Tags: Andy Human, Boomgates, Evans the Death, exlovers, Golden Grrrls, Liminanas, Nick Waterhouse, Puberty, Radar Eyes, Still Corners
The 7-inch single has been around since 1949. That’s 62 years and counting! In my humble opinion the 7-inch single is still the essence, pinnacle and acme of pop perfection. Optimally, it’s one song, one side (Some try to squeeze on more). That’s no room for screwing up. You always hear that releasing a 7-inch is a money losing proposition, but that thankfully, doesn’t keep pop geeks from doing it. In honor of true blue pop geek vinyl junkies out there, here is the fourth and final installment of the annual Finest Kiss top 40 7-inch singles countdown.
1. Exlovers – Blowing Kisses (Young and Lost Club)
Exlovers have been around since 2007 and have a couple singles and an EP under their belt, but nothing that reaches the heights of this amazing single. Blowing Kisses breathes the rarefied air that Chapterhouse was imbibing around the time of Whirlpool. Flip it over and the B-side Moth-eaten Memories is just as good but shows that they can do more than just write a go-for- the-jugular pop song. They do epic well too.
2. Boomgates – Layman’s Terms (SmartGuy)
Brendan Huntly gets his punk rock barbaric yawp kicks in his other band Eddy Current Suppression Ring. Boomgates showcase sensitive side. There’s a little Go-Betweens, a little Mekons and some Comet Gain in their songs. Layman’s Terms has this plaintive yearning sound with just enough muscle to carry it through.
3. Nick Waterhouse – Is That Clear (Innovative Leisure)
Nick Waterhouse is maybe a kid genius, or just an old soul in a 24 year old’s body. He’s obsessed with old obscure 45 singles and hangs out with Ty Segall and isn’t afraid to use the Saxophone. Is That Clear is an intense, crisp and surprising single from someone his age. He adeptly uses horns, piano, and back up singers to killer effect. A cover of Them’s I Can Only Give You Everything is a good indicator of where he’s coming from. He’s got an album in the can due out in April. Can’t wait.
4. Radar Eyes – Miracle (Hozac)
The jangly guitar intro of Miracle makes me wonder if Chicago has some kind of Paisley Underground. Probably not, paisleys don’t grow in the frozen tundra, or maybe they do. They’re kind of like magic mushrooms, you just have to know where to look. Look no further than Miracle, it’s euphoria inducing.
mp3: Radar Eyes – Miracle
5. Golden Grrrls – New Pop (Nightschool)
Glasgow’s Golden Grrrls released two high quality singles this year. New Pop just edged out their first single Beaches in my book. Why? Because its hyper guitars and girl-boy vocals easily induced wild dancing and general craziness in my house whenever it was played, that’s why.
6. Evans the Death – Threads (Fortuna Pop!)
Blistering guitars and the cool killer voice Katherine Whitaker make for an undeniable combination. It’s hard to believe that this was Evans the Death’s first ever single. They sound like they must have known what they were doing at inception. This record pulls from so many great bands that have gone before to create something fresh sounding. I want to know what documentary it is that Whitaker sings about that she should not have watched. My guess is Faces of Death.
7. Still Corners – Cuckoo (Sub Pop)
This is plucked from the Still Corners album, Creatures of an Hour which is good, but spotty. Cuckoo was rightly identified as single material. Its icy Broadcast-like groove gets me every time.
8. Andy Human – Toy Man (Tic Tac Totally)
Andy Jordan displayed his dark side earlier in the countdown as Lenz. Andy Human showcases his lighter, playful side that hung out with the Duckman, loved pink and went to prom where OMD was playing.
mp3: Andy Human – Toy Man
9. The Limiñanas – (I’ve Got) Trouble In Mind (Trouble In Mind)
This was a tour only single which is a pity. It’s like preaching to the converted. Anyone showing up at a Limiñanas gig already knows this French band can cut a groove plus large que La Manche, and this record does exactly that. It also gives their label the perfect theme song. Bonus!
10. Puberty – Invitations (Telephone Explosion)
The idea behind Puberty was for Intelligence duo Lars Finberg and Susanna Welbourne to shed their instruments and front a band of ringers. Haskins, Ash and J weren’t available so they got Hernandez, James, Church and Jaworski (sounds like a law firm) for their band. Invitations sounds spacey and remote, and it slithers around just enough to be freaky. In a year where there were no releases from the Intelligence, this will more than do.
Tags: Ganglians, Lefse, Still Corners, Sub Pop, Witch Gardens
Still Corners, Ganglians and Witch Gardens at the Sunset Tavern, Seattle | 1 November 2011
The record that got Still Corners noticed was their Don’t Fall In Love 7-inch on the Great Pop Supplement from last year. It was stark, icy and sounded like it came from a band wise beyond its years. Singer Tessa Murray had a haunting voice that sounded like Julie Cruise and the band sounded like they existed on a diet of Broadcast, Ennio Morricone and Peter Thomas. That record got bought up as fast as they were snatched up by Sub Pop after its release. Fast forward a year and Still Corners have released their first album Creatures of an Hour on Sub Pop and are in the United States for their first big tour.
The band ably replicated the rich sound of their studio creations at the Sunset Tavern in Ballard Tuesday night. Tessa Murray spent part of her time behind a small keyboard and the rest to the side with just a microphone. Guitarist, main songwriter and sound architect Greg Hughes was off to her right coaxing all kinds of ethereal sounds from his guitar and effects pedals. The highlights of their set were the afore mentioned Don’t Fall In Love and Cuckoo which was another 7-inch single. Both of those songs generate a haunting cacophony that hits just the right nerve in me to generate a wave of euphoria. During those two songs it was as close to as good as Broadcast were when I saw them for the Noise Made By People tour. Broadcast kept it going for their entire show, Still Corners still have a little ways to go. They played a cover of Bruce Springsteen‘s I’m On Fire which was ok, but didn’t seem to quite fit and then played a couple other songs without any drums that veered too close to Cowboy Junkies territory for my taste.
Neither of those two things were showstoppers. Murray is easy on the eyes and commands attention. The band were addept and excelled at making the most of their somewhat quiet songs. Hopefully this is the Still Corners laying the groundwork for a run of impressive future records and shows. They’re off to a good start for this only being their first album.
I thought I like openers the Ganglians, but like Brian Eno thinking about his laundry when he was on stage with Roxy Music, I found myself thinking during their set about how I need to insulate my attic before winter arrives. I also waxed nostalgic about the Alarm. When I was a kid use to hate how they always were dismissed as a lesser U2. I also did some math, calculating that by the 2060’s the Ganglians would be in their 70’s, the 1960’s would be a hundred years in the past and would people still remember what hippies look like in the future.
Seattle’s Witch Gardens played a short set with limited commentary from guitarist Casey Catherwood. It had been a few months since I last saw them, but time has been kind. They still posses ramshackle K-like qualities, but they seemed like they knew what they were doing this time, in a vague sort of way.