Tags: Monomyth, Sloan, Superfriendz, Teenage Fanclub, The Weather Prophets, Thrush Hermit, Velvet Underground
With climate change you gotta wonder if there some Laurel Canyons blooming with succulents and bougainvillea up there in the formerly great whit north. For record number two Halifax, Nova Scotia’s Monomyth swap out their rhythm section, keep the psychedelic pop hooks and come up sporting their best paisley. The songwriting duo of Seamus Dalton and Josh Saltzer continue to split the vocal duties and their admiration of local heroes like Sloan, Superfriendz and Thrush Hermit while adding from Teenage Fanclub harmonies and the erudite pop sensibilities of the Weather Prophets.
Happy Pop Family is a wonderful tour de force and one of the best pure pop records of the year. The cool and beautiful Palpitations features a pristine melody interrupted by grungy heart attack chords. Aloha with its airy Teenage Fanclub harmony that kicks off the record isn’t even the best song here. That honor goes to the infinitely catchy Re:lease life (Place 2 Go) which plays like a travel log and has an off the cuff feel to it that reminds me of the Go-Betweens’ Darlinghurst Nights. Did I overdo it there? No, it’s that good!
I suppose you could call this a basementcast without talking. Some might just call it a mix. Going with liner notes instead keeps it short, to the point and provides something to read while you listen. Whatever it is, I hope it’s not boring.
1. Shinkansen No.1 by CC Dust – Olympia’s Mary Jane Dunphe takes a detour from her punk band Vexx and dons the persona of CC Dust that keeps the DIY feel but deals in the post punk synth sound of the 80’s to chilling effect.
2. Redondo Beach by Patti Smith – I doubt I could add anything that’s not already been written about Patti Smith, so I’ll keep it short and just say this is comes from her debut album Horses and was later covered my Morrissey which is ironic considering Morrissey once said reggae was vile.
3. Reco’s Torpedo by Joe’s All Stars – This song was Recorded in 1969 and featuring an excellent trombone lead by Emmanual Rodriquez which is also where this track gets it’s name. Rodriquez died last year at the age of 80.
4. Queen of the Minstrels by The Eternals – The first time I heard this song was the dub version (The Immortal Dub) done by King Tubby. The next time I heard it was the Eternals’ original version featuring Cornell Campbell’s soulful falsetto.
5. Out This Way by Erik Blood featuring OC Notes – The final song on Erik Blood’s latest solo album takes his up to this point shoegaze pop sensibilities into a totally different direction combining Dead Can Dance with A.R. Kane and making the arguent that he should be making records for 4AD.
6. Shadow Kissing by Hollie Cook – Hollie Cook’s first album came out five years ago, but still is breath of fresh air and regular makes appearances on my turntable to brighten the gray days.
7. EarthEE by THEESatisfaction – The duo called it quits earlier this year after making two albums for Sub Pop. You can hear half of the duo Stasia Irons every Sunday hosting KEXP’s Street Sounds.
8. Skinhead Moonstomp by Symarip – This is cover of Derrick Morgan’s Moon Hop done by this UK group. Morgan’s is more chill while this takes the original and infuses it with a punk feel before punk was even a thing.
9. Tip To Tail by Tyvek – It 2016 and punk is still a thing and nobody does it better than Detroit’s Tyvek who employ influences like Wire and the Swell Maps and the current day landscape of their city to make excitingly hot records like this new one.
10. Don’t Turn Me Away by Rexy – This slightly left field record from 1981 was reissued this year and sounds like it could have come out this year. The duo surely have fans in the Blow, Ariel Pink and Metronomy
11. Morti Sta Bidjàcu by José Casimiro – One label I have no problem buying a record from having not heard a song from it is the reissue label Analog Africa. When I saw Space Echo – The Mystery Behind the Cosmic Sound of Cabo Verde Finally Revealed! in the new bin at my local shop I snatched it up.
12. Wristband by Paul Simon – The man’s voice just doesn’t seem to age. Apparently Simon’s son turned him on to Clap! Clap! and Simon dug it and then asked him to provide some beats for his new record, one of which is featured on this track.
13. Us Amazonians by Kirsty MacColl – Tropical Brainstorm was the last record Kirsty MacColl recorded before her untimely death in 2000. She never made a bad record, but for my money this one was her best. It has wit and songs in spades. As fun as the record sounds I still get sad listening to it.
14. Morning Light by Woods – I had been suffering from Woods fatigue, but I’m back in their camp after the genre stretching featured on their new one from this year, City Sun Eater In The River Of Light.
15. Judge Dread by Prince Buster – Prince Buster passed a away in September. You would be amazed how many of your favorite UK ska songs by Madness, the Specials & the English Beat were actually Prince Buster covers. He had a lasting influence on many and his songs sound as hot today as they did 50 years ago.
16. Police On My Back by The Equals – If you grew up on MTV in the 80’s like I did then you likely remember Electric Avenue by Eddy Grant. As a kid after hearing the Clash’s version of Police On My Back, I could never figure out why I couldn’t find the Eddy Grant album with the original version. Later I learned about the Grant’s former band the Equals and their small clutch of hits like Baby Come Back and Black Skin Blue Eyed Boys.
17. Launderette by Vivien Goldman – Vivien Goldman only recorded a handful of solo songs. Her main gig was writing for UK music periodicals like NME, Melody Maker and Sounds. Her solo recordings were reissued this year on Staubgold. Her songs infusing punk, dub and art school sensibilities still sound vital.
18. One Too Many by Exploded View – Anika teamed up with Geoff Barrow of Portishead and BEAK> to stark results six years ago. Now the former journalist has a new band, though her haunting voice backed by icy austerity are similar to her self-titled LP. This could be considered her sophomore effort.
19. A Lake by Lawrence Arabia – Jason Milne is still making records as Lawrence Arabia and this one may get a wider audience since he’s now on Flying Nun and it’s his most consistent yet. If you have a a hankering for Harry Nillson highly stylized pop then this will do nicely.
20. We Need Love by Johnny Osbourne – Jamaican born Johnny Osborne migrated to Toronto and then back to Jamaica and his vocal on this record definitely has a northern soul feel to it.
Tags: Chook Race, Close Lobsters, Seattle, Tenorio Cotobade, Tenth Court, The Bats, The Feelies, Trouble In Mind, Victory Lounge, Zebra Hunt
Taking on America with an extensive 25 date tour is ambitious for any band, but when you’re Chook Race, a little known three piece jangle pop band from Melbourne, Australia it’s downright impressive (and maybe a little insane). The band made its way into Seattle Wednesday night to play the Victory Lounge, a bar with no stage in East Lake. This is one band I thought I would never see in Seattle, but after self-releasing their first album, Chicago label Trouble in Mind signed them making their second LP widely available in the United States as well as this tour a reality.
Singer and guitarist Matthew Liveriadis has a slight monotone delivery, but drummer Carolyn Hawkins provides a beautiful juxtaposition with her backing harmonies. The trio played an energized and jangly set inspired by the Bats and Close Lobsters mixing soon to be jangle pop classics from their first LP with ones of a slightly more classic pop sound from their new second album Around the House. In their short existence the band already have a stash of A-list songs and they didn’t leave any of them out including jangly diamonds like Dentist, Time, Sometimes and Hard to Clean and Older. The band’s tight sound and laid back attitude easily won over the likely already won over folks in attendance and made us all appreciate the long trip they had made to get here.
Like minded Seattlites Zebra Hunt opened for Chook Race with a set that consisted almost entirely of new songs (Half Right was the only old one). Apparently the new album is nearly ready and based on this evidence I would agree. One song really stood out with its Feelies-like crazy rhythm, even slowing down and then rebuilding itself into something quite raucous. Zebra Hunt has still got it!
Tags: Lazy Octopus, Neil Armstrong, The Intelligence, Wimps
I never thought I would hear a band that combined the spazzy pop bliss of Neil Armstrong with the primal pop eccentricities of the Intelligence. Where would I actually look for something like this? The internet of course. Sweden’s Lion’s Den could more succinctly be described as garage pop but that’s too easy. The songs on the trio’s self-titled debut LP seem to have a dry take on the mundane and acidic world (“Waking up is the bitter side of life” and “Denial is my therapy”), but they’re so darn catchy that they still make you feel like a 100 bucks.
It’s got some surfy sounding bits, some rockin’ ones, a few eccentricities and lots of adrenaline. And at ten songs in about 20 minutes it’s a perfect record for these anxiety laden and distraction filled times. Put it on and let it take you for a spin. You’ll be back in 20 minutes, in time for whatever is you didn’t really need to do.
The album is out on Lazy Ocotopus.
Tags: Cate Le Bon, Feral Child, Gorky's Zygotic Mynci, Kevin Ayers, Ladybug Transistor, Nick Drake, Snails, The Great Pop Supplement, The Kinks
Snails, a band from Bristol, can neatly be filed in the category where you keep your Kevin Ayers, Cate Le Bon, Belle & Sebastian, Gorky’s Zygotic Mynci, the Kinks and Ladybug Transistor albums. You keep those records close to each other I hope. This band’s first album Safe in Silence hit the digital landscape a couple weeks ago and its bucolic psychedelia I have discovered to be a perfect autumnal soundtrack.
The songs have an easy wistful sound that bounce along with flourishes of strings and horns economically interspersed. It’s a classic sounding record packed with classic sounding pop songs that deserves some recognition and some space on your shelves.
Right now this is a digital only release, but I saw yesterday that it will be getting a limited vinyl issue soon on Feral Child (who just put out a Peter Astor single). In the meantime, you can listen to and buy Safe In Silence from Snails’ bandcamp page.
Tags: Allo Darlin', Kingfisher Bluez, Mammoth Penguins, Peaness, Standard Fare
When you tell someone that you’re really into Peaness, it’s all about the accent. Otherwise you could be easily misunderstood. UK indiepop trio Peaness have been bubbling up with a self-released cassette called No Fun and then an internet single Oh George that is so undeniable that it could have you lining up to buy it if it existed in some form where you actually had to line up to buy it.
Take heart patient pop fans, the band now have a 7-inch single out now on Vancouver, Canada’s Kingfisher Bluez. If you are a fan of Standard Fare/Mammoth Penguins or Allo Darlin’ then this record will be one you want to add to your collection. Even if the single contains two songs that were on the cassette and leaves off their best song to date (Oh George), you the erudite pop fan won’t sweat the details because you will want to own one of the best singles of the year and be ready for what these ladies have in store next.
Tags: Apples In Stereo, Beulah, Elephant 6, Honey Bucket, Neutral Milk Hotel, Pavement, See My Friends, The Clean, Woolen Men
If you don’t live on the West Coast a band named Honey Bucket probably won’t have any bad connotations for you. For those of us not so fortunate, well let’s just say that we will just have to try not to touch anything and hold our noses as we listen. Port-a-potty influenced name aside, Portland trio Honey Bucket have just released an excellent debut record that has elements of their pals Woolen Men, the Clean and some Elephant 6 collective in its pop innards.
Recorded to a Tascam, the aesthetic of the album reminds me of the early Elephant 6 records by Beulah, The Apples In Stereo and Neutral Milk Hotel. It’s sort of geeky pop fun at its core with cheap sounding keyboards and some free jazz horns interspersed into its pure pop.
Tags: Curly Cassettes, High Llamas, HoZac, Long Ryders, Mild High Club, Rain Parade, Soft Candy, Steely Dan, Stones Throw, Suede, The Tyde, Verner Pantons
It was a three day holiday weekend here in the U.S. and that means one more day of doing whatever it is you prefer occupying your time with on a regular weekend. In my case you might be surprised to hear that it wasn’t listening to records, because frankly who has the time to sit and listen to vinyl during the waning days of summer? I was listening to music though. Being an American raised in the rural hinterlands of the Midwest my preferred method of listening to music is in the car with the windows down and the sun shining if possible. So here is my past weekend of highlights in the car. Admittedly this post would have been much better if I would have thought to snap photos at random points from the driver’s side, but that kind of thing is illegal and a might bit dangerous. So better off safe and boring from the photo perspective. It’s all I can do to remember a turn signal sometimes when a good song is turned up loud on the car stereo.
I had listened to the new Tyde record (nice Scott Walker reference on the cover!) a few times sitting at a desk doing work and it didn’t really connect except for the single The Curse In Reverse in which Tyde main guy Darren Rademaker is aided by former Suede guitarist Bernard Butler to startling good results. But as I crossed the Ballard Bridge with the sun hitting me through the windshield Nice To Know You blasted out of my windows and I immediately got it. This record is not supposed be listened to in an office or a basement. It needs sunshine, wind and at least 35 miles per hour. I was doing an errand, but I passed my turn on purpose to keep listening. Luckily the record only has seven songs on it so I didn’t waste too much petrol.
Later that night I had to run to grocery store to gather some food for the grill. It takes about two songs to get to the store which is just about perfect for a 7-inch single. Often when I’m heading to the store I’ll pick something that I’ve just put onto my phone. In this instance it was the new Hozac single from Soft Candy. The Chicago band sound like LA Paisley Underground and must be fans of the Rain Parade. The rolling psychedelia of Bixarre Luv Pyramids had me in such a daze that I almost rolled through a red light. I screeched to a halt (I was only going about 10 mph) in time to allow an elderly couple to cross Market Street. I Waited for the light to turn green and as it did the wonderful Kinks like piano of Song for Ellie Mae percolated from the speakers and carried me into the parking lot of the store. Damn I forgot my shopping list!
Late morning on our way to a trail head for a hike in the Cascades we are driving east on the I-90. It’s turning into a good day as the sun begins to burn off the clouds. Of course I’m starting to feel guilty about all of this driving. If I lived on a ranch, I’d take a horse and a Bluetooth speaker, but Seattle doesn’t have any ranches so here I am behind the wheel again listening to Portland’s Verner Pantons who continue the Paisley Underground theme of the prior evening’s trip to the grocery store only they subscribe more to the Long Ryders’ slant of psychedelia. It’s sort of dusty sounding and it makes me wonder if cowboys carry Bluetooth speakers with them on their horses these days, because I can’t think of a better way to listen to this record than on a horse somewhere around Winchester, Washington. As it is, songs like Little Boat, Melancholy Girl and Sarah Saturday get us to the hike much faster than NPR’s Weekend Edition could ever hope to.
A long weekend always has a comedown and needs a soundtrack and by this time I had been in the car way too much but it’s the last hurrah of summer and who wants to be inside? Not me. Earlier in the spring I had trimmed the apple tree in my back yard and there was a pile of wood waiting for just the right night. As I said earlier I don’t own a horse, but I do own a Bluetooth speaker and it was in my back yard as the cool nigh air was kept at bay by the snap and crack of the fire pit. What better soundtrack to fire, stars and general serenity than the new Mild High Club LP Skiptracing? This group of Los Angeles followers of Steely Dan and High Llamas know how to relax, or at least put their listeners into a state of relaxation. How good? So good I could barely bring myself to put another log on the fire as the soothing sounds of Chapel Perilous floated through the air. Luckily I have a kid or two to do the heavy labor and the repeat button close at hand.
Tags: Cold Pumas, Faux Discx, Joy Division, Sauna Youth, Soft Walls, Tense Men, The Church, The Sound, Wire
The cover for the Hanging Valley, the second album from Brighton band Cold Pumas, looks like it is inspired by Salvador Dali. If you caught a glance of it in a record store or on line you might think that it was made by a group with prog rock tendencies and a penchant for mind altering substances. That take wouldn’t be entirely wrong, but if you were hoping for flutes and butterflies you might be in for a surprise. Long narrow shadowed bathtubs pink soap and odd falling vases aside, the Hanging Valley is a study in what happens when you start with angular post punk that gets co-opted by a motorik groove and then sometimes is doused with some ethereal washes of guitars.
LP number two is a decidedly stronger record with better songs and more varied sound. The band are clicking on this record and deftly pummel you with songs like Fugue States, the Slump and Slippery Slopes and then turn around an caress on A Change of Course and The Shaping of the Dream. Like the best post-punk records the Hanging Valley has intensity about it that nearly overwhelms, but pulls back when it’s just at the brink.
Tags: Fishrinder Records, Prophet Hens, The Bats, The Chills, The Clean
The Prophet Hens‘ Popular People Do Popular People was a near perfect first record. It was immediate and inviting. You heard it once and stashed it in your favorites bin along with the Chills, the Clean and the Bats. So what do you do after releasing a brilliant first album and how do you avoid the notorious sophomore slump for record number two?
Perhaps you intentionally rethink your brilliance into something slightly different. Or perhaps you roll with changes that life throws at your band. Get a new rhythm section and give Penelope Esplin a greater roll in the vocals department, let loose a little and embrace a less delicate approach to you general sound.
It may not be as as immediate and it wasn’t for me at first, but as it percolates it begins to surpass what you thought at first was unsurpassable. The Wonderful Shapes of Back Door Keys leaves bedroom and sheds the moodiness of the first record, and embraces more driving rhythms sometimes even bleeding into motorik territory (see closer Modal). I’m not sure if it’s a better record than the debut, but it’s more confident and fun and certainly it’s no slump!
The Wonderful Shapes of Back Door Keys is out now on Fishrider Records.