Albums of 2016

December 27, 2016 at 7:00 am | Posted in Albums, Lists, Music | 2 Comments
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bentcousin2016
1. Bentcousin – Bentcousin (Team Love)
I was genuinely surprised this record did not get more recognition, but maybe the world no longer pines for wonderful pop records? The Orange Juice meets St. Etienne album had it all, including a dynamite Dino Jr cover.

chook
2. Chook Race – Around the House (Tenth Court/Trouble In Mind)
A lot of people still worship at the alter of Flying Nun. If you are one of those folk then I’m sure you were bowing down to this record all year. Best jangle pop album since the Bats’ Fear of God.

whyteh
3. Whyte Horses – Pop Or Not (CRC)
Another record that seems to have flown under the mass media radar. Shame, because it is classic sounding stuff that shares a love of Stone Roses, Broadcast and Free Design.

cityy
4. The City Yelps – Half Hour (Odd Box / Emotional Response)
A noisy little thing full of piss and vinegar that had the lo-fi sensibilities of a Boyracer album and great story telling of Animials that Swim.

fieldmusic
5. Field Music – Commontime (Memphis Industries)
The Brewis brothers released their best record yet, heck even Prince liked it.

terrymalt
6. Terry Malts – Lost at the Party (Slumberland)
The Bay area’s Terry Malts struck pop-punk gold on album number three where they combine old school punk like 7 Seconds with post punk wonder of the Chameleons. Every song is a killer sing-along anthem.

woods
7. Woods – City Sun Eater In the River of Light (Woodsist)
Sometimes you lose track of a band after they release LP after LP of similar sounding music. On Sun City Eater the band incorporate African influences to brighten their sound and make a stand out record.

goon
8. The Goon Sax – Up To Anything (Chapter)
Brisbane teen band who count Louis Forster the son of the Go-Betweens’ Robert Forster as a member got a lot of attention for that mere fact. Due to the album contained top quality indie pop akin to Beat Happening and the Pastels the attention kept coming all year.

coldp
9. Cold Pumas – The Hanging Valley (Faux Discx)
Moody post-punk that was a perfect soundtrack to this year of the winter of our lives.

monomyth
10. Monomyth – Happy Pop Family (Mint)
Velvet Underground, the Byrds and fellow countrymen Sloan all figure into the recipe for this sublime and understated album.

kikagaku
11. Kikagaku Moyo – House in the Tall Grass (Guruguru Brain)
These Japanese renaissance men paint from a pallet of folk, psych and prog that meanders into dark fantastic places and then blasts out them into dry canyons on the California coast.

lithics
12. Lithics – Borrowed Floors (Water Wing)
This Portland band’s tightly wound, minimalist songs on Borrowed Floors always find their groove and then shatter floor.

witching
13. Witching Waves – Crystal Cafe (Soft Power/HHBTM)
The sophomore album is chock full of swirling, jagged songs with ambient interludes. A perfect combination of rough and smooch.

pooches
14. The Pooches – The Pooches (Lame-O)
I love bands that write songs about obsessing about records and the Pooches Heart Attack is perfect in that regard. Combine that with a lazy southern jangle that reminded me of REM and you have a great album.

finks
15. The Finks – Middling (Milk)
If you combine the easy going erudite nature of the Lucksmiths with the down home comfort of label mate Courtney Barnett you have this wonderful record from Melbourne’s Minks.

realnumbers
16. Real Numbers – Wordless Wonder (Slumberland)
Minneapolis’ Real Numbers finally release a full length album and their Television Personalities meets Buddy Holly inspired DIY pop is more then enough to fill two sides.

terry
17. Terry – Terry HQ (Upset the Rhythm)
Terry and the Shifters (they shared a split cassette release a few years ago) carry the Fall torch down under. Terry are the hippy-Pavement side of the coin and dial up just the right amount of dissonant yawp on their debut LP.

lionsden
18. Lion’s Den – Lion’s Den (Lazy Octopus)
Lion’s Den take their innate Swedish pop sensibilities and dirty them up with their brand of idiosyncratic garage rock, sounding sort of like the Intelligence meets Neil Armstrong.

asondas
19. As Ondas – Mares (Jigsaw)
Shopping spin off band mine some early New Order veins and insert some Young Marble Giants to create a beautifully understated record.

snails
20. Snails – Safe in Silence (Self-Released)
I’m not going out on a limb by drawing a family tree that shows Snails at the tip of the Beatles, Kinks, Kevin Ayers, Kate Le Bon family tree.

radiodept
21. Radio Dept. – Running Out of Love (Labrador)
These guys work at a slow pace so every record feels like an event. With barely a guitar in the mix this event was their mellowest outing to date, but no less arousing or compelling.

protoidio
22. Proto Idiot – For Dummies (Bad Paintings)
I’m a sucker for any Television Personalities influenced band and these guys had me plunking down some cash for their smart UK garage punk.

omni
23. Omni – Delux (Trouble In Mind)
Delux caught me off guard with its tightly wound and spiraling guitars that reminded me of Joseph K and Magazine, yet there is a slick 80’s quality to their sound that also evokes mainstream bands like Flock of Seagulls and Thomas Dolby.

hisclancy
24. His Clancyness – Isolation Culture (Maple Death)
A Classic Education’s Jonathan Clancy other band is a tour into a darker side of things. Book-ended by two excellent motorik tracks and stuffed with exquisite downtrodden pop reminiscent of East River Pipe and the Shins.

tyvek
25. Tyvek – Origin of What (In the Red)
Origin of What is not quite the tour de force that 2012’s On Tripple Beams was, but Kevin Boyer and crew still deliver. The scope is broader and their social consious punk rock addresses wider topics beyond their native Detroit. Extra points for including Tyvek Chant because every band should have their own chant.

rebelkind
26. Rebel Kind – Just For Fools (Urinal Cake)
Ann Arbor/Ypsilanti group excels at jangly harmony filled wonder on their second album, combining influences like the Softies and Look Blue Go Purple.

verner
27. Verner Pantons – First Album (Curly)
The Paisely Underground is long gone, but its influence is lasting as evidenced in Portland’s Verner Pantons. Dusty psychedlia with a slight country tinge will remind many of the Syd Griffin and the Long Ryders.

katejack
28. Kate Jackson – British Road Movie (Hoo Ha)
Former singer of the Long Blonds, Kate Jackson made this album years ago with ex-Suede guitarist Bernard Butler and there it sat until this year. Lucky for us that Kate decided to finish it. Jackson has a great voice and Butler’s guitar is a perfect compliment.

savak
29. Savak – Best of Luck In Future Endeavors (Comedy Minus One)
Once a punk always a punk and these punk veterans made one of the best politically aware records of the year. A soundtrack for taking to the streets!

lawarab
30. Lawrence Arabia – Absolute Truth (Flying Nun)
James Milne infuses his Harry Nilsson highly stylized pop with some dance beats and makes his best album yet.

ural
31. Ural Thomas & the Pain – Ural Thomas & the Pain (Mississippi)
Ural Thomas has been a fixture in the underground PNW soul scene going back to the 1950’s. This record hasn’t received the attention that Charles Bradley’s Changes has but it’s just as good if not better.

martha
32. Martha – Blisters In the Pit of Your Heart (Dirtnap)
UK sucre popsters deal in high fructose pop like Joanna Gruesome and Los Campesinos! It sounds better the louder you make it with power chords slapping you to attention and choruses that will make your head explode.

honeyradar
33. Honey Radar – Blank Cartoon (What’s Your Rupture)
If you prefer your pristine pop savaged by distortion and difficulty then Blank Cartoon will put the cobwebs into your clarity.

puberty
34. Puberty – Puberty (Born Bad)
Intelligence side project that sat in moth balls for a couple years. More tongue and cheek than the Intelligence with a decided nod to Tones on Tail, it may never have been said before, but this Puberty is fun.

hooton
35. Hooton Tennis Club – Big Box of Chocolates (Heavenly)
Produced by Edwyn Collins, the sophomore LP from Hooton Tennis Club takes the good parts of Britpop and adds their laid back style for a winning volley that sustains itself into extra sets.

quilt
36. Quilt – Plaza (Mexican Summer)
Quilt continue to hone their psych-pop on their third album and come up with their most consistent and satisfying record yet.

flyying
37. Flyying Colours – Mindfullness (AC30)
Australian shoegazerrs who like extra letters also like extra tremelo. A classic sounding record that sits comfortably next to MBV, Chapterhouse and Slowdive.

jangle
38. The Jangle Band – Edge of a Dream (Pretty Olivia)
Appropriately named Australians descending from the Rainyard and the Palisades, Edge of a Dream is a record you immediately feel comfortable with. Like an old friend you haven’t seen in years, but the conversation picks up like you saw each other yesterday.

prophet
39. The Prophet Hens – the Wonderful Shapes of Back Door Keys (Fishrider)
Wonderful Shapes was not as immediate as the Prophet Hens’ debut, but it has a lasting power to it. More complex and varied, it continued to delight and surprise me throughout the year.

lakeruth
40. Lake Ruth – Actual Entity (The Great Pop Supplement)
New York City’s Lake Ruth have an elegant baroque sound that feels a little bit like Broadcast meets Left Banke. Actual Entity was their debut album, yet it sounds like they’ve been at since the 60’s. A timeless sounding record with memorable songs.

Hold These Sweaty Hands

March 7, 2016 at 8:56 pm | Posted in Music | 1 Comment
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goon sax

In Australia a goon sack is the membrane inside box wine. Box wine not having the reputation for quality, gets purchased not to be appreciated, but to get wasted and conveniently after you’ve drank it all the sack can be used as pillow.  The Goon Sax are a Brisbane trio of underagers that probably have to get their older friends to buy box wine for them or maybe they get paid for gigs in box wine.

Funny in-joke name aside, the band have some other qualifications like their songs and Robert Forster’s son Louis is a member. He and his buddies James Harrison and Riley Jones may be young in years, but they make a sublime catchy racket that belies their age. Obviously fans of Jonathan Richman, the Lucksmiths, Feelies and the Pastels the Goon Sax debut album is full of jangly fun that could only be created by a bunch of kids young enough not to know better. In a few years they’ll probably be too self-conscious to write songs about getting a haircut to look like Roger McGuin, Edwyn Collins and David Byrne or worrying about holding sweaty hands.

Knowing that the progeny of a Go-Between is in the band will have you comparing a song like Susan with Karen or Lee Remick, and you’re sure to find some similarities. After that’s caught your attention though, the Goon Sax have more than enough qualities that set them on their own path like their sweet naivety, Harrison’s touching little anecdotes that are part Jonathan Richman and part Paul Kelly, and their ability to write a chorus that will stick with you long after you’ve taken off your headphones.

The Goon Sax Up To Anything is out on Chapter Music in Australia.

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