Tags: Chook Race, Close Lobsters, Seattle, Tenorio Cotobade, Tenth Court, The Bats, The Feelies, Trouble In Mind, Victory Lounge, Zebra Hunt
Taking on America with an extensive 25 date tour is ambitious for any band, but when you’re Chook Race, a little known three piece jangle pop band from Melbourne, Australia it’s downright impressive (and maybe a little insane). The band made its way into Seattle Wednesday night to play the Victory Lounge, a bar with no stage in East Lake. This is one band I thought I would never see in Seattle, but after self-releasing their first album, Chicago label Trouble in Mind signed them making their second LP widely available in the United States as well as this tour a reality.
Singer and guitarist Matthew Liveriadis has a slight monotone delivery, but drummer Carolyn Hawkins provides a beautiful juxtaposition with her backing harmonies. The trio played an energized and jangly set inspired by the Bats and Close Lobsters mixing soon to be jangle pop classics from their first LP with ones of a slightly more classic pop sound from their new second album Around the House. In their short existence the band already have a stash of A-list songs and they didn’t leave any of them out including jangly diamonds like Dentist, Time, Sometimes and Hard to Clean and Older. The band’s tight sound and laid back attitude easily won over the likely already won over folks in attendance and made us all appreciate the long trip they had made to get here.
Like minded Seattlites Zebra Hunt opened for Chook Race with a set that consisted almost entirely of new songs (Half Right was the only old one). Apparently the new album is nearly ready and based on this evidence I would agree. One song really stood out with its Feelies-like crazy rhythm, even slowing down and then rebuilding itself into something quite raucous. Zebra Hunt has still got it!
Tags: Car Seat Headrest, Chastity Belt, Childbirth, Detective Agency, Grace Love and the True Loves, La Luz, Pony Time, Telekinesis!, TheeSatisfaction, Unlikely Friends, Wimps, Zebra Hunt
The moss has grown another layer over the past year here in the upper left corner of the U.S. and my stack of records from this Pacific Northwest outpost has grown as well. Luckily I have a cool dry place to store them. Here are my favorite records from Seattle for 2015, center justified for your reading comfort.
My favorite album of the year from Seattle or anywhere. If you’ve been reading along this year you probably could have easily guessed that.
Unclassifiable soul, hip hop, space age record that is part throwback, part social commentary and part bravely looking into the dark distant future.
The best feminist punk rock manifesto with a since of humor since forever.
With the rise of Unlikely Friends, fans of Boat and Math and Physics Club can’t be too sad that neither of those bands released a record this year. I wasn’t.
Michael Lerner eschewed his guitars and started collecting vintage synths to create a record inspired by OMD, Postal Service and Blue Nile.
Enlisting Ty Segall to record their sophomore record La Luz continue to shoot the curl with another great set of surf rock.
Wimps dial up another batch of killer slacker punk rock anthems (if there is such a thing). Their sophomore LP Suitcase sees them getting higher marks in all categories which, given their M.O. is probably exactly the opposite of what they were going for.
The great soul revival of 2015 even reached such remote outposts as Seattle and Grace Love and the True Loves debut album was one of the best soul records of the year from any city.
I’m not sure if Detective Agency would appreciate being called indiepop, but I call ’em like I see ’em and this is some very fine indiepop!
The career of Will Toledo of Car Seat Headrest reminds me of Steven Jones of Babybird. Make a bunch of songs in your bedroom and release them and then find a band to re-record the best ones and voila, instant good record rooted in lo-fi but with some new bright corners.
Apparently Fleetwood Mac has permeated the garage rock scene of Seattle. I doubt there are any complicated love quadrangles in this band since they’re a duo. They’re more focused on just delivering a bunch of killer jams.
Chastity Belt got serious on album album number two. Their first LP No Regerts was middle school lo-brow humor compared to Time To Go Home’s more mature and measured sound that is a unique combination of drone and some of that heavier rock from the 90’s for which Seattle is well known.
Tags: Courtney Barnett, Dick Diver, Downtown Boys, Eternal Summers, Faith Healer, Finnmark!, Fireworks, Flesh World, Frankie and the Witch Fingers, Frida & Ale, H Hawkline, Jessica Pratt, Joanna Gruesome, Male Gaze, Menace Beach, Nic Hessler, No Joy, Outfit, Rozi Plain, Saun & Starr, Sauna Youth, The Shifters, Thee Oh Sees, TheeSatisfaction, Twerps, Unlikely Friends, Viet Cong, Wildhoney, Young Guv, Zebra Hunt
This was supposed to be a mid-year list. Actually it still is, but it’s month late. What does that make it? I’m still calling it a mid year list since I saw mid year lists in May. It’s also not as diverse as I was hoping it would be as you will likely notice that the letter F is over-represented here. Hopefully some of the other letters will get a little more attention in the year end list. Hope you find something you might have missed and it’s in reverse alphabetical order for your convenience!
Zebra Hunt – City Sighs (Tenorio Cotobade)
It just so happens that doing this list in reverse alphabetical order puts my favorite album of the year so far at the top of the list. How’s that for coincidence? Hopefully you already know and own this record. If not, you need it in your life because who doesn’t need a little kiwi flavored jangle served up by this Seattle trio?
Young Guv – Ripe 4 Luv (Slumberland)
Fucked Up guitarist Ben Cook will through you for a loop if you’re expecting hard core here. This is Cheap Trick style power pop mixed in with blue eyed soul and 80’s top 40 that is undeniably great.
Wildhoney – Sleep Through It (Deranged)
Sleep Through It is full of shimmering anthems in the classic pop mold. Wildhoney’s debut album easily places them at the top of the heap of the shoegaze revival.
Viet Cong – Viet Cong (Jagjaguwar)
An album of bleak post punk that sounds like it could have been made during the age of Reaganomics and the nuclear arms race. It’s like twisted a time warp back to the era of the Comsat Angels and the Sound.
Unlikely Friends – Solid Gold Cowboys (Jigsaw)
Indiepop supergroup debut album that softens the edges of BOAT and adds some teeth to Math & Physics Club. The perfect Seattle elixir.
Twerps – Range Anxiety (Merge)
Melbourne’s Twerps deliver the Flying Nun influenced jangly goods on their second LP. Fans of the Go-Betweens, Feelies and the Bats take note.
TheeSatisfaction – Earthee (Sup Pop)
The otherworldly second album from the interstellar Seattle hip hop duo is spiritual and strange at once. If psychedelic hip hop were a genre this would be at the top.
Thee Oh Sees – Mutilator Defeated At Last (Castle Face)
Finally an Oh Sees LP that marries John Dwyers more experimental solo outing material with his band’s freak outs.
The Shifters – ST (Comfort 35)
Sure, the Fall put out a new record this year, but for my money Australia’s Shifters do it better in 2015. Full of bile, but they have a playfulness to them that is missing from the band that undoubtedly inspired them.
Sauna Youth – Distractions (Upset the Rhythm)
Taught, anxiety filled post punk jams from this London band are designed for those who prefer their music played with sharp jabs and shouted choruses.
Saun & Starr – Look Closer (Daptone)
Sharon Jones backup singers Saundra Williams and Starr Duncan Lowe finally come to the front of the stage to take the spotlight and give us a smooth soul classic.
Jessica Pratt – On Your Own Love Again (Drag City)
If you didn’t know better, you would assume that this album is 50 years old and was produced by Joe Boyd. Out of time and otherworldly.
Rozi Plain – Friend (Lost Map)
For her third LP Rozi Plain paints from a bucolic pallet to give us music of rolling hills and wandering brooks.
Outfit – Slowness (Memphis Industries)
Second album from Liverpool quintet evokes the greatness of Talk Talk and the Blue Nile.
No Joy – More Faithful (Mexican Summer)
With the help of Jorge Elbrecht this Montreal dreampop have produced an intricate studio creation that is a marvel to he ears.
Menace Beach – Ratworld (Memphis Industries)
Want to relive those 90’s indie rock glory days, Menace Beach are here to help. Their debut album is super charged with great riffs and choruses.
Male Gaze – Gale Maze (Castle Face)
Male Gaze have an intensity about them that puts them into the same league with A-Frames. Their debut album is steeped in post-apocalyptic paranoia that never goes out of style.
Joanna Gruesome – Peanut Butter (Slumberland)
Album number two from Cardiff’s Joanna Gruesome is as high quality as their debut. It continues the uncanny mixture of sweet choruses, mad freak-outs and made freak-outs and sweet choruses.
Nic Hessler – Soft Connections (Captured Tracks)
I feel like Nic Hessler’s debut album would have gotten more attention if he would have stayed with his Catwalk moniker. Marketing aside, Soft Connections is beautiful record of accomplished pop that is as good as anything Aztec Camera ever did.
H Hawkline – In the Pink Condition (Heavenly)
Welsh musician H Hawkline, also known as Huw Gwynfryn Evans fits right in with some of his more famous psychedelic countrymen like Gruff Rhys, Gorky’s Zygotic Mynci and Cate Le Bon who also produced the album.
Former Rough Bunnie Frida teams up with Ale of Le Man Avec Les Lunettes to create a wonderful little folk record retains the same innocent playfulness of Rough Bunnies.
Frankie & the Witch Fingers – ST (Permanent)
Los Angeles garage maestros by way Bloomington, Indiana have put out the best garage rock record of the year. Yeah, I know it’s only August, but I sincerely doubt anything will surpass this white hot record.
Flesh World – The Wild Animals In My Life (Iron Lung)
An intense and textured debut from former this bay area band lead by Jess Scott formerly of Brilliant Colors. Tons of guitars create a dense o wall of sound and makes this record beg to be played at maximum volume.
Fireworks – Switch Me On (Shelflife)
Switch Me On is packed full of adrenaline fueled pop songs. Fuzz pop blasts that outfuzz all other fuzz pop.
Finnmark! – Things Always Change (Beko)
Singer Edward Forth has a deep baritone that reminds you of Edwynn Collins on one of the most understated and pleasure inducing indiepop record of the year.
Faith Healer – Cosmic Troubles (Mint)
Jessica Jalbert aka Faith Healer is also a member of Edmonton garage rockers Tee-Tahs who put out one of my favorite albums of last year. Faith Healer is an entirely different thing, but no less good. Cosmic Troubles is full of easy psychedelic jams in the vein of Gorky’s Zygotic Mynci and Cate Le Bon. I wonder if she’s got some Welsh in her?
Eternal Summers – Gold and Stone (Kanine)
Eternal Summers’ fourth LP is their best one yet. It’s full of buzz and jangle with just right amounts of polish and tarnish.
Downtown Boys – Full Communism (Don Giovani)
Downtown Boys debut LP rages against the machine of of capitalism, sexism, racism, queerphobia, fascism, and boredom to the unstoppable sound of a twin sax tsunami. Hardcore never sounded this inviting and inclusive.
Dick Diver – Melbourne, Florida (Trouble In Mind)
Dick Diver have many similarities with their fellow Australians Twerps. They jangle, sound a little like the Go-Betweens but Dick Diver aren’t afraid to get a little weird and experiment a little more on their records. Melboure, Florida is their third LP and though not as immediate as 2013’s Calendar Days, it sticks to the bones.
Courtney Barnett – Sometimes I Sit and Think, And Sometimes I Just Sit (Mom & Pop)
Courtney Barnett’s stream of conscious lyrics are endlessly interesting to interpret and decipher and you have ample opportunity because the songs are so good on her debut LP that they beg to be played again and again.
Tags: Chapter Music, Merge Records, Seattle, Sunset Tavern, The Bats, The Clean, The Feelies, The Go-Betweens, Twerps, Yo La Tengo, Zebra Hunt
I remember seeing the Lucksmiths eight or nine years ago at the Sunset in Ballard and getting into a conversation with someone at the show about how strange it was for a band to travel half way around the world just to play this tiny bygone place in Ballard where the bar was right in front of the stage. A lot has changed in Ballard since then, including the Sunset. It has recently been remodeled so that there is a front room called Betty’s Room that is open to non-ticket holders and then there is a separate back room where you need to pay a cover to get in to see the bands. It’s very similar to places like Piano’s and the Mercury Lounge in Manhattan. They may moved the bar away from the stage, but they left the giant support beam that cuts across the stage make a substantial obstacle for tall bass players who like to jump around. I guess you could say it adds some character to the place. All things considered the remodel is a major improvement.
Now it feels like a destination for bands traveling half way around the world, like the Twerps from Melbourne, Australia. Three years ago when they were in Seattle, they played at Chop Suey to a score of people. This time it was sold out. The Twerps at their core are Marty Frawley and Julia McFarlane, both sing and play guitar. Helping them out this tour is the rhythm section from the Stevens who also share a record label, Chapter Music in Australia. The Twerps new album Range Anxiety features much better production than their debut and quite a few fairly obvious nods to the Go-Betweens. Live the band seemed loose and in good spirits despite a late night drive to make it to Seattle in time for a session at KEXP earlier that day. Marty has a cheeky sense of humor, at one point in the set declaring his preference for Portland over Seattle. He seemed to relish playing to a full room. A couple highlights from the set for me included Jules’s Raft from the Underlay EP. This song doesn’t really sound like a Twerps song, but was pretty great nonetheless sounding part Bats and part Lovelife era Lush. Another highlight was Simple Feelings which really took an Feelies vibe with its swirling guitar and manic beat. The set was packed full of gems like like Dreamin’, Work It Out, I Don’t Mind and Back to You. With two albums and a handful of EP’s the band had bounty of riches to choose from and they chose wisely, making it a jangly good time for everyone.
Range Anxiety by Twerps is out now on Merge Records.
Zebra Hunt who opened for the Twerps at Chop Suey three years ago also opened Saturday evening. I can’t think of a better match of bands for a bill. If you haven’t checked out Zebra Hunt’s album yet and dig the Twerps, I can guarantee that you will love it.
Tags: Galaxy 500, Go-betweens, Long Ryders, Luna, Real Estate, Seattle, Tenorio Cotobade, The Clean, The Verlaines, Twerps, Zebra Hunt
After a couple singles, Zebra Hunt, the Pacific Northwest’s foremost purveyors of the Dunnedin sound have released an album. City Sighs has obviously been influenced by the classic Flying Nun sound of the early 80’s made famous by the Clean, the Verlaines and the Chills, but it also incorporates some distinctly American sounds to create a fresh variation on a well worn style.
City Sighs seems to be an album full of jangle, longing and discovery. It’s full of pop songs that are instantly likable and easy to remember. Deleware starts the record and opines for a lost friend who’s up and moved back to the first state in the Union. Singer Robert Mercer sings just enough (and leaves even more unsaid) to get you wondering why this person left. It has an air of mystery to it like a Raymond Carver story. The American influences aren’t just literary. Call It Off is a dusty rocker that has Long Ryders feel to it and Isle of Song and Always both owe a little something to Galaxy 500. The band also rightfully resurrect Half Right and Beaches of LA, two of their best songs that originally appeared on their first single that came out on the now defunct Manic Pop label.
The last song Haze Of Youth may be my favorite song on the album. Starting out as pop and then transitioning into a long jam, it out real estates Real Estate. City Sighs is being released by the tiny Tenorio Cotobade label in Madrid, Spain, so you probably won’t see this record at your local shop unless you live in Seattle, but it deserves as much exposure and recognition as like minded records (on much larger labels) by the Twerps and Real Estate.
If you’re near Seattle this weekend, don’t miss Zebra Hunt Saturday at Hilliard’s in Ballard.
Tags: Afraid of Stairs, Be Forest, Blooper, Casual Sex, Circular Keys, Felines, Flowers, Hookworms, Krista, Market Squares, People's Temple, Proto Idiot, Raw Prawn, Sauna Youth, Slushy, Swiftumz, Talbot Adams, Tullycraft, Veronica Falls, Vic Godard, Week Of Wonders, Wildhoney, Young Sinclairs, Zebra Hunt
After a slight delay (I like to pretend I was creating anticipation) here are my top 25 singles of 2013. Seattle is in the mix with 20% of the spots in the top 25. Maybe I’ve been here so long that I’ve been taken over by NW provincialism. I doubt it. These records would be here not matter where I might reside. My provincial list should follow sometime next week.
25. Swiftumz – Willy (Sugar Mountain/Divis and Mason)
Swiftumz released two singles simultaneously one day this past fall. One was a re-recording of the excellent Luv Ya 4 eva from his debut album. The second one came in a sleeve of globular sugary goo that was an excellent indicator of what’s inside. Candy sweet Buzzcocks inspired riffs and saccharine vocals drip from this and every time I play it I have to clean the sweaty syrup from my turntable.
24. Week of Wonders – Piggybacks (HHBTM)
Leif Anders’ old band Orca Team kind of disappeared one day and from its carcass appeared Week of Wonders. It was as if Anders had been reborn on a tropical island with a brand new band. Wonders never cease here as the bright steel drum sounding guitars surround you and pull you into a conga line through an abandoned factory.
23. Circular Keys – Eurogrand (Bedroom Suck)
Reading this list you might get the idea that all I listen to is shoegaze, indiepop, garage and psych pop. Well I like a bit of dub and trip hop now and again too. It loosens your joints and keeps you spry. This Australian duo are utterly supple on their debut single. Extra points for spicing up this year’s countdown.
22. Proto Idiot – You’re Wrong (Trouble In Mind)
Proto Idiot is Manchester resident Andrew Anderson. This isn’t his debut, but it was the first I had heard of him and his Clean meets Soft Boys meets Television Personalities wonderfully warped take on pop, and a wonderful introduction it is.
21. Veronica Falls – Nobody There (Self-released)
I don’t think I’ve heard a Veronica Falls song I didn’t like. Nobody There is no exception, but it’s even better than most of their songs, mostly due to the wonderful harmonies at the end of the song that puts them in the realm of the Stone Rose debut.
20. Raw Prawn – None Left (RIP Society)
Maps are swell and Raw Prawn obviously love Swell Maps. The jaggedy dissonant guitars puncture your safe place and invade the living room. This was released way back in January and I haven’t heard much from them since, but hopefully they’re preparing their next salvo of cacophony real soon.
19. People’s Temple – Brand New Thing (Trouble In Mind)
Peoples’s Temple are no strangers to my year end lists, but usually they’re on the albums list. This year sees them only releasing a single. It is of such high quality, that it kept me satiated. This Lansing Band sounds like a combination of Them and psychedelic Rolling Stones, and will undoubtedly end up on a children of children of Nuggets box set at some point in the future.
18. Zebra Hunt – Beaches of LA (Manic Pop)
Man if there was a band like this that lived in my town I would count myself one of the luckiest fools on the face of this pale blue dot. Take a little Clean, some Shins and a bit of Go-Betweens and you’ve got the perfect combination (yes, I am a lucky fool). Beaches of LA shows the cool slow burn side of Zebra Hunt, but to the same deadly effect.
17. Tullycraft – Lost In Light Rotation (Fortuna Pop)
I was in the car the other day with my kids and this song came up on the shuffle play (a family that listens to Tullycraft together stays together). When the chorus “ray-gun ray-gun” came in, both kids immediately began singing along to it like it was second nature. After it was over they both said that they didn’t like the song. Sometimes the genius of a pop song is its ability to get you to sing it even when you don’t admit to liking it. Nice cover of Yaz’s Bad Connection on the flip side too.
16. Casual Sex – Stroh 80 (Moshi Moshi)
Have you ever wondered what a David Bowie and Edwynn Collins collaboration would sound like? Casual Sex have got your number. This is like Station to Station era Bowie hanging out with the leather clad Collins from the tail end of the Orange Juice.
15. Felines – A Man Stuck In Your Mind (Soundflat)
Another killer single this year from Denmark’s all girl garage supremos. They seem to have an innate ability to make simplicity sound vital. Nothing fancy, just songs that swagger with confidence and flat out rock.
14. Slushy – Candy (Randy)
This Chicago duo have got a sweet tooth for the Beach Boys, Jesus and Mary Chain, Ramones and Teenage Fanclub. Two songs here and nothing wasted. It’s economical and efficient. Just like candy. Candy is the ballad on the A-side, while the more energetic Pocket showcases their ability to rock out. A near perfect record.
13. Flowers – When You Lie (Cloudberry)
Big fuzzy drums that sound like they were recorded in an elevator shaft and vocals that echo like fallen angels, this London band’s debut was an instant love affair for fans of the Jesus and Mary Chain,the Shop Assistants and Black Tambourine. Few bands can generate beauty from white noise, but Flowers are a welcome addition to this elite club.
12. Talbot Adams – Red Diamonds (Spacecase)
Red Diamonds has many similarities to I’ve Been Everywhere and This Land Is Your Land. Some might call that an overstatement, but Talbot Adams’ trip across the Great White North is a classic in waiting.
11. The Market Squares – Afternoon Tide (Market Square)
This collaboration between Paul Messis and the Sufis is a psych dream team. The sinuous guitar lead of Afternoon Tide sticks to your bones long after it’s over. Not surprising that this record sounds like it was recorded 45 years ago given Messis’ and the Sufis’ penchant for classic garage psychedelic sounds.
10. Be Forest – Hanged Man (WWNBB)
Italy’s Be Forest wonder in a wood of dreampop. Guitars swoop in from tall trees while the forest floor is soft and pillowy. The forest is slowly transformed as snow begins to descend. Finding shelter beneath a majestic evergreen you listen as the snow falls. When you dig out you discover an wood nymph singing a Japandroids song.
9. Young Sinclairs – Engineer Man (Market Square)
Albums, singles, solo records, and demos trickle out from head engineer Sam Lundsford at a fairly constant rate. He seems to have a endless source of paisley coloured songs that he feeds into the pipeline of the internet. Engineer Man is apparently an old song he re-recorded for this single. A good thing too, because it’s way too good to leave on some dusty bandcamp page.
8. Afraid of Stairs – I Lit Up (Dufflecoat)
It has been some time since we’ve heard from Sweden’s Afraid of Stairs, seven years in fact. I had this single originally slated in at around number 40 when I started gathering my list, but it kept getting better and better every time I listened to it. They sort of shed their shoegaze influences for big sounding straight ahead pop. At first I thought they might have lost the plot, but really they seem to be juggling about eight story lines at once.
7. Zebra Hunt – Only Way Out (Tenorio Cotobade)
On only their second single Zebra Hunt already seem to have pop genius figured out. Only Way Out is a near perfect song stretching like a rubber band to unimaginable length and then it snaps. It’s not the song itself that inflicts pain, it’s the brevity of this pop nugget that does it. Luckily there’s a repeat button.
6. Sauna Youth – False Jessie (Static Shock)
Usually a cover as the A-side means a band is lacking ideas, but Sauna Youth’s C-86 take on Pissed Jeans hardcore False Jessie is like the flip side of Fucked Up’s C-86 fetish. I hope Pissed Jeans aren’t getting any royalties from this because these damp youths own False Jessie.
5. Blooper – You Won’t Miss Me (Manic Pop)
The Razorcuts and the Buzzcocks have got nothing on Seattle’s Blooper. This record is so intensely good, you can play it 100 times in a day and it won’t loose any of its maniacally measured propulsion. Keep the singles going steady Blooper.
4. Wildhoney – Like Me (Nostalgium Directive)
While everyone was awestruck about My Bloody Valentine dusting off a bunch of b-sides and calling it an album this year, Baltimore’s Wildhoney put out the best slice of MBV inspired shoegaze since Isn’t Anything hit the shelves in record stores. Jaw dropping, ear bursting stuff. No big deal.
3. Vic Godard – Caught in Midstream / You Bring Out the Demon In Me (AED)
Oh my, this record is delight, and for you trainspotters the other record in the countdown to feature saxophone. The postman always delivers, and Vic Godard when he’s not delivering mail he’s delivering amazing stuff like this soulful blast of age-defying goodness. Who says you can’t have two careers?
2. Krista – Space Tom Test (Stones Throw)
Some astronaut sings Major Tom from space and people think it’s so poignant. Never mind the guy can’t sing. Vex Ruffin can sing, no doubt and Jame Pants can lay down a fat beat so the next time your in space sing this astronaut dude.
1. Hookworms – Radio Tokyo (Too Pure)
The Hookworms album was pretty good, no? Well this single put it in the dust and in the style of groups that know they can clean the floor it wasn’t even on the album. The swirling organ, the nutso guitar and the psychotic refrain of “It freaks me out” are like being in the eye of the storm. Things are swirling around your cocoon until a flying livestock punctures it and then your in the mayhem, the wondrously insane bovine induced mayhem.
Tags: Manic Pop Records, Zebra Hunt
When you need to get away, what do you do? If you have the means you physically get away. Get in a car and drive, or take plane to somewhere even further. If you don’t, can I recommend a little piece of vinyl that will take you down to the beaches of LA for a virtual spring break?
Zebra Hunt, hailing from Seattle have just released their first 7-inch single via Manic Pop! Records. In its tiny grooves contains the power of escape. The A-side Beaches of LA may have you skeptics thinking oh no not another beach-y surf song, but Zebra Hunt know you’re tired of the regular indie run of the mill and deliver a plaintive sad beauty that muscles in on Shins territory with its shimmering guitars and falsetto chorus. Last year’s killer Half Right makes an appearance on the flip side along with a new Nerves-y rocker Tomorrow. The little is record is packed full of killer pop.
If you don’t even have the means for the 7-inch or just like winning stuff, we’ve teamed up with Zebra Hunt and Manic Pop! Records to give away a copy Zebra Hunt 7-inch. Drop a line in the comments section to put your name in the drawing. We’ll announce a winner on Saturday, April 13, the same day that Zebra Hunt play their record release party at the Rendezvous here in Seattle along with Posse and Detective Agency.
Tags: Blooper, Choo Choo Trains, Death of Pop, Forest, Gloss, Gorgeous Bully, Males, Manic Pop Records, Mini Dresses, Plastic Flowers, The Death of Pop, Zebra Hunt
I have this recurring dream where I walk into a record shop and go over to their 7-inch singles section and discover 20 brand new records that I had never heard of. Each of them is lovingly designed with eye catching sleeves. I gaze at the display and each one is like glistening piece of candy that the pop kid in me cannot ignore and must have. Resistance is futile. Restraint and logic flies out the door and I grab all of them. I dig in and each one I pick up I cannot put down. Eventually my arms are overflowing with records as I head to the cash register to quickly purchase my new finds and take them home and listen to them.
I feel like that dream came into being when Minnesota label Manic Pop! Records came on line at the end of last year. The inaugural release was the Candy Strypers. It was jangling Byrds-ian harmonic love at first sight. After that first release the records seemed to come fast and furiously. The Mini Dresses from Austin levitated me with their Sunday’s inspired pop. Blooper’s bone-rattling garage pop single was a constant on the turntable for weeks. The fragile and simply beautiful pop of London’s Choo Choo Trains made me swoon. The fractured and sparse pop of Manchester’s Gorgeous Bully hit me right where it hurts. The nocturnal dreampop courtesy of Minneapolis band Gloss put me in state of bliss. The blippy-synth pop from Greece’s Plastic Flowers had me reaching for my Flowchart and Holland records. In short it has all been pop and it has all been good. I left a few out mostly because I can’t keep up with the pace, and there are more great singles on the way from the likes of Zebra Hunt, Males, Forest, Death of Pop and who knows who else this young exciting new label have planned. Head on over to their store and fill you’re sweaty pop parched hands with a swill of manic pop singles…and sweet dreams.
stream: Males – So High
stream: Gloss – Front Porch
stream: Mini Dresses – Post Office Girl
stream: Gorgeous Bully – M.A.W
stream: Death of Pop – Don’t Hang Around
Tags: Blooper, Chastity Belt, Erik Blood, Evening Meetings, La Luz, Neighbors, Nightgowns, Orca Team, Posse, Purrs, Seapony, Stephanie, Tea Cozies, Thee Satisfaction, Zebra Hunt
Could this have been the year that Seattle went pop? Sure, there have been bands here and there with pop leanings, but this was the year that Seattle finally shed it’s flannel, got out of the garage, and didn’t feel like it had to be wooly, bearded and mechanical all the time. Look out old Seattle, the kids don’t care about your hang-ups! Here are my favorite 15 records (album, ep’s and singles) from the Emerald City and environs.
1. Erik Blood – Touch Screens (Self-relased)
It was pretty cool to see much of Seattle’s music press unanimously agree that Erik Blood’s Touch Screens was a brilliant record. He took his shoegaze leanings, added some electronics, a motorik beat or two and came up with a concept album about pornography. Too bad that recognition seemed to stop at the city limits. Dear rest of the world, you may have missed one of the finest records put out this year.
The Lonesome Death of Henry Paris:
stream: Touch Screens
2. Thee Satisfaction – awE naturalE (Sub Pop)
Part soul, interstellar hip-hop, and trip-hop, the duo Stasia Irons and Catherine Harris-White combined to create a record that sounded like little else in Seattle and anywhere else for that matter. It didn’t get as much gushing attention as the Shabazz Palaces album did last year. It should have because it’s a better record.
3. Neighbors – John In Babeland (Lost Sound)
Neighbors’ deft songwriting seemed to effortlessly take their REM and Pavement influences and create a record that could rattle as well as soothe. John in Babeland came out cassette way back in February, luckily I got a download of it because as much as I’ve played it, the cassette wound up all scrunched in a tape deck by now.
All United Grocery:
Stream: John In Babeland
4. Evening Meetings – Evening Meetings (Sweet Rot)
Dark clouds, dark allies, dark dark. Evening Meetings wouldn’t, no couldn’t take place in the light of day nor in any other place. Claustrophobia induced by low pressure and heavy dark clouds and dusk that sets in around 3pm. This time of year in Seattle it’s dark most of the time and in some weird strange way this record turns on the bright lights every time I listen to it.
5. Zebra Hunt – Zebra Hunt (self-released)
Half Right is the best song to come out of Seattle this year. If I didn’t know any better I would have guessed they moved here from New Zealand and started a PNW Flying Nun shop right here in our midst. Seattle, rejoice! There is a pop band in our midst that breathes kiwi air.
stream: Zebra Hunt
6. La Luz – Damp Face (Self-released)
Have you ever been to the beach in Washington? You can actually drive right onto it with your car because nobody’s there. It’s flat, cold and windy no matter when you go, winter, spring, summer or fall. La Luz don’t belong in this surfer’s nightmare. Their surfer’s paradise of an EP had to have been born in warmer climes, but being from Seattle, perhaps long winter day’s indoors, hanging with the ghosts of the Ventures and dreaming of an endless summer did it.
Sure As Spring:
stream: Damp Face
7. Orca Team – Restraint (HHBTM)
The basic sound of Orca Team record hasn’t changed much over their short career. Their bass-driven 50’s surf pop jangle consistently pleases. They’re random output of singles, cassettes and CDr’s has been scattershot. Finally the band has seemed to focus and that concentration makes Restraint feel like a proper record. Its concise songs make quick long lasting impressions.
8. Posse – Posse (Self-released)
Posse’s self-titled debut is brazen with amazing pop songs. They have the gritty boy-girl back and forth in their songs and slashing guitar solos that aren’t over the top but just right. You older folk will appreciate their affinity towards Versus. Back in the 90’s during that post Nirvana signing frenzy Posse undoubtedly would have been sitting on piles of cash and big record deal. Oh how times have changed.
9. Tea Cozies – Bang Up (Self-released)
Tea Cozies re-materialized after three years in the wilderness with this killer five song EP. It has an air of confidence about it and flare that will have fans of both 90’s Britpop and college rock hopefully reaching for their pocketbooks as well as old albums by the Tuscadero, Blake Babies and Sleeper.
Silhouette In A Suitcase:
stream: Bang Up
10. Chastity Belt – Dude (self-released)
You thought I was kidding about the pop capitol of the world,didn’t you. I wasn’t and Chastity Belt are here to back me up. Their Pony Tail single had the audacity to tell the general NPR listening, latte drinking, Game of Thrones playing male populace of Seattle to cut off their ponytails. What a bunch of punks!
11. Blooper – Go Away (Self-released)
Blooper do saccharin powerpop so well that any cuts inflicted by their killer songs will bleed cherry syrup. Look out for a new 7-inch single from these Ballard popsters early in the new year on Manic Pop! Records.
stream: Go Away
12. Nightgowns – Bonita (Swoon)
Tacoma’s Nightgowns, similar to Tea Cozies have been slumbering for a few years, but this EP sees them wide awake and in good form. Slightly bombastic and theatrical, but only slightly, Bonita sounds like that bubble the Flaming Lips use, but instead of it being in a sea of confetti, they are bounding across the high desert, down the cascades and into the Sound.
13. Purrs – Rotting On the Vine (Fin)
The Purrs are like the elder statesmen of nothing. They’ve been around for years putting out great records to little recognition. Perennially writing killer songs that are left rotting on the vine so to speak. If anyone ever asks you, yes they do make them use to. Seattle’s Fin records have given the Purrs a new home and this beauty is a taste of their album due next year.
Rotting On the Vine:
stream: Rotting On the Vine
14. Seapony – Falling (Hardly Art)
Funny how Seapony’s second album is better than their first and yet last year they were number one in my Seattle albums and now they’re number 14. It might be because Falling was more of the same only better or it might be because I’m capricious. They may have slightly fallen out of fashion, but this record will be considered a Sarah-esque classic in a few years. Too bad it takes obscurity for some people to really appreciate things.
Prove To Me:
15. Stephanie – One Glove (Self-released)
Stephanie sound like they could have been on Factory records back in the early 80’s. They employed Erik Blood to record One Glove, but it sounds like they got Martin Hannett from the grave instead. Stephanie employ sparse, jaggedy steely guitars that are part Magazine and part Durutti Column and a singer that some might say is an acquired taste but they make it work quite well.
stream: One Glove