Albums of 2017

The year 2017 will go on record as the first year I bought more downloads of albums than CD’s. I guess I’ve finally succumbed to the idea that a digital download is just as good as the compact disc. All things being equal, I prefer a complimentary copy of the vinyl with my purchase of the download. So, without any further digressions, here are my top 40 albums of 2017 with streaming links if I could find one.

rvg
1. RVG – A Quality of Mercy (Our Golden Friend)
This Australian band’s debut album grew slowly on me. It’s initial pressing sold out before anyone outside their circle even heard about them. Rooted in some of the best Australian bands like the Triffids and the Go-Betweens. Soaring guitars and lyrics filled with the bleakness of real life fueled songs that got better and better with each listen.

fazerdaze
2. Fazerdaze – Morningside (Flying Nun)
I was surprised not to see this album on more year end lists. Blissed out bedroom pop that is in the same realm as the better-known Jay Som. For my money though, Fazerdaze has a better hit ratio.

bedouine
3. Bedouine – S/T (Spacebomb)
This record came out of nowhere and sounded like nothing else this year. Part Carpenters, Jim Sullivan and Leonard Cohen. Syrian-born Azniv Korkejian who goes by Bedouine posses a smooth and soothing voice and made the comfort record of the year.

cableties
4. Cable Ties – S/T (Poison City)
The debut LP from this Australian trio was full of piss and vinegar. The songs were based on great grooves the reminded me of Eddy Current Suppression Ring and the angst-ridden vocals of Jenny McKechnie flashed with hints of Sleater Kinney. A band to be reckoned with!

melenas
5. Malenas – S/T (El Nébula)
Melenas from Pamplona, Spain take their Flying Nun records and translate them into toe tapping Spanish jangle. Who new that Jangle pop was a lingua franca? If world peace ever happens, expect Melenas to be featured on the soundtrack.

baxter-dury
6. Baxter Dury – Prince of Tears (Heavenly)
On his fourth album, Ian Dury’s kid delivers a brilliant set of songs. From the sleaze of the opener Miami to the filth laden vocals of guest Rose Elinor Dougall to the surprisingly clean cameo of Sleaford Mod’s Jason Williamson this record keeps you on your toes.

UVTV
7. UV-TV – Glass (Deranged)
The debut record from this Florida trio had the sugar-coated blitzkrieg pop reminiscent of the Primitives combined with Spacemen 3 druggy drone. The louder you turned it up the better it gets on this brilliant record.

girlray
8. Girl Ray – Earl Grey (Moshi Moshi)
This trio of teens from Wales deliver bouncy, breathless pop that sounds like part bucolic beauty and part wild overgrown garden. Elements of Gorky’s Zygotic Mynci and Kevin Ayres lend excitement to Earl Grey and make them a band I’m excited to see what comes next for them.

lars
9. Lars Finberg – Moonlight Over Bakersfield (In the Red)
Striking out on his own, or retreating back to his hometown of Bakersfield, California? A little bit of both as the Intelligence front man and founder teams up with Ty Segall to make a solo record that sounds like an Intelligence record. I love the circuitousness of it all and truth be told, Lars could make a record of him blowing into beer bottles and I’d probably love it.

zebra
10. Zebra Hunt – In Phrases (Tenorio Cotobade)
I chose not to make a separate list of Seattle albums this year due to the issue of the seemingly disappearing Seattle scene. Thankfully the city still has these fellows who make Feelies-Flying Nun styled jangly pop that is second to none. Album number two from Zebra Hunt sees the band maintaining the insanely high level of quality of their debut.

groupd
11. Group Doueh & Cheveu – Dakhla Sahara Session (Born Bad)
This seemed to be an odd team-up, but it worked. The two bands, one from the Sahara, the other from France met in the desert to meld their styles and come up with avant desert grooves that shake rattle and roll like rock and roll is supposed to do.

feature
12. Feature – Banishing Ritual (Upset! the Rhythm
Make a record. Break up. Release the record. This trio of women seemed to have it somewhat backwards, but their Wire inspired pop that scratches, rubs and soothes sometimes all at once makes for a winning record.

star
13. Star Tropics – Lost World (Shelflife)
Chicago’s Star Tropics blend of indiepop jangle, Sarah records, For Against and New Order won’t win them any awards for originality, but the quality of their songs and the atmosphere they create is no rip-off either.

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14. Kelly Lee Owens – S/T (Smalltown Supersound)
For fans of Kate Bush, Bjork and the Cocteau Twins Kelly Lee Owens is a godsend. You hear elements of all the aforementioned, but nothing obvious due to Owens skipping off down her own path of ethereal pop bliss.

blacksprings
15. Black Springs – When We Were Great (Oven Material)
Instead of calling this an album, Black Springs chose to call When We Were Great a compilation of songs from their past giving you the idea that the band are no longer together. Mystery aside, this record has elements of dreampop, shoegaze and jangle and a confidence that has me pulling for them to make another record.

alvvays
16. Alvvays – Antisocialites (Polyvinyl)
I nearly wrote this Canadian band’s sophomore effort off, until Lollipop came up on shuffle one day. That song reminded me how effortlessly easy this band makes great pop songs. After Lollipop, Plimsoull Punks hit me, and after that Not My Baby and I was a believer again.

destroyer
17. Destroyer – Ken (Merge)
With Ken, Dan Bejar has fully stepped into the Scottish rain soaked landscapes of the Blue Nile. The sound is majestic and the outlook is dreary and sad, but with Bejar you get laughs with your tears. It was unfortunate that he decided to forgo appearing on the latest New Pornographers LP this year, but that means this album is all top shelf stuff.

bboys
18. B Boys – Dada (Captured Tracks)
I loved how Dada seemed to be both punk and post-punk at once. Or maybe it was the goth sound made me think of Christian Death and the Chameleons. Who knows, but it was loud and fun. I also loved how there ain’t a clunker in the bunch.

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19. Clap! Clap! – A Thousand Skies (Black Acre)
After teaming up with Paul Simon last year, Cristiano Crisci returns with album number two of dark world inspired rhythms. A Thousand Skies is cut from the same cloth of tribal rhythms and slithering melodies that veer towards drum and bass, but he adds some guest vocalists this time around.

Priests
20. Priests – Nothing Feels Natural (Sister Polygon)
Washington, DC’s Priests ably carry on the politically informed pop/punk that was championed by a litany of bands from the nation’s capital. Nothing Feels Natural Feels urgent and agitated and under attack. Priests kick back and write songs worth rallying around, which is much needed in this day and age of moral drift.


21. Flat Worms – S/T (Castle Face)
Flat Worms which features former members of Dream Boys, Sic Alps and Thee Oh Sees hit the ground running on this pummelingly great record. Lead off song Motorbike sets the scene of this menacing record. They’re sound like a biker gang that digs Suicide, but thinks synths are for poseurs. Big and bad!

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shabazz1
22. Shabazz Palaces – Quazarz: Born On A Gangster Star &
Quazarz Vs. The Jealous Machines(Sub Pop)

I guess the two Shabazz Palaces LP’s from this year are considered a rap album, but it’s so out there in terms of mainstream rap that I don’t consider it as such. This is sci-fi fantasy that transcends musical boundaries. You like the Peter Thomas Orchestra? How about Can? That Clap! Clap! record? And a thousand other things. You can probably come at these two records from a hundred different directions and still dig them both.

motroper
23. Mo Troper – Exposure & Response (Good Cheer)
Mo Troper’s second album may not change the world, but it’s pristine orchestral pop will restore your faith in it. This is wide-eyed, wide-screen beautiful stuff likely influenced by albums by Jellyfish, Jeremy Egnik and Kay Kay and his Weathered Underground.

holiday
24. Holiday Ghosts – S/T (PNKSLM)
Manchester’s Holiday Ghosts self-titled debut is a bouillabaisse of low-key, unpolished pop. The group have a lot in common with bands like the Pastels, Comet Gain and the Envelopes. The vocals are shared between band members giving the album the feel of a vaudeville variety, but they keep the plot tight and the songs sweet.

sleaford
25. Sleaford Mods – English Tapas (Rough Trade)
You would think that after high rate of release this duo keeps up that they’d run out of ideas, but English Tapas sees no let up and in fact may their best one since Austerity Dogs. Mop Top even sees them introduce a melody and chorus, and gasp, no swearing. Are they aiming for the charts?

world
26. The World – First World Record (Upset! The Rhythm)
Take a tiny bit of Banarama, and add in some Specials and Selector and you get a sort of idea of what the Bay Area’s the World are going after. Steeped in 80’s punk and ska and sporting pop an astute pop sensibility First World Record is a sax laden tour de fun.

novella
27. Novella – Change of State (Sinderlyn)
Change of State sees Novella continuing on the same trajectory of their debut from 2015. Motorik beats, icy, layered vocals and clean sounding guitar riffs. This batch of songs is stronger and they approach the same quality that Broadcast reached on Tender Buttons.

proto
28. Protomartyr – Relatives In Descent (Domino)
Protomartyr’s fourth album is a towering achievement. It simultaneously comments on the sorry state of society, shares its rage and does so with songs that make you want to raise your fist and shout the chorus. Up the Tower, Don’t Go To Anacita and Male Plague are among the band’s best. My only complaint about this album is that the best stuff is hidden on side two, but that is minor.

slowdive
29. Slowdive – S/T (Dead Oceans)
It’s weird to think that Slowdive were scoffed at by the British press during their first incarnation in the 1990’s. That press is long gone, out of business. Slowdive are still with us and making brilliant music. Their self-titled comeback is packed full of dreampop featuring both Neil Halstead and Rachel Goswell’s ethereal vocals. Slowdive can still conjure it.

business
30. Business of Dreams – S/T (Kocliko Records)
Corey Cunningham of the Terry Malts strikes out on his own into the world of 80’s inspired synth-pop. Inspired by the death of his father, Cunningham made a record that is personal in nature but its pop hooks combination of synthesizers and guitar riffs make it more than palatable to general populous.

spinning
31. Spinning Coin – Permo (Domino)
After a handful of singles, Glasgow’s Spinning Coin finally deliver the goods in their debut long player. As you might expect it’s a combination of ramshackle Pastels like pop and good natured Teenage Fanclub guitar pop.
https://spinningcoin.bandcamp.com/

jana
32. Juana Molina – Halo (Crammed Discs)
Juana Molina has been making records for a while now. Halo is her seventh album. Her formula hasn’t changed too much over the years, creating loops and building them up into a bricolage. In the past it could get busy, but Halo sees her cleaning things up a bit and delivering more straightforward earworms.


33. Oh Sees – Orc (Castle Face)
At this point, a jaded listener might think Oh Sees records are delivered off a conveyor belt, one that changes its name after each new model. Dropping the Thee, John Dwyer’s group sees no creative letdown despite fewer letters. In fact, Orc delivers classic sounding rippers interspersed with Eno style ambience.

stevens
34. The Stevens – Good (Chapter Music)
Album number two from the center of the Melbourne indie scene, didn’t seem to get the attention of their debut. Too bad, because this batch of songs is high quality. At 18 tracks, Good has that uncanny quality that Guided by Voices had in that run in the Bee Thousand to Under the Bushes era.

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35. Last Leaves – Other Towns Than Ours (Lost & Lonesome/Matinee)
Marty Donald, who was the chief songwriter in the Lucksmiths took a long break after that band called it quits. It’s great to hear him again, this time doing the singing as well as playing guitar. He’s got most of his former band along with him as well. Last Leaves of course will remind you of the Lucksmiths, but this band is something different in that they look more to classic rock than indiepop or at least infuse their pop with some sharper edges and more serious topics. They call it older and wiser.

faith
36. Faith Healer – Try ;-) (Mint)
Jessica Jalbert was a member of the Edmonton punks Tee-Tahs .That is in the past and this is her second album as Faith Healer. Try ;-) lives on the same planet of the Brewis brother’s Field Music. Combine Jallbert’s croon and her ability to write a good pop hook you have something special.


37. Kelley Stoltz – Que Aura (Castle Face)
Kelley Stoltz may have peaked commercially on his Sub Pop debut Below the Branches when his song Birdies Singing was being used in commercials. I haven’t heard him in any commercials since, but honestly the guy keeps releasing great albums. Solid through and through and Que Aura is no different from the previous four in that regard.

corridor
38. Corridor – Supermercado (Requiem Pour Un Twister)
Supermercado is Spanish for grocery store. Corridor is French for angular pop. Supermercado is the second album from Montreal’s Corridor and it is a brilliant melange of pop and sharp jabs and lots of hooks.

rays
39. Rays – S/T (Trouble In Mind)
Rays do great Modern Lovers style rock. The songs feel like they could fall apart at any moment, but they end up making it through each one without the doors flying off the speeding dilapidated vehicle.

trementina
40. Trementina – 810 (Burger)
On their second album, Chile’s Trementina forego the obvious shoegaze effects and travel down a far more interesting path of warped dream pop that only the Swirlies have dared to go before.

Zebra Hunt Phasing Into the Sunset

Zebra Hunt, Unlikely Friends & Seacats at the Sunset Tavern, Seattle | 2 June 2017

Over the last five years it seems like many of my favorite Seattle bands have either broken up or left town. A few new ones have come up to replace them, but it seems like we’re in a slight lean period compared to the previous bounties we’ve experienced. Friday night at the Sunset in Ballard three Seattle bands provided some much needed rain on the parched fields of the Seattle music scene. Zebra Hunt, keepers of the Seattle pop flame, were celebrating their second album seeing the light of day courtesy of Spanish record label Tenorio Cotobade.

If you haven’t heard, Zebra Hunt are Seattle’s answer to the classic Flying Nun jangle of the 80’s and the current day jangling explosion of bands from Australia. If you’re old and dig the Clean and the Chills or young and love the Twerps and Chook Race, then Zebra Hunt will fit nicely into your wheelhouse. Having employed Jack Endino to record it, their sophomore effort improves on sound quality and sees no let up in song quality.

Focusing mostly on the new record the band played a great set for the home crowd and provided after show cupcakes decorated with their album cover. Since the last record Zebra Hunt have added a fourth member to the band to help flesh out their sound. The additional guitar and keyboard combined with their already stellar rhythm section increases the impact of the Zebra Hunt experience.

Singer and songwriter Robert Mercer writes about ordinary life but supplies an element of mystery to to his songs by being economical with the details. He is of the Raymond Carver school of writing. You get stories of house hunting, evening walks, listening to records in the kitchen and Foxhill Drive in 2005 with clues to what happened but no answers. I Wont’ Blame You house hunting backdrop sounds partly inspired by Courtney Barnett’s Depreston which was inspired by Paul Kelly’s To Her Door, which was inspired by Carver’s short stories. The lineage is impeccable.  With the release of In Phases, the band now have a larger trove of treasures to pull from for their live shows with a virtual guarantee never to disappoint.

Unlikely Friends were coerced out of their sabbatical to provide support. A BOAT and Math and Physics Club team-up, the group features the um, unlikely combination of both band’s singers, except on this night D. Crane had lost his voice . Probably due to the previous weekend’s BOAT reunion show or some rogue virus, the voiceless Crane  replaced his voice with a message he wrote on a series of notebook pages that littered the stage. The band was in triage mode with Charles Bert of MAPC taking over most of the vocals but letting the drummer Chris have some leads as well. They persevered and kept their sense of humor about them. Look for a second album and hopefully more shows from these underdogs when they’re restored to full power sometime in the not too distant future.

Opening the night were Seacats. Formerly of Kelso-Longview, but now apparently based in Seattle. The two singles I have of theirs give the impression that their a silly, happy-go-lucky sort of band, but as I walked in it was in the middle of their heavy stuff. I think it was their nuclear bomb song. Then they switched singers and pulled off a sublime psych-pop number and I was thoroughly confused. I wasn’t sure what to make of it all, but at least it was interesting!

Rolling Coastal Blacking Out or Something Like That

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One thing about Melbourne, Australia’s Rolling Blackouts Coastal Fever is that I can never seem to get their name right. It doesn’t exactly roll off the tongue, you know. How many bands have four word names these days? People are lucky enough to be able to remember two word band names. It seems that their US label Sub Pop realizes this, shortening the band’s name for their US debut to Rolling Blackouts C.F. I don’t know if this is better though. It isn’t a whole lot easier to remember, and it gives the impression that there is already a band named Coastal Blackouts and these Blackouts are from some country with the initials C.F.

Another thing about Rolling Blackouts Coastal Fever is that they jangle. You hear the likely suspects (Bats, Clean, & Feelies) in their sound, but their jangle comes from a more classic rock corner of the universe. Their sound can best be described by the Close Lobsters‘ cover of Neil Young‘s Hey Hey, My My (Into the Black). They sound like they’ve done their time on the bar circuit, and taken their lumps winning over hard drinking, blue collar fellows in dungarees.

One more thing about Rolling Blackouts Coastal Fever, they’re show this past Tuesday at Barboza here in Seattle was a lot of fun. The five piece band featured three guitarists and singers, but their secret weapon, which all great bands will attest to, was their rhythm section. Every song was anchored by some great bass riffs which was really apparent live. That firm mooring allowed the guitarists to really go into their hyper-manic-riff mode trading licks and often vocal spots. This band seems to be very well oiled machine.

One final thing about Rolling Blackouts Coastal Fever, they do a mighty fine cover of the Orange Juice classic Blueboy!

Seattle’s designated openers for all Australian jangly type bands, Zebra Hunt did just that. On this night I found out:

    • In Australia, zebra is pronounced with a short ‘e’.
    • Zebra Hunt’s second LP is coming out May 19.
    • The band now seems to be a permanent four piece.
    • They have got a brand new set of songs that rivals the ones the made me fan in the first place.
    • They just keep getting better!
    • They might actually be Australian judging from their ace cover of the Go-Betweens‘ Was There Anything I Could Do?

Catching Chook Race While They’re Around the USA

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Taking on America with an extensive 25 date tour is ambitious for any band, but when you’re Chook Race, a little known three piece jangle pop band from Melbourne, Australia it’s downright impressive (and maybe a little insane). The band made its way into Seattle Wednesday night to play the Victory Lounge, a bar with no stage in East Lake. This is one band I thought I would never see in Seattle, but after self-releasing their first album, Chicago label Trouble in Mind signed them making their second LP widely available in the United States as well as this tour a reality.

Singer and guitarist Matthew Liveriadis has a slight monotone delivery, but drummer Carolyn Hawkins provides a beautiful juxtaposition with her backing harmonies. The trio played an energized and jangly set inspired by the Bats and Close Lobsters mixing soon to be jangle pop classics from their first LP with ones of a slightly more classic pop sound from their new second album Around the House. In their short existence the band already have a stash of A-list songs and they didn’t leave any of them out including jangly diamonds like Dentist, Time, Sometimes and Hard to Clean and Older. The band’s tight sound and laid back attitude easily won over the likely already won over folks in attendance and made us all appreciate the long trip they had made to get here.

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Like minded Seattlites Zebra Hunt opened for Chook Race with a set that consisted almost entirely of new songs (Half Right was the only old one). Apparently the new album is nearly ready and based on this evidence I would agree. One song really stood out with its Feelies-like crazy rhythm, even slowing down and then rebuilding itself into something quite raucous. Zebra Hunt has still got it!

Some Good Albums from Seattle This Year

The moss has grown another layer over the past year here in the upper left corner of the U.S. and my stack of records from this Pacific Northwest outpost has grown as well. Luckily I have a cool dry place to store them. Here are my favorite records from Seattle for 2015, center justified for your reading comfort.

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Zebra Hunt – City Sighs (Tenorio Cotobade)
Buy | Listen

My favorite album of the year from Seattle or anywhere. If you’ve been reading along this year you probably could have easily guessed that.

theesatisfaction
TheeSatisfaction – Earthee (Sub Pop)
Buy | Listen

Unclassifiable soul, hip hop, space age record that is part throwback, part social commentary and part bravely looking into the dark distant future.

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Childbirth – Women’s Rights (Suicide Squeeze)
Buy | Listen

The best feminist punk rock manifesto with a since of humor since forever.

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Unlikely Friends – Solid Gold Cowboys (Jigsaw)
Buy | Listen

With the rise of Unlikely Friends, fans of Boat and Math and Physics Club can’t be too sad that neither of those bands released a record this year. I wasn’t.

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Telekinesis – Ad Infinitum (Merge)
Buy | Listen

Michael Lerner eschewed his guitars and started collecting vintage synths to create a record inspired by OMD, Postal Service and Blue Nile.

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La Luz – Weirdo Shrine (Hardly Art)
Buy | Listen

Enlisting Ty Segall to record their sophomore record La Luz continue to shoot the curl with another great set of surf rock.

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Wimps – Suitcase (Kill Rock Stars)
Buy | Listen

Wimps dial up another batch of killer slacker punk rock anthems (if there is such a thing). Their sophomore LP Suitcase sees them getting higher marks in all categories which, given their M.O. is probably exactly the opposite of what they were going for.

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Grace Love and the True Loves – Grace Love and the True Loves (Self-Released)
Buy | Listen

The great soul revival of 2015 even reached such remote outposts as Seattle and Grace Love and the True Loves debut album was one of the best soul records of the year from any city.

DetectiveAgency
Detective Agency – Now (Discos de Kirlian)
Buy | Listen

I’m not sure if Detective Agency would appreciate being called indiepop, but I call ’em like I see ’em and this is some very fine indiepop!

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Car Seat Headrest –  Teens of Style (Matador)
Buy | Listen

The career of Will Toledo of Car Seat Headrest reminds me of Steven Jones of Babybird. Make a bunch of songs in your bedroom and release them and then find a band to re-record the best ones and voila, instant good record rooted in lo-fi but with some new bright corners.

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Ponytime – Rumours 2: The Rumours Are True (S-S)
Buy | Listen

Apparently Fleetwood Mac has permeated the garage rock scene of Seattle. I doubt there are any complicated love quadrangles in this band since they’re a duo. They’re more focused on just delivering a bunch of killer jams.
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Chastity Belt – Time To Go Home (Hardly Art)
Buy | Listen

Chastity Belt got serious on album  album number two. Their first LP No Regerts was middle school lo-brow humor compared to Time To Go Home’s more mature and measured sound that is a unique combination of drone and some of that heavier rock from the 90’s for which Seattle is well known.

Best Ones of the Year So Far

This was supposed to be a mid-year list. Actually it still is, but it’s month late. What does that make it? I’m still calling it a mid year list since I saw mid year lists in May. It’s also not as diverse as I was hoping it would be as you will likely notice that the letter F is over-represented here. Hopefully some of the other letters will get a little more attention in the year end list.   Hope you find something you might have missed and it’s in reverse alphabetical order for your convenience!

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Zebra Hunt – City Sighs (Tenorio Cotobade)

It just so happens that doing this list in reverse alphabetical order puts my favorite album of the year so far at the top of the list. How’s that for coincidence? Hopefully you already know and own this record. If not, you need it in your life because who doesn’t need a little kiwi flavored jangle served up by this Seattle trio?

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Young Guv – Ripe 4 Luv (Slumberland)

Fucked Up guitarist Ben Cook  will through you for a loop if you’re expecting hard core here. This is Cheap Trick style power pop mixed in with blue eyed soul and 80’s top 40 that is undeniably great.

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Wildhoney – Sleep Through It (Deranged)

Sleep Through It is full of shimmering anthems in the classic pop mold. Wildhoney’s debut album easily places them at the top of the heap of the shoegaze revival.

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Viet Cong – Viet Cong (Jagjaguwar)

An album of bleak post punk that sounds like it could have been made during the age of Reaganomics and the nuclear arms race. It’s like twisted a time warp back to the era of the Comsat Angels and the Sound.

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Unlikely Friends – Solid Gold Cowboys (Jigsaw)

Indiepop supergroup debut album that softens the edges of BOAT and adds some teeth to Math & Physics Club. The perfect Seattle elixir.

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Twerps – Range Anxiety (Merge)

Melbourne’s Twerps deliver the Flying Nun influenced jangly goods on their second LP. Fans of the Go-Betweens, Feelies and the Bats take note.

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TheeSatisfaction – Earthee (Sup Pop)

The otherworldly second album from the interstellar Seattle hip hop duo is spiritual and strange at once. If psychedelic hip hop were a genre this would be at the top.

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Thee Oh Sees – Mutilator Defeated At Last (Castle Face)

Finally an Oh Sees LP that marries John Dwyers more experimental solo outing material with his band’s freak outs.

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The Shifters – ST (Comfort 35)

Sure, the Fall put out a new record this year, but for my money Australia’s Shifters do it better in 2015. Full of bile, but they have a playfulness to them that is missing from the band that undoubtedly inspired them.

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Sauna Youth – Distractions (Upset the Rhythm)

Taught, anxiety filled post punk jams from this London band are designed for those who prefer their music played with sharp jabs and shouted choruses.

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Saun & Starr – Look Closer (Daptone)

Sharon Jones backup singers Saundra Williams and Starr Duncan Lowe finally come to the front of the stage to take the spotlight and give us a smooth soul classic.

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Jessica Pratt – On Your Own Love Again (Drag City)

If you didn’t know better, you would assume that this album is 50 years old and was produced by Joe Boyd. Out of time and otherworldly.

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Rozi Plain – Friend (Lost Map)

For her third LP Rozi Plain paints from a bucolic pallet to give us music of rolling hills and wandering brooks.

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Outfit – Slowness (Memphis Industries)

Second album from Liverpool quintet evokes the greatness of Talk Talk and the Blue Nile.

NoJoy
No Joy – More Faithful (Mexican Summer)

With the help of Jorge Elbrecht this Montreal dreampop have produced an intricate studio creation that is a marvel to he ears.

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Menace Beach – Ratworld (Memphis Industries)

Want to relive those 90’s indie rock glory days, Menace Beach are here to help. Their debut album is super charged with great riffs and choruses.

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Male Gaze – Gale Maze (Castle Face)

Male Gaze have an intensity about them that puts them into the same league with A-Frames. Their debut album is steeped in post-apocalyptic paranoia that never goes out of style.

joannagruesome
Joanna Gruesome – Peanut Butter (Slumberland)

Album number two from Cardiff’s Joanna Gruesome is as high quality as their debut. It continues the uncanny mixture of sweet choruses, mad freak-outs and made freak-outs and sweet choruses.

NicHessler
Nic Hessler – Soft Connections (Captured Tracks)

I feel like Nic Hessler’s debut album would have gotten more attention if he would have stayed with his Catwalk moniker. Marketing aside, Soft Connections is beautiful record of accomplished pop that is as good as anything Aztec Camera ever did.

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H Hawkline – In the Pink Condition (Heavenly)

Welsh musician H Hawkline, also known as Huw Gwynfryn Evans fits right in with some of his more famous psychedelic countrymen like Gruff Rhys, Gorky’s Zygotic Mynci and Cate Le Bon who also produced the album.

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friedaandale
Frida & Ale – I don’t like to see others having fun (WWNBB)

Former Rough Bunnie Frida teams up with Ale of Le Man Avec Les Lunettes to create a wonderful little folk record retains the same innocent playfulness of  Rough Bunnies.

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Frankie & the Witch Fingers – ST (Permanent)

Los Angeles garage maestros by way Bloomington, Indiana have put out the best garage rock record of the year. Yeah, I know it’s only August, but I sincerely doubt anything will surpass this white hot record.

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Flesh World – The Wild Animals In My Life (Iron Lung)

An intense and textured debut from former this bay area band lead by Jess Scott formerly of Brilliant Colors.  Tons of guitars create a dense o wall of sound and makes this record beg to be played at maximum volume.

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Fireworks – Switch Me On (Shelflife)

Switch Me On is packed full of adrenaline fueled pop songs. Fuzz pop blasts that outfuzz all other fuzz pop.

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finnmark
Finnmark! – Things Always Change (Beko)

Singer Edward Forth has a deep baritone that reminds you of Edwynn Collins on one of the most understated and pleasure inducing indiepop record of the year.

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faithhealer
Faith Healer – Cosmic Troubles (Mint)

Jessica Jalbert aka Faith Healer is also a member of Edmonton garage rockers Tee-Tahs who put out one of my favorite albums of last year. Faith Healer is an entirely different thing, but no less good. Cosmic Troubles is full of easy psychedelic jams in the vein of Gorky’s Zygotic Mynci and Cate Le Bon. I wonder if she’s got some Welsh in her?

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eternalsummers
Eternal Summers – Gold and Stone (Kanine)

Eternal Summers’ fourth LP is their best one yet. It’s full of buzz and jangle with just right amounts of polish and tarnish.

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downtownboys
Downtown Boys – Full Communism (Don Giovani)

Downtown Boys debut LP rages against the machine of of capitalism, sexism, racism, queerphobia, fascism, and boredom to the unstoppable sound of a twin sax tsunami. Hardcore never sounded this inviting and inclusive.

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DickDiver
Dick Diver – Melbourne, Florida (Trouble In Mind)

Dick Diver have many similarities with their fellow Australians Twerps. They jangle, sound a little like the Go-Betweens but Dick Diver aren’t afraid to get a little weird and experiment a little more on their records. Melboure, Florida is their third LP and though not as immediate as 2013’s Calendar Days, it sticks to the bones.

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courtneybarnett
Courtney Barnett – Sometimes I Sit and Think, And Sometimes I Just Sit (Mom & Pop)

Courtney Barnett’s stream of conscious lyrics are endlessly interesting to interpret and decipher and you have ample opportunity because the songs are so good on her debut LP that they beg to be played again and again.

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Jangly Good Times with Twerps at the Sunset

twerps

I remember seeing the Lucksmiths eight or nine years ago at the Sunset in Ballard and getting into a conversation with someone at the show about how strange it was for a band to travel half way around the world just to play this tiny bygone place in Ballard where the bar was right in front of the stage. A lot has changed in Ballard since then, including the Sunset. It has recently been remodeled so that there is a front room called Betty’s Room that is open to non-ticket holders and then there is a separate back room where you need to pay a cover to get in to see the bands. It’s very similar to places like Piano’s and the Mercury Lounge in Manhattan. They may moved the bar away from the stage, but they left the giant support beam that cuts across the stage make a substantial obstacle for tall bass players who like to jump around. I guess you could say it adds some character to the place. All things considered the remodel is a major improvement.

Now it feels like a destination for bands traveling half way around the world, like the Twerps from Melbourne, Australia. Three years ago when they were in Seattle, they played at Chop Suey to a score of people. This time it was sold out. The Twerps at their core are Marty Frawley and Julia McFarlane, both sing and play guitar. Helping them out this tour is the rhythm section from the Stevens who also share a record label, Chapter Music in Australia. The Twerps new album Range Anxiety features much better production than their debut and quite a few fairly obvious nods to the Go-Betweens. Live the band seemed loose and in good spirits despite a late night drive to make it to Seattle in time for a session at KEXP earlier that day. Marty has a cheeky sense of humor, at one point in the set declaring his preference for Portland over Seattle. He seemed to relish playing to a full room. A couple highlights from the set for me included Jules’s Raft from the Underlay EP. This song doesn’t really sound like a Twerps song, but was pretty great nonetheless sounding part Bats and part Lovelife era Lush. Another highlight was Simple Feelings which really took an Feelies vibe with its swirling guitar and manic beat. The set was packed full of gems like like Dreamin’, Work It Out, I Don’t Mind and Back to You. With  two albums and a handful of EP’s the band had bounty of riches to choose from and they chose wisely, making it a jangly good time for everyone.

Range Anxiety by Twerps is out now on Merge Records.

Zebra Hunt who opened for the Twerps at Chop Suey three years ago also opened Saturday evening. I can’t think of a better match of bands for a bill. If you haven’t checked out Zebra Hunt’s album yet and dig the Twerps, I can guarantee that you will love it.