Wimps

Notable Albums of 2018

Posted on January 6, 2019 by Toby

Beating my Chinese New Year deadline by nearly two months, here is my list of favorite records of the past 12 months. Was it this year that the music blog officially died? It seems like more are going dark, and fewer are starting up. I shall endeavor to do better this year. This year also saw the really bad idea of labels not including downloads with copies of vinyl records. If you are one of those labels, please reconsider. I love the download card! My record player does not travel well and I hate buying stuff twice.

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1. Lime Crush – Sub Divide (Fettkakao)
Finally, an LP to follow up this Austrian band’s ace 2015 7”. Sharp, punky numbers full of spite, humor and a little sax. All three songs from that single smartly resurface here and a surprise vocal from Calvin Johnson at the end ties the it all together.

sotbh
2. Spirit of the Beehive – Hypnic Jerks (Tiny Engines)
Hypnic Jerks (I love that title) is the third LP from this Philly band. It has elements of Deerhunter, Lilys, Brainiac, Swirlies and many other unsung, underground darlings in my record collection.

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3. Dumb – Seeing Green (Mint)
Most would file Dumb under Pavement/Parquet Courts, but I dig way these Vancouver underground rockers’ punky songs evoke Big Boys, sport an offbeat sense of the absurd and (probably) make an unintentional nod to Stewart Copeland’s alter ego Klark Kent.

4. Shopping – the Official Body (Fatcat)
For album number three (why does nobody call the third album their junior effort) Shopping rip it up and start again. Not exactly, but they employed Edwyn Collins to produce the record. Their brand of dancy post-punk benefits from an infusion of Orange Juice to make it their most accessible record yet.

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5. Jonathan Fitoussi & Clemens Hourriere – Espaces Timbres (Versatile)
This duo employ vintage modular synthesizers to create ambient landscapes that share topographical similarities with Kraftwork’s Radioactivity and Eno’s ambient stuff. Rarely does ambient music feel so powerful, but this record is juiced with the ability to make one feel they are floating into other realms.

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6. Free Love – Luxury Hits (Full Ashram)
The Glasgow duo formerly known as Happy Meals smartly change their name to Free Love for their debut LP. Luxury Hits is 80’s style synthpop made with updated tech and the song Playing as Punks may be my favorite song of both 1988 and 2018.

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7. Sons of Kemet – Your Queen Is a Reptile (Impulse)
I didn’t even know that the Impulse label still existed as a label that put out new stuff. This is the group’s third album and its tuba, trombone, sax, clarinet attack spans Mingus, Jamaican ska/reggae, Coltrane and Sun Ra. Remarkable, even for non-jazz aficionados like myself.

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8. Shannon Shaw- In Nashville (Easy Eye Sound)
Is it ok to say that I like this better than any Shannon & the Clams albums? The Shaw – Auerbach collaboration reminds me a little of accomplished pop-psych that came out of the Del Shannon – Andrew Loog Oldham collaboration.

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9. Flasher – Constant Image (Domino)
I love how this DC band blend Hometown influences like Unrest and Holland with Three O’clock style paisley underground into a brilliant record that goes against the current grain. If this came out 25 years ago it woulda been on Teenbeat fer sure!

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10. Gwenno – Le Kov (Heavenly)
For her sophomore album Gwenno has switched from singing in Welsh to singing in Cornish, a minor detail probably for most of us who speak neither. Whatever language she sings in, Gwenno excels at the lingua franca of krautrock-psychedelic-soundtrack strain of rock.

Life is a Lion’s Den

Posted on October 7, 2016 by Toby

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I never thought I would hear a band that combined the spazzy pop bliss of Neil Armstrong with the primal pop eccentricities of the Intelligence. Where would I actually look for something like this? The internet of course. Sweden’s Lion’s Den could more succinctly be described as garage pop but that’s too easy. The songs on the trio’s self-titled debut LP seem to have a dry take on the mundane and acidic world (“Waking up is the bitter side of life” and “Denial is my therapy”), but they’re so darn catchy that they still make you feel like a 100 bucks.

It’s got some surfy sounding bits, some rockin’ ones, a few eccentricities and lots of adrenaline. And at ten songs in about 20 minutes it’s a perfect record for these anxiety laden and distraction filled times. Put it on and let it take you for a spin. You’ll be back in 20 minutes, in time for whatever is you didn’t really need to do.

The album is out on Lazy Ocotopus.

Some Good Albums from Seattle This Year

Posted on December 23, 2015 by Toby

The moss has grown another layer over the past year here in the upper left corner of the U.S. and my stack of records from this Pacific Northwest outpost has grown as well. Luckily I have a cool dry place to store them. Here are my favorite records from Seattle for 2015, center justified for your reading comfort.

Zebra Hunt – City Sighs (Tenorio Cotobade)
Buy | Listen

My favorite album of the year from Seattle or anywhere. If you’ve been reading along this year you probably could have easily guessed that.

TheeSatisfaction – Earthee (Sub Pop)
Buy | Listen

Unclassifiable soul, hip hop, space age record that is part throwback, part social commentary and part bravely looking into the dark distant future.

Childbirth – Women’s Rights (Suicide Squeeze)
Buy | Listen

The best feminist punk rock manifesto with a since of humor since forever.

Unlikely Friends – Solid Gold Cowboys (Jigsaw)
Buy | Listen

With the rise of Unlikely Friends, fans of Boat and Math and Physics Club can’t be too sad that neither of those bands released a record this year. I wasn’t.

Telekinesis – Ad Infinitum (Merge)
Buy | Listen

Michael Lerner eschewed his guitars and started collecting vintage synths to create a record inspired by OMD, Postal Service and Blue Nile.

La Luz – Weirdo Shrine (Hardly Art)
Buy | Listen

Enlisting Ty Segall to record their sophomore record La Luz continue to shoot the curl with another great set of surf rock.

Wimps – Suitcase (Kill Rock Stars)
Buy | Listen

Wimps dial up another batch of killer slacker punk rock anthems (if there is such a thing). Their sophomore LP Suitcase sees them getting higher marks in all categories which, given their M.O. is probably exactly the opposite of what they were going for.

Grace Love and the True Loves – Grace Love and the True Loves (Self-Released)
Buy | Listen

The great soul revival of 2015 even reached such remote outposts as Seattle and Grace Love and the True Loves debut album was one of the best soul records of the year from any city.

Detective Agency – Now (Discos de Kirlian)
Buy | Listen

I’m not sure if Detective Agency would appreciate being called indiepop, but I call ’em like I see ’em and this is some very fine indiepop!

Car Seat Headrest – Teens of Style (Matador)
Buy | Listen

The career of Will Toledo of Car Seat Headrest reminds me of Steven Jones of Babybird. Make a bunch of songs in your bedroom and release them and then find a band to re-record the best ones and voila, instant good record rooted in lo-fi but with some new bright corners.

Ponytime – Rumours 2: The Rumours Are True (S-S)
Buy | Listen

Apparently Fleetwood Mac has permeated the garage rock scene of Seattle. I doubt there are any complicated love quadrangles in this band since they’re a duo. They’re more focused on just delivering a bunch of killer jams.

Chastity Belt – Time To Go Home (Hardly Art)
Buy | Listen

Chastity Belt got serious on album album number two. Their first LP No Regerts was middle school lo-brow humor compared to Time To Go Home’s more mature and measured sound that is a unique combination of drone and some of that heavier rock from the 90’s for which Seattle is well known.

A Belated List: Top 40 7-Inch Singles of 2014

Posted on January 11, 2015 by Toby

If they keep putting them out, I’ll keep buying them and counting them down. Here’s my take on the 2014 singles scene. You don’t need eharmony to find a great single, just peruse this list.

1. Wildhoney – Sixteen Forever (Photobooth)
Baltimore band’s second single is even better than their first. Effortlessly great shoegaze. Look out for their debut LP early in 2015.

2. Charles Bradly & LaRose Jackson – Luv Jones (Daptone)
This one came out of nowhere and flew under most everyone’s radar. Charles Bradly and LaRose Jackson sound great together and the flip side has him sounding a bit like the Specials. A certified classic.

3. Primetime – Tied Down (La Vida Es Un Mus Discos)
UK group influenced by Wire and Elastica, only they don’t steal riffs. Solid debut single that indicates greatness.

4. Primitives – Spin-O-Rama (Elefant)
Classic 60’s inspired, sunny psychedelic single.The Primitives stormed back on the scene with this record.

5. Giorgio Murderer – Primitive World (Goner)
Buck Biloxi’s alter ego obsessed with Star Trek. Insanely insane.

6. Day Ravies – Hickford Whizz (Beko)

Day Ravies move beyond their shoegaze roots and move into full pop bloom.

7. Bent Cousin – Dizzy (Team Love)

Twins from Brighton mix a little bit of rap with indiepop. It shouldn’t work but of course it does since it’s right here at number seven.

8. Gurgles – You Send Me Up (Saltaire)

Gurgles take Steely Dan and Prefab Sprout and turn it up so that it bleeds out of your headphones.

9. Pang – Young Professionals (Grazer)

Bay area young professionals second single is glamorous sounding, jagged, Wire influenced brilliance.

10. Primitive Parts – Open Heads (Sexbeat)

Members of Male Bonding and Sauna Youth, Primitive Parts excel in jangly power pop that reminds me of Modern Life Is Rubbish era Blur. Strong!

11. Girl One and the Grease Guns – Bashed Beaten & Broken (Squirrel)

Alter egos of the Manhattan Love Suicides deal in old drum machines, synths and detached vocals with decided industrial slant.

12. Suburban Homes – The Suburban Home EP (Market Square)

Mysterious punks from the suburbs on written by Paul Messis and on Paul Messis’s label. Raw angry and very good.

13. Close Lobsters – Kunstwerk in Spacetime (Shelflife)

The return of the Close Lobsters was a wonderful sound to behold.

14. Courtneys – Mars Attacks (Hockey Dad)

The second single in this year’s countdown to feature a rap. Vancouver’s Courtneys follow up last years great debut with more of their good thing.

15. The Mantles – Memory (Slumberland)

The Mantles seem to be able to effortlessly write these dusty Byrdsian gems.

16. Juniore – La Fin Du Monde (Enterprise)

Suave, spaghetti-French pop that pulls in some Limiñanas along with a bit of Françoise Hardy.

17. Crimson Wave – Say (Accidental Guest)

Former Wild Honey singer goes two for two with bands and singles. Her new band Crimson Wave is off to an auspicious start with this Scrawl influenced record.

18. Flesh World – A Line In Wet Grass (Iron Lung)

Jess Scott, formerly of Brilliant Colors fronts Flesh World. A Line in the Wet Grass is a maelstrom with a pop song in the middle just struggling to escape.

19. Slum of Legs – Begin To Dissolve (Tuff Enuff)

Slum of Legs combine dissonance and melody into a delicious stew topped off with a violin chaser.

20. Hierphants – Nothing Neu (Goodbye Boozy)

Featuring members of Ausmuteants and Frowning Clouds, you might expect Hierphants to sound like a garage band with Devo leanings and you would be right. Nothing Neu, but good nonetheless.

21. King Tears Mortuary – Grease Trap (Vacant Valley)

Power pop from Sydney that recalls southern fried college rock from the 80’s. Surprised Mitch Easter didn’t have a hand in this.

22. Ubertrager – Neben Mir (Great Pop Supplement)

Amazing how much this sounds like Broadcast. Otherworldly!

23. Institute – Giddy Boys (Kartorga Works)

Debut single from Austin band sounding like their from Australia. The Austin Ausmuteants?

24. Primitive Parts – TV Wheels (Faux Discx)

Primitive Parts make their second appearance in the countdown. Quality and quantity. Lookout for their debut coming later this year on Trouble In Mind.

25. Dream Boys – Positive Arguments (White Iris)

Bluebells, Bif Bang Pow and Three O’Clock fans rejoice, Los Angeles’ Dream Boys follow up last year’s LP with more jangly goodness!

26. Wimps – Distraction (Help Yourself)

Short, sharp punk from Seattle’s slackers in chief.

27. Kelley Stoltz – Cross Your Mind (Stroll On)

Stoltz keeps cranking out classic pop whether you like it or not. The guy’s a machine. Dig the ode to Echo & the Bunnymen xylophone solo too.

28. When Nalda Became Punk – Indiepop Whatever (Shelflife)

From Spain, but riding a wave of Swedish Pop, When Nalda Became a Punk feature jangly guitars and life affirming choruses.

29. Woolen Men – Real FX (Loglady)

More tightly wound jangle from this Portland trio.

30. Cheap Riot – Part Time Vacancy (Croque Macadam)

A great debut single from punk-party mods who remind me of Television Personalities and the Buzzcocks.

31. Cavern of Anti-Matter – Total Availability And The Private Future (Peripheral Conserve)

The cover looks like something Jack Kirby might have drawn for the Fantastic Four back in the 60’s. Meanwhile Tim Gane continues his odes a future that never was.

32. Paellas – Cat Out (Self-released)

The formerly moody Paellas, shake the lead out and get downright dancy. New direction 100 percent approved.

33. Thigh Master – Head of the Witch (Tenth Court)

Jangly garage pop that is bound to not just to excite fans of Suzanne Somers but is likely to make fans of the Clean the Go-Betweens happy as well.

34. Twerps – Back To You (Merge)

More Australian pop you say. Yes they just keep coming. Sounding a little like the Moles in the intro, this one is the lead single from the upcoming LP.

35. Tender Age – Anything (Track & Field)

Portland’s Tender Age evoke’s Felt’s Ignite the Seven Cannons. Dark and dreamy.

36. Sleaford Mods – Loan Shark (Apocolypso)

A bit more glitchy and more experimental backing provides great backdrop for another rant.

37. Heathers – Fear (Death Party)

Single number two from this LA band delivers more hardy jangepop. The cool thing about them is how funnel their very English influences (Wedding Present) into a very American sound (Replacements).

38. Menace Beach – Tennis Court (Memphis Industries)

Dreamy female vocals over scuzzy male ones and scuzzy guitars that delivers with a nice big chorus. Just what you should expect from a great single.

39. Ausmuteants – Felix Tried to Kill Himself (Goodbye Boozy)

Prolific Aussi synth punks crash the party with this blistering guitars and head flexing vocals.

40. Dick Diver – New Name Blues (Fruits & Flowers)

New Name Blues sounds a little more experimental and less straightforward than their usual strummy goodness, adding in some saxophone to keep things interesting.

Best of 2013: Seattle Records

Posted on January 14, 2014 by Toby

The older I get the more I think that there should be a new music moratorium every January so that you can catch up on all of the stuff that you missed from the previous year. Yeah, I know that ain’t gonna happen. So here we are. It’s not quite mid-January, and here I am hoisting upon you dear readers one more 2013 list. I promise that this is the last one. It’s kind of a special one because it is my favorite records from my adopted hometown. If I didn’t live in Seattle some of these records would have been in my best albums of the year. Also, if I didn’t live here I probably would have missed some of these since you actually have to live in a local scene to hear the local scene. Here is the best stuff that I discovered through osmosis, going to shows, and reading local blogs and papers. Picking a favorite record from my fair city is like picking a favorite child. I love them all the same, at least that’s what I tell them.

Universe People – Go To the Sun (Little Black Cloud)

Universe People incorporate the sweetness of Dolly Mixture, the arty obtuseness of Wire, the irreverence of the Fall and humor of the Intelligence onto their debut album. This, in my book, is the perfect elixir.

stream: Universe People – Druids

Sean Nelson – Make Good Choices (Really Records)

In a year where major web sites seemed to publish Morrissey’s every move, former Harvey Danger Sean Nelson released his debut solo album that was as literate, sharp and self-deprecating as anything the Mozzer has done in the last 20 years. Throw in some cocktail jazz and some Zombies psychedelia and you have a pretty darn good album.

stream: Sean Nelson – Creative Differences

Dreamsalon – Thirteen Nights (Captcha)

Formerly known as Evening Meetings, the rechristened Dreamsalon tighten things up a little on Thirteen nights and aren’t afraid to let the hooks fly. Post-punk dourness that is part moody Echo and the Bunnymen and part piss and vinegar of the Fall through the lens of Seattle punk cognoscenti.

stream: Dreamsalon – In the Air

Trevor Dickson – Summer Legs (Swoon)

One of only two EP’s in this list of records, but well worth checking out. Trevor Dickson is in the Nightgowns, but here he takes a dash of Sinatra, some Joao Gilberto and some northwest ingenuity to come up with Summer Legs, one of the best songs I heard this year.

stream: Trevor Dickson – Summer Legs

La Luz – It’s Alive (Hardly Art)

Four girls from a city with barely a hint of sunshine and marginal wave action d make a timeless glassy sounding surf record. They sound like they’ve been doing this for ages. The guitars shoot the curl and the harmonies flash off the water like rays of sun in your ears.

stream: La Luz – Big Big Blood

Wimps – Repeat (End of Time)

The debut album from Wimps gives me the impression that they’re punk classicists. Repeat is the classic punk formula of guitar, bass and drum and a healthy sense of humor courtesy of Rachel Ratner’s knack for being able to make life’s disappointments still sound disappointing, but with in an irreverent humorous slant.

stream: Wimps – Slept in Late

Boat – Pretend To Be Brave (Magic Marker)

Sometimes when a band consistently releases great albums filled with hooky pop people start taking them for granted. Pretend To Be Brave is their fifth album of slightly fractured, eternally hopeful indiepop. BOAT continue to capture my imagination, I wish more people would allow themselves to be swept up into their brightly colored superhero world.

stream: BOAT – Interstellar Helen Keller

Purrs – The Boy With Astronaut Eyes (Fin)

The Purrs deliver again with another hallucinogenic masterpiece. Guitars swoop and dive in and out while singer and bassist Jima takes you on a ride in a derailed monorail to some seedy interstellar locale. The perfect soundtrack to navigating globular clusters.

stream: Purrs – Over and Out

Math and Physics Club – Our Hearts Beat Out Loud (Matinée)

Math and Physics Club have certainly been called twee, but on their third album they veer more towards soft rock and that is no bad thing. Kids these days have a penchant for Paul Simon and Cat Stevens records, and MAPC with their sweet and tender songs evoke those fellows while still keeping their indiepop/twee roots intact.

stream: Math & Physics Club – We Won’t Keep Secrets

Chastity Belt – No Regerts (Help Yourself)

Chastity Belt shocked the internet with their band photo that featured singer Julia Shapiro wearing a steak locked over her crotch. Based on last year’s Ponytail single, we already knew that they could be insolent and funny, but could they deliver a full album that sustained that brashness? Chastity Belt seem to not give a shit about anything except making good record,s and they’ve succeeded at that. Fuck everything else.

stream: Chastity Belt – James Dean

Jetman Jet Team – We Will Live The Space Age (Saint Marie)

Erik Blood better watch out, because Jetman Jet Team are coming up fast in his rear view mirror to try and usurp his shoegaze king of Seattle crown. Heavy MBVisms abound, but they also incorporate some of the whiteout techniques of Flying Saucer Attack and even some of that smoke and mirrors hypnotism employed often in 1970’s Germany. This is mind-expanding,tremelo bending, psychotropic miasma.

stream: Jetman Jet Team – Deep Space

Neighbors – I Love Neighbors (Self-released)

Poor Neighbors. This was scheduled to come out as a 10″ EP on Manic Pop Records, but the release date unfortunately coincided with the implosion of their record label. Left to their own devices, the band released this as bandcamp virtual record. That’s unfortunate because my record player would have gotten a real thrill playing this record which takes Pavement, REM, Camper Van Beethoven and the Wedding Present throws it into a blender and comes up with best smoothie I ever had.

stream: Neighbors – What You See In Me

We Are Loud Whispers – Suchness (Hardly Art)

Sonya Wescott who you may remember as half of Arthur and Yu made a trans-Pacific album with Ayumu Haitani who resides in Japan. While the obvious parallel is the Postal Service and the electronic blips reinforce that parallel, We Are Loud Whispers are more ear tickling and anthemic. I get the feeling that they’ve got a few Field Mice and St. Etienne records on top of owning everything that Morr records has ever released. Subtle and sublime.

stream: We Are Loud Whispers – Western Town

Midway and Buried in Records – Part 5

Posted on August 2, 2013 by Toby

Part five of five of the mid 2013 album round-up is finally here. A little late as the this year’s National IPA day took precedence yesterday to actually putting this final installment online. Rest assured though, I was of very sober mind when considering all of these records.

Dick Diver – Calendar Days (Chapter Music)

“Blue, laid-back, playful and breezy. They will make your heart ache. In fact, they could have put a sticker on the cover stating: Warning. May cause slight bouts of melancholia.” Feeling this bad never felt so good.

stream: Dick Diver – Calendar Days

The Shivas – Whiteout (K)

The Shivas can stretch from Thee Oh Sees style romps to shimmering surf rides to Freakwater style country numbers. Whiteout is a wonderfully varied and accomplished album from a group of young Pacific Northwest punks.

stream: The Shivas – Thrill Yr Idols

Eat Lights Become Lights – Modular Living (Great Pop Supplement/Rocket Girl)

Every now and then I like to put on a record that makes me feel like I am floating in space. Ladies and gentlemen, this record creates zero gravity with its motorik grooves that you will put it on repeat to avoid re-entry.

stream: Eat Lights Become Lights – Modular Living

Useless Eaters – Hypertension (Jeffery Drag)

Seth Sutton finally decides to stop recording into a boombox and the results are more than satisfying. It’s not just sound quality, he’s also upped his songwriting. Hypertension a huge leap in quality and already a classic punk record in my book.

stream: Useless Eaters – Hypertension

Woolen Men – Woolen Men (Woodsist)

Portland’s Woolen Men are only a three piece, but they pack the power of four or five. All three members sing which leads me to believe they all write songs, but they’re all well versed in the same school of rock. Their songs can sound like early REM, Wire, the Clean and dB’s.

stream: Woolen Men – Mayonnaise

Paul Messis – Case Closed (State)

Paul Messis is an obvious fan of the Dovers, West Coast Experimental Pop Art Band, the Who and the Squires, but instead of doing covers, he’s creating his own future classics.

stream: Paul Messis – Nickels And Dimes

Wimps – Repeat (End of Time)

“Wimps songs adhere to the three chords and a cloud of dust rule. They’re raw, immediate, self-deprecating and fun. And who doesn’t need humorous odes to naps, intoxication, bad jobs, and the general banality of life to crank up when you need to forget about your sucky life?”

stream: Wimps – Slept In Late

A Punk, a Slacker and Wimps Walk Into a Bar

Posted on February 7, 2013 by Toby

The punk orders a beer. The slacker, this being Washington, lights up a spliff. Wimps order a pizza, get on the bar, do a big shoe dance and then on their way out knock over the row of Harley’s outside. All is fine and nobody gets their lights punched out because even though they call themselves Wimps their kinda tough in a not so tough kind of way. They’ve also got some street cred having hung out with the Intelligence, Partman Parthorse and Meth Teeth to name just a few who have their backs.

Brand spanking new Seattle record label End of Time also has their backs. The label has just released Wimps debut long player Repeat. It’s full of short sharp shocks and two letters short of Repeater. Wimps songs adhere to the three chords and a cloud of dust rule. They’re raw, immediate, self-deprecating and fun. And who doesn’t need humorous odes to naps, intoxication, bad jobs, and the general banality of life to crank up when you need to forget about your sucky life?

stream: Wimps – Nap (from their album Repeat out now on End of Time)

Save Yourself For Chastity Belt

Posted on November 25, 2012 by Toby

Walla Walla, Washington is known for its onions and wines, not so much for all girl punk bands. Come to think of it I don’t know of any all boy punk bands from there either. Being stuck in the southeast corner of the state subsisting on onions and wine can do funny things to a person. To prove it Chastity Belt have moved to Seattle with tall tales of dudes with ponytails, alien abductions, giant vaginas, big pick-up trucks and sleeping with the dead.

Their latest EP called Dude is three short sharp jabs of melody and hilarity. Ponytail is a raucous minute and half that totally disses a dude for his ponytail comparing him to Steven Seagal, Thomas Jefferson and a Barbie doll. Aliens is about lusting after the apparent many aliens that land in less populous places, and Cadaver is, um, well a love song that doesn’t really contain a laugh, but instead shows that they can be not funny too. Chastity Belt are parts Young Fresh Fellows, Wimps and Tacocat. Funny on the outside, but yearning on the inside .

mp3: Chastity Belt – Ponytail (from the Dude EP available from Chastity Belt’s bandcamp)

Posted on February 6, 2012 by Toby

I saw Wimps back in November open for Wax Idols and the Terry Malts. They rocked like they already knew what the hell they were doing even though I think that it was only their first or second show. Wimps are a trio. Rachel Ratner plays guitar, sings and makes cool maps. Matt Nyce plays bass and draws. Dave Ramm plays drums and makes pizzas. Wimps are raw power with nothing in the way. It’s punk rock the way it use to be; short, sharp and loud. Oh yeah, and they’ve got some good songs too, which you don’t have to take my word for any longer since they’ve put up a six song demo for you to download. Wimps play this Friday at Black Lodge with Unnatural Helpers, Spurm and Uzi Rash.

stream/download (for you RSS types): Wimps – Demo

Full Time Punks: Wax Idols, Terry Malts and Wimps at the Funhouse

Posted on November 13, 2011 by Toby

Funhouse, Seattle, 10 November 2011:

One of the best punk albums to come out this year is Wax Idols‘ No Future. The Oakland, California band’s debut is influenced by late 70’s early 80’s classic punk period bands like the Buzzcocks, and the Avengers. What makes it so great is that it isn’t just punk by numbers. The record is enhanced with a gothic influence that makes it not only rock, but haunt as well. It’s got punk style anthems with call response choruses, but it also has lighter side that is plain old classic pop. Wax Idols is band in name but really the moniker for the songs of the intense, passionate and always entertaining Heather Fortune.
Live Wax Idols are a four piece band with an all girl front line of guitars and bass and a guy on drums. Fortune demonstrated disaffected confidence as she and her band delivered punk their punk anthems fast and hard with barely a breath or word between songs. Even with a second guitarist, Fortune still played all the lead parts. Only putting down her guitar for their final song when the band was joined by Terry Malts guitarist Corey Cunningham for a cover of Christian Death‘s Romeo’s Distress. This allowed her to become more animated, grabbing a bar across the top of the stage and lean out toward the audience. If there were more people packed close to the stage I bet she would have dove into them. Fortune obviously know her history. She has even taken a punk moniker in changing her last name from the given Fedewa to Fortune the way so many of the legendary punks of the past. Wax Idols are a product of the rich west coast punk history that remains largely unexplored by today’s current scene and they give good cause to keep those history books up to date.

stream: Wax Idols – Dead Like You (from No Future on Hozac)

Wax Idols are on tour with fellow Oaklanders the Terry Malts. Prior to becoming a punk trio they were the Magic Bullets. After some kind of catharsis they saw the punk light and haven’t looked back. They crashed through their highly melodic catchy Ramones like set. It was fun, but would have been more fun if there had been a pit of sweaty punks slamming. That goes for the Wax Idols set too. Hopefully if both bands keep at it they’ll start to draw enthusiastic crazy tatood punks the way the Spits and Thee Oh Sees do.

Stream: Terry Malts – Something About You (from the 7 inch on Slumberland)

The first band of the night was Seattle’s Wimps. Wimps are pretty new (so new they don’t even have a web site), but the band is made up of veterans. Singer and guitarist Rachel Ratner also fronts the duo Butts and is a member of Partman Parthorse. Bassist Matt Nyce is in Consignment who have just released their first album on GGNZLA. I don’t know if drummer Dave Ramm has another current band but he was a former drummer for the Intelligence, which is kind of like saying he was a former guitarist in the Fall. Wimps kind of sound like Ratner’s other band Butts mainly because she sings and plays guitar in both, but Wimps aren’t as jokey. Super catchy short punk songs with crisp guitar that sounds like it is influenced by early 80’s Dischord records. Good stuff.

I didn’t stick around for all of the final band Dude York. They’re from Seattle too. Their first song was called Fuck City and it occurred to me while they were playing it that Fuck City is a much better name for a band than Dude York. They kind of reminded me of Too Much Joy with their jokey banter and revved up power pop.