Albums of 2016

December 27, 2016 at 7:00 am | Posted in Albums, Lists, Music | 2 Comments
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bentcousin2016
1. Bentcousin – Bentcousin (Team Love)
I was genuinely surprised this record did not get more recognition, but maybe the world no longer pines for wonderful pop records? The Orange Juice meets St. Etienne album had it all, including a dynamite Dino Jr cover.

chook
2. Chook Race – Around the House (Tenth Court/Trouble In Mind)
A lot of people still worship at the alter of Flying Nun. If you are one of those folk then I’m sure you were bowing down to this record all year. Best jangle pop album since the Bats’ Fear of God.

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3. Whyte Horses – Pop Or Not (CRC)
Another record that seems to have flown under the mass media radar. Shame, because it is classic sounding stuff that shares a love of Stone Roses, Broadcast and Free Design.

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4. The City Yelps – Half Hour (Odd Box / Emotional Response)
A noisy little thing full of piss and vinegar that had the lo-fi sensibilities of a Boyracer album and great story telling of Animials that Swim.

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5. Field Music – Commontime (Memphis Industries)
The Brewis brothers released their best record yet, heck even Prince liked it.

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6. Terry Malts – Lost at the Party (Slumberland)
The Bay area’s Terry Malts struck pop-punk gold on album number three where they combine old school punk like 7 Seconds with post punk wonder of the Chameleons. Every song is a killer sing-along anthem.

woods
7. Woods – City Sun Eater In the River of Light (Woodsist)
Sometimes you lose track of a band after they release LP after LP of similar sounding music. On Sun City Eater the band incorporate African influences to brighten their sound and make a stand out record.

goon
8. The Goon Sax – Up To Anything (Chapter)
Brisbane teen band who count Louis Forster the son of the Go-Betweens’ Robert Forster as a member got a lot of attention for that mere fact. Due to the album contained top quality indie pop akin to Beat Happening and the Pastels the attention kept coming all year.

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9. Cold Pumas – The Hanging Valley (Faux Discx)
Moody post-punk that was a perfect soundtrack to this year of the winter of our lives.

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10. Monomyth – Happy Pop Family (Mint)
Velvet Underground, the Byrds and fellow countrymen Sloan all figure into the recipe for this sublime and understated album.

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11. Kikagaku Moyo – House in the Tall Grass (Guruguru Brain)
These Japanese renaissance men paint from a pallet of folk, psych and prog that meanders into dark fantastic places and then blasts out them into dry canyons on the California coast.

lithics
12. Lithics – Borrowed Floors (Water Wing)
This Portland band’s tightly wound, minimalist songs on Borrowed Floors always find their groove and then shatter floor.

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13. Witching Waves – Crystal Cafe (Soft Power/HHBTM)
The sophomore album is chock full of swirling, jagged songs with ambient interludes. A perfect combination of rough and smooch.

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14. The Pooches – The Pooches (Lame-O)
I love bands that write songs about obsessing about records and the Pooches Heart Attack is perfect in that regard. Combine that with a lazy southern jangle that reminded me of REM and you have a great album.

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15. The Finks – Middling (Milk)
If you combine the easy going erudite nature of the Lucksmiths with the down home comfort of label mate Courtney Barnett you have this wonderful record from Melbourne’s Minks.

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16. Real Numbers – Wordless Wonder (Slumberland)
Minneapolis’ Real Numbers finally release a full length album and their Television Personalities meets Buddy Holly inspired DIY pop is more then enough to fill two sides.

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17. Terry – Terry HQ (Upset the Rhythm)
Terry and the Shifters (they shared a split cassette release a few years ago) carry the Fall torch down under. Terry are the hippy-Pavement side of the coin and dial up just the right amount of dissonant yawp on their debut LP.

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18. Lion’s Den – Lion’s Den (Lazy Octopus)
Lion’s Den take their innate Swedish pop sensibilities and dirty them up with their brand of idiosyncratic garage rock, sounding sort of like the Intelligence meets Neil Armstrong.

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19. As Ondas – Mares (Jigsaw)
Shopping spin off band mine some early New Order veins and insert some Young Marble Giants to create a beautifully understated record.

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20. Snails – Safe in Silence (Self-Released)
I’m not going out on a limb by drawing a family tree that shows Snails at the tip of the Beatles, Kinks, Kevin Ayers, Kate Le Bon family tree.

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21. Radio Dept. – Running Out of Love (Labrador)
These guys work at a slow pace so every record feels like an event. With barely a guitar in the mix this event was their mellowest outing to date, but no less arousing or compelling.

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22. Proto Idiot – For Dummies (Bad Paintings)
I’m a sucker for any Television Personalities influenced band and these guys had me plunking down some cash for their smart UK garage punk.

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23. Omni – Delux (Trouble In Mind)
Delux caught me off guard with its tightly wound and spiraling guitars that reminded me of Joseph K and Magazine, yet there is a slick 80’s quality to their sound that also evokes mainstream bands like Flock of Seagulls and Thomas Dolby.

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24. His Clancyness – Isolation Culture (Maple Death)
A Classic Education’s Jonathan Clancy other band is a tour into a darker side of things. Book-ended by two excellent motorik tracks and stuffed with exquisite downtrodden pop reminiscent of East River Pipe and the Shins.

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25. Tyvek – Origin of What (In the Red)
Origin of What is not quite the tour de force that 2012’s On Tripple Beams was, but Kevin Boyer and crew still deliver. The scope is broader and their social consious punk rock addresses wider topics beyond their native Detroit. Extra points for including Tyvek Chant because every band should have their own chant.

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26. Rebel Kind – Just For Fools (Urinal Cake)
Ann Arbor/Ypsilanti group excels at jangly harmony filled wonder on their second album, combining influences like the Softies and Look Blue Go Purple.

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27. Verner Pantons – First Album (Curly)
The Paisely Underground is long gone, but its influence is lasting as evidenced in Portland’s Verner Pantons. Dusty psychedlia with a slight country tinge will remind many of the Syd Griffin and the Long Ryders.

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28. Kate Jackson – British Road Movie (Hoo Ha)
Former singer of the Long Blonds, Kate Jackson made this album years ago with ex-Suede guitarist Bernard Butler and there it sat until this year. Lucky for us that Kate decided to finish it. Jackson has a great voice and Butler’s guitar is a perfect compliment.

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29. Savak – Best of Luck In Future Endeavors (Comedy Minus One)
Once a punk always a punk and these punk veterans made one of the best politically aware records of the year. A soundtrack for taking to the streets!

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30. Lawrence Arabia – Absolute Truth (Flying Nun)
James Milne infuses his Harry Nilsson highly stylized pop with some dance beats and makes his best album yet.

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31. Ural Thomas & the Pain – Ural Thomas & the Pain (Mississippi)
Ural Thomas has been a fixture in the underground PNW soul scene going back to the 1950’s. This record hasn’t received the attention that Charles Bradley’s Changes has but it’s just as good if not better.

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32. Martha – Blisters In the Pit of Your Heart (Dirtnap)
UK sucre popsters deal in high fructose pop like Joanna Gruesome and Los Campesinos! It sounds better the louder you make it with power chords slapping you to attention and choruses that will make your head explode.

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33. Honey Radar – Blank Cartoon (What’s Your Rupture)
If you prefer your pristine pop savaged by distortion and difficulty then Blank Cartoon will put the cobwebs into your clarity.

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34. Puberty – Puberty (Born Bad)
Intelligence side project that sat in moth balls for a couple years. More tongue and cheek than the Intelligence with a decided nod to Tones on Tail, it may never have been said before, but this Puberty is fun.

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35. Hooton Tennis Club – Big Box of Chocolates (Heavenly)
Produced by Edwyn Collins, the sophomore LP from Hooton Tennis Club takes the good parts of Britpop and adds their laid back style for a winning volley that sustains itself into extra sets.

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36. Quilt – Plaza (Mexican Summer)
Quilt continue to hone their psych-pop on their third album and come up with their most consistent and satisfying record yet.

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37. Flyying Colours – Mindfullness (AC30)
Australian shoegazerrs who like extra letters also like extra tremelo. A classic sounding record that sits comfortably next to MBV, Chapterhouse and Slowdive.

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38. The Jangle Band – Edge of a Dream (Pretty Olivia)
Appropriately named Australians descending from the Rainyard and the Palisades, Edge of a Dream is a record you immediately feel comfortable with. Like an old friend you haven’t seen in years, but the conversation picks up like you saw each other yesterday.

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39. The Prophet Hens – the Wonderful Shapes of Back Door Keys (Fishrider)
Wonderful Shapes was not as immediate as the Prophet Hens’ debut, but it has a lasting power to it. More complex and varied, it continued to delight and surprise me throughout the year.

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40. Lake Ruth – Actual Entity (The Great Pop Supplement)
New York City’s Lake Ruth have an elegant baroque sound that feels a little bit like Broadcast meets Left Banke. Actual Entity was their debut album, yet it sounds like they’ve been at since the 60’s. A timeless sounding record with memorable songs.

2012: My Year In Records

January 3, 2013 at 11:29 pm | Posted in Albums, Best of, Lists, Music | 1 Comment
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Here’s the list of my favorite albums outside of Seattle for 2012. You may think it’s late, but you should know I got it done before the Russian New Year. Kevin Shields, you still have a few more days.

exlovers

1. Exlovers – exlovers (Young And Lost Club)

Exlovers had my favorite single of 2011 and now my favorite record of 2012. Their debut album is a dreampop masterpiece that was a long time coming from this London band. I didn’t think I would ever hear a record this accomplished after the shoegaze/dreampop heyday of the 90’s. I hope that this album being criminally ignored by nearly everyone does not deter this amazing band from persevering and making another one.

You’re So Quiet:

tyvek
2. Tyvek – On Triple Beams (In the Red)

This is an off the rails punk rock concept album about Tyvek’s hometown of Detroit and its urban blight slowly being turned back into an agrarian based metropolis. On Triple Beams sees Tyvek living up to the promise of their early singles and then exceeding it.

Wayne County Roads:

boomgates
3. Boomgates – Double Natural (Bedroom Suck)

The half sung half spoken delivery of Eddy Current Suppression Ring frontman Brendan Huntly may be an acquired taste for some, but combined with Steph Hughes’ sweet croon and songs that bring to mind the brilliance of the Go-Betweens Double Natural is a sure winner.

Flood Plains:

hospitality
4. Hospitality – Hospitality (Merge)

Hospitality effortlessly do cocktail jazz, indiepop and smooth pop, but you get the feeling that they are pulling their ideas from a larger pallet that includes some things that you wouldn’t expect like Steely Dan, Randy Newman and Todd Rundgren to name a few and that is what makes this record sound so familiar but different at once.

Eight Avenue:

FrankieRose
5. Frankie Rose – Interstellar (Slumberland)

Frankie Rose sloughed off the distortion and kicked it into hyperdrive on her second album. Slick space-age pop that I imagine if we still had a Space Shuttle program, would be playing in the cockpit on every lift off.

Night Swim:

Cate Le Bon
6. Cate Le Bon – Cyrk (The Control Group)

The Welsh chanteuse melded Velvet Underground with Kevin Ayers to come up with the best psychedelic record I heard all year.

Falcon Eyed:

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7. Cats on Fire – All Black Shirts to Me (Matinée)

Pop music rarely sounds this elegant and regal. All Black Shirts To Me is an assured jewel in the Cats On Fire crown.

It’s Clear Your Former Lover:

borednothing
8. Bored Nothing – Bored Nothing (Spunk)

Seems like anything coming out of Melbourne in 2012 was worthy. Fergus Miller’s (aka Bored Nothing) take on bedroom pop went from sad and introspective to blissed out dreampop. More than just another bedroom pop record and more than worthy.

Popcorn:

seapinks
9. Sea Pinks – Freak Waves (CF)

Girls Names drummer Neil Brogan is not only prolific, but talented as well. Sea Pinks third album is their best yet. Freak Waves is a jangly take on the classic Beach Boys model.

Lake Superior:

lawrence-arabia
10. Lawrence Arabia – The Sparrow (Bella Union)

New Zealand’s James Milne knows how to do orchestral pop. The Sparrow is his third album as Lawrence Arabia and it’s a moody, pensive and playful feast of the ears.

The Bisexual:

terry-malts

11. Terry Malts – Killing Time (Slumberland)

San Francisco punks delivered a debut record full of blitzkrieg pop. Every song is no holds barred sing-along sweaty mosh pit.

Nauseous:

Baddat
12. Bäddat För Trubbel – Värdighet (Punks Only)

Not speaking a word of Swedish did not stop me from loving Bäddat För Trubbel’s second album. They employ influences like Eddy Current Supression Ring and Blumfeld and they aren’t afraid to have a guy who plays saxophone the band. True punks!

Det här jobbet:

intelligence
13. The Intelligence – Everybody’s Got It Easy But Me (In the Red)

Mad thinker Lars Finberg upped and moved his band from Seattle to LA. The only thing I can complain about is that they don’t play Seattle as much any more. Otherwise, the Intelligence deliver another fractured masterpiece.

Techno Tuesday:

deeptime

14. Deep Time – Deep Time (Hardly Art)

Formerly known as Yellow Fever, Austin, Texas duo Deep Time’s self-titled first album after their rechristening is a pure minimalist’s delight.

Bermuda Triangle:

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15. Gap Dream – Gap Dream (Burger)

Gabe Fulvimar’s Gap Dream is a wonderful debut. Kind of a psychedelic droner’s pop paradise.

Feast of the First Morning:

parquetcourts

16. Parquet Courts – Light Up Gold (Dull Tools)

Parquet Courts deliver a taut cow punk record out of seemingly nowhere. The proverbial new kid in town Andrew Savage formerly of Fergus & Geronimo moved to Brooklyn, started a new band and came up gold.

Yonder is Closer to the Heart:

Eternal-Summers

17. Eternal Summers – Correct Behavior (Kanine)

Eternal Summers seem to grow leaps and bounds with each release and Correct Behavior continues their upward trajectory. Nicol Yun’s songs get better and bigger sounding and when she lets the drummer have some like on Girls In the City it’s like the frosting on the cake.

Millions:

theseesee
18. The See See – Fountayne Mountain (The Great Pop Supplement)

The See See go on a wondrous psychedelic tour de force on their second album. Fountayne Mountain is the sound of a band peaking. Drug reference intended.

Automobile:

supervacations
19. Super Vacations – Heater Pt. II (Funny Not Funny)

I love how after I listen to this album I feel like I have to wash the filth from body. Richmond, Virginia’s Super Vacations know the ins and outs of getting down and dirty and this record is an expressway to those dirty depths.

Faded Leather Jacket:

popsingles
20. Pop Singles – All Gone (Vacant Valley)

More Melbourne goodness in this year’s list. Pop Singles’s debut record was an unexpected surprise and the best heart-on-the-sleeve-jangle-pop record of the year.

All Gone:

toughshits

21. The Tough Shits – The Tough Shits (Burger)

Don’t let Philadelphia’s Tough Shits fool you. They want you to think that they’re a bunch of irreverent slackers, but their mothers know that their tender pop loving hombres and this record is all the proof you need.

Cats and Dogs:

ThisManyboyfriends
22. This Many Boyfriends – This Many Boyfriends (Angular)

The debut album from Leeds’ This Many Boyfriends is love song to records, love songs and misfits. Sometimes songs that are meant to be funny wear off quickly, but this album isn’t too funny for its own good. It’s merely poignant.

Tina Weymouth:

strategy
23. Strategy – Strategy (Peak Oil)

Portland, Oregon resident Paul Dickow has many personas. His album using the Strategy moniker was a playful take on electronic music that took notes from Ultramarine and Yello in the way it incorporated pop songs with dub, kraut and weird.

Sugar Drop:

GrassWidow
24. Grass Widow – Internal Logic (HLR)

San Francisco trio Grass Widow finally embraced their full pop-selves on album number three. Internal Logic was brilliant for the way it juxtaposed minimalist instrumentation with lush harmonies.

Milo Minute:

PeoplesTempleMoreLP300
25. Peoples Temple – More for the Masses (Hozac)

Either I’m still drinking the Kool-Aid or Lansing, Michigan’s Peoples Temple are. Their second album ups the dose and rattles the psyche. The Rolling Stones’ Their Satanic Majesties Request was a good psychedelic record. Peoples Temple start with that blueprint and out psych the Stones and everyone else for that matter.

Nevermore:

chainandthegang
26. Chain and the Gang – In Cool Blood (K)

On Chain and the Gang’s third album leader Ian Svenonius gets a little more playful. He shares vocals with new member Katie Alice Greer and records the entire thing in mono. Kind of throwback but these ears, timeless.

Free Will:

crushedstars
27. Crushed Stars – In the Bright Rain (Simulacra)

In the Bright Rain lives under gray skies and rains down melancholia and cascades of guitars to beautiful effect. Being lonely, sad and out of sorts hasn’t sounded this good since the At Swim Two Birds album back in 2009.

Brighter Now:

prissyclerks
28. Prissy Clerks – Bruise Or Be Bruised (Forged Artifacts)

The debut album from this Minneapolis was a sweet bite of 90’s indierock slathered with twee and powerpop condiments. Sweet, sour and definitely hot!

Death Wish:

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29. Literature – Arab Spring (Square of Opposition/Austin Town Hall)

Former Austin and now Philadelphia band Literature are well read in the details of adrenaline fueled jangle pop. They deliver a wide eyed beauty in their debut album Arab Spring.

Push Up Bra:

macdemarco
30. Mac DeMarco – Mac DeMarco 2 (Captured Tracks)

On his second album, Montreal’s Mac DeMarco delivers a batch of skewed guitar pop gold. He seems be to posses the songwriting sensibilities of Nilsson, Lennon, Ayers and T Rex and he may be just as eccentric as them too.

Cooking Up Something Good:

Singles of the Year Countdown: 20-11

December 20, 2011 at 10:44 pm | Posted in 7 inch, Lists, Music, Vinyl | 3 Comments
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The 7-inch single has been around since 1949. That’s 62 years and counting! In my humble opinion the 7-inch single is still the essence, pinnacle and acme of pop perfection. Optimally, it’s one song, one side (Some try to squeeze on more). That’s no room for screwing up. You always hear that releasing a 7-inch is a money losing proposition, but that thankfully, doesn’t keep pop geeks from doing it. In honor of true blue pop geek vinyl junkies out there, here is the third installment of the annual Finest Kiss top 40 7-inch singles countdown.

11. Wax Idols – All Too Human (Hozac)
All Too Human exudes attitude, which doesn’t mean shit if you don’t have a song to back it up. No problem in that category either.  Wax Idol’s debut single with it’s knifing guitars and big hooks immediately made me a fan. Yes I can get sucked in that easily.
mp3: Wax Idols – All Too Human


12. The Silver Factory – The Sun Shines Over You (Elefant)
Part classic Scottish pop like early Primal Scream, Teenage Fanclub and the Pastels, part Stone Roses and all Byrds (and a little Monkees too), the Silver Factory’s debut single was four songs of near pop perfection.
mp3The Silver Factory – The Sun Shines Over You


13. Terry Malts – I’m Neurotic (Slumberland)
Terry Malts are punks. They’re also pop geeks. This single came out of nowhere and cut to the quick. No filler. I’m Neurotic, Distracted and Where Is the Weekend? all kick sand in your face. I don’t remember sand in the face feeling this good.
mp3Terry Malts – I’m Neurotic


14. Hausu – She’s a Babe (LebenStrasse)
I kind of think of Portland’s Hausu as contemporaries of Seattle bands like Craft Spells, Sea Pony and Stephanie. Kids inspired by obscure bands (Orange Juice is an obvious reference here) that happened long before they were born.  Who says kids don’t know any history these days?
mp3: Hausu – She’s a Babe


15. Grass Widow – Milo Minute (HLR)
Grass Widow demonstrate their uncanny ability to simultaneously sound laid back and tightly wound. Milo Minute is their own, but it fits perfectly with their covers of  two punk classics the well known (Wire’s Mannequin) and the not so well known but equally good Neo Boys’ Time Keeps Up.
mp3: Grass Widow – Milo Minute


16. Whirr – Junebouvier (Tee Pee)
This might be some kind of record for me. We’re at number 16 and there hasn’t been a shoegaze song in the countdown. There, that’s fixed.
mp3Whirr – Junebouvier


17. Dizzy Eyes – Let’s Break Up the Band (Hardly Art)
I love a good mystery. Vancouver, BC’s Dizzy Eyes released a single single and then there were rumors of the singer being deported. Could it all have been an elaborate scheme?  Release a single live it out and then disappear, it’s been known to happen.
mp3Dizzy Eyes – Let’s Break Up the Band


18. The British Public – Bears (Tip Top)
There were a ton of bands that were aping the 90’s in some form or other this year. At first it was like candy and then it was like too much candy. Not the case with the British Public. I still can’t get enough of Ba Ba Ba Ba Bears!
mp3The British Public – Bears

19. Allah-Las – Catamaran (Pres)

On first listen you might file this one away as garage rock, but it’s just too damn hi-fi to be garage. Recorded by Nick Waterhouse (who we’ll be hearing from again on this list I suspect), no record sounded better than Catamaran blasting from my stereo this year.
mp3Allah-Las – Catamaran


20. Ketamines – Line By Line (Hozac)
This song is like a drug, oh wait, I think it’s about drugs. Line By Line sounds like a twee version of the Intelligence (on drugs). I can’t really think of a better compliment than that.
mp3Ketamines – Line By Line

Full Time Punks: Wax Idols, Terry Malts and Wimps at the Funhouse

November 13, 2011 at 11:10 am | Posted in Funhouse, Gigs, Music, Seattle | 2 Comments
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Funhouse, Seattle, 10 November 2011:

One of the best punk albums to come out this year is Wax Idols‘ No Future.  The Oakland, California band’s debut is influenced by late 70’s early 80’s classic punk period bands like the Buzzcocks, and the Avengers. What makes it so great is that it isn’t just punk by numbers. The record is enhanced with a gothic influence that makes it not only rock, but haunt as well. It’s got punk style anthems with call response choruses, but it also has lighter side that is plain old classic pop. Wax Idols is band in name but really the moniker for the songs of the intense, passionate and always entertaining Heather Fortune.
Live Wax Idols are a four piece band with an all girl front line of guitars and bass and a guy on drums. Fortune demonstrated disaffected confidence as she and her band delivered punk their punk anthems fast and hard with barely a breath or word between songs. Even with a second guitarist, Fortune still played all the lead parts. Only putting down her guitar for their final song when the band was joined by Terry Malts guitarist Corey Cunningham for a cover of Christian Death‘s Romeo’s Distress. This allowed her to become more animated, grabbing a bar across the top of the stage and lean out toward the audience. If there were more people packed close to the stage I bet she would have dove into them. Fortune obviously know her history. She has even taken a punk moniker in changing her last name from the given Fedewa to Fortune the way so many of  the legendary punks of the past. Wax Idols are a product of the rich west coast punk history that remains largely unexplored by today’s current scene and they  give good cause to keep those history books up to date.

stream: Wax Idols – Dead Like You (from No Future on Hozac)

Wax Idols are on tour with fellow Oaklanders the Terry Malts. Prior to becoming a punk trio they were the Magic Bullets. After some kind of catharsis they saw the punk light and haven’t looked back. They crashed through their highly melodic catchy Ramones like set. It was fun, but would have been more fun if there had been a pit of sweaty punks slamming. That goes for the Wax Idols set too. Hopefully if both bands keep at it they’ll start to draw enthusiastic crazy tatood punks the way the Spits and Thee Oh Sees do.


Stream: Terry Malts – Something About You (from the 7 inch on Slumberland)

The first band of the night was Seattle’s Wimps. Wimps are pretty new (so new they don’t even have a web site), but the band is made up of veterans. Singer and guitarist Rachel Ratner also fronts the duo Butts and is a member of Partman Parthorse. Bassist Matt Nyce is in Consignment who have just released their first album on GGNZLA. I don’t know if drummer Dave Ramm has another current band but he was a former drummer for the Intelligence, which is kind of like saying he was a former guitarist in the Fall. Wimps kind of sound like Ratner’s other band Butts mainly because she sings and plays guitar in both, but Wimps aren’t as jokey. Super catchy short punk songs with crisp guitar that sounds like it is influenced by early 80’s Dischord records. Good stuff.

I didn’t stick around for all of the final band Dude York. They’re from Seattle too. Their first song was called Fuck City and it occurred to me while they were playing it that Fuck City is a much better name for a band than Dude York.  They kind of reminded me of  Too Much Joy with their jokey banter and revved up power pop.

Terry Malts Sez

May 19, 2011 at 9:53 pm | Posted in 7 inch, Music, Mysteries, Singles | 2 Comments
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I wondered why the press release for the new Terry Malts single was so sketchy. All this stuff about them being mysterious and no one knowing who these enigmatic bay area punks were. It’s not like they’re wearing giant eyeballs on their heads when they play. So why the obfuscation? Are they trying to keep it a secret because their boss doesn’t like moonlighting? At first I thought it was a Weekend side project where they shoveled some dirt away from their melodies, but it turns out it’s a Magic Bullets side project where they shovel some dirt on top of their melodies.

Terry Malts are a trio of bullets who shed their Orange Juice affectations and don a punk rock leather jacket with Ramones and Redd Kross badges on it.  The Go-Betweens were never considered punks, but the chorus of Distracted is a dead ringer for Lee Remick.

mp3: Terry Maltz – Distraction (from their debut Slumberland single)

[audio http://home.comcast.net/~finestkiss3/chansons/TerryMalts-Distracted.mp3]

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