze bands that were all the rage in the early 90’s, but he seems to effortlessly add a touch of soul to his songs that put them on some other plane. The final song on the record does something I have never heard before, combining shoegaze with soul into to something that sounds so natural and right. It’s an amazing song and leaves me with shivers up my spine every time I hear it. When was the last time a record did that to you?
4. Charles Leo Gebhardt IV – Unfaithful (GGNZLA)
Charles Leo Gebhardt plays in the Unnatural Helpers, Idle Times and probably a few other bands I don’t know about. He also has a solo gig and Unfaithful was the first fruits of that endeavor. It’s only five songs but every one of them is so good that he makes an impression in a very short amount of time. Unfaithful is pretty straightforward minimalist, low key guitar pop, but the songs have an antique feel to them in a similar vein of Girls that will make you swear you’ve heard them somewhere before.
mp3: King of the Mountain
5. Tea Cozies – Hot Probs (So Hard)
The Tea Cozies are a Seattle band with UK pop sensibilities. The pop charms of Kenickie, Sleeper and Elastica are not lost on this lot. Hot Probs comes smoking out the gate with songs that will have you checking to see where the heck this record was made. Oh, Erik Blood is producing. Heard of him. For a name that is so cute sounding, the Tea Cozies have attitude in spades and the songs to back it up. These ladies (and one guy) rock!
mp3: Like Luca Brasi
6. Visqueen – Message to Garcia (Local 638)
Speaking of Girls that rock, Rachel Flotard is pretty much synonymous with the term. She has had her band Visqueen boxed away in bubble wrap for the last few years while she took care of her ailing father. The bubble wrap is off and Visqueen are back with an album that doesn’t take it’s foot off the accelerator. Even the songs with violin, cello and horns rock like nobody’s business. Back in the 70’s girls screamed for Robin Zander and Cheap Trick. Here in Seattle in the 00’s boys are screaming for Rachel Flotard and Visqueen, or at least they should be.
mp3: Hand Me Down
7. Nightgowns – Sing Something (Self-released)
The Nightgowns who were formerly known as the Elephants sound like they could be on Morr, the German label known for dreamy, electronic pop that you can kind of dance too. Sing Something is chock full of songs that have buzzing, humming, blipping and squelching synthesizers over top of them. More importantly it contains some excellent pop songs done in damp, grey, melodramatic, maudlin fashion. Sing Something will keep you on your toes throughout with it’s slightly sad and slightly punchy songs.
8. Purrs – Amused Confused and More Bad News (Self-released)
I like to think of the Purr’s as Seattle’s resident spaced-out cowboys. Their songs sound part gunslinger blues and part spacey guitar jams. The twin effects-laden guitar attack topped off with Jima’s cool disaffected voice make everything the Purrs do sound drop dead cool. Amused Confused and More Bad News was less immediate than their previous outings, revealing it’s charms only after repeated listens, but in the end it was just as worthy.
mp3: Fear of Flying
9. Dutchess & the Duke – Sunset/Sunrise (Hardly Art)
This record was kind of like the Purrs record for me. It wasn’t as immediate as their first album, but after repeated listens the onion started to peel. Where She’s the Dutchess took a punk attitude to 60’s folk and re-formed it into something familiar yet foreign, Sunset/Sunrise continues along that trajectory, but delves deeper, embracing it without irony. The songs are slower, but no less engaging, they just take a little longer to get to know. Many bands are mining the 60’s motherload for inspiration, or just plane ripping it off, but the Dutchess and the Duke have taken that same inspiration, run with it, and turned it into something uniquely their own.
10. Naomi Punk – S/T (Self-Released)
Mysterious band, mysterious record. Full of Oh Sees style riffs, but slowed down which gives them a slightly euphoric feel. This is truly blissed out cave stomp rock and roll. Back in the 60’s every Pacific Northwest garage band that was worth its salt did a version of Louie Louie. I would love to hear Naomi Punk’s version. It would likely be slowed way down, like listening to a 45 at 33 rpm. The vocals would be buried so low in the song that you would barely be able to make out the melody and it would sound so huge that it would make your eardrums burst.
Other Seattle/PNW records that got a lot of my attention this year:
Black Whales – Origins | Desolation Wilderness – New Universe | Eat Skull – Wild and Inside | Grand Archives – Keep In Mind Frankenstein | Green Pajamas – Poison In The Russian Room | Hotels – Where Hearts Go Broke | Intelligence – Crepuscule Avec Pacman | Karl Blau – Zebra | Ragedy Anns – ST | Say Hi – Oohs & Aahs | Scraps – ST | Sea Navy – Memory Matches | Spits – IV | Young Fresh Fellows – I Think This Is