A Belated List: Top 40 7-Inch Singles of 2014

If they keep putting them out, I’ll keep buying them and counting them down. Here’s my take on the 2014 singles scene. You don’t need eharmony to find a great single, just peruse this list.

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1. Wildhoney – Sixteen Forever (Photobooth)
Baltimore band’s second single is even better than their first. Effortlessly great shoegaze. Look out for their debut LP early in 2015.

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2. Charles Bradly & LaRose Jackson – Luv Jones (Daptone)
This one came out of nowhere and flew under most everyone’s radar. Charles Bradly and LaRose Jackson sound great together and the flip side has him sounding a bit like the Specials. A certified classic.

Primetime
3. Primetime – Tied Down (La Vida Es Un Mus Discos)
UK group influenced by Wire and Elastica, only they don’t steal riffs. Solid debut single that indicates greatness.

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4. Primitives – Spin-O-Rama (Elefant)
Classic 60’s inspired, sunny psychedelic single.The Primitives stormed back on the scene with this record.

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5. Giorgio Murderer – Primitive World (Goner)
Buck Biloxi’s alter ego obsessed with Star Trek. Insanely insane.

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6. Day Ravies – Hickford Whizz (Beko)

Day Ravies move beyond their shoegaze roots and move into full pop bloom.

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7. Bent Cousin – Dizzy (Team Love)

Twins from Brighton mix a little bit of rap with indiepop. It shouldn’t work but of course it does since it’s right here at number seven.

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8. Gurgles – You Send Me Up (Saltaire)

Gurgles take Steely Dan and Prefab Sprout and turn it up so that it bleeds out of your headphones.

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9. Pang – Young Professionals (Grazer)

Bay area young professionals second single is glamorous sounding, jagged, Wire influenced brilliance.

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10. Primitive Parts – Open Heads (Sexbeat)

Members of Male Bonding and Sauna Youth, Primitive Parts excel in jangly power pop that reminds me of Modern Life Is Rubbish era Blur. Strong!

g1atgg
11. Girl One and the Grease Guns – Bashed Beaten & Broken (Squirrel)

Alter egos of the Manhattan Love Suicides deal in old drum machines, synths and detached vocals with decided industrial slant.

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12. Suburban Homes – The Suburban Home EP (Market Square)

Mysterious punks from the suburbs on written by Paul Messis and on Paul Messis’s label. Raw angry and very good.

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13. Close Lobsters – Kunstwerk in Spacetime (Shelflife)

The return of the Close Lobsters was a wonderful sound to behold.

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14. Courtneys – Mars Attacks (Hockey Dad)

The second single in this year’s countdown to feature a rap. Vancouver’s Courtneys follow up last years great debut with more of their good thing.

mantles
15. The Mantles – Memory (Slumberland)

The Mantles seem to be able to effortlessly write these dusty Byrdsian gems.

juniore
16. Juniore – La Fin Du Monde (Enterprise)

Suave, spaghetti-French pop that pulls in some Limiñanas along with a bit of Françoise Hardy.

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17. Crimson Wave – Say (Accidental Guest)

Former Wild Honey singer goes two for two with bands and singles. Her new band Crimson Wave is off to an auspicious start with this Scrawl influenced record.

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18. Flesh World – A Line In Wet Grass (Iron Lung)

Jess Scott, formerly of Brilliant Colors fronts Flesh World. A Line in the Wet Grass is a maelstrom with a pop song in the middle just struggling to escape.

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19. Slum of Legs – Begin To Dissolve (Tuff Enuff)

Slum of Legs combine dissonance and melody into a delicious stew topped off with a violin chaser.

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20. Hierphants – Nothing Neu (Goodbye Boozy)

Featuring members of Ausmuteants and Frowning Clouds,  you might expect Hierphants to sound like a garage band with Devo leanings and you would be right. Nothing Neu, but good nonetheless.

kingtears
21. King Tears Mortuary – Grease Trap (Vacant Valley)

Power pop from Sydney that recalls southern fried college rock from the 80’s. Surprised Mitch Easter didn’t have a hand in this.

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22. Ubertrager – Neben Mir (Great Pop Supplement)

Amazing how much this sounds like Broadcast. Otherworldly!

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23. Institute – Giddy Boys (Kartorga Works)

Debut single from Austin band sounding like their from Australia. The Austin Ausmuteants?

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24. Primitive Parts – TV Wheels (Faux Discx)

Primitive Parts make their second appearance in the countdown. Quality and quantity. Lookout for their debut coming later this year on Trouble In Mind.

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25. Dream Boys – Positive Arguments (White Iris)

Bluebells, Bif Bang Pow and Three O’Clock fans rejoice, Los Angeles’ Dream Boys follow up last year’s LP with more jangly goodness!

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26. Wimps – Distraction (Help Yourself)

Short, sharp punk from Seattle’s slackers in chief.

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27. Kelley Stoltz – Cross Your Mind (Stroll On)

Stoltz keeps cranking out classic pop whether you like it or not. The guy’s a machine. Dig the ode to Echo & the Bunnymen xylophone solo too.

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28. When Nalda Became Punk – Indiepop Whatever (Shelflife)

From Spain, but riding a wave of Swedish Pop, When Nalda Became a Punk feature jangly guitars and life affirming choruses.

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29. Woolen Men – Real FX (Loglady)

More tightly wound jangle from this Portland trio.

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30. Cheap Riot – Part Time Vacancy (Croque Macadam)

A great debut single from punk-party mods who remind me of Television Personalities and the Buzzcocks.

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31. Cavern of Anti-Matter – Total Availability And The Private Future (Peripheral Conserve)

The cover looks like something Jack Kirby might have drawn for the Fantastic Four back in the 60’s. Meanwhile Tim Gane continues his odes a future that never was.

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32. Paellas – Cat Out (Self-released)

The formerly moody Paellas, shake the lead out and get downright dancy. New direction 100 percent approved.

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33. Thigh Master – Head of the Witch (Tenth Court)

Jangly garage pop that is bound to not just to excite fans of Suzanne Somers but is likely to make fans of the Clean the Go-Betweens happy as well.

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34. Twerps – Back To You (Merge)

More Australian pop you say. Yes  they just keep coming. Sounding a little like the Moles in the intro, this one is the lead single from the upcoming LP.

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35. Tender Age – Anything (Track & Field)

Portland’s Tender Age evoke’s Felt’s Ignite the Seven Cannons. Dark and dreamy.

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36. Sleaford Mods – Loan Shark (Apocolypso)

A bit more glitchy and more experimental backing provides great backdrop for another rant.

heathers
37. Heathers – Fear (Death Party)

Single number two from this LA band delivers more hardy jangepop. The cool thing about them is how funnel their very English influences (Wedding Present) into a very American sound (Replacements).

menace-beach
38. Menace Beach – Tennis Court (Memphis Industries)

Dreamy female vocals over scuzzy male ones and scuzzy guitars that delivers with a nice big chorus. Just what you should expect from a great single.

ausmuteants
39. Ausmuteants – Felix Tried to Kill Himself (Goodbye Boozy)

Prolific Aussi synth punks crash the party with this blistering guitars and head flexing vocals.

dickdiver
40. Dick Diver – New Name Blues (Fruits & Flowers)

New Name Blues sounds a little more experimental and less straightforward than their usual strummy goodness, adding in some saxophone to keep things interesting.

December Top 10

1. Hookworms


The Hookworms have gone upwards at 45 degrees into double vegetation on their new album Hum. Smart move including last year’s excellent single Radio Tokyo on the album. The Leeds band keep on keeping on with their brand or crazy psych rants, only this time it’s crazier, psycier and rantier.

2. Dreamsalon

Seattle’s Dreamsalon recently unleashed their second album on the populous and as far as I can tell the world is all the more gloomier and paranoid for it. From the northern England by way of Seattle school post punk, their mix of the Fall, Bunnymen and Gang of Four is a concoction few have gotten right, but this band excels at.

3. Weak Boys

Sydney Australia’s Weak Boys do something that I wasn’t sure was possible. They’ve successfully combined the garage aesthetics of Eddy Current Suppression Ring, the pop smarts of Smudge and the clever lyrical bent of the Lucksmiths into their debut album Weekdays/Weekens. Not weak at all!

4. Fat Creeps

Must Be Nice the debut album from Fat Creeps came out this summer, but I didn’t finally discovered it until last month. A kid today would probably say they are similar to Bleached, No Joy and the Vivian Girls. An older fellow might compare them to Throwing muses, Breeders and Scrawl. All of those bands work as a jumping off point, but Fat Creeps take their influences and weave their own narrative.

5. Small Reactions

Atlanta’s Small Reactions write motorik pop songs without the use of computers or other futuristic machines. They use the classic guitar, bass and drums combination to create their propelling rhythmic pop. Their self-released debut album could be the brother of the Hookworms’ Hum, and deserves more attention than it’s received so far. Damn it’s a crowded world!

6. Unlikely Friends

The first fruits of  Unlikely Friends the collaboration between BOAT’s D. Drane and Math & Physics Club’s Charles Bert has finally arrived and it’s a 10 pound 3 ounce bundle of joy. Can’t wait to hear the siblings!

7. Ariel Pink


I’m not sure about Ariel Pink, not because of his alleged misogynistic comments related to Madonna, but because of his kitchen sink approach. His new album is all over the place. Put You Number In My Phone is brilliant understated pop, but don’t think for a moment that the album is full more of them. There are goth numbers, industrial numbers, circus numbers, commercial jingles, you name it. I get that it’s his act, but it makes for a disconcerted record, but at least it’s not boring. If you missed the 90’s and Denim then Pom Pom is Denim on Ice for your generation.

8. Be Forest at the Josephine, Seattle
be forest at the Josephine
The show that nearly didn’t happen. Italian dreampoppers Be Forest were in Seattle without a show to play, but the fine folks at the Josephine accommodated them and their tour mates Tennis System on late notice. A quartet on record, Be Forest were touring as a trio. They overcame a few sound problems to play an ethereal set that featured some nice guitar playing reminiscent of the style Julian Swales of the Kitchens of Distinction used to do, making it sound like there were two or three guitarists instead of just his one.

9. Thigh Master

Hailing from Brisbane, Thigh Master must have some knowledge of a certain band from that same city because there are similarities they have that certain band that are hard to ignore. The band’s first 7″ is three songs of bouncy, jangly, and slightly garagey pop that are bound to not just to excite fans of Suzanne Somers but of the Go-Betweens as well.

10. Lists
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Tis the season for lists. Best records, worst records, most mediocre records, best album covers, worst album covers, best reviews, best comments, best shows, you name it there is a list for it. Does anyone do a list of the best lists? Probably not, that would be kinda excruciating, not to mention redundant.