Here’s to the folks who scour the internet for hidden beauties like this album from Melbourne, Australia’s Glaciers! Living Right is a fine piece of jangly goodness that deserves a wider audience. It came out last year on bandcamp, but has recently been released on vinyl by new Spanish label Meritorio Records.
The eleven songs on Living Right evoke the Railway Children and early records by their fellow countrymen the Church. The songs have an easy, mellow vibe that is slightly melancholy but brilliant and breezy. With only one record, these youngsters have plunked themselves right into the long lineage of shimmering jangle pop bands, many of which are long forgotten by most folks. Thankfully there are bands in far off corners of the world who still make this beautifully sublime kind of thing and others who feel it necessary to press it onto vinyl.
Buy a download or record of the Glaciers’ Living Right from Meritorio Records.
The first Tender Age single reminded me of Felt’s Ignite the Seven Cannons. it was methodically austere and moody. The Portland band are back with their second single that shows them tweaking things just a little to deliver a warmer and more ethereal sounding record. In other words they’ve turned up the shoegaze dials on the guitars. It’s still good, but different from their first single and veers into the same sonic territory as the Wildhoney album from earlier this year. It also begs the question, how many more records do I need to buy that sound like My Bloody Valentine, Chapterhouse and Slowdive? I guess one more wouldn’t hurt.
You get the vinyl or download from SINIS Recordings bandcamp page.
It seems as though Baltimore has had a minor outbreak of excellent indiepop bands. You might remember the recent singles from Wildhoney and the EP from Expert Alterations? Get ready to add another band to the contagion. Crimson Wave have just released their debut 7-inch single on Accidental Guest records. The A-side Say has a detached melancholy that rides over you the way Scrawl did on records like Velvet Hammer and Smallmouth and an infectious quality in the vein of Bleached. On the flip side Calling You the guitar playing has a pace and sense of space that also brings to mind more languorous side of Felt. For a first single, this is subtle,accomplished and compelling stuff!
stream & buy: Crimson Wave – Say 7″
The Pale Lights debut album Before There Were Pictures was recorded by at Marlborough Farms by Ladybug Transistor’s Gary Olson. Head Pale Light Philip Sutton who has been in Comet Gain and more recently the Soft City, employs the help of Crystal Stilts bassist Andrew Adler to play guitar and solicits the talents of the Stilts Kyle Forester for some keyboard flourishes. Come to think of it, is is nearly a Cinema Red and Blue reunion minus Comet Gain’s David Feck.
Sutton who was also the Cinema Red and Blue drummer gets out from behind the drums and is front and center with his jangly guitar and friendly croon. The album picks up where their four song self-titled EP from 2012 left off. The album breezes into the room like a long forgotten friend. The elegant maudlin pop that the band excels at evokes bygone classics like Felt, Brilliant Corners, Lloyd Cole and Biff Bang Pow! Like an old friend, you feel like you already know these songs and you kind of do if you are a fan of these other bands. If you don’t it’s time to make a new friend. Say hello to the Pale Lights!
stream & buy: Pale Lights – Before There Were Pictures
Los Angeles’ Dream Boys remind me of time not long ago when the first Tyde album came out. I was surprised how a band from Los Angles were able to sound like direct descendants of Felt. Back then when record stores were the only place you could buy music there was what’s called an import section and a certain American record buyers would search that section out because that was where all the best jangly pop stuff came from.
I doubt that Dream Boys peruse the import section of their local record store. Is there a record store these days that even has an import section? In fact you could argue that they don’t need an import section for their influences. Their own back yard is overflowing with potential inspirations. The Paisley Underground scene of the 80’s and of course the ground zero of everything that is jangle the Byrds. Dream Boys have two songwriters one favoring the UK flavor, the other seems to prefer the LA flavor. So you get the best of both worlds here.
Whether you dig the sounds of the Tyde, Bif Bang Pow, Long Ryders, the Bluebells, Close Lobsters, Felt, the Three O’clock or the Byrds there is something for you on this album. It will remind you of any of the above, or it may make you search out some of those bands to find out how Dream Boys got here. No matter the direction of your approach, this exceptional album will satisfy. Guaranteed!
stream: Dream Boys – Sworn (from the self-titled album out on Art Fag)
You can stream the entire album at Art Fag’s soundcloud page and check out the video for the song Born Yesterday below.
Mark Monnone, former Lucksmiths bassist, who usually wrote a handful of songs for each Lucksmiths album, and sometimes provided his services to the genre-hopping Still Flyin‘ has just released his first solo album, beating his former Lucksmith mates to the record bins. He’s going by Monnone Alone, but really he’s not alone. Actually it’s quite crowded.
Together at Last was recorded over the course of a few years, and employs the help of number of notable players including Linton of the Aislers Set, Hamish Kilgour of the Clean and Mad Scene, Kyle Forester of Crystal Stilts, Ryan McPhun of Ruby Suns and Gary Olson of Ladybug Transistor. Some of the record was recorded in Olson’s bucolic sounding studio Marlborough Farms which I understand is not a farm in the sense of growing food, but more like a basement lab growing music.
Monnone’s first solo album stays firmly in Lucksmiths territory, good songs, some slightly silly lyrics, a few serious lyrics and a general good time. He also finds some new inspiration and stretches out a bit to ensure that it doesn’t sound like a total retread. Echoing Days has a distinct Felt sounding guitar lead. Sunset Video Project is a trans-like song that has some obvious German influences and on mildly funky Business World Monnone he kind of sounds like Joe Strummer. Ricochet is pretty duet with Bec Rigby of the Harpoons and he includes an obscure indiepop cover, the Bartlebees‘ When You’re Happy You Won’t Understand.
The record will most definitely ease any pain Lucksmiths fans may still be having from there not being a Lucksmiths anymore. In fact anyone lamenting that band’s demise, need lament no longer because Monnone Alone is a record that will fill that empty space left by by the dissolution of his former band.
stream: Monnone Alone – The Westerly Whip (from Together At Last out on Lost and Lonesome)
You can read Mark’s track by track run down of his record over on Mess and Noise, and be sure to watch Mark as a rowboat captain in the video for the song the Business World.
Erudite Pop Dude #1: Nobody probably remembers the Brilliant Corners. Surely one of the greatest forgotten bands of the past 30 years.
Erudite Pop Dude #2. Felt was better.
EPD #1. Felt are so mainstream. Go to Tumblr and you can’t click without seeing some old picture of them.
EPD #2. For good reason they were brilliant.
EPD #1. Yeah right. Train above the City is so vital. Felt albums are like a bobbing for apples. Give me the consistent quality of the Brilliant Corners blissfully cloaked melancoly
EPD #1. I wish there was a band or two today that was consistently unpredictable.
EPD #2. Wouldn’t that make them predictable?
EPD #1. Fine, how about a new band that could combine Felt acumen with a Brilliant Corners appreciation?
EPD #2. You mean like Pale Lights?
stream: Pale Lights EP (order the 7-inch from Calico Cat)